We found 4650 price guide item(s) matching your search

Three silver charm bracelets together with other silver and white metal jewellery, Ruskin brooch and similar buttons/pottery panels

Ruskin Pottery, seven various Souffle glazed buttons, hexagonal form, blue and green colours, including three pairs, one attached to original sales card, stamped marks to some, 3cm diameter (7)

Ruskin Pottery, two Crystalline glazed vases, 1931, gourd and bulbous forms, banded in blue and cream, impressed marks, 15.5cm high (2)

Ruskin Pottery, four plaques, including a sang de boeuf flambe High Fired roundel, a pair of Souffle glazed hearts in blue and green and a similar smaller heart, 7.5cm diameter (4)

Ruskin Pottery, four Souffle glazed roundels and a large button, curdled turquoise and blue glazes, one on original sales card, otherwise unmarked, 5.5cm diameter (5)

Ruskin Pottery, a Kingfisher Lustre vase, 1917, shouldered form with everted rim, orange skin texture, impressed marks, 31cm high

Ruskin Pottery, a Lustre glazed vase, 1922, narrow necked bulbous bottle form, mottled orange over yellow, impressed marks, 19.5cm high

Ruskin Pottery, six various Souffle glazed roundels, circular form, including curdled blue green, lavender semi flambe, turquoise etc., stamped marks to some, 7.7cm diameter (6)

Ruskin Pottery, a green lustre fruit skin glazed scent bottle, circa 1920, bulbous form with knopped stopper, impressed marks, 15cm high

Ruskin Pottery, a Crystalline glazed vase or lamp base, circa 1920s, octagonal bracket footed form, panelled and dimpled, ochre and orange glaze, impressed marks, 24.5cm diameter

Ruskin Pottery, an experimental or trial High Fired small bowl, circa 1910, green oxide speckled with a curtain of red sang de boeuf flambe, painted number /14, 5cm diameter

Ruskin Pottery, a Souffle type fruit skin glazed bowl, 1924, shallow footed form with everted rim, mottled ochre over rust, impressed marks, 31cm diameter

Ruskin Pottery, a Kingfisher lustre vase, circa 1916, squat bulbous form, impressed marks, 9.5cm high

Ruskin Pottery, two Lavender lustre vases, 1921 and 1922, one of should form, the other of conical onion bottle form, impressed marks, 27cm high (2)

Ruskin Pottery, a yellow lustre glazed pedestal bowl, 1923, double ogee chalice form, impressed and printed marks, 20.5cm diameter

Ruskin Pottery, a Kingfisher lustre vase and cover, 1918, shouldered form with shallow domed lid, impressed marks, 11cm high

Ruskin Pottery, a large Kingfisher Lustre glazed vase, 1920, bulbous double gourd form, impressed marks, 31cm high

Ruskin Pottery, a graduated set of three miniature Crystalline glazed vases, circa 1930, each of gourd form, ochre and blue banded, impressed marks, sticker to one, 3cm to 4cm high (3)

Ruskin Pottery, a Crystalline glazed vase or lamp stand, circa 1920s, octagonal bracket footed form, mottled blue grey over streaky brown, impressed marks, inner diameter 16cm, 26.5cm diameter

Ruskin Pottery, three Crystalline glazed vases, 1931 and 1932, shouldered and ovoid forms, banded in blue and cream, impressed marks, 11.5cm high (3)

Ruskin Pottery, two miniature Crystalline glazed vases, circa 1930, including a ginger jar and cover and a mortar type vase, impressed marks, 4cm high (2)

Ruskin Pottery, a pale blue lustre glazed vase, 1924, trumpet necked bulbous form, hares fur type glaze, impressed marks, 19.5cm high

Ruskin Pottery, a set of four Souffle glazed heart shaped plaques, each in graduated green glaze, stamped marks, 3.8cm (4)

Ruskin Pottery, a Vine painted Souffle glazed candlestick, 1905, splayed trumpet form with poppy head sconce, sage green with knotted foliate tendril decoration, impressed marks and scissor mark, 15cm high

Ruskin Pottery, a set of four Souffle glazed buttons, circular with attachment loops to the back, in curdled blue over green, 2.5cm diameter (4)

Ruskin Pottery, three Lavender Lustre vases, circa 1921, including eggshell footed beaker, a shouldered vase and a trumpet necked bulbous form, impressed marks, 16cm high (3)Note: beaker from the Wade Collection, Sotheby's 8th November 2002, lot 334

Ruskin Pottery, two High Fired heart shaped plaques, red sang de boeuf flambe, one with green oxide and purple speckles, both mounted on wooden backings, 12cm wide (2)

Ruskin Pottery, a Crystalline glazed pot and cover, circa 1930, circular form with bun finial, blue matt over grey gloss, impressed marks, 11cm diameter

Ruskin Pottery, four Souffle glazed heart form plaques, various glazes including pink hares fur, curdled and marbled blues and greens, stamped WHT monogram to one, 7cm (4)

Ruskin Pottery, a Souffle fruit skin glazed vase, 1906, baluster form, lime green over yellow, impressed marks, 19.5cm high

Ruskin Pottery, a Souffle Lustre lamp base, 1927, inverse baluster form, curdled blue over ochre, impressed marks, 32cm high

Ruskin Pottery, a collection of ten various Souffle glazed buttons, triangular form, in different blue and green glazes, 2cm (10)

Ruskin Pottery, a set of four Souffle glazed buttons, circular with pierced holes, in curdled blue over green, 3.2cm diameter (4)

Ruskin Pottery, a set of four Souffle glazed buttons, lozenge form, marbled blue green, impressed marks, 4.5cm long (4)

Ruskin Pottery, a small High fired dish, 1927, red and purple sang de boeuf over dove grey, impressed marks, 8cm diameter

MICHAEL CARDEW C.B.E. (BRITISH 1901-1983) AT WENFORD BRIDGE POT WITH LID impressed maker’s and pottery mark, stoneware, with cobalt and iron decoration 9cm high, 9.5cm wide (3 ½in high, 3 ¾in wide) Ruskin Decorative Arts, Stow-on-the-Wold, 1999;Collection of Professor John Chambers.

A studio pottery Ruskin style high fired vase, in blue and purple flambé glaze, 11.5cm high

Arts & Crafts Ruskin Pottery low green footed bowl. Impressed marks include "Ruskin"Approx. 19.8cm rim diameter and 6cm high

Two Ruskin pottery orange lustre glazed vases, both dated 1920, the first of cylindrical shape with flared rim, height 30cm, the second of high-shouldered form with cylindrical neck, height 31cm, impressed marks to bases (faults).

1 Medium size Ruskin blue centered guild style button. This hand hammered silvered button is centered with a turquoise blue pottery inset typical to Ruskin pottery of the times. The button is unmarked but attributed to the Guild buttons which were made during the early part of the 20th century. The Arts and Crafts movement in England was characterized by a number of guilds including the Guild of Handcrafts. This button typically found in a large size is normally backmarked and therefore we have attributed this harder to find medium size to the Guild. A beautiful example!Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Note: Antique buttons may show wear. Significant issues are noted, but shanks and backs on multi-button cards are not guaranteed. Contact us for details.

RUSKIN POTTERY HIGH FIRED LONG NECKED BOTTLE VASE, with purple and red body fading to grey on the neck, impressed marks to underside, possibly by William Howson Taylor, 26.5cms (h)Provenance: deceased estate Denbighshire

A pewter octagonal mirror frame in Arts & Crafts style, circa 1900; the broad fascia repousse worked with stylised dragons, with Ruskin style glazed pottery eyes; (lacking mirror plate); 55cm high, 45cm wide

A Ruskin Pottery kingfisher blue high-fired Ginger Jar, of bulbous form and cover in iridescent glaze, impressed marks to base, dated 1917, H 20.5cm. Hairline crack to cover

A Ruskin Pottery High Fired jar, of compressed ovoid form, purple over sang de boeuf glaze, the associated planished silver cover with green crystalline cabochon finial, by A E Jones, Birmingham 1909, overall height 7cm.

Ruskin, a Ruskin Pottery large globe and shaft early 20th Century High Fired speckled vase in a sang de boeuf glaze with green highlights. Mottled Green and Purple Oxide. Impressed Ruskin England mark to base. Height 35cm.

An Amber Brooch in a precious white metal setting (46.7x22.4mm, 8.35g, Ruskin pottery brooch (A/F), Limoges brooch, etc.

A Collection of antique and vintage brooches; Palestine marked brooch with fitted green centre stone. Ruskin pottery green and pewter round form brooch. Victorian Silver and citrine gem stone brooch. Silver round form brooch. Silver and Marcasite branch brooch. Silver Celtic design and large citrine gem stone brooch. Large Victorian Scottish agate and white metal plaid brooch. Two vintage faux pearl necklaces and various other brooches.

Five Ruskin Arts and Crafts glazed pottery cabochons, three others similar and a Wedgwood Jasper Ware panel.

A Ruskin Pottery Souffle bowl, footed form, covered in a plum glaze, with painted foliate band to rim, two Pilkington's Royal Lancastrian vases by Gladys Rogers, another Pilkington's vase and a small Royal Doulton Flambe vase unsigned 11cm. diam. (5)ProvenanceThe collection of Rosslyn Hill.

RUSKIN POTTERY HIGH-FIRED VASE, 1924 impressed RUSKIN ENGLAND 1924, flambé ox-blood and purple glaze, stoneware 27.5cm high (10 7/8in high) Kingham & Orme 3-6 December 2020, lot 1022 What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED VASE, 1922 impressed RUSKIN MADE IN ENGLAND 1922, ox-blood glaze, stoneware 20.5cm high (8 1/16in high) Kingham & Orme, 3-6 December 2020, lot 1029 What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED VASE, 1910 impressed RUKSIN POTTERY 1910, flambé sang de boeuf glaze, stoneware 24.5cm high (9 5/8in high) What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY SIX GINGER JARS AND COVERS, 1913-1925 impressed RUSKIN ENGLAND and dates 1925, 1913, 1920, 1921, 1922 and 1922 respectively, lustre glazed stoneware (12) 21cm high (8 ¼in high) and smaller What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY FIVE VASES, EARLY 20TH CENTURY each with impressed factory marks, to include; a LARGE LUSTRE VASE, dated 1924, 25.3cm high (10in high); a SHOULDERED VASE, with floral decoration, dated 1906, 19.6cm high (7¾in high); a BLUE LUSTRE VASE, circa 1920, 15.7cm high (6¼in) high; a PINK LUSTRE VASE, dated 1922, 16cm high (6¼in high); a BALUSTER VASE, dated 1906, 14.5cm high (5¾in high), lustre-glazed stoneware (5) What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY THREE VASES, CIRCA 1920 each stamped with manufacturer's marks, the taller green vase stamped 1922, glazed earthenware (3) 28cm high, 24cm high and 24cm high (11in high, 9 ½in high and 9 ½in high)  The taller green vase Ex-W. Howson Taylor Collection. What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED BALUSTER VASE, 1906 impressed RUSKIN POTTERY WEST SMETHWICK 1906, lavender glaze, stoneware 18cm high (7 1/16in high) What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY THREE VASES, CIRCA 1920 each with impressed marker's marks, to include; a YELLOW TWIN HANDLED VASE, 25cm high (9 ¾in high) ; a WHITE TWIN HANDLED VASE, dated 1927, 25.5cm high (10in high); a BULBOUS CRYSTALLINE GLAZED VASE, 20.4cm high  (8in high), stoneware (3) What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED VASE, 1916 impressed RUKSIN ENGLAND 1916, ox-blood and lavender glaze, stoneware 20.3cm high (8in high) What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY VASE, 1932 impressed RUSKIN ENGLAND 1932, crystalline glaze, stoneware 14cm high (5 ½in high) William Howson Taylor Collection; Ferneyhough Collection, no. 464Victoria and Albert Museum Exhibition of Ruskin Pottery, 1975, no. 68Birmingham Museum and Art Gallery no.116Richard Dennis Collection, Kinghams, 21 June 2021, lot 21 What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED VASE, 1906 printed RUKSIN POTTERY WEST (..obscured) 1906, streaked flambé glaze, with speckling, stoneware 18cm high (7 1/16in high) Anthony Cross Collection, Kinghams, 2021, lot 47 What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed.