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P Cavanagh-Butler, Bulldog, a silk screen print, 37 x 28 cm, a study of a man, silk screen print, 29 x 40 cm, and another, 28 x 40 cm, artist labels verso (3)

Bowmore Islay Single Malt Scotch Whisky, Cask Strength, screen print label, 70cl, 56%, with tube

19th Century praying stool produced by P.E. GANE of Bristol. Together with Tapestry fire screen. 83cm tapestry height, 16x72x26cm stool.

19th century rose wood screen, fitted with a needlework Chinese panel. 98x53cm.

FANTASIA (1940) - Mickey Mouse "Sorcerer's Apprentice" Model Cel - A rare model cel of Mickey Mouse as the Sorcerer's Apprentice, one of the most enduring images in Disney history, from the landmark animated feature Fantasia.The film was one of the first features to combine classical music with hand-drawn animation in an ambitious, abstract, and cinematic experiment that pushed the limits of animation as a fine art.While indistinguishable from screen-used production cels, this example is believed to have been created as a model cel, a reference piece used by animators or the ink and paint department to maintain consistency in character design and colour across multiple scenes. Model cels from Fantasia are exceptionally scarce, and this piece radiates the magic and innovation that made the film a technical marvel of its time.This hand-inked and hand-painted cel captures the moment Mickey turns to grab the iconic blue hat from the unforgettable "Sorcerer's Apprentice" sequence. Mickey's expression, gesture, and red apprentice robe are rendered in full classic detail, carefully trimmed, and applied to a richly toned hand-painted presentation background evocative of the film's moody, mystical setting. The quality of the brushwork and colour layering across both cel and background is exceptional. Dimensions: 33 cm x 33 cm (13" x 13")Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facilityVAT Status: US

THE WORLD OF PETER RABBIT AND FRIENDS (TV SERIES, 1992-1998): THE TALE OF PETER RABBIT AND BENJAMIN BUNNY - Peter Rabbit Original Hand-Rendered Production Cel and Hand-Painted Production Background - An original production cel with wax overlay and hand-painted background featuring Peter Rabbit from the episode "The Tale of Peter Rabbit and Benjamin Bunny" from the animated series The World of Peter Rabbit and Friends.The World of Peter Rabbit and Friends series was produced by TVC London, known for its painterly craftsmanship and close visual fidelity to Beatrix Potter's beloved illustrations. Peter is depicted here, arms outstretched and mid-sentence, rendered with clean linework and subtle, characterful detail. The cel features the studio's distinctive wax overlay technique, which adds soft texture and warmth to the painted figure, mimicking the effect of fur, adding texture to his signature jacket, and enhancing the sense of depth on screen.While not a key or matching setup, the cel has been carefully paired with a hand-painted production background from the same feature, creating a visually rich composition that captures the atmosphere and contents of Mr. McGregor's basket. Together, the elements offer a thoughtfully composed window into the artistry of hand-painted television animation. Marked "P.12A" and "BG 6/19", respectively, this setup is a delightful standalone display and a collector's insight into the traditional processes behind one of Britain's most beloved animated adaptations. Dimensions (cel on background): 35.75 cm x 50.5 cm (14" x 19.75")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

BEAUTY AND THE BEAST (1991) - Lumiere, Cogsworth, Mrs. Potts, Chip and Sultan Hand-Painted Cel Setup and Production Background - A hand-painted cel setup featuring the beloved enchanted objects Lumiere, Cogsworth, Mrs. Potts, Chip, and Sultan, the footstool from Walt Disney's animated film Beauty and the Beast, placed over the actual screen-used production background.Although Beauty and the Beast was the first Disney feature to use CAPS (Computer Animation Production System) for final colouring, thereby eliminating the traditional cel painting from the production process, Disney recognised collectors' interest in physical artwork as they have done since the 1930's with supplying the Courvoisier galleries.For the 1992 Sotheby's The Art of Beauty and the Beast auction, 249 unique setups were created, using hand-inked and painted cels based on original animation drawings, carefully matched to actual production backgrounds used in the film. The result: a hybrid of artistry and authenticity, offering collectors the closest experience to owning a piece of the finished film. This lot was part of the Sotheby's auction. This piece is a true collector's piece. Rare, character-rich, and directly tied to the making of an Oscar-winning classic.This scene captures a moment of comic tension and curiosity as Lumiere, Cogsworth, Mrs. Potts, Chip, and the faithful footstool Sultan peer in horror and amazement. The background here is a masterclass in layout and lighting, with rich burgundy tones, gilded mouldings, and elegant architectural perspective rendered in gouache. The cel characters pop with warmth and vitality, and their lighting effects are carefully considered to match the background's highlights and shadow. A Walt Disney Productions stamp is present on the back of the piece and the lot is accompanied by a The Art of Beauty and the Beast certificate of authenticity. Dimensions: 32 cm x 43.25 cm (12.5" x 17")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

JAWS (1975) - Hand-Numbered Limited Edition Screen Print by Laurent Durieux, 2013 - A highly sought-after limited edition alternative movie poster created by artist Laurent Durieux for Steven Spielberg's thriller Jaws. Durieux's unique style is instantly identifiable, with his creations among the most desirable artworks in the alternative movie poster market. This design is one of those most coveted by collectors. It was released in 2013 through Mondo and even attracted the attention of Spielberg himself, who allegedly ordered 25 copies to give to close friends and family.Durieux created this image as a contrast to Roger Kastel's iconic shark design for the original marketing campaign. The postcard-esque scene appears idyllic, yet the black panel on the beach umbrella creates a feeling of unease. Printed by DL Screenprinting, this example is hand-numbered #54/525. Dimensions: 91 cm x 61 cm (36" x 24")Condition: Near Mint+Artist: Laurent DurieuxVAT Status: M

BANKSY - GDP Flower Thrower, 2019 - "GDP Flower Thrower" by Banksy, b. 1974 -In 2019, Banksy opened a unique homewares store called Gross Domestic Product (a window-shopping experience only) in Croydon, London. The shop's creation was a response from the artist to a greeting card company that attempted to take legal custody of the artist's name. All of the items within the store highlighted issues within modern-day society.A limited number of these "Flower Thrower" prints were randomly distributed to attendees under the age of 16. Other print designs given out simultaneously were "GDP Rat" and "Crisis as Usual". The exact number of prints handed out is unknown.It is a one-colour screen print on 50gsm paper, which exhibits natural waves and light creasing from the screen printing process.Dimensions: 76 cm x 57 cm (30" x 22.5")About the Artist:Arguably the most famous individual in street art, Banksy is an anonymous British artist whose work has gained international fame. Not only does his art spark frequent conversations, but the artist's identity remains a subject of speculation. He is predominantly known for commenting on social and political issues, with dark humour usually incorporated. Banksy's iconic street art is often achieved using spray paint and stencils, but he also has used other mediums, including creating his own currency and modifying street signs.An artist resale right royalty applies to this lot, as provided under local law. The buyer agrees to pay us the amount equal to that resale royalty and we undertake to the buyer to pay such amount to the appropriate authority.VAT Status: M ARR

THE LION KING (1994) - Simba Cel and Production Background - A dramatic setup comprising the hand-painted production background used in the making of The Lion King, paired with a unique, hand-painted cel of young Simba created by Disney artists expressly for the Sotheby's auction "The Art of The Lion King" held in New York in 1995.These hybrid setups are original production backgrounds from the film, matched with newly hand-painted cels crafted using traditional methods. Each cel was carefully chosen from the scene to complement and capture the emotional essence and impact of the moment.This particular setup depicts the tense moment just before the wildebeest stampede, a pivotal scene that showcases the film's dramatic storytelling and technical prowess. The composition emphasises the scale and vulnerability of young Simba. After The Little Mermaid, Disney transitioned to digital ink and paint processes, meaning traditional hand-painted cels were no longer part of the production pipeline. After decades of developing an animation art collector's market, Disney wanted to provide collectors with stunning, screen-used setups despite no production cels for the film actually existing.The setup bears the Walt Disney Company gold seal, authenticating it as an officially created and released artwork for this special auction. Dimensions (mounted): 66.75 cm x 82.5 cm (26.25" x 32.5")Additional Provenance: Lot 134, Sotheby's The Art of The Lion King Auction, 11th February 1995Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facilityVAT Status: US

STREETCAR NAMED DESIRE, A (1951) - US Three-Sheet, 1951 - Linen-Backed - Four years after its Broadway debut in December 1947, Tennessee Williams' Pulitzer Prize-winning play got its big screen adaptation featuring powerful performances by Vivian Leigh, Kim Hunter, Karl Malden and, of course, Marlon Brando. However, all but Brando walked away with the coveted Oscar statuettes with Leigh's portrayal of Blanche receiving particularly high praise from critics.This US Three-Sheet features the now classic image of Stanley Kowalski (Brando) with his ripped t-shirt holding Stella (Hunter). Conservation linen-backed with subpar restoration as well as tape stains, areas of paper replacement and two Canadian film censor stamps. Dimensions: 198 cm x 104 cm (78" x 41")Condition: Fair+Artist: Unknown ArtistVAT Status: M

LES ADVENTURES DE TINTIN (TV SERIES, 1959-1964) - Tintin and Snowy Original Hand-Painted Original Production Cel and Background Setup - This rare hand-inked and hand-painted original production cel setup from the episode Destination Moon (Objectif Lune), part of the 1959 TV serial Hergé's Adventures of Tintin. The series was produced by legendary Belgian production house Belvision Studios in collaboration with Larry Harmon Pictures. In 1957, Belvision began adapting Hergé's iconic Tintin comics into animation, producing eight of the Adventures as short-format television episodes. Destination Moon marked a standout two-part episode in the second animated series, directed by Ray Goossens and scripted by the renowned cartoonist Greg, who would go on to become editor-in-chief of Tintin magazine.The significance of these animated adaptations cannot be overstated. They were among the first efforts to bring Hergé's beloved characters to the screen, introducing Tintin, Snowy, Captain Haddock, and the rest of the cast to an entirely new audience. For many fans, these early adaptations hold a nostalgic place alongside the classic comic albums, bridging the gap between print and screen with a distinctive mid-century European animation style.This appealing scene features Tintin in his distinctive orange spacesuit alongside his faithful companion Snowy. The cels are paired with a hand-painted background used in the production that beautifully evokes the stylised sci-fi setting of the story.Its scarcity makes original production artwork from Hergé's Adventures of Tintin especially coveted. Few cels survived from this period, as animation art was typically discarded or destroyed after use and only served a functional role. Pieces like this, especially with both Tintin and Snowy, are rarely seen, making them highly desirable to animation, European comics, and pop culture history collectors alike.This setup is not just a charming scene; it's a piece of animation and Tintin history, capturing the bold spirit of one of the most influential comic series ever created. Dimensions (mounted): 33 x 38 cm (13†x 15")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

RHYS BROWN - I Love You But I Love The Dog More (White and Blue), 2020 - "I Love You But I Love The Dog More" by Rhys Brown, British b. 1993 -British-born artist Rhys Brown has captured the charm and nostalgia of the iconic Peanuts character Snoopy in this playful silkscreen print. The line work is textured, replicating the appearance achieved using oil pastels. This white and blue version is labelled "PP", meaning it is a printer's proof edition. It is also signed in the lower right corner by the artist in coloured pencil. Dimensions: 70 cm x 50 cm (27.5" x 19.75")About the Artist:Rhys Brown is a young British urban contemporary artist whose work captures the spirit of nostalgia, using toys, characters, and memoirs from his childhood as the primary sources of inspiration. Starting as a graffiti artist around his local council estate, Brown has broadened his artistic skills, delving into creating illustrations, screen prints and Gyotaku prints.VAT Status: M

SWORD IN THE STONE, THE (1963) - Merlin Original Production Pencil Drawing Signed by Ollie Johnston - An original production drawing of Merlin signed by Ollie Johnston from Walt Disney's 1963 animated film The Sword in the Stone.Original production drawings signed by Johnston are scarce, and this piece offers a rare opportunity to own a drawing from the very character he helped define, enriched further by his signature and its direct provenance from The Sword in the Stone production.An expressive rough animation drawing of Merlin, the eccentric wizard, mid-gesture with a teapot in hand. It is rendered in graphite with coloured pencil on 12-field animation paper. Red and purple pencil lines are visible on the robe and arm, providing colour references for the ink and paint department, which was typical of studio workflow at the time. The sheet features three-peg registration holes, a standard for Disney's production during this era, and is marked "89" in the lower right corner. The upper left includes frame range notations "83-89", suggesting this drawing was created for a short burst of character animation.This drawing is signed by legendary Disney animator Ollie Johnston, one of Walt Disney's revered "Nine Old Men" and also the supervising animator for Merlin throughout the film. Johnston was a master of emotional expression and subtle character acting, and his work on Merlin gave the character warmth and unpredictability. His artistic approach and supervision shaped every moment of Merlin's performance on screen. While this drawing cannot be definitively attributed to Johnston's own hand, its construction and style are consistent with rough animation completed under his direction. The left side of the paper displays creasing and there are some small tears along the bottom edge. Dimensions: 31.75 cm x 39.5 cm (12.5" x 15.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

PETER PAN (1953) - Tinkerbell Stretching Original Production Pencil Drawing - A magnificent and rare original production drawing of Tinker Bell from Walt Disney's Peter Pan, beautifully rendered in graphite and coloured pencil on animation paper. This exceptional pose captures Tink in a graceful, full-body stretch, arms lifted, wings delicately framed, her characteristic sass radiating through expression and posture. Remarkably, given her tiny scale on screen, this large, detailed drawing reveals the craftsmanship behind her iconic personality.Tinker Bell was brought to life by Marc Davis, one of Walt Disney's revered Nine Old Men, whose masterful animation turned her into one of the most beloved and enduring Disney characters. Without a single line of spoken dialogue, Tink's entire character was conveyed through Davis's expert understanding of movement, expression, and body language. Davis worked closely from live-action reference footage and infused Tinker Bell with a captivating blend of mischief, charm, and heart.Importantly, Walt Disney regarded the studio's drawings as the backbone of the animation process,  the foundation upon which the magic was built. As a result, original drawings like this were typically archived and vaulted for their artistic and historical value. In contrast, most cels were routinely discarded or destroyed after production as they were seen as a tool of the job, making the acquisition of drawings like this even more meaningful to collectors and animation historians. Dimensions: 31.75 cm x 39.5 cm (12.5" x 15.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

LES ADVENTURES DE TINTIN (TV SERIES, 1959-1964) - Tintin Destination Moon Original Production Cel and Hand-Painted Background Setup - An original production cel and hand-painted background setup from Les Aventures de Tintin, the 1959-1964 animated television adaptation produced by Belvision Studios.While the later 1991 Nelvana series has arguably become the best-known adaptation of Herge's work, this earlier version remains the cult favourite, partly for its classic style, partly for the impact of the first interpretation of Herge's work, and partly for the nostalgic hold it has over a generation of European and international viewers.Original production setups from this series are exceedingly scarce, and those set on the moon, arguably the most iconic setting of Tintin's literary legacy, are especially desirable. The combination of space exploration, dramatic effects animation, and a rarely seen suit design makes this a superb piece for collectors attuned to both animation history and the evolution of Tintin on screen.This striking image features Tintin in a simplified, early space suit design, a notable variation from the later, more intricate suits familiar to fans of the Explorers on the Moon and Destination Moon comic albums and subsequent animated series in the 1990s.This setup originates from the Destination Moon arc, produced as part of Series 2 (Episodes 12-33), which loosely adapted Objectif Lune and On a Marche sur la Lune. While the episodes followed Herge's core narrative, they introduced considerable deviations tailored to international audiences due to Belvision's efforts to pitch the series to the American market.The cel captures Tintin mid-scene, reacting with surprise as fragments of moon rock dramatically whizz past, rendered here using dynamic brushwork applied directly to the top of the acetate cel. These layered effects are a rare surviving example of the hand-rendered visual techniques used to heighten drama and motion within these early European productions. Dimensions: 25.5 cm x 31 cm (10" x 12.25")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

CURSE OF THE DEMON (1957) - Collection of Lobby Cards, Promotional Stills and Posters - A collection of lobby cards, promotional stills and two posters for the British horror film Night of the Demon (known in the US as Curse of the Demon). The director never intended to show the titular demon on-screen, leaving that to the audience's imagination. Still, he was overruled on this point by the producer, who inserted a shot of the monster at the beginning and end of the film without Tourneur's knowledge or participation.The lot comprises six US colour lobby cards (one is a reproduction card), five Spanish lobby cards, seven Mexican lobby cards featuring two different designs, a copy of Photon fanzine number 26, a print of the one-sheet poster, an Australian daybill poster and a linen-backed Belgian poster. Completing the lot is a black binder containing various promotional stills and photographs relating to the movie and the actor Dana Andrews. Some of the lobby cards have signs of pinholes, marks and small tears. Dimensions (daybill poster): 76 cm x 33.5 cm (30" x 13.25"); (Belgian poster): 57.75 cm x 40 cm (22.75" x 15.75")VAT Status: M

PETER PAN (1953) - Two Original Production Pencil Drawings of Captain Hook and The Crocodile - A pair of original production drawings of Captain Hook and the Crocodile from Walt Disney's 1953 animated film Peter Pan.These two drawings bring together two of the film's most iconic characters from Peter Pan, Captain Hook and the Crocodile, in a rare and expressive combination. Though sourced from different sequences, the artwork presents a compelling dialogue between adversary and antagonist, showcasing the animators' nuanced character design and performance-led draftsmanship. Historically undervalued compared to painted cels, original production drawings were considered the foundation of Walt's animation process, and their survival remains critical to understanding the artistry behind the film.Captain Hook is captured mid-action, hunched and fraught with theatrical tension. The combination of graphite, coloured pencil, and the strong use of line hierarchy, including red and blue pencil for shadow and directional cues, typifies Disney's studio drawing technique during the Golden Age. The drawing is marked "149".The Crocodile, whose screen time in Peter Pan is relatively limited, is seen here in a classic pose, eyes wide and waiting in comic anticipation. This expressive rendering, large and well-positioned on the 12-field, 5-peg hole sheet, is accompanied by a separate animation of his tail - an element that underscores Disney's meticulous approach to overlapping movement. The character's scarcity in the film makes surviving artwork especially desirable among collectors. The Captain Hook sheet exhibits minor edge wear and a minor tear on the right edge. Dimensions (each): 32 cm x 39.5 cm (12.5" x 15.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

BEDAZZLED (1967) - Japanese Tatekan, 1968 (First Release) - After the success of the first two series of British TV show Not Only ... But Also (1965-1970), comic duo Dudley Moore and Peter Cook star in their second big screen outing. Bedazzled (1967) sees Stanley Moon (Moore) sell his soul to The Devil (Cooke) in exchange for seven wishes. Raquel Welch features as Lust and, with her climb to fame from One Million Years B.C. (1966), Japanese posters put her front and centre for the obvious sex appeal.Printed in two sections designed to overlap and unrestored, this poster has very minor handling and edge wear. Dimensions: 149 cm x 51 cm (58.5" x 20")Condition: Very Fine+Artist: Unknown ArtistVAT Status: M

THE WHOOPEE PARTY (1932) - Mickey Mouse Original Production Drawing - An exceptionally rare original production drawing of Mickey Mouse, created for Walt Disney's 1932 black-and-white short The Whoopee Party, one of the liveliest and most musically inventive cartoons of Mickey's early era.Produced just four years after Mickey's debut in Steamboat Willie, The Whoopee Party exemplifies the joyful rhythm and musical experimentation that defined early Disney animation. The film features Mickey, Minnie, Clarabelle Cow, Horace Horsecollar, and a room full of dancers, instruments, and craziness, all animated with remarkable fluidity and charm. It is a masterclass in timing, movement, and musical synchronisation, and this production drawing is part of that very DNA.Drawings like this were an essential step in Disney's animation pipeline. Before being inked onto acetate cels, every frame was drawn by hand, often by unsung masters of the medium, capturing gesture, personality, and precise motion. Few of these drawings were preserved. Most were discarded after use or archived, making surviving examples, especially screen-used ones, incredibly scarce.The drawing captures Mickey in full swing as he performs on a suspended line of milk bottles, striking them like a xylophone in a burst of percussive playfulness. Rendered in graphite with animator's notes, arcs, and confident linework, this exact pose appears on screen at approximately 5:52, during one of the short's most memorable sequences. The paper bears Disney's standard three-hole peg registration and is numbered "6". The fluidity of Mickey's motion, the wide grin, the line's expressiveness, and the pose's iconic nature make it instantly recognisable and highly desirable. This drawing directly connects collectors to Mickey's golden age and is a standout piece of early Disney artistry. Dimensions: 25.5 x 30.5cm (10" x 12")Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facilityVAT Status: US

ALADDIN (TV SERIES, 1994-1995) - Abu and Iago Original Production Cel, Background and Matching Drawings - An original multi-layer production cel on a key hand-painted production background and matching production drawings featuring Abu and Iago from Walt Disney's television series Aladdin.While the 1992 Aladdin feature film utilised CAPS, Disney's Computer Animation Production System, to digitally colour its animation, the TV series retained the traditional method: hand-drawn pencil animation, followed by inking and painting on acetate cels. This setup showcases that process fully, with visible colour line inking on the cel surface and carefully painted detail on the reverse.Multi-cel arrangements like this allowed for depth and motion to be created economically and efficiently; in this case, the overlapping character elements and coins could be animated independently without redrawing the full composition.Comprised of five hand-painted cel layers placed over an original key hand-painted production background, this setup is a rare survival from the era. It presents a lively, screen-used moment featuring two of Disney's most expressive supporting characters, Abu and Iago.Completing the lot are five drawings that match the production, scene, and frame numbers. Some of the drawings feature studio annotations, including colour callouts. The five cels and drawings bear the original Walt Disney Television Animation seals, verifying their route to market through the studio's official art programme. The lot is accompanied by a The Walt Disney Company certificate of authenticity. There are small patches of paint wear on the background and some minor marks on the cels. Dimensions (multi-layer cel): 27 cm x 32 cm (10.5" x 12.5")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

YELLOW SUBMARINE (1968) - Paul McCartney Original Production Cel - A rare production cel of Paul McCartney from the 1968 Beatles animated classic Yellow Submarine.Yellow Submarine is more than an animated film; it's a cultural landmark. Released at the height of the counterculture movement, it married Beatles music with pioneering animation and established a visual language unlike anything that had come before. Designed by Heinz Edelmann and directed by George Dunning, the film remains a pop-art triumph, celebrating peace, creativity, and imagination in vivid colour and surreal form.The Fab Four may not have voiced their animated counterparts, but their music, presence, and personalities permeate every scene. This cel captures McCartney in one of those spirited, joyfully strange moments that define the film's enduring appeal. It features a large central pose with open eyes, animated hand gestures, and full mid-sentence expression that connects directly with the viewer in a moment that encapsulates the film's spirit.Prominent full-figure Fab Four character cels from the film are notoriously hard to source. The angular animation style, psychedelic palette, and limited screen time of full-character shots make this a particularly collectable image. The cel comes presented in a card mount. Dimensions (mounted): 46 cm x 55.75 cm (18.25" x 22")Sold without copyright; see copyright notice in the Buyer's Guide.This item will ship from our LA facilityVAT Status: US

SNOW WHITE AND THE SEVEN DWARFS (1937) - Snow White Original Production Pencil Drawing - An original production drawing of Snow White from Walt Disney's 1937 animated film Snow White and the Seven Dwarfs.Snow White and the Seven Dwarfs was the first full-length cel-animated feature film in cinema history and Walt Disney's most ambitious undertaking to date. Released in 1937, it was also the first animated feature in Technicolor, and its success reshaped the possibilities of what animation and film could be. Pieces from Snow White are increasingly scarce, particularly those that capture the character in such a central and emotive moment.An important piece of animation history, this expressive drawing reflects the delicacy and warmth that defined Disney's first princess, Snow White, captured in a full-figure pose as she brings her hand to her lips. The clean, confident linework, subtle gesture, and emotional clarity reflect the disciplined artistry behind Snow White's on-screen presence. It is rendered in graphite and red pencil on 12-field 5-peg animation paper. The drawing is numbered "19" in the lower right and bears original production stamps at the lower left. There is some minor creasing in the bottom corners. Dimensions: 25.5 cm x 30.5 cm (10" x 12")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

WHO FRAMED ROGER RABBIT (1988) - Jessica Rabbit Original Production Cel - An original hand-painted production cel of Jessica Rabbit from Who Framed Roger Rabbit (1988), captured in a key moment inside Benny the Cab as the tension ramps. Roger Rabbit was a landmark release, animated in London at Richard Williams' studio and released by Disney's Touchstone Pictures. Combining hand-drawn animation with live action in a way never seen before, the film was a commercial and critical success, earning multiple Academy Awards and redefining what animation could be on screen.This frame comes just as Jessica pleads, "We have to find my husband," to which Eddie Valiant, exasperated, asks, "Seriously, what do you see in that guy?" Her now-iconic reply: "He makes me laugh."A beautifully rendered cel, with Jessica's expression perfectly composed and her trademark poise intact. It's a rare moment where Jessica's eyes engage with ours, hard to notice with the speed of the scene. The lack of paint below the chest is entirely intentional; she's seated in the cab, and this cel would have been overlaid onto the interior setup. A practical production detail, but one that adds a layer of storytelling to the piece. "199/5" and "119" are written in black ink along the bottom.Good production cels of Jessica with this clarity, attitude, and context are increasingly sought after, and rightly so. It's a reminder of why Roger Rabbit continues to stand out: technically ambitious, culturally significant, and still every bit as entertaining today. Dimensions: 31.5 cm x 42 cm (12.5" x 16.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

ROBIN HOOD (1973) - Friar Tuck and Church Mice Original Production Cel - An original large-format multi-layer production cel featuring Friar Tuck and the two Church Mice from Walt Disney's animated film Robin Hood.This is an expressive, well-composed multi-character cel, a strong example from one of Disney's most affectionately remembered animated features. The charming image captures a moment of warmth and solidarity, with the mice perched affectionately atop Friar Tuck's head, conveying trust, closeness, and quiet humour.The characters are hand-inked and painted, and Friar Tuck, in particular, dominates the composition with excellent scale and presence. A visible camera line is running below the character, a reminder that this piece was created for screen use. The cel comprises two layers stapled together in the upper right corner, the top featuring the mice labelled "19" and the underneath sheet features Friar Tuck marked "A15".The cel also retains the official Disney seal, indicating release through the Disney Art Program. It is laminated, as was Disney's standard studio practice during the period, and remains in remarkably good condition. The lot displays some minor marks and light scratches, which do not affect the artwork. Dimensions: 32.5 cm x 41 cm (12.75" x 16")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

WHO FRAMED ROGER RABBIT (1988) - Multi-Character Original Production Drawing - An original character production drawing from Robert Zemeckis' landmark hybrid movie, Who Framed Roger Rabbit, featuring Mickey Mouse, Minnie Mouse, Goofy, Daffy Duck, Bugs Bunny, Tweety, and Betty Boop.Created for the film's iconic final sequence, this historic moment famously marks the first and only time animated characters from rival studios including Disney, Warner Bros., Fleischer, and others appeared together on screen.Drawn on 16-field animation paper in graphite and orange pencil, this image was created for the film's final sequence, where the characters gather around the dipped remains of Judge Doom (indicated by the soft orange outline in the foreground). The use of orange pencil denotes rough positioning and scene planning, while the refined graphite outlines signal this was a traced and finalised element intended for production reference prior to cel painting. Registration marks, scene notation ("237/B1"), faint orange cross pan indicators, and a camera crop line through Bugs Bunny's ears point to its use as a working layout for the animators and camera team. Each character is delicately rendered, ready for ink and paint.This original drawing, featuring classic poses and expressions of some of the most iconic cartoon characters, is a wonderful example of the intricate and detailed processes of animation before colouring and placing it onto film. Dimensions: 32 x 41 cm (12.5" x 16.25")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

PINK FLOYD: THE WALL (1982) - Framed The Judge Production Cel Display - A hand-painted production cel of The Judge, from the notorious animated trial sequence in Alan Parker's film adaptation of Pink Floyd: The Wall (1982), designed and directed by artist Gerald Scarfe.The character of The Judge is one of the most memorable and disturbing of the animated figures Scarfe created for the film - part theatre of the absurd, part nightmarish authority figure. Rendered with a raw anatomical style and a lip-lined chasm where a face should be, The Judge acts as both a grotesque caricature and a symbolic enforcer of psychological punishment.This cel was sourced from the 1990 charity auction held at Christie's South Kensington, created to coincide with Roger Waters' The Wall - Live in Berlin. Only a small number of production cels were released at this time, each accompanied by a certificate of authenticity personally signed by both Gerald Scarfe and Roger Waters, as seen here.This cel, used in the film's production, depicts the grotesque character in his full fleshy form as he prepares to render his damning verdict on Pink. It shows him mid-movement, painted in vivid tones against a beautifully airbrushed starry background. This is a rare opportunity to acquire a screen-used production cel from arguably one of the most visually daring and culturally significant animated sequences ever committed to film. The cel comes displayed within a frame with the certificate situated underneath. Dimensions (framed): 83 cm x 56 cm x 2.5 cm (32.75" x 22" x 1")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

GUNDAM FRANCHISE (1979-PRESENT) - Deathscythe Hell Original Production Cel and Hand-Painted Background - An original production cel featuring Deathscythe Hell created for Endless Waltz, the climactic conclusion to Gundam Wing. Deathscythe Hell's redesign for Endless Waltz has become one of the franchise's most celebrated: sleek, angular, and unapologetically cool.This original production cel captures Deathscythe Hell in dynamic form, preserving that bold, stylised energy that defined the 1990s Gundam. It is framed by an atmospheric, hand-painted sky background. While not a screen-matched pair, both elements originate from the studio and era, creating an authentic, layered display piece with real presence.Now, 30 years since Gundam Wing first aired, setups like this have become increasingly rare. These materials were working tools, never intended to survive. To find a cel of such an iconic mobile suit, and one presented with a production background, is a privilege. It brings together the art and immediacy of hand-drawn animation, frozen mid-action, before the digital era changed the process forever. Dimensions: 24 cm x 28 cm (9.5" x 11")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

BEAUTY AND THE BEAST (1991) - Unused Opening Sequence Concept Art - This piece of original concept art comes from the early development phase of Disney's Beauty and the Beast, dating to 1989. Painted under the direction of acclaimed visual development artist Hans Bacher, it depicts an unused opening sequence that would have introduced the wealthy merchant (Belle's father in this early version) pushing his daughter on a swing, accompanied by the storybook narration: "Once upon a time, there lived a wealthy merchant, whose wife died and left him two children."This evocative scene was part of Disney's first attempt to adapt Beauty and the Beast, during a period when the studio was exploring more European, painterly visuals inspired by French art and fairytale traditions. The sequence can be glimpsed today in rare archival footage compiled by Hans Bacher himself.What makes this artwork particularly significant is its direct connection to a version of the film that was ultimately abandoned and re-envisioned, making it a unique survivor from an alternative creative path. It offers a rare window into the design language, mood, and emotional tone being developed at the time; romantic, wistful, and rooted in European classical painting.Hans Bacher, a Disney veteran, was instrumental in shaping the visual identities of Beauty and the Beast (and later Mulan), bringing a refined sense of colour, composition, and atmosphere to the screen. This painting is a testament to his early efforts in establishing the film's tone, long before the musical-driven final version took shape under directors Gary Trousdale and Kirk Wise. A rare piece of Disney Animation history. Dimensions: 11 x 21.5 cm (4.75" x 8.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: Ω

ONE HUNDRED AND ONE DALMATIANS (1961) - Set of Three Cruella de Vil Car Production Colour Model Cels and Colour Key Study Drawing - A collection of three original hand-painted colour model cels, accompanied by a rare hand-drawn colour key study, all created during the production of One Hundred and One Dalmatians.These pieces showcase the evolution of Cruella de Vil's menacingly glamorous car, a visual extension of her chaotic, careening personality, through multiple palettes, highlights, and layout angles.One Hundred and One Dalmatians was a stylistic turning point for Disney. It was the first feature to embrace the Xerox process fully, transferring animators' pencil drawings directly onto cels rather than redrawing in ink, a revolutionary time-saving method. The film was renowned for its contemporary art direction and exquisite London setting. There were believed to be exactly 6,469,952 spots in the film, a technical feat that necessitated innovations like the Xerox process in the first place.These are not standard animation cels but model colour keys, tools used by the studio's paint and ink departments to establish and reference colour consistency throughout the film. The cels here offer three distinct colour approaches, each boldly different in tone and represent a test or approved version of the vehicle's design, reflecting the creative decisions that would inform final animation. The hand-drawn colour key drawing includes annotated pigment codes and notations, revealing the precise, collaborative process of determining how a character (or car!) would appear on screen.Studio-stamped with scene, sequence, and cel level notations, this grouping is not only a practical document of production but an expressive archive of design decision-making. Together, these pieces celebrate both the artistry and innovation that One Hundred And One Dalmatians brought to Disney's animated canon. The set displays some staple holes from previous use and minor marks. Dimensions (each cel): 31.75 cm x 40.75 cm (12.5" x 16"); (drawing): 31.75 cm x 41 cm (12.5" x 16")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M

Unusually large Victorian mahogany inglenook fireplace screen, with rectangular stud closed foliate fabric banner in square section frame with flanking columns, on sledge base, 215cm wide x 36cm deep x 129cm high

A fourfold Chinese lacquered screen, 20th century, with plastic inlay, 182cm wide 2cm deep 183cm high Provenance: The Clock House, Dunmow, Essex Condition ReportSurface chips to Lacquering, slight surface scratches throughout, and minor cracks. Knocks to extremities.

2009 BMW 320D M Sport TouringRegistration number DA09 OCRChassis number WBAUX32030A387453Engine number 86177115Manual, alloy wheelsBlue with a cloth interiorTwo part tailgate164,660 recorded miles on inspection**The car did not pass its MOT today (Wednesday 25th June) due to the screen wash and a rear seat belt. The owner is having these both sorted on the auction day but the car will not be at Haynes. The will be available from Charterhouse the day after the auction by arrangement and will have a fresh MOT certificate***Only bought as a temporary stop-gap between vehicles and now surplus to requirementsSome receiptsAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsThis lot must be collected by 12.30pm on Friday 27th June. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £100 + VAT, to include the first week of storage,  unless otherwise noted. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice

Vinyl - 10 Rock / Pop limited edition 7” singles to include: Rage Against The Machine – Sleep Now In The Fire (669136 7, UK 2000 numbered red vinyl), Sex Pistols – Holidays In The Sun (Universal Music – SexPiss1977(4) UK 2012 numbered picture disc), David Bowie ‎– The Jean Genie (EMI ‎– DBJEAN 40 UK 2012 picture disc), Barry Gray – Thunderbirds (Silva Screen – SIL71400 UK 2012 blue vinyl), The Pogues Featuring Kirsty MacColl – Fairytale Of New York (5310555367 2012 UK), Bruce Springsteen – Rocky Ground (88691967047), The Still Brothers – Wake Up (Lewis Recordings – LEWIS 1105 US 2020 test pressing), Laufey – Christmas Magic (LAUFAMZ01 2024 etched). Sugar – Tilted (Creation - CRE 156 numbered), Bob Dylan – Duquesne Whistle B/W Meet Me In The Morning (Alternate Take) (Columbia – 88765405337 US 2012). Condition EX overall

Vinyl - Punk - Sex Pistols, 4 different coloured vinyl 7” re-issue singles copies of: More Sex Pistols - Screen On The Green Cinema Islington 29.8.76, light blue, pink, red and green, all with picture sleeves. EX+

A Chinese carved wood four fold screen, 20th century, the top with open pierced geometric panels above scenes depicting animals and birds in floral and wooded landscapes230 x 232cm

A pair of Regency rosewood side tables, the column decorated with carved acanthus leaves on a triform base decorated with brass inlay, on brass ball feet55 x 39 x 33cmtops are associated, possibly a pair of adapted fire screen basestops with light scratching and indents, sun fadedcolumns with some vertical dry cracksbases veneer and brass inlaty lifting with some losses, signs of historic wormsee photos

An embossed Spanish hand painted leather four fold screen, 19th century, each rectangular panel decorated with painted flowers with gilt detail on a pale blue ground 184 x 236cm the right panel and centre right panel have small tears through both layers of leathermultiple scratches and some minor tears to the painted side, abrasions and patches of craquelure, evidence of retouching to the paint mostly on the blue ground, horizontal stretcher marks coming through, fraying to the edgesone panels with damage to the frame to one top corner with a large chunk missing and signs of historic wormleather is at least 19th century although the frame has been constructed later, probably the 20th centurySee images

A Chinese firescreen, the intricately carved and pierced surround with lion finials and supports, the circular embroidery with parrots, chickens, quail etc. 66 x 56cm The silk is in good conditon, slighly discoloured around the edge. Scratching to the wood and slight splitting to the wooden pierced surround. There are slight losses to the wooden back panel which supports the silk panel. Bashes to the base which has been stained and one of the lion feet has a large split through it. It is possible that teh base has been made up as there are holes in the wood which do not relate to anythingThe screen slides out of the base. 

A set of George III style brass fire irons, the shovel 72cm long; a brass fire screen, star cut mirror plate (2)

A lamp standard, the base with gilt decoration and raised on three brass feet (possibly converted from a pole screen). Height excluding fitting 137 cm.The lamp has formerly been a pole screen so the main stem shows signs of the clamp.  The base is solid, however there is a section of gilded timber missing to one of the feet.  There are two patches of missing veneer to the front edge of another foot.  Other than this it is in good condition.

A pair of Victorian rosewood pole screen bases, each with lobe support circular base and three downswept scroll feet. Height 54 cm.

A continental gilt threefold screen, with glass panelled top and white upholstered lower panels. The largest section height 179 cm, width 49 cm.

A 19th century mahogany pole screen, of typical form with tripod base the panel decorated with a courting couple. Height 147 cm.

An oak firescreen, with oil on canvas depicting a lady with traditional Maori chin tattoo smoking a pipe. Screen height 75 cm, width 61 cm, image size 49 x 54 cm (see illustration).

A Victorian mahogany pole screen, with woolwork tapestry panel, with well carved and turned support beneath raised on scroll feet. Height 112 cm, width 47 cm.

Four pieces of brassware, an extending brass fender, varying in width from +/- 158 cm to 135 cm, height +/- 14 cm, depth 43 cm, together with fire screen height 70 cm, stick stand height 65 cm and a fire iron stand height 61 cm.

An Indian four section carved wooden screen, each panel measuring 181 cm, width 50 cm.

Three Chinese white metal screen scroll weights, H. 14.5cm.

An Edwardian decoupage screen 64cm wide, 160cm high

Mid-century Victorian style brass folding peacock fire screen, with pierced panels and the stand cast in the form of a mythical creature, 57cm high

Anglo-Indian hardwood four-fold dressing screen, each panel with pierced and blind fretwork carved decoration of bullrushes and flowers, each panel 185cm high x 51cm wide 

A modern Chinese silk embroided carved hardwood framed circular revolving table screen, height 53cm, a 19th century Japanese blue and white porcelain tea bowl, decorated with figures and garden amongst landscape, diameter 8.5cm and height 6cm, and a modern Chinese cased turquoise ground eggshell porcelain bowl, decorated with dragons and foliage, with Chen Lung mark to base, diameter 21cm (3).

Ardyn Halter (b.1956), a contemporary limited edition screen print titled 'Figure, Reflection' 1989, signed to the lower right in a glazed frame. H.59 W.66cm

Vintage and retro, 1970s three panel folding bamboo bubble screen approximately 83cm high, each section 50cm wide

Antique Art Nouveau brass framed Mirror Fire screen in the shape of a heart surrounded by tendrils (one foot loose)

A box of toys and mixed collectables including Palitoy doll, monopoly, Thunderbirds, Royal Worcester collectable3 mug, oriental miniature screen etc

A box of vintage slide projector, screen and tools, including a Boots TH105 projector, German Reflecta Delux screen, mixed vintage slides, slide magazines and cases, slide press, sorter etc.

A child's mahogany rocking commode, along with a floral embroidered fire screen.

A tapestry fire screen