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A 1968 Paris student riots poster, a screenprint poster, printed at the École des Beaux-Arts during the May 1968 Paris student riots, the French text reads 'Renault Flins', which possibly may be a reference to the Renault factory located just outside Paris called 'Flins', 49 x 63cm There is an excellent book on the 1968 Paris protests, and the posters produced at the time, titled 'Beauty is in the Street: A Visual Record of the May ’68 Paris Uprising', edited by Johan Kugelberg and Philippe Vermès. Condition ReportDiscolouration to the paper commensuarate with use. Losses to the paper throughout.

A 1968 Paris student riots poster, a screenprint poster, the text translated from the French reads 'The fight continues', printed at the École des Beaux-Arts during the May 1968 Paris student riots,55.5 x 38.5cmThere is an excellent book on the 1968 Paris uprising and the posters produced at the time titled 'Beauty is in the Street: A Visual Record of the May ’68 Paris Uprising', edited by Johan Kugelberg and Philippe Vermès.Condition ReportWith creases and folds throughout. With losses to the bottom left hand side commensurate with use.

A 1968 Paris student riots poster, a screenprint poster, the text translated from the French reads 'The fight continues', printed at the École des Beaux-Arts during the May 1968 Paris student riots,28 x 43.5cmThere is an excellent book on the 1968 Paris uprising and the posters produced at the time titled 'Beauty is in the Street: A Visual Record of the May ’68 Paris Uprising', edited by Johan Kugelberg and Philippe Vermès.Condition ReportWith creases and folds throughout. With a 8.5cm tear to the bottom right corner.

A 1968 Paris student riots poster, a screenprint poster, the text translated from the French reads 'Will he be unemployed?', printed at the École des Beaux-Arts during the May 1968 Paris student riots, stamped 'FAC de science',44 x 56cmThere is an excellent book on the 1968 Paris uprising and the posters produced at the time titled 'Beauty is in the Street: A Visual Record of the May ’68 Paris Uprising', edited by Johan Kugelberg and Philippe Vermès.Condition ReportAppearing with no obvious flaws. The poster is stamped with 'FAC de Science'.

A 1968 Paris student riots poster, a screenprint poster, printed at the École des Beaux-Arts during the May 1968 Paris student riots, the text reads 'CRS SS', possibly a reference to the CRS riot police at the time and comparing them to Nazi Germany's notorious Schutzstaffel or 'SS',55 x 43cmThere is an excellent book on the 1968 Paris uprising and the posters produced at the time titled 'Beauty is in the Street: A Visual Record of the May ’68 Paris Uprising', edited by Johan Kugelberg and Philippe Vermès.Condition ReportWith a large to the bottom right side over the 'S'.

A 1968 Paris student riots poster, a screenprint poster, printed at the École des Beaux-Arts during the May 1968 Paris student riots, depicting a stylised riot police officer, with a truncheon raised above his head and a shield emblazoned with 'SS' lettering, probably referring to Nazi Germany's notorious Schutzstaffel, 55 x 43cm There is an excellent book on the 1968 Paris uprising and the posters produced at the time titled 'Beauty is in the Street: A Visual Record of the May ’68 Paris Uprising', edited by Johan Kugelberg and Philippe Vermès. Condition ReportWith some minor spotting. Otherwise appearing in good order.

A 1968 Paris student riots poster, a screenprint poster, printed at the École des Beaux-Arts during the May 1968 Paris student riots, the text translated from the French reads 'The police on the ORTF are the police in your home' - the Office de Radiodiffusion-Télévision Française ('ORTF') was the national agency responsible for providing public radio and television in France between 1964 and 1975, 76 x 56cm There is an excellent book on the 1968 Paris uprising and the posters produced at the time titled 'Beauty is in the Street: A Visual Record of the May ’68 Paris Uprising', edited by Johan Kugelberg and Philippe Vermès. Condition ReportWith creases, tears, folds and surface marks commensurate with use. With a 5cm tear to the bottom right corner.

PINK FLOYD - Framed Limited Edition The Dark Side of The Moon Album Cover Print Signed by Storm Thorgerson - A limited edition silk screenprint of Pink Floyd's iconic cover artwork for their eighth album, "The Dark Side of the Moon". The artwork was created by the design group Hipgnosis, consisting of graphic designers Storm Thorgerson and Aubrey Powell. The initial idea came after Thorgerson discovered an image of a prism with light projecting through it in a 1963 physics textbook. Thorgerson is known for his many previous collaborations with Pink Floyd and his work with other bands, including Led Zeppelin and Black Sabbath.The print shows a white light hitting a glass prism, causing it to disperse into multiple colours on a black background. It is often regarded as one of the greatest album covers of all time. The striking 12-colour silkscreen is printed on Somerset tub sized 310gsm paper. This example is hand-numbered 149/295 and is signed in pencil by Thorgerson. It comes mounted in a silver-coloured frame with glass. There is a small chip on the top right corner of the frame. Dimensions (framed): 87.5 cm x 80.5 cm x 2 cm (34.5" x 31.75" x 0.75")An artist resale right royalty applies to this lot, as provided under local law. The buyer agrees to pay us the amount equal to that resale royalty and we undertake to the buyer to pay such amount to the appropriate authority.VAT Status: M ARR

PURE EVIL - Elvis First Photo, 1954 (Silver), 2017 - "Elvis First Photo, 1954" by Pure Evil (Charles Uzzell-Edwards), Welsh b.1968 -The original 1" image of the "King of Rock and Roll" featured in a memorial issue newspaper published in his hometown of Memphis, Tennessee, the week he passed away. The artist recalls, "I remember the day he died clearly because it was the first time I had ever been to visit London. Still haven't visited Graceland".This silver version of the screenprint is on 320gsm Fedrigoni Paper and is a scarce printer's proof version, which doesn't feature any additional spray details as seen on the limited-edition versions released. It is labelled "PP" and is signed by the artist, with his signature bunny emblem in pencil in the lower right corner. Dimensions: 85 cm x 48 cm (33.5" x 19")About the Artist:Welsh graffiti and street artist Charles Uzzell-Edwards goes by the moniker Pure Evil and is known for creating his famous trademark fanged bunnies, stemming from the guilt he felt after shooting a rabbit when he was ten. Being the son of Welsh painter John Uzzell Edwards meant he grew up in an artistic household and was exposed to the world of Street Art whilst living in California, and honed his skills more when relocating back to London and being involved with Banksy's pop-up gallery Santas Ghetto. Today, Pure Evil produces a range of works; many examples feature portraiture of famous figures with drips of dark paint under their eyes.An artist resale right royalty applies to this lot, as provided under local law. The buyer agrees to pay us the amount equal to that resale royalty and we undertake to the buyer to pay such amount to the appropriate authority.VAT Status: M ARR

Complete pack of Tarot cards, designed and used by Frank Lind in the 1940s/50s for the Insight Institute, closely based on the Rider-Waite tarot. The original screenprint edition, circa 1950. NB: During the 1940s and 50s the Insight Institute ran correspondence courses on psychic development and Tarot reading

Screenprint titled Reflection Signed lower right numbered 45/200 Year 1981 Sight size 28" x 23.5"Condition:

Screenprint titled Vista Mar Inn Year 1980 Signed lower right numbered 97/250. Sight size 30" x 22"Condition:

MCGOVERN FOR MCGOVERNMENTColor screenprint, 1972, on wove paper, signed and numbered 89/175 in pencil, printed by Styria Studio, Inc., New York and with their blindstamp, co-published by George J. Goodstadt and the Committee to re-elect George McGovern, the full sheet, unframed.Sheet 29 7/8 x 42 5/8 inches; 759 x 1083 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

VEGA KOCKA (CHROME)Screenprint on silver foil, 1987, signed and numbered 67/150 in black felt-tip marker, published by Circle Fine Art, Chicago, and with their ink stamp verso, the full sheet, framed.Sheet 37 3/8 x 23 3/4 inches; 949 x 603 mm.Frame 48 x 34 1/4 inches; 1219 x 870 mm.Provenance:Purchased from Circle Gallery, New York, October 22, 1988No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Japanese, 1932-2024Untitled (Copy - Printed Matter), 1979Signed, dated and inscribed Merry X'Mas 1979/Kimiyo MishimaCeramic and screenprint6 1/2 x 7 1/2 inches (16.5 x 19 cm)Provenance:Acquired directly from the artist by a former New York City museum curatorThence by descent in the familySome light grime to surface. No apparent chips, cracks or losses.Some light grime to surface. No apparent chips, cracks or losses.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

THE METROPOLITAN MUSEUM OF ART 1870-1970 Color screenprint poster, 1970, on wove paper, signed, dated and numbered 90/250 in pencil, published by the Metropolitan Museum of Art, New York, and with their blindstamp, with full margins, framed.Sheet 35 x 35 inches; 889 x 889 mm.Frame 37 3/8 x 37 1/8 inches; 949 x 943 mm.Handling creases (one with hairline ink loss), a few small pressure marks in the image, pale matstain verso and minor soiling verso, framed with glass.Handling creases (one with hairline ink loss), a few small pressure marks in the image, pale matstain verso and minor soiling verso, framed with glass.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

IN LINEHand-colored three-dimensional color screenprint and offset lithograph, 1988, signed, dated, titled and numbered 93/300 in pencil, published by John Szoke Graphics, New York and with their blindstamp, with full margins, unframed.Image 2 x 4 3/4 inches; 51 x 121 mm.Sheet 5 3/8 x 7 7/8 inches; 137 x 200 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

WOMAN TAKING OFF MAN'S SHIRTColor screenprint, 2003, published by K21 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, with full margins, unframed.Image 34 3/8 x 20 3/8 inches; 873 x 518 mm.Sheet 39 3/8 x 23 5/8 inches; 1000 x 600 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

ACTUAL SIZE (SPAM)UV pigment print with yellow screenprint and matte varnish seal, 2024, on Somerset Tub Sized Radiant White paper, numbered 940/1863 in pencil, published by Los Angeles County Museum of Art, Los Angeles, and with a certificate of authenticity, with full margins, unframed.Image 23 5/8 x 22 1/8 inches; 600 x 562 mm.Sheet 24 1/2 x 26 inches; 622 x 660 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

LINCOLN CENTER TICKET (FELDMAN/SCHELLMAN II.19)Color screenprint, 1967, on light wove paper, from the edition of 500, published by Lincoln Center List Poster and Print Program, New York, to commemorate the Fifth New York Film Festival, framed.Sheet 45 x 24 1/8 inches; 1146 x 619 mm.Frame 47 x 26 1/4 inches; 1194 x 667 mm.Laid on mylar, discoloration, rubbing and some unobtrusive light abrasions, an approximately 2 x 1/2 inch loss at right sheet edge, some creasing at right sheet corners, framed with acrylic.Laid on mylar, discoloration, rubbing and some unobtrusive light abrasions, an approximately 2 x 1/2 inch loss at right sheet edge, some creasing at right sheet corners, framed with acrylic.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

UNTITLEDColor screenprint, on BFK Rives paper, signed and numbered 43/125 in pencil, with full margins, framed.Sheet 29 3/4 x 21 7/8 inches; 756 x 556 mm.Frame 30 x 22 1/8 inches; 762 x 562 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

BLACK PANTHERColor screenprint, 1975, on wove paper, signed and numbered 70/300 in pencil, with full margins, framed.Image 28 1/2 x 38 5/8 inches; 724 x 981 mm.Frame 41 3/8 x 50 3/8 inches; 1051 x 1280 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

UNTITLED Color screenprint, on wove paper, signed and numbered 19/150 in pencil, framed.Image 17 5/16 x 22 3/8 inches; 440 x 568 mm.Frame 22 7/8 x 30 3/8 inches; 581 x 772 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

limited edition screenprint on paper, signed and numbered 54/75 unframed overall size 56cm x 75cm Note: McLean studied at Glasgow School of Art (1961?3) and St Martin?s School of Art in London (1963?6) where he was taught by sculptors including Anthony Caro and Phillip King (1934?2021). Rebelling against his training, he rose to prominence in the late 1960s for his interrogation of sculpture?s conventional definitions, materials and display methods. This impulse to break with the establishment and push at boundaries has continued throughout his life?s work. Using humour and satire McLean confronts art world pretentions, the nature of bureaucracy, and institutional politics. He works across a range of media including photography, performance, painting, printmaking, film and ceramics. Having abandoned a conventional studio practice in the late 1960s, McLean worked as a conceptual artist before embarking on an intense period of collaborative performance. Throughout the 1970s, he explored ?pose?, presenting the body as ?live sculpture? in performances that targeted social hierarchy and bourgeois taste. In the 1980s he turned increasingly to painting, winning the John Moores Painting Prize in 1985. McLean has taught at prestigious art schools over the years, retiring as Head of Graduate Painting at the Slade School of Fine Art, London in 2009. He has exhibited extensively in solo shows and landmark international surveys including one man exhibitions at Tate Gallery in London, Arnolfini, Bristol, The New Art Gallery, Walsall, The Modern Art Gallery in Vienna and Museum of Modern Art, Oxford. His work is held in UK and international public collections including Tate Britain.

PABLO PICASSO. SCREENPRINT SIGNED IN THE PLATE ON LINEN (CATALAN FLAG). (d) Couverture – Bleus de Barcelona suiteEdition: 500 – Published by Au Vent d’Arles 1963, French distressed frame, 55cm x 41cm. (Subject to ARR - see Buyers Conditions).

Eva SANTER (Né en 1982) The Ocean’s Silence,2024 Sérigraphie couleur sur papier d’Art 300mg.Signée et numérotée par l’artiste. Edition de 10 exemplaires. 50 x 50 cm. Screenprint on paper. Signed by the artist and accompanied by a signed certificate of authenticity.

Mark DREW (Né en 1978) Socrates Philosophies (Silver),2021. Sérigraphie couleur sur papier d’Art. Signée et numérotée par l’artiste. Edition de 50 exemplaires. 29,7 x 41,9cm. Screenprint on paper. Signed by the artist.

Eva SANTER (Né en 1982) Isolated wanderer, 2024 Sérigraphie couleur sur papier d’Art 300mg.Signée et numérotée par l’artiste. Edition de 10 exemplaires. 50 x 50 cm. Screenprint on paper. Signed by the artist and accompanied by a signed certificate of authenticity.

Richard PRINCE (Né en 1994) Azur Reflection,2024. Sérigraphie couleur sur papier, réhaussé à la main par l’artiste. Signée et numérotée par l’artiste. Edition de 10 exemplaires. 60 x 60 cm Screenprint on paper. Numbered on 10 exemplaries Signed by the artist and accompanied by a signed certificate of authenticity.

David SHRIGLEY (Né en 1966) Everything is fine, do not worry. Sérigraphie 15 couleurs sur papier. Monogrammée, datée et numérotée sur 125 exemplaires au verso. 76 x 56 cm. 15 Colours screenprint on wove paper, signed and numbered on 125 exemplaries in the back.

Richard PRINCE (Né en 1994) The blosseming Fontain,2024. Sérigraphie couleur sur papier, réhaussé à la main par l’artiste. Signée et numérotée par l’artiste. Edition de 15 exemplaires. 56 x 56 cm Screenprint on paper. Numbered on 15 exemplaries. Signed by the artist and accompanied by a signed certificate of authenticity.

NOT BANKSY AND NOT BY BANKSY Flogging a dead horse/this week. Impression sur carton. Porte le tampon de l’artiste au dos. Numéroté 32/100 exemplaires au dos.. 18 x 18 cm. Accompagné du certificat de l’artiste. Screenprint on cardoard.

John DOVE & Molly WHITE (XX-XXI), screenprint/hand-made Rag paper, made from recycled t-shirts 'Jordan (Face No.3)' (2008), numbered 1/100 and signedJohn DOVE & Molly WHITE (XX-XXI), screenprint/hand-made Rag paper, made from recycled t-shirts 'Jordan (Face No.3)' (2008), numbered 1/100 and signed75.5 x 56.5 cm

Paul Beck ARCA, b1926, The Rustic Cottage, Stourhead, linocut, signed and numbered 8/100, 40 x 30cm, label for Trumpington Gallery, together with Norman Wade, 1922-2004, Durham Castle, screenprint, signed and dated '73, 14/100, 30 x 55cm (2)

Peter Blake (b.1968), 'Babe Rainbow', screenprint on tin, commissioned and distributed by Dodo Designs, London from an edition of 10,000, 66x44cm, unframed.

Sir Peter Blake CBE, RDI, RA (b.1932)"Girl in a Poppy Field"Signed and dated (19)74, numbered 56/125, screenprint, 63.5cm by 48cm

Banksy, a screenprint collage of his street art on canvas, overall size 76cm x 76cm.

Richard Long (b.1945)A Cornish Slate Drawing, 200211/200, signed and numbered in pencil (lower)screenprint printed by Advanced Graphics, London30.5 x 19.5cm, unframed. Provenance:Collection of Professor John Chambers. Has previously been rolled. No tears, holes, dents. Good condition.

John Piper (1903-1992) for Wedgwood The Green Man plate, 1992 from an edition of 500 screenprint on ceramic with the artist's facsimile signaturepublished by the National Art Collections Fund 31cm diameter.

Bob Crossley (1912-2010)Blue Square, 197028/60, signed, titled, dated, and numbered in pencil (in the margin)screenprint65 x 44cm; together with a smaller screenprint by the same artist, Transmutation, 65 x 41cm (2). Provenance:Collection of Professor John Chambers. Both are very flat. Good condition. Very slightly faded paper.

Victor Vasarely (1908-1997)Cephei, 1973signed in pencil (in the margin)screenprint with embossing35 x 23cm.

Mr Brainwash (b.1966)Let the Good Times Roll36/80, signed and numbered in pencilscreenprint57 x 75cm. Screenprint, mount and frame all in a good condition. Clean. Framed behind Perspex. Condition report photos added. No COA.

Albert Irvin (1922-2015) New Cross, 1994120/225, signed, numbered, titled, and dated in pencil (in the margin) screenprint 55 x 72cm. Slight wave to mount.  A few thunderflies under glass.  Slight light discoloration to paper.  No tears, the picture looks flat and vibrant.

Victor Vasarely (1908-1997)Naissancs, 1963signed in pencil (in the margin)screenprint from an edition of 45027 x 18cm.

Craigie Aitchison (1926-2009)Unicorn in a Landscape, 199829/75, signed, dated, and numbered (in the margin)screenprint on wove published by Advanced Graphics, London46 x 38cm. Art, mount and frame all in a good condition. Just a small chip to frame on the backside.The image/art appears to be integral to the grey background mount card.

Sandra Blow (1925-2006)Allegro, 200542/125, signed and numbered in pencil (in the margin)screenprint with collage23 x 20cm.

Peter Blake (b.1932)Come Stanley!, 199960/60, signed and numbered (lower)screenprint on wove30 x 69cm.

Richard Allen (British, 1933-1999), "Iconoclast I", half tone screenprint, signed and dated 1979 lower left, titled centre and numbered 21/100 lower right in pencil together with Untitled, half tone screenprint, signed and dated 1979 in pencil lower left and inscribed "artist's proof" lower right, framed 75 x 63cm. (2)

After Paul Berthon. L'ERMITAGE, screenprint on fabric, 71cm x 44cm, and another, FOLIES-BERGERE (2).

HENDRIX JIMI: (1942-1970) American rock guitarist and singer. A rare and highly attractive vintage signed 19.5 x 30 concert poster promoting a performance by the Jimi Hendrix Experience at the Fillmore Auditorium, 20th to 26th June (1967), the psychedelic screenprint poster, printed in blue, pink and orange against a metallic gold background, was designed by the British graphic design artists Michael English and Nigel Waymouth (Hapshash and the Coloured Coat) and features an image of Hendrix as a Native American chief with a hunting bow in one hand and a peace pipe in the other. Printed in England and published by Osiris Visions Ltd. of Westbourne Terrace, London (OA103; understood to be the third of four editions issued in the United Kingdom, with Yarrowstalks also obtaining a license to reprint the poster in America). Signed by Hendrix in black ink with his name alone to the base of the poster. A contemporary printed label from the art gallery Galerie de la Gravure (Malmo, Sweden) is neatly attached to the upper left corner and bears a handwritten note, in Swedish, indicating that Mrs. Platerud will collect it in hand. Rolled and with light overall surface creasing and a couple of small, minor tears to the edges. A very light, extremely minor stain only very slightly affects the conclusion of the signature, GProvenance: The poster was originally acquired by the Swedish collector of rock and pop posters, Ingeborg Platerud. In the late 1960s Platerud worked at the Sergelbokhandeln, a bookstore, and is understood to have obtained the signature when she met Hendrix at a nearby record store (Hendrix is known to have performed in Sweden in May and September of 1967, as well as January of both 1968 & 1969, and August 1970, just 19 days before his tragic death).

PATRICK CAULFIELD RA (1936-2005) Arita Flask Black, screenprint, signed in pencil, 36/45, print size 79cm x 53cm

John Edgerton Christmas Piper(1903-1992)"Stokesay Castle",pencil signed, and numbered 32/70,screenprint,plate 54 x 76.5, 74 x 97cms.Note: The Stone Gallery label to the back of the frame.

Four original Elvis Costello posters to inc: two billboard posters for 'This Years Model' (40x60" approx), 1983 CBS screenprint poster (34x47" approx), a Warner/Radarscope 'Armed Forces' poster (20x30"). From the Ash Lockhart collection.

Four posters to inc: c 1970s Patti Smith screenprint poster (20.5 x 30.5" approx), an Arista promo poster for 'Easter' (20x30"), an Only Ones CBS poster (15x20"), a Waterboys poster.

An interesting selection of memorabilia to include: a 1970s paper shopping bag with Steve Winwood image (46xs35cm), a page (16x10cm) with Ronnie Lane and Ian Stewart autographs, a screenprint 'James Dean (Without Medallion)' by Roger Warner (46 x 58.5cm)

Screenprint titled Unicorn Year 1980 Signed lower right numbered 109/250 Sight size 30.5" x 26"Condition:

Original color screenprint on laid paper entitled Clocks of Time by American Abstract Expressionist artist Betty Parsons. She paints brightly colored warm and cool organic shapes within vertical and horizontal lines that seemingly divide the passage of time. Signature and date on lower right: Betty B Parsons, 78. Edition number on lower left: 65/180.Artist: Betty Bierne Parsons (American, 1900-1982)Issued: 1978Dimensions: 21.25"L x 29.5"HCountry of Origin: United StatesProvenance: Jock Truman and Eric Green, Aventura, FL; Bass Museum of Art, Miami Beach, FL 2000. Condition: Good condition.

Screenprint titled Spacescape Year 1978 Signed lower right numbered 36/300 Sight size 26" x 33.5"Condition:

SCOTT CAMPBELL (SCOTTISH CONTEMPORARY - GLASGOW PRINT STUDIO), Artist Proof screenprint, signed bottom right and dated 11, & SUN, screenprint, framed under glass, 49 x 49cm, inscribed verso 'To Jim 2012' (2)

BEL COWIE, (Scottish 1943-1983), 'EGGS', Ltd Ed screenprint, 5/16, signed and framed under glass, 38 x 47cm