A 9ct yellow gold ruby and diamond set three stone ring, the central ruby approx 0.5ct, flanked by two small round brilliant cut diamonds, size P, and a 10ct yellow gold Ku Klux Klan badge, modelled as a skull with crossed keys and enamelled 'KKK' decoration, 1 x 1cm, combined approx 4.5g (2).
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JAR: A PAIR OF RESIN 'TICKLE ME FEATHER' EARCLIPSOf stylised feather design, in purple resin and 18K gold, signed JAR, numbered, with maker's mark, French assay mark, with maker's pouch, length 6cmJoel Arthur Rosenthal is one of the most exclusive and sought-after jewellery designers in the world, and yet, he remains a mystery to many. Founder of JAR, Rosenthal is known for his reclusive nature and limited production, making his creations highly coveted. His boutique in Paris's prestigious Place Vendôme doesn't advertise its presence with flashy signage or displays. Instead, the doors open only to a select few, such as Princess Caroline of Monaco, Ann Getty, Marella Agnelli and Princess Firyal of Jordan, ensuring that his work stays reserved for an elite clientele. A New York City native, Rosenthal never intended to enter the world of jewellery. After graduating from Harvard with a degree in art history and philosophy, he moved to Paris and opened a needlepoint shop. Though his business began slowly, his experiments with unusual colours of yarn attracted the custom of designers for Hermès and Valentino. It was through one of these clients, who asked him to design a mount for a gemstone, that Rosenthal's path toward jewellery design was set in motion. His growing fascination with fashion led him back to New York, where he worked at Bulgari's Fifth Avenue store. However, it was his love for gemstones that eventually drew him back to Paris in 1977, where he and his partner, Swiss psychiatrist Pierre Jeannet, opened an exclusive boutique. While JAR's name remained relatively unknown outside of Paris for years, his 2002 exhibition at London's Somerset House showcasing 400 of his pieces brought his work to global attention. A perfectionist, JAR shuns mass production and commercial trends, opting instead for an almost secretive, highly selective approach. This dedication to artistry and exclusivity culminated in a major retrospective at the Metropolitan Museum of Art in 2013, making him the first living jeweller to be honoured with a solo exhibition there. JAR's designs are celebrated for their daring use of unconventional gemstones, materials and striking colour combinations. His jewellery, often inspired by nature, transforms ordinary elements such as flowers, butterflies, and wildlife into intricate works of art. His mastery of materials like titanium and aluminium, paired with his innovative ombré colour schemes, adds a modern, sculptural quality to his pieces. Each piece is meticulously handcrafted, with only 70 to 80 jewels created annually, ensuring both exclusivity and a sense of personal connection with each client. One of her notable clients is Ellen Barkin, who in December 2006, after Revlon mogul Ronald Perelman blindsided her with divorce papers, turned the tables by selling her world-class jewellery collection at a Christie's auction in New York. The jewels, all gifts from her ex, included pieces once owned by the Duchess of Windsor and Doris Duke, but it was her 17 JAR pieces that stole the show. Highlights included a 22.76-carat thread ring and her favourite topaz, ruby, and diamond earrings, which she wore to the 2005 Vanity Fair Oscars. The auction reached $20 million, with JAR pieces such as diamond bangles and a diamond ring each surpassing $1 million. Ellen didn't just sell jewellery but a story of revenge and unapologetic glamour. JAR's influence on the jewellery world is profound. His work, blending antique techniques with modern sensibilities, has inspired a new generation of jewellers and helped re-establish high jewellery as a true art form. For nearly half a century, Joel Arthur Rosenthal has remained an elusive figure in luxury jewellery, letting his creations speak for themselves with unmatched artistry and vision. Condition Report: For non pierced ears - with good tensionBoth numbered 29Minor signs of wear, overall in good conditionTotal gross weight approx. 17.9g
BULGARI: A FINE RUBELLITE, RUBY AND DIAMOND RINGOf bombé design, centring an oval-shaped rubellite weighing approximately 15.00cts, the mount decorated with geometrical pattern pavé-set with brilliant-cut diamonds and calibré-cut ruby cabochons, mounted in 18K gold, signed Bvlgari, ring size M Condition Report: Tourmaline: dimensions approx. 20.42x13.55x8.54mm - approx. 15.00cts total, of purplish-red hue, medium tone, good transparency, facets are smoothDiamonds: bright and lively - estimated clarity VSRubies: of red hue, medium to dark tone, overall well matchedSigned Bvlgari inside hoop underneath gallery and 750 for 18K inside hoopWith 'S' stamped on the outside of the hoopMinor signs of wear, overall in good conditionTotal gross weight approx. 18.9g
BULGARI: A RUBY DRESS RINGThe bi-coloured bombé and reeded mount centring an oval-shaped ruby cabochon, within collet-setting, mounted in 18K white and yellow gold, signed Bvlgari, Italian registry mark, with maker's case, ring size L Condition Report: Ruby: of purplish-red hue, translucent, minor nick visible under 10x magnification, inclusions visible under a bright light sourceStamped CM 3.92 (ruby weight), signed Bvlgari, Italian registry mark, stamped 750 for 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 11.1g

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52630 item(s)/page