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This exceptional 2-piece ensemble from Jil Sander showcases modern luxury and precise tailoring, blending refined minimalism with practical elegance. The grey jacket features a unique asymmetrical double-breasted button closure, adding an architectural edge to its softly structured silhouette. Crafted from a fine wool blend, it boasts functional patch pockets and buttoned cuffs, maintaining a clean yet sophisticated aesthetic. Accompanying the jacket is a warm camel-brown corduroy belted coat, defined by its casual-chic approach. Designed with a classic collar and buttoned front, it features a self-tie belt that cinches the waist for a flattering fit. Spacious flap pockets and a structured shoulder give it a timeless feel while maintaining the brand's signature understated sophistication. Both pieces are Italian made and labeled as Jil Sander, renowned for its commitment to luxurious materials and impeccable tailoring. Size 38, this set exudes modern European style, perfect for elevating any wardrobe with effortless versatility.Issued: c. 1980Dimensions: Approximately: 24 and 27"LCondition: Age related wear.

A refined set of four designer women's wardrobe staples including: 1) a pair of elegant black high-rise trousers by MaxMara, made in Italy, in size IT 42 / US 6, constructed with a smooth stretch blend of triacetate and polyester for a polished silhouette; 2) a pair of tailored light gray pleated trousers by Jil Sander, featuring a straight leg cut and minimalist construction in a lightweight wool blend, complete with buttoned rear pockets and signature clean finish, measures 40"L x 29"waist; 3) a dark indigo floral-embroidered Tomas Maier blazer size 6 with a 3-button closure, notched lapels, flap pockets, and a lined interior, offering subtle texture and contrast; and 4) a black textured knee-length pencil skirt measuring 25"L (paired with the Tomas Maier blazer on display), completing the professional ensemble. Each piece exemplifies modern tailoring with timeless appeal, perfect for building a luxury wardrobe.Issued: Late 20th centuryDimensions: See DescriptionCondition: Age related wear.

American, 1906-1975Untitled, 1962Signed and dated Sander 1962 on the reverseOil on canvas60 1/4 x 54 1/4 inches (153 x 137.8 cm)(Framed 61 1/4 x 55 1/8 inches)In overall good condition. There is minor rubbing with some associated scattered minor marks to the pigment at the edges. A few faint thin lines where the canvas is slightly raised, most notably one at upper center.In overall good condition. There is minor rubbing with some associated scattered minor marks to the pigment at the edges. A few faint thin lines where the canvas is slightly raised, most notably one at upper center.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Crossbody bag, Jil Sander. Kastanienbraunes Leder mit silberfarbener Prägung "Jil Sander". Magnetknopfverschluss, geflochtener Leder-Umhängerriemen. Innenmaterial schwarzes Leder. Innen ein flaches Haupt- und 3 Einsteckfächer. Kaum Tragespuren. Ca. 25x 27x 4 cm.

Shopper, Jil Sander. Stahlgraues Leder mit Blindprägung "Jil Sander", silberfarbene Hardware. Mittellanger Umhängerriemen ca. 2,5 cm, 2-Wege-Reißverschluss. Innenmaterial schwarze Baumwolle. Starke Gebrauchsspuren, Abrieberscheinungen am Leder und Kratzer. Ca. 46x 34x 17 cm.

Clutch, Jil Sander. Schwarzes Leder in Kroko-Optik. Umschlagklappe mit Leder-Schnürverschluss, flache Handschlaufe auf der Rückseite zum Tragen. Innenmaterial schwarzes Leder. Innen je ein Haupt- und separates Einsteckfach unter der Umschlagklappe. Keine Tragespuren. Ca. 25x 23x 2 cm. Beigegeben: Kleine Abendtasche. Schwarzes Synthetik in Flechtoptik. Magnetknopfverschluss, langer, geflochtener Stoffriemen. Altersspuren. Ca. 17x 12x 7 cm.

A VINTAGE CORONET 'THE MAJOR' WOODWORKING MULTI FUNCTION MACHINE, on a bespoke work bench, with table saw, lathe, belt sander, planer, etc total length 200cm, bench depth 55cm (PAT pass and working but attachments not checked)

A COLLECTION OF POWER TOOLS, including Wickes Professional drill, jigsaw and light, five working batteries, two chargers, two batteries that don't appear to charge, a Black and Decker sander, a Draper sander, a Bosch Xeo trimmer and a JCB and a Parkside screwdrivers etc (all PAT pass and working unless stated)

A WOLF ROUTER TABLE, with kill switch and mounted on a bespoke stand, a Wolf Router and a Parkside belt sander on bespoke stand and spare belts (3) (all PAT pass and working)

LOt to include a 330 mm circular saw, a sander and other. [W]

A quantity of sandpaper sheets, belts, clip on sander sheets, detail sander sheets and other. [W]

Lot to include a Parkside sander, soldering kit, extension cables and other. [W]

Wattierter Trenchcoat, Jil Sander. Obermaterial 55% Seide, 45% Viskose. Doppelreihig, Reverskragen, eingenähte Taschen mit Knopfverschluss, Rückenschlitz. Futter:100% Viskose. Made in Italy. L. Verfärbungen am Kragen und auf dem Rückenpartie unter dem Gürtel. Kleidergröße 40. Rücken-L. ca. 126 cm.

Jungblut, Johann (1860 Saarburg - Düsseldor 1912) Norwegischer Fjordlauf bei bewölktem Himmel. Öl/Lwd. (doubliert), li. u. mit Pseudonym sign. "J. Sander". 80x 120 cm. Rahmen (best.).

Two whitewood ring painted Tunbridge ware penners, comprising an example on circular box base, 7cms dia. at base, the other in four parts with sander to base and glass dip well to top, small old repair to chip on base rim, 11cms high.      (2)                                                                                                 From the Collection of Anne Wick

A fine burr yew wood, inlaid and print decorated Tunbridge ware writing, paint and sewing box, the sloping lid with an oval print of a lion and three cherubs within a Wise style gold, green and black painted border, and an outer line and crossbanded border. The sides in burr yew wood, each short side fitted with a drawer, one with paint cakes, mixing bowls, marble palette, glass ink well and sander, the other compartmentalised and lined in pink paper with various fittings including two removeable square boxes, three of four cylinder drizzling boxes, multiple reel, pin cushion, needle book, three whitewood cotton barrels and a pair of glass bottles with stoppers. Each drawer with Old Sheffield plate handle below a brass carrying handle, the lid interior in pink paper over a beige sloping writing surface, 36.5 x 31.5 x 15.5cms max.                                                                                                  From the Collection of Anne Wick

A small whitewood paint and print decorated Tunbridge ware writing box, of rectangular form, the plain sides with inlaid pointed oval escutcheon to the front. The domed lid with a rare circular print titled ‘Pafsage House, Severn’ within circular and oval borders and an outer painted border, the compartmentalised interior in original red paper with a screw top inkwell and sander mount, 13.5 x 7 x 5cms max.                                                                                                                                      From the Collection of Anne Wick

Two whitewood painted Tunbridge ware penners, comprising a circular box base example in four parts, the upper section in the form of a circular cottage to house an ink well over a sander, 6.8cms dia. at base, 11.5cms high, the other of cylinder form in three parts with ink bottle, the case with black on green pointed oval label ‘A Tunbridge Wells Gift’, 10.6cms.     (2)                                                                                                  From the Collection of Anne Wick

Arentz, Kurt Emil Hugo (1934 Köln - 2014 München, deutscher Bildhauer für Porträtbüsten und Tierskulpturen, lebte und arbeitete in Leverkusen), "Großer Pinguin", Bronze, signiert, datiert und nummeriert Kurt Arentz 1992 3/10, 91 cm hoch, etwa 56 kgBereits in seinen ersten bildhauerischen Versuchen im Volkshochschulkurs bei Ernemann Sander zeigt Arentz ein starkes Interesse an Tierskulpturen. Während er zu Beginn einige Versuche mit weiblichen Aktdarstellungen unternimmt, entstehen schon bald im Laufe der ersten Monate auch kraftvolle Stierplastiken.Arentz' umfassende Kenntnisse der tierischen Anatomie und seine Fähigkeit, „durch das Fell“ zu denken, kommen in der präzisen Darstellung des Tieres deutlich zum Vorschein. Über sein gesamtes Werk hinweg fertigt Arentz Tierskulpturen stets ohne vorherige Skizzen oder Studien an. Er arbeitet direkt, intuitiv und mit großer Sicherheit.Arentz, der oft von der „Schönheit der Schöpfung“ spricht, zeigt in seinem Werk ein klares Verständnis von Hierarchien: Der Mensch steht über der Schöpfung und trägt Verantwortung für das, was ihm anvertraut wurde. Anders als in seiner früheren Tätigkeit als Metzger, wo er die Nutzfunktion der Tiere betont hätte, stellt er nun den Menschen in den Mittelpunkt, der die Verantwortung für das Leben und die Tiere anerkennt.

Sander, Ernemann (Leipzig 1925 - 2020 Bonn, ab 1955 in Bonn tätiger Bildhauer, v.a. figürliche Plastik, weibliche Akte u. Tiermotive),"Entkleidende", Bronze, monogrammiert ES, 13 cm hoch

A boxed Asturo air paint spray gun, two packs of Steadfast hacksaw blades, a boxed DeWalt DC988 18vbattery drill with two batteries and charger, a Black and Decker KC2000F 12V combination tool station to incvlude drill, sander and jigsaw also, two NuPower 24v battery drills with batteries and charger.

SIP 4" x 6" belt disc sander from a house clearance 

Makita sander and jigsaw from a house clearance 

SIP bandsaw with disc sander from a house clearance 

AN ASSORTMENT OF TOOLS TO INCLUDE AN ANGLE GRINDER, BOSCH JIGSAW AND AN ELECTRIC SANDER ETC

FOUR POWER TOOLS TO INCLUDE A BOSCH PALM SANDER AND A MAKITA ROUTER

AN ASSORTMENT OF POWER TOOLS TO INCLUDE A BOSCH SANDER AND WOOD PLANE ETC

AN ASSORTMENT OF POWER TOOLS TO INCLUDE A BLACK AND DECKER PALM SANDER, A BOSCH JIGSAW AND A CORDLESS BOSCH DRILL ETC

AN ASSORTMENT OF TOOLS TO INCLUDE A DUROFIX CORDLESS DRILL, A FINGER SANDER AND A PLIER SET ETC

AN ASSORTMENT OF ITEMS TO INCLUDE WIRE ROPE, A BISCUIT JOINTER AND AN ELECTRIC SANDER ETC

Tooltec Belt & Disc Sander 375W and a bench grinder (2).

West Indian Interest, a George III travelling inkwell with pounce pot and sander in the base, the base is engraved; ''The Gift of Samuel Kirshaw D.D. to Thomas Cockburn Esqr. in Acknowledgement of his Good care of his Affairs in Jamaica 1770.', apparently unmarked, height 8.7cm approxNote: Dr. Samuel Kirshaw was the son of Dr. Richard Kirshaw, educated Katharine Hall, Cambridge, B.A. 1727, M.A. 1731, D.D. 1740. 1736 succeeded his father as Rector of Ripley, Yorkshire; elected Vicar of Leeds in 1746 but litigation over the election prevented his taking up the post until 1751. He died, aged 80, in 1786.Thomas Cockburn was a lawyer in Jamaica - who evidently acted on behalf of Kirshaw in the island.

A SELECTION OF POWER TOOLS including a Workzone 14.4v drill with charger and one battery, a Challenge Xtreme 18v drill with two batteries and charger, a Weller soldering station, a Black and Decker planer, a Power Devi heat gun and a Skil sander (all PAT pass and working) (6)

Lot to include a Powercraft Circular Saw, model PCCS/06 1619, a Belt Sander and a quantity of screws, screw hooks, locks and similar. [3]. [W]

A Myford hobby lathe, with motor, together with a Draper belt and disc sander, and a Makita 110V industrial vacuum

Two boxes of angle grinder blades, saws, sander, etc.

A pair of Gil Sander sandals size 5 unauthenticated

A COLLECTION OF POWER TOOLS, comprising a DeWalt DC725 18v drill with case, two discharged batteries but no charger (untested) a Makita BO4552 palm sander, a Bosch 1181.0 hammer drill, a Burgess engraver, a Champion router (switch doesn't latch on), a vintage Black and Decker drill, a tile saw and an electric sprayer (untested) (all PAT pass and working unless stated)

A COLLECTION OF POWER TOOLS, including a Bosch Professional sander (PAT fail due to uninsulated plug), circular saw and belt sander (doesn't appear to work) and an AEG hammer drill (all PAT pass and working unless stated) (4)

Cased work sander, untested

Boxed Bosch PSS 230 sander, untested

Selection of air tools to include Powercraft nibbler, Bosch sander, Snap on wrench plus adapters

August Sander, Der WeiseSpäterer Gelatinesilberabzug von Gunther Sander. 25,6 x 19 cm (30,4 x 23,8 cm). Rückseitig mit Photographenstempel. - Unter Passepartout montiert.ProvenienzLunn-Gallery, New York; Galerie Clairefontaine, LuxemburgLiteraturDie Photographische Sammlung/SK Stiftung Kultur, Köln (Hg.), August Sander. Menschen des 20. Jahrhunderts, Bd. 1: Der Bauer, München u.a. 2002, S. 47 mit Abb. (I/ST/4); Inka Graeve/Ann und Jürgen Wilde (Hg.), Mechanismus und Ausdruck. Die Sammlung Ann und Jürgen Wilde, Ausst.kat. Sprengel Museum Hannover u.a., München 1999, S. 64 mit Abb.

Konvolut Griffelkunst, bestehend aus: MOHOLY-NAGY, László, , „Ohne Titel (Blumenfotogramm)“, Fotografie, Fotogramm, Blatt: 40,0 x 30,0, Motiv: 27,1 x 19,9. Hersteller Margotow-Archiv, Wahlershausen, 1995 278 A 5. MOHOLY-NAGY, László, „Ohne Titel (Akt positiv)“, Fotografie, 1931, Blatt: 40,3 x 30,5, Motiv: 28,0 x 20,0, 1995 E 215. MOHOLY-NAGY, László,"Rothenburg", Fotografie, 1925, Blatt: 29,0 x 39,0, Motiv: 17,5 x 24,5, 1983 E 116. MOHOLY-NAGY, László, „Licht-Raum Modulator“, Fotografie, Berlin 1930, Blatt: 30,0 x 24,0, Motiv: 24,8 x 18,8, 2005 317 A 1. PRÉVOT, Marthe, "Daphné", Original-Photographie, 1955, Blatt: Motiv: 23,5 x 17,8, 1982, 228 B 2. Zwei Arbeiten: RAY, MAN, "Erotique voilée", Fotografie, 1933, Blatt: 30,5 x 24,0, Motiv: 26,7 x 19,0, Papier Agfa Record-Rapid, 1991, Rückseite Nachlass-Stempel "Copie d´une epreuve originale ADAGP Man Ray Trust", "einmalige Auflage für die Griffelkunst 1991", Griffelkunst 261 C 4. RAY, MAN, "Rayograph" Photographie, Direktbelichtung, 1922/78, Blatt: 29,4 x 22,4, Motiv: 29,4 x 22,4, auf grauem Karton montiert, 212 A 6. ROH, Franz, „ohne Titel ("Sitzender Akt mit Kamm"), Fotographie aus dem Nachlass, 1922-1928/1999, Blatt: 30,0 x 24,0, Motiv: 24,9 x 17,1, 1999, 293 A 4. Stempel Rückseite "einmalige Auflage für die Griffelkunst aus dem Nachlass Franz Roh (1890-1965), München“. Zwei Arbeiten: RODTSCHENKO, Alexander, "Der Hochspannungsmast", Photographie, 1927, Blatt: 17,8 x 23,8, Motiv: 17,8 x 23,8, 1987, Rückseite Nachlass-Stempel, Griffelkunst Hamburg 245 B 10. RODTSCHENKO, Alexander, „Die Eisenbahnbrücke", Photographie, 1925, Blatt: 17,7 x 23,7, Motiv: 17,7 x 23,7, 1987, Rückseite Nachlass-Stempel, Griffelkunst Hamburg 245 B 2. SALOMON, Erich,„Marlene Dietrich telefoniert von Hollywood aus mit ihrer Tochter in Berlin“, Photographie aus dem Nachlass, 1930, Blatt: 24,0 x 30,5, Motiv: 19,7 x 26,6, "einmalige Auflage für die Griffelkunst“ Stempel Rückseite Bildrechte Bildarchiv Reußischer Kulturbesitz, 2001, 301 A6, zwei Arbeiten: SANDER, August,"Der Dadaist Raoul Hausmann, Berlin 1928", Fotografie aus dem Nachlass, montiert auf gelblichem Karton, 1928, Blatt (Karton): 44,0 x 38,7, Motiv (Foto): 25,3 x 17,8, 1983, Rückseite Stempel rechts unten "László Moholy-Nagy Griffelkunst" Copyright 1986 August Sander-Archive, 51 Greene St., New York, NY 10013, 247 C 1. SANDER, August,"Der Maler Anton Räderscheidt“, Köln, 1927, Fotografie aus dem Nachlass, montiert auf gelblichem Karton, 1927, Blatt (Karton): 44,0 x 38,7, Motiv (Foto): 25,3 x 18,3, 1983, Rückseite Stempel rechts unten "László Moholy-Nagy Griffelkunst" Copyright 1986 August Sander-Archive, 51 Greene St., New York, NY 10013, 247 C 3. SCHAD, Christian, "Schadographie 63, Keilberg 1962", Photogramm aus dem Nachlass, 2000, Blatt:  30,3 x 23,8, Motiv: 21,5 x 16,5, 2000, Rückseite Stempel, einmalige Auflage für die Griffelkunst, hergestellt nach Originalen aus Nachlass und Archiv Christian Schad“, 297 A 4. SEIDENSTÜCKER Friedrich, "Pfützenspringer-Serie", Fotografie, 1930, Blatt: 30,5 x 24,0, Motiv 25,0 x 19,3, 2002, Rückseite Stempel „Friedrich Seidenstücker. Einmalige Auflage für die Griffelkunst 2002.Hergestellt vom Originalnegativ aus dem Nachlass, Seidenstücker Bildarchiv Preußischer Kulturbesitz November 2002, 307 C 1. UBAC, Raoul, „Agui au miroir au tain endommage“, Tachistischer Photograph avant la lettre, Blatt: 30,4 x 24,0, Motiv: 25,5 x 19,0, 2006, 331 B1, fünf Arbeiten: WOLS, „Ohne Titel (Selbstbildnis)“, Fotografie aus dem Nachlass, Blatt: 30,3 x 24,0, Motiv: 24,5 x 19,0, 2001, Rückseite Stempel links unten, einmalige Auflage für die Griffelkunst 2001, Griffelkunst 303 B 3. WOLS, „Ohne Titel“, Fotografie aus dem Nachlass, Blatt: 40,0 x 30,0, Motiv: 26,3 x 18,0, 1998. Rückseite Stempel links unten "einmalige Auflage für die Griffelkunst 1998" Stempel rechts unten, 290 A 6. WOLS, „Ohne Titel (Madeleine Vionnet, Puppe mit Robe)“, Fotografie aus dem Nachlass "Pavillon d'Elégance", Paris 1937, Blatt: 38,0 x 28,7, Motiv: 26,2 x 17,7, 1996, Rückseite Stempel links unten "einmalige Auflage für die Griffelkunst 1998", 284 B 1. WOLS, „Ohne Titel“, Fotografie aus dem Nachlass, Blatt: 40,0 x 30,0, Motiv: 26,3 x 18,0, 1995, Rückseite Stempel links unten "einmalige Auflage für die Griffelkunst 1998", E 249. WOLS, „Frauenbildnis: Sonia Mossé“, Blickwechsel, Frauenportraits aus den 30er Jahren, Fotografie aus dem Nachlass, Blatt: 34,0 x 24,0, Motiv: 24,0 x 20,0, 1995, Rückseite Stempel links unten: „Wols (1913-1951) Nachlass Marc Johannes“, "einmalige Auflage für die Griffelkunst 2005", 320 B 1; zwei Arbeiten: ZILLE, Heinrich,"Waisenstraße 18, der 'Bullenwinkel', neben dem Durchgang zur Neuen Friedrichstraße August 1901", Fotografie aus dem Nachlass, 1901, Blatt: 24,0 x 30,4, Motiv: 19,8 x 23,7, 1997, Rückseite Stempel links unten "einmalige Auflage für die Griffelkunst 1997", 287 C 6. ZILLE, Heinrich,"Standpose, seitlich" Atelier August Gaul, August 1901, Modell wahrscheinlich Rosa Meißner, Fotografie aus dem Nachlass, 1901, Blatt: 30,4 x 24,1, Motiv: 22,7 x 17, 1997. Rückseite Stempel links unten "einmalige Auflage für die Griffelkunst, hergestellt vom Originalnegativ aus der Fotografischen Sammlung der Berlinischen Galerie" 1999, 296 C 6

Four modern power tools, to include Parkside PEH 30 C3 electric planer, PBS 600 A1 belt sander, PNTS 250 C2 sharpener and a Bosch PBH 2100 RE Rotary Hammer in original box (4, 2 boxes)Shipping POA https://www.bradleys.ltd/quotation-request-form

Four modern power tools, to include Bosch PWS-650 angle grinder, Makita power sander, MacAllister circular saw and Parkside PMFW 280 A2 multi-purpose power tool with original case and Macallister guide rail Shipping POA https://www.bradleys.ltd/quotation-request-form

AN ASSORTMENT OF ITEMS TO INCLUDE AN ELECTRIC SANDER, A JERRY CAN AND A SMALL MOTOR ETC

FOUR POWER TOOLS TO INCLUDE A BOSCH PALM SANDER AND A MAKITA ROUTER

Record power sander. All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order. Not available for in-house P&P

Small electric sander and a quantity of vacuum cleaner attachments

Orbital sander

A COLLECTION OF POWER TOOLS, comprising a Skil angle grinder, a Clarke bench grinder, a Power Craft table saw (all PAT pass and working), a Black and Decker sander (PAT fail due to uninsulated plug but working) and a Black and Decker workmate (6)

A DRAPER 16in FRETSAW ON STAND, a Delta belt and Disc sander (both PAT pass and working) and a Black and Decker workmate (3)

A COLLECTION OF POWER TOOLS, including a JCB circular saw, a Draper sander, a Black and Decker jig saw, a Powerbase router, a Challenge SDS breaker (all PAT pass and working) etc

KUNZLE & TASIN SCORPION INDUSTRIAL FLOOR SANDER (SOLD AS SEEN)

A belt sander.

Woodworking interest: A Parkside PSS 310 Orbital Sander, complete with original box, and instruction manual, together with a laser level and stand, KH 4008, 650 mm Class 2 laser in hard shell carry case (untested) (2)

An unused Clarke CP185 electric hand sander and polisher, with adjustable speed dial and hard shell carry case

A Ryobi Palm Sander 230V-240V EPS80RS complete with a collection of unused sanding paper in soft carry box, together with a boxed heavy duty Rotory hammer drill, and a Ryobi EID500RS Percussion Drill, untested (3)

A Makita 9069 230mm Angle Grinder (no blade), together with a Stanley 267 Router, Performance Pro 420W Random Orbital Sander, a Wolf Saphire hand sander, a large Florabest hand saw, and a large box of tools comprising, a Powerfix Laser Level, a box of assorted hooks, Parkside circular saw blades, a tape measure with laser and level etc (a lot)