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Lot 176
This stunning seascape is a large, original oil painting on canvas by renowned California artist R. Fisher. It beautifully captures the power and majesty of waves crashing against rocky cliffs along the coastline. Created with a masterful blend of palette knife techniques and sweeping brushstrokes, this piece exudes both movement and emotion. Signature on lower right side: R. Fisher. Housed in a wood frame with a linen border. Artwork dimensions: 35.50"L x 23.50"H. Frame dimensions: 42"L x 30"H x 2"W.Artist: R. Fisher (American 20th-21st century)Issued: c. 1980Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear. small color spot on lower center.
Lot 288
A FINELY DETAILED 1:192 SCALE WATERLINE MODEL OF THE TYPE 23 DUKE CLASS FRIGATE H.M.S. KENT, DEPICTED AS IN 2018modelled by M. Reading, with 25in. carved hull with pennant number 'F78', dark grey decks with detailed fittings and armament as appropriate, lanyards flying their white ensign, insignia for Kent on funnel and helicopter on landing pad, depicted underway in a moulded painted seascape with specification plate contained on wooden base with Plexiglass cover -- 9 x 34 x 8in. (23 x 86.5 x 20cm.)Fine overall condition.
Lot 1011
A QUANTITY OF PICTURES AND PRINTS ETC, to include a coastal landscape oil on board signed Ewart (19)59, approximate size 48cm x 113cm, an indistinctly signed winter landscape on canvas, approximate size 43cm x 88cm, a coastal seascape on canvas by John Hewitt, an unsigned mixed media abstract study on board, a watercolour of Lord Leycester Hospital in Warwick initialled and dated C.J 1939, a Joseph Galea watercolour of the Grand Harbour in Malta dated 1973, to include open edition prints after Pierre Georges Jeannoit, Anne Cecile De Bruyne, Joyce Kamikura, Barry Moscrop and Richard Akerman etc with a small number of modern papyrus pictures
Lot 54
Featuring a seascape with dolphins and manatees. The hand-painted exterior depicts a pair of manatees swimming among seaweed on one side and a dolphin on the reverse. The hinged lid illustrates two dolphins jumping above stylized waves. The interior of the lid displays a manatee eating seaweed. Moorcroft marked and artist monogram. This enamel box is accompanied by its original Moorcroft presentation box and Certificate of Authenticity.Artist: Julie HorneIssued: 2001Dimensions: 1.75"HCountry of Origin: EnglandCondition: Age related wear.
Lot 51
Nigel HALLARD (1936-2020) Seascape, Mousehole Oil on board, signed, titled verso, 50cm x 61cm. In-house postage to UK postcodes would cost £32.50From the vendor: My Grandparents lived in Chapel Street Mousehole and Nigel Hallard opened his small gallery in a building opposite. Nigel used to let me and my brother ‘hang out’ whilst he painted- I was around 8/10. (He wasn’t yet married to Mary but I remember they were ‘together’). Anyway, he wasn’t too happy with the sea scape (Lot 51) and just gave it to me and my brother and another time he gave me the miniature (Lot 55) because I liked it so much.
Lot 1192
A George III provincial oak longcase clock, having a painted arched seascape dial, signed E. Crake Lowestoft, with subsidiary dials, twin winding holes for an eight-day movement, two weights and a pendulum, h.223cmFinial has a repair.Case is a little ‘washed-out’ looking.Two splits to base section.Hood door has restoration and putty on the inside of the door.Dial has some overpainting.
Lot 182
A collection of various cushion covers comprising, a pair of square-form covers decorated with a sailing ship and seascape (41cm x 38.5cm), a square form lime green cover decorated with hedgehog pattern (40cm x 39cm), a rectangular-form cover in a pale pink and complete with seagulls, a pair of velvet square-form covers with velvet floral design, a wall tapestry woven with rope detail to border and large mixed floral centrepiece (95cm x 63cm) (11)
Lot 259
* HELEN TABOR (BRITISH b. 1960) STILL LIFE WITH PEARS oil on canvas, signedframed and under glassimage size 91cm x 101cm, overall size 105cm x 115cm Note: Helen Tabor was born in Middlesex in 1960. After a career in teaching, including several years in The Himalayas, she settled in Scotland and became a freelance artist in 1997, combining bringing up a family with developing her painting career. Helen has exhibited regularly with Thompson’s Galleries in both London and Aldeburgh for more than 20 years. From childhood, Helen has had a passion for drawing and painting. After studying English and History at university, she travelled in India, taking a sketchbook and paints with her. She had her first exhibition in York based on her experiences. Following three years of teaching in the UK, she became a VSO teacher in the Himalayan kingdom of Bhutan, filling her baggage allowance with oil paints and rolls of canvas. She employed the local carpenter to make stretchers for her canvases and based her paintings on village people, landscapes and religious artefacts. Returning to the UK, starting a family and moving to Scotland brought a wealth of new inspiration in terms of landscape, seascape and a rich domestic life illustrated by many of the narrative themes in Helen’s figure paintings. As her children have grown up, the opportunity to travel again has provided new and exciting material, particularly evident in her paintings of Italy.
Lot 189A
* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016), STORM BEACH watercolour on paper, signed, titled label versomounted, framed and under glassimage size 25cm x 33cm, overall size 47cm x 53cm Artist's label verso.Note: Bill Wright's talent first became evident when he was a boy, drawing endlessly for amusement while bedbound with illness. He went on to study painting at Glasgow School of Art and became an award-winning watercolourist, constantly inspired by was seascape and ever-changing sky on the Kintyre peninsula where he had a second home. Glasgow-born Wright, the son of a shipyard plater, was brought up in Partick and started his schooling at the city’s Dowanhill Primary before being evacuated to Dunoon during the Second World War. After returning home he attended Hyndland Senior Secondary and despite being discouraged by his parents, who would have preferred him to have a “proper job”, in 1949 he began his studies at Glasgow School of Art. They were interrupted by national service – a duty he felt hindered the progression of his art career. He served at Catterick army garrison but was a pacifist who abhorred war and dismissed the opportunity to be promoted to Sergeant as an army career held no interest. His first teaching post was at East Park School in Glasgow’s Maryhill. He then moved in 1965 to St Patrick’s High School in Dumbarton where he spent two years before becoming art adviser for the area at the age of 36. Over the next two decades he fostered the idea of instilling a cultural interest in art among pupils. He formed working groups to reform teaching of first and second-year students, encouraged forward-looking principal teachers and recruited many young teachers. His ethos was that teachers were not just there to create artists but to give all children a good art experience. He also established a residential art course for school children, at the Pirniehall residential educational facility at Croftamie in Dunbartonshire, where youngsters from different backgrounds could investigate the idea of furthering an art career through experiencing a range of different mediums in an art camp environment. And he is said to have been instrumental in encouraging the implementation of Scotland’s Standard Grade art and design qualification. However, he suffered from the chronic arthritic condition ankylosing spondylitis which, by the age of 55, forced him to take early retirement from his post in the education department of Strathclyde Regional Council. Meanwhile, as he had strived to enthuse youngsters with his own passion for art, he had been elected, in 1977, to the Royal Scottish Society of Painters in Watercolour. A member of the Glasgow Arts Club for many years, he was also an elected member of the Glasgow Institute of Fine Arts and Paisley Art Institute, served as president of the Scottish Artists’ Benevolent Association for 14 years and was a Scottish Arts Council lecturer, touring the country discussing art. But perhaps his own greatest inspiration was the view from a cottage he stumbled upon half a century ago, seven miles from Campbeltown on the Mull of Kintyre. He rented the property at Bellochantuy and set up a studio there where he drew on the vistas stretching 180 degrees, encompassing sea, beach, rocks and sky. He was utterly smitten by the area and was ultimately bequeathed the cottage by the owner who had become a close family friend. Over the years he came to know the area intimately and was fascinated by the constantly changing moods of the sea and light of the sky which formed the majority of his output. One large body of work, "Towards Islay", focused on the view from the back of the cottage. He captured the patterns and waves of the sea, sometimes adding a bird, limpit, mermaid’s purse, rock lines or some seaweed. But at times his works were very abstract and symbolic, concentrating on themes of nature and transience. He was hung in all the major shows in Scotland and in galleries across the country from Aberdeenshire to Edinburgh, Glasgow and south of the border. His work also features in public collections of Stirling and Strathclyde Universities, HRH The Duke of Edinburgh and the Educational Institute of Scotland. And he was recognised with The Laing Prize for Landscape and Seascape and the RSW’s Sir William Gillies Award.
Lot 939
A QUANTITY OF PICTURES AND PRINTS ETC, to include an oil on canvas depicting a female figure gardening, signed and dated Margaret Powell 1982, approximate size 60cm x 50cm, a late 20th century unsigned oil on canvas depicting an Edwardian lady overlooking a boating pool, a pastel seascape with yachts by Bob Jeary, a Bob Pagett coastal watercolour, a Jean Hulton watercolour of Bosham in Sussex, an indistinctly signed oil on board floral study, together with assorted other pictures and prints
Lot 931
A SMALL QUANTITY OF PICTURES AND PRINTS, comprising an unsigned oil on canvas depicting a shop on Tregenna Hill in St Ives Cornwall at Christmas, a lone female figure is looking at the cakes and through the window, approximate size 40cm x 50cm, an indistinctly signed abstract oil on canvas study, a moonlit seascape signed H. Gailey, a Jon Cambeul print 'Mermaid of St Ives', a limited edition print depicting a portrait composes of newspaper clippings signed T. Barron, a decorative box canvas print depicting a Parisien scene, and a Peter Fellows photographic print of figures walking on a beach
Lot 254
Richd. Blakeborough, Ottley, a walnut longcase clock the eight-day duration movement striking the hours on a bell and having a fourteen-inch break-arch painted dial with black Roman numerals, a subsidiary seconds dial, date aperture, rural church scenes to the four corners, a seascape with castle painted within the arch and signed for the maker Richd. Blakeborough, Ottley and numbered 2215, the iron falseplate to the rear cast with the dialmaker's name Finnemore, Birmingham, the walnut case having quartered-columns to the trunk, shaped top to the short door, shaped panel to the base with the hood having a swan-neck pediment and full turned pillars, all standing on bracket feet, height 248cm. Note: Richard Blakeborough is recorded as working in Market Place, Otley, Yorkshire from before 1822 until at least 1837. He may be the same maker recorded at Pateley Bridge. Longcase clocks are known made by him. Reference: Brian Loomes, Yorkshire Clockmakers, Pub. Dalesman Books, 1972.
Lot 85
Vibrant oil on canvas painting by Charles Vavrina, titled Mediterranean Villas. The composition captures a picturesque coastal scene with white stucco villas accented by red-tiled roofs, nestled against a lush hillside overlooking deep blue waters. The artist's expressive brushwork and rich color palette bring a lively impressionistic quality to the Mediterranean setting, evoking the warmth and charm of the region. The foreground features a detailed floral arrangement, adding a dynamic contrast to the serene seascape. Charles Vavrina is a contemporary artist known for his vivid and expressive oil paintings, often depicting Mediterranean landscapes, coastal scenes, and European-inspired architecture. His work is characterized by a bold use of color, dynamic brushwork, and an impressionistic approach that brings movement and warmth to his compositions. Drawing inspiration from the charm of old-world settings, Vavrina's paintings capture idyllic seaside towns and lush natural environments, inviting viewers into a world of tranquility and nostalgia. Signed lower left, with the title and artist's name inscribed on the verso.Artist: Charles Vavrina (American, 1928-2009) Issued: c. 1990Dimensions: 49"L x 35"HCountry of Origin: USACondition: Age related wear.
Lot 457
William Thomas Nichols Boyce (1857-1911), antique watercolour depicting a seascape, possibly of Portsmouth Harbour, signed and dated 1904, approx 70cm x 45cm inc frame and Arthur Powell May (1824-1900) - antique watercolour entitled "The Thames Near Pangbourne" signed lower right, Laurence Oxley gallery label verso, approx 56cm x 45cm inc frame [2]
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