A collection of approximately twenty-five assorted ceramic figures and ornaments, including three Nao figures, one of young girl with basket, another of young girl with books, and a further example, height of tallest 27.5cm, a Lladrό figure of a clown, height 21.5cm, a Beswick figure of a cat and three Beswick figures of birds, height of tallest 14.5cm, Goebel German ceramic figure of a blue tit, height 9.5cm, Royal Doulton figure of a lady, 'Fair Lady', height 18.5cm, two white glazed porcelain busts by David Sharp for Rye Pottery, a Staffordshire figure of a dog, two Continental ceramic figures of ladies, two figures of cats, etc.
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A Rye Pottery footed bowl, together with a Mabel Lucie Attwell mustard pot CONDITION REPORT In our judgement, condition of lot is good. Dimensions:Major axis of Rye Pottery bowl, 19cmMinor axis of Rye Pottery bowl, 18cmHeight, 21cmOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself. To that end, we have provided a number of additional images to showcase the lot in further detail.
A GROUP OF RYE POTTERY AND OTHER ANIMAL FIGURES, comprising two Rye Pottery dogs wearing bow ties, height of largest 14cm, a Rye Pottery cat, penguin (restored), and tile painted with sailing boats (tiny chips on edges), together with a Sylvac chimpanzee (light crazing) and a black forest style carved wooden bear (one leg repaired, repairs and chip on one foot, some rubs (7) (Condition Report: see description, otherwise appear ok)
RYE POTTERY, a pair of pottery Staffordshire style flat back figures of golfers, printed mark to base, 26cm high, together with a similar figure group of hop pickers, a small vase with multi-coloured stripe decoration, a Cinque Ports Pottery jug, an Iden pottery pig with detachable head and two pieces decorated by Steve Duffy, to comprise a tea pot and cover and a plate, decorated with cockerels and chickens(8)
Biddy HOLDEN (1920-2017) Peacock Double linoprint, signed within plate, 37.5cm x 23.5cm, 50cm x 35cm framed. Bridget (Biddy) moved back from Egypt ti Rye, Sussex in 1923 and stated she was inspired by Paul Nash who lived there at the time. Pre-war, she had studied art in Paris and Florence and studied at The Slade. Biddy moved to North Cornwall with her husband, Dr John Holden, in 1947 to take over Delabole Medical Practice, where they remained for the rest of their lives. In her early years in Cornwall, Biddy painted mainly watercolours, before then moving onto other mediums including linocuts, printing and mixed media. She was keenly involved in the Cornish art scene and helped to found the Camel Art Society in Wadebridge and was involved also from the beginning in founding St Endellion Music Festival. She held and annual art exhibition at the North Cornwall Museum and Art Gallery in Camelford which was usually combined with a pottery exhibition by Michael Cardew or Svend Bayer. Biddy continued to exhibit and sell her artwork well into her nineties and her family are now happy to release a few of her remaining pictures to be sold in aid of her chosen charities. In-house postage to UK postcodes would cost £25.22.
Biddy HOLDEN (1920-2017) Two Peacocks Linoprint, signed within plate, 35cm x 27.5cm, 48.5cm x 37.5cm framed. Bridget (Biddy) moved back from Egypt ti Rye, Sussex in 1923 and stated she was inspired by Paul Nash who lived there at the time. Pre-war, she had studied art in Paris and Florence and studied at The Slade. Biddy moved to North Cornwall with her husband, Dr John Holden, in 1947 to take over Delabole Medical Practice, where they remained for the rest of their lives. In her early years in Cornwall, Biddy painted mainly watercolours, before then moving onto other mediums including linocuts, printing and mixed media. She was keenly involved in the Cornish art scene and helped to found the Camel Art Society in Wadebridge and was involved also from the beginning in founding St Endellion Music Festival. She held and annual art exhibition at the North Cornwall Museum and Art Gallery in Camelford which was usually combined with a pottery exhibition by Michael Cardew or Svend Bayer. Biddy continued to exhibit and sell her artwork well into her nineties and her family are now happy to release a few of her remaining pictures to be sold in aid of her chosen charities. In-house postage to UK postcodes would cost £25.22.
Biddy HOLDEN (1920-2017) Birds from Doorway, Kilpeck Church, Herefordshire Lithoprint, signed, 29.5cm x 19cm, 42cm x 32cm framed. Bridget (Biddy) moved back from Egypt to Rye, Sussex in 1923 and stated she was inspired by Paul Nash who lived there at the time. Pre-war, she had studied art in Paris and Florence and studied at The Slade. Biddy moved to North Cornwall with her husband, Dr John Holden, in 1947 to take over Delabole Medical Practice, where they remained for the rest of their lives. In her early years in Cornwall, Biddy painted mainly watercolours, before then moving onto other mediums including linocuts, printing and mixed media. She was keenly involved in the Cornish art scene and helped to found the Camel Art Society in Wadebridge and was involved also from the beginning in founding St Endellion Music Festival. She held and annual art exhibition at the North Cornwall Museum and Art Gallery in Camelford which was usually combined with a pottery exhibition by Michael Cardew or Svend Bayer. Biddy continued to exhibit and sell her artwork well into her nineties and her family are now happy to release a few of her remaining pictures to be sold in aid of her chosen charities. In-house postage to UK postcodes would cost £25.22.
Selection of mixed 20th century ceramics to include Joan De Bethel Rye pottery cats, Carlton Ware foxglove mug with lid, Coalport Girl Guides figurines, girl in bonnet figurine, porcelain lady curtain tiebacks, blackbird pie funnel, Beswick fox and Collie figurine, Carlton Ware Dunlop men, Staffordshire character thimbles, China doll heads pill boxes, etc (1 box)

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