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Lot 455
Gent's Lorus stainless steel wristwatch with blue circular dial, baton numerals, gent's Sekonda stainless steel 50m wristwatch no. M3479 to reverse, having black dial, baton numerals and rectangular date aperture, gent's Elliot Brown stainless steel wristwatch and miniature screwdriver, in case and gent's TW Steel wristwatch with circular dial, roman and baton numerals, in case
Lot 226
PANERAI LUMINOR MARINA REF. PAM 003 OP 6502 TRITIUM DIAL, BOX AND GUARANTEE, SOLD IN 1998 - Case: signed, n. A0361/1500, BB 976172, stainless steel, screw-down caseback. Bracelet/Strap: signed leather strap and steel buckle. Dial: signed, black PAM 001, T Swiss T, luminescent indexes, small seconds. Movement: signed, manual-winding caliber 6497-2, n. 171594, 17 jewels. Accessories: outer box, box, screwdriver, bezel cover, strap with buckle, Bulletin de Marche, guarantee dated 1998. Diameter: 44 mm Note: running at the time of cataloguing.
Lot 224
PANERAI LUMINOR REF. PAM 0055 OP 6502 TRITIUM DIAL, BOX AND GUARANTEE, SOLD IN 2001 - Case: signed, n. D0498/1200, BB 1020653, titanium, screw-down caseback. Bracelet/Strap: signed leather strap and titanium buckle. Dial: signed, tobacco color, luminescent indexes. Movement: signed, manual-winding caliber 6497-2, n. 188033, 17 jewels. Accessories: outer box, box, screwdriver, rubber strap, guarantee dated 2001. Diameter: 44 mm Note: running at the time of cataloguing.
Lot 225
PANERAI LUMINOR SUBMERSIBLE REF. PAM 0024 OP 6561, BOX AND GUARANTEE, SOLD IN 2002 - Case: signed, n. E0383/2500, BB 1052358, stainless steel, screw-down caseback, revolving graduated bezel. Bracelet/Strap: signed steel buckle. Dial: signed, black, luminescent indexes, date, small seconds. Movement: signed, self-winding caliber 7750-P1, n. 240275, 21 jewels. Accessories: outer box, box, screwdriver, strap, Travel Book, guarantee dated 2002. Diameter: 44 mm Note: running at the time of cataloguing.
Lot 335
Lego - Lego Architecture Big Ben #21013, with box and instructions. The model appears to have been on display and may benefit from a gentle wipe but otherwise the model and instructions appears to be about Excellent/Very Good. The box has storage wear and is damaged on the top left corner. The box contains spare batteries & screwdriver. The vendor informs us the model is complete however we are unable to confirm this. The contents have not been checked for completeness. (This does not constitute a guarantee.) (J.F).
Lot 217
Charming Goebel Hummel porcelain figurine from the Today's Children series, depicting a young boy diligently working on a wooden project. Wearing a yellow cap, brown shirt with a gray apron, the boy kneels on an oval base, focusing intently as he uses a red-handled screwdriver. His expressive face and detailed attire reflect the craftsmanship of Goebel Hummel's porcelain artistry. Goebel Hummel Backstamp.Issued: 1978Dimensions: 4"L x 5"HCountry of Origin: GermanyCondition: Age related wear.
Lot 8F
**ON SALE** LOVE-Style Diamond-Paved Bracelet, 18K Yellow Gold (Size 19) A luxurious LOVE-style bracelet, expertly crafted in 18K yellow gold with a sleek oval design. This stunning piece is fully paved with 177 brilliant-cut diamonds, totalling 0.95 carats, delivering a radiant sparkle that enhances its timeless elegance. Designed for a secure fit, this bracelet features a functional screw and hinge fastening system, allowing for effortless wear and removal. A matching screwdriver is included for a perfect, locked-in fit. Material: 18K Yellow Gold Size: 19 Width: 3.65mm Diamond Total Carat Weight: 0.95ct Setting: Fully paved with round brilliant-cut diamonds Fastening: Functional screw and hinge system Includes: Screwdriver for secure fastening Condition: Excellent condition. A sophisticated and timeless piece, perfect for both everyday luxury and special occasions. Collection / Payment Details: Collection Details: Sales address Delivery Available: Call accounts for a quote (Please arrange a collection date & time prior to arrival) Payment Deadline: 24 hours from date of invoice (excluding weekends) Payment Method: Strictly BACs transfer only Auctioneer Notes: All bids submitted are valid and taken as provisional. If the reserve has not been met, it can be lowered by the auctioneer at any time. For buyer premium / VAT charges, please refer to the 'Additional Fees' tab Late payment will result in late payment charges, charged at a daily rate of 1.5% + VAT of the total payable invoice, including buyer’s premium, and a one-off administration charge of £75 + VAT. A storage fee of £50 + VAT per day will also apply. These additional penalty charges cannot be removed once applied. Not authenticated to be cartier - and should be considered an independant, unbranded piece. Lot Location Status: On Site
Lot 620
Stan Shaw / William Rodgers (Sheffield); An Impressive Eleven Piece Exhibition Knife Stamped No. 3, including six blades of differing profiles, a saw, screwdriver, scissors, fleam, etc, stamped "William Rodgers Sheffield England", mother of pearl scales, decorative nickel bolsters and bars, highly decorative hand engraved workback to springs and edges of blades, brass lining stamped "SS 79" (indicating it was made by Stan Shaw in 1979), 18cm closed length, contained in a plush lined box.
Lot 668
A collection of boxed Dr Who toys including Electronic Flight Control Tardis. The face of Boe with moveable mouth. Micro universe 3 spaceship set. The Firth Doctor. Dalek Wallclock. Sonic and Laser Screwdriver set. Cyber man with rotary toothbrush. Set of 12 viewing slides featuring first 8 doctors and others. Advent Calendar 2009. Waterbottle and a used cyberman electronic mask. Plus a limited print featuring the 1st Doctor and the Daleks signed by Walt Howarth with COA.
Lot 669
A collection of unopened boxed Dr Who Toys plus other items comprising Tardis Talking Moneybank. The Face of Boe with moveable mouth. Jadson Trooper. Davros. Sonic and Laser Screwdriver set..Dalek Medal..various Doctor stickers. Tardis Operators licence. Collectors edition 2015 calendar. First dat issue stamps The Poison Sky. Signed print featuring Dr who. Sarah Jane and K9. Art print featuring Doctor. Jane and Dalek in Tardis. Signed by Walt Howarth. COA
Lot 773
A 19th Century J. Lawson (70 Argyle Street) multi tool pocket knife with stag horn scales and nickel plated bolsters, with two blades, hook, screwdriver, corkscrew and awl, length when closed approximately 12cm, together with a similar Victorian pocket knife by Harrison Brothers & Howson, 45 Norfolk Street, Cutlers to her Majesty, with three blades, hook, awl, file, corkscrew and removable scissors, tweezers and pick, length when closed 10cm. (2) Due to legal restrictions and safety regulations, we are unable to pack and/or send, swords, bladed items or weapons through the post. Collection must be made in person, or by a designated carrier who is aware of the nature of the goods. All bidders must be over the age of 18 and be able to show identification and proof of age upon collection.
Lot 509
A boxed Character Doctor Who radio controlled 12 inch gold coloured Dalek, no. 01629, Dalek movement, flashing lights and speech, illuminated eye amongst other features, height of box 35cm, box appears to have been opened but the contents are unopened, together with a boxed Character Doctor Who sonic screwdriver (2)
Lot 110
ALDO CIPULLO FOR CARTIER: AN 18K GOLD 'LOVE' BANGLE BRACELET, 1970The hinged bangle decorated with screw motifs, in 18K gold, signed, Cartier & Aldo Cipullo, stamped 1970 & Love, with maker's case and later screwdriver for opening and closing the bracelet, inner length approximately 16cm, width 6.3mmDesigned in 1969 in NYC, the Cartier Love bangle was the creation of Italian jewellery designer, Aldo Cipullo, who created this piece in 1969. “Love,” said Cipullo, “has become too commercial, but life without love is nothing. What modern people want are love symbols that look semi-permanent — or, at least, require a trick to remove. After all, love symbols should suggest an everlasting quality.”Cipullo was known for his innovative and bold designs. Initially he had proposed the design of the Love Bangle for Tiffany &Co. When Tiffany turned down his concept for the Love bangle, Aldo offered the design to Cartier. At the time, Cartier New York was independent from the Parisian Maison, and under the dynamic direction of Michael Thomas, who immediately saw the massive potential of the Love bangle to appeal to a new generation with entirely new values, lifestyle, and attitudes.The Love bangle as a symbol of everlasting love and commitment. The bangle features a simple, sleek design with a screw motif, inspired by medieval chastity belts, and it is meant to be worn as a symbol of love and unity. It is distinctive for its seamless, unbroken design, with a screwdriver needed to open and close it, symbolising the idea that love is something to be kept safe and protected.As the story goes, the bangles could at first only be purchased by couples who would surrender the screwdrivers to one another. When Cartier introduced the bangle, they were given to high-profile couples like Elizabeth Taylor and Richard Burton. According to Vogue, some NYC hospitals keep a Love bangle screwdriver on hand in case patients need their accessory removed in an emergency. While a Cartier Love bangle may be easier to remove than a chastity belt, it has still proved enduring, and a smart investment.What makes the Cartier Love bangle even more intriguing is the way it is meant to be worn. Traditionally, the bangle is given by one partner to another, and it is secured on the wrist with the help of the accompanying screwdriver. Once fastened, it is typically not meant to be removed, symbolising the permanence of the relationship.The Love Bangle quickly gained popularity among couples, celebrities, and fashion icons. Its iconic design and symbolism resonated with people around the world. The bangle not only became a symbol of love and commitment, but a status symbol as well. Condition Report: Minor signs of wear, overall in good conditionI believe both the screwdriver and case are laterTotal gross weight approx. 28.2g
Lot 7
A collection of power tools to include a Makita 6300 240v 650w drill, a boxed Bosch GSR 10 8v battery screwdriver with battery, charger and accessories, a Makita 6093D 9,6v battery drill with charger and battery, a Makita MXI 14,4v battery drill with charger and battery, a Bosch PFZ 550 240V 550w reciprocating saw, an Einhill WSC 115 230v 580w grinder, a Black and Decker KS852 240v 1000w circular saw, a boxed Stanley TRE650 240v 5amp nail gun with nails. (8).
Lot 78
Deactivated cased Webley, Army and Navy W.G. Army model .455 revolver, serial number 13511, 6inch sighted barrel, the top strap stamped Army and Navy C.S.L., the frame stamped with flying bullet logo and Webley Patents, six shot cylinder, chequered wood grips fitted with lanyard ring and cord lanyard. The oak case with brass fittings and leather carry handle, bears a faint name to the lid 'Brigadier E.J. Murphy' and is fitted out with an oil bottle, screwdriver, cleaning rod and seventeen inert rounds. The lid bears a Wilkinson Sword Company Pall Mall retailer label. Deactivated to current EU/UK specifications with certificate. No licence required to purchase. Buyer must be over the age of 18.The case measures 33cm x 20cm The revolver has a moving hammer, cylinder and trigger however, non of these three parts has any affect on each other and the revolver will not cock or dry fire. There is a good amount of original blue remaining on the revolver but there are areas of wear as well as some light surface corrosion spots. The case shows signs of wear throughout, there is some moth damage to the felt lining, and some stains and marks. The top right corner by the hinge is lifting apart slightly but remains stable. The leather handle has some wear and surface cracking but again, remains stable.
Lot 18
Fagard 200 bore percussion revolver, serial number 3618, 3.5inch octagonal sighted barrel, engraved Fagard NG, six shot cylinder, the scrollwork engraved action, both double and single, fitted with a press stud dentent to hold the hammer back from the nipples, finely chequered grip with swirling boss. Fitted into a contemporary burr walnut case with blue lining containing a powder flask, nipple key, bullet mould, screwdriver, oil bottle, cap box, and key.Section 58 (2) Antique / obsolete calibre, can be owned without a licence. Buyer must be over the age of 18. The box measures 25.5cm x 15cm The revolver is in good general condition. Whilst there are traces of original finish dotted around, the majority of the gun is polished bright, there are some small areas of pitting that can be seen, mainly in detailed hard-to-get-at areas such as the loading rod channel, behind the nipples and other similar areas. The action works positively and correctly in both single and double mode. The bore still retains some rifling but the pattern is worn, there are some pitting patches visible. Some screwheads show signs of being worked. The wood grips have some wear, dents and marks but there are no splits or repairs. The case is probably not original to the gun but is contemporary in age with it. A trade plate is missing from the lid. The joints are sound and there are no obvious damages. There are scuffs, dents, and scratches throughout. The lock is loose in its fitting but functions correctly.
Lot 17
Percussion 80 bore Bentley presentation revolver, with 4.5inch octagonal sighted barrel fitted with a side loading lever, six shot cylinder with Birmingham proof marks, the action fitted with spring catch to lock the hammer back and engraved with scrollwork. Fitted into a mahogany case, perhaps associated to the gun, bearing brass plaque engraved 'Won by Pte J. Marsh, At 300 & 400 yds. at Ely Oct 1861' with green lined interior fitted out with a powder flask, nipple key and screwdriver, cleaning rod, oil bottle and empty Joyce percussion cap tin. Also a two cavity bullet / ball mould which is probably a replacement to the set.Section 58 (2) Antique / obsolete calibre, can be owned without a licence. Buyer must be over the age of 18. The case measures 31.5cm x 19cm
Lot 131
Cartier, an 18ct rose gold diamond Love bangle bracelet, designed as a series of alternating brilliant-cut diamond and screw head motif highlights, signed Cartier, serial FXT175, Swiss convention marks, Cartier size 18, inner diameter 6cm, with maker's case and screwdriver, 32.5gOverall good conditionMostly small marks and minor scratches in keeping with age and general wearDiamonds are very well matched, lively and brightClasp is in good working orderMaker's case is in good condition, no outer box presentClients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lotFor enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Lot 130
Cartier, an 18ct rose gold Love bangle bracelet, with screw head motif highlights, signed Cartier, serial FLG440, stamped Au750, Cartier size 18, inner diameter 6cm, with maker's case and screwdriver, 20.2gOverall good conditionSome marks, scratches and scuffs in keeping with age and general wearWidth of bangle approximately 0.3cm, often referred to as the 'small model'Box and screwdriver are in good condition, with a few small marks onlyClients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lotFor enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Lot 35
Cartier: A diamond 'Love' bangle The polished bangle accented at intervals with alternating screwhead motif and brilliant-cut diamonds, signed Cartier, maker's mark, numbered, Cartier size 19Accompanied by a Cartier case, box and screwdriver as well as a certificate of authenticity dated 2016. Born out of the cultural revolution happening in late 1960s America but also the transformation happening internally at Cartier, a drastically different jewel was created. In 1962 Claude Cartier took the monumental step to sell Cartier New York. For the first time in history a branch of Cartier was not under the control of the family. By 1968 Cartier New York was owned by Kenton Corporation, and the chairman Robert Kenmore was keen for a fresh take on the historic French house.When the charismatic young Italian American Aldo Cipullo (1935-1974) left Tiffany & Co. and joined Cartier in 1969, he brought with him the design for a simple gold bangle that screwed onto the wrist, designed never to be removed. Cipullo had offered the design to Tiffany & Co. while working there, but they had passed on it.Kenmore saw the potential in the simple gold bracelet and Cipullo’s first creation for Cartier was put into production. The romantic notion behind the “Love” bangle was coupled with the advent of a far greater output of machine-made fine jewellery entering the market. It was an instant sensation, retailing for $250 dollars initially. To market the Love Bangle's release in 1970, Cartier gifted twenty five pairs to famous couples including the Duke and Duchess of Windsor, Elizabeth Taylor and Richard Burton, and Steve McQueen and Ali Macgraw. Many of whom would go on to wear those bangles for years to come.The range was expanded quickly, platinum Love bangles were released in 1970, white gold in 1973, diamond-set versions in 1979 and finally rose gold in the 1990s. Ordinally only available in the US, it's popularity meant that it was soon released in Europe via the Cartier Paris branch in the early 1970s where it was called the Bracelet à Vis. Finally by 1982 it was available to purchase worldwide. It has been suggested that the Love bangle was a homage to the Menotte bangle designed in 1939 (see lots 49 and 50). However, as the original Menotte bracelets were heavily gem-set and devoid of the working screw mechanism, both features so intrinsic to the later Love bangle, this attribution seems doubtful. It would have also been unlikely that Cipullo, who was working for Cartier in New York which at that time not an affiliate company of Cartier Paris, would have had access to the French archives. The more realistic archival inspiration integrated into both the contemporary Menotte and the Love bangles' design was the screwheads that decorated the original Santos watch’s bezel, designed by Louis Cartier in 1904.For further reading see Cipullo, Renato and Becker, Vivienne, Cipullo; Making Jewellery Modern, Assouline, 2001.
Lot 49
Cartier: A white gold 'Menotte' bangle The 18 carat white gold tapered bangle, hinged at the base and connected centrally by a pair of raised flathead screwheads, signed Cartier, maker's mark, numbered, European convention mark, Swiss assay mark, inner diameter 6.6cmAccompanied by a Cartier box, case and screwdriver as well as a Cartier certificate of authenticity dated 2004. The "Menotte" collection is one of Cartier’s more limited collections. Menotte is the French word for handcuff, referencing the locking mechanism securing the bangle. Research suggests that this collection was an extrapolation on an original gem-set design created by Jeanne Toussaint for Cartier Paris in 1939. See Fornas, Bernard and Gagarina, Elena (eds) Cartier; Innovation Through the 20th Century, Paris, 2007, page 222.The contemporary collection was released in 2003, initially as just a bracelet, but the collection expanded shortly thereafter.It has been suggested that Aldo Cipullo’s 1970 Love bangle (See lots 33, 34 and 35) was an homage to the original Menotte design. However, as the versions made in the very late 1930s were heavily gem-set and devoid of the working screw mechanism, both features so intrinsic to the later Love bangle, this attribution seems doubtful. It would have also been unlikely that Cipullo would have had access to the French archives. Cipullo was employed by Cartier in New York , at that time the branches were all under separate ownership. The more likely archival inspiration integrated into both the contemporary Menotte and the Love bangle's designs was the screwheads that decorated the original Santos watch’s bezel, designed by Louis Cartier in 1904.
Lot 33
Cartier: A 'Love' Bracelet The polished bangle, decorated throughout with screwhead motifs, signed Cartier, numbered, Cartier size 16Accompanied by a Cartier case and screwdriver. Born out of the cultural revolution happening in late 1960s America but also the transformation happening internally at Cartier, a drastically different jewel was created. In 1962 Claude Cartier took the monumental step to sell Cartier New York. For the first time in history a branch of Cartier was not under the control of the family. By 1968 Cartier New York was owned by Kenton Corporation, and the chairman Robert Kenmore was keen for a fresh take on the historic French house.When the charismatic young Italian American Aldo Cipullo (1935-1974) left Tiffany & Co. and joined Cartier in 1969, he brought with him the design for a simple gold bangle that screwed onto the wrist, designed never to be removed. Cipullo had offered the design to Tiffany & Co. while working there, but they had passed on it.Kenmore saw the potential in the simple gold bracelet and Cipullo’s first creation for Cartier was put into production. The romantic notion behind the “Love” bangle was coupled with the advent of a far greater output of machine-made fine jewellery entering the market. It was an instant sensation, retailing for $250 dollars initially. To market the Love Bangle's release in 1970, Cartier gifted twenty five pairs to famous couples including the Duke and Duchess of Windsor, Elizabeth Taylor and Richard Burton, and Steve McQueen and Ali Macgraw. Many of whom would go on to wear those bangles for years to come.The range was expanded quickly, platinum Love bangles were released in 1970, white gold in 1973, diamond-set versions in 1979 and finally rose gold in the 1990s. Ordinally only available in the US, it's popularity meant that it was soon released in Europe via the Cartier Paris branch in the early 1970s where it was called the Bracelet à Vis. Finally by 1982 it was available to purchase worldwide. It has been suggested that the Love bangle was a homage to the Menotte bangle designed in 1939 (see lots 49 and 50). However, as the original Menotte bracelets were heavily gem-set and devoid of the working screw mechanism, both features so intrinsic to the later Love bangle, this attribution seems doubtful. It would have also been unlikely that Cipullo, who was working for Cartier in New York which at that time not an affiliate company of Cartier Paris, would have had access to the French archives. The more realistic archival inspiration integrated into both the contemporary Menotte and the Love bangles' design was the screwheads that decorated the original Santos watch’s bezel, designed by Louis Cartier in 1904.For further reading see Cipullo, Renato and Becker, Vivienne, Cipullo; Making Jewellery Modern, Assouline, 2001.
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