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Collection of ten Georgian and later chairs including three George III mahogany elbow chairs with pierced carved splats, the largest 99cm x 62cm, three mahogany Hepplewhite-style chairs, a Regency mahogany elbow chair, a Victorian mahogany hall chair with solid seat and two further chairs and two stools
Victorian mahogany hall chair, the circular back with shield-shaped splat, solid seat, on turned baluster tapering front legs, 91cm high x 45cm wide and an Arts & Crafts style oak hall chair, the shaped back with pierced heart-shaped splat, solid seat, on square tapering legs united by stretchers, 92cm high x 42cm wide x 40cm deep
Early 20th century oak chest of drawers, the rectangular top with thumbmould edge, over four short graduated drawers with moulded edges and drop loop handles with pierced shaped backplates, on castors, 72cm high x 56cm wide x 43cm deep and an early 20th century walnut footstool in the Queen Anne manner, the upholstered seat on scrolling legs united by a cross-stretcher, 34cm high x 46cm wide x 29cm deep and another stool (3)
19th century painted pine side table with single drawer, on turned tapering legs, 74cm high x 88cm wide x 48cm deep, an early 20th century walnut elbow chair, the domed back with bergere panels and scrolling arms, on cabriole legs (with later boarded seat), 80cm high x 62cm wide, a painted overmantel mirror, 59cm high x 116cm wide and a pine wall-mounted column with two coat hooks, 130cm high (4)
17th/18th century oak backstool with carved solid splat and solid seat, on turned and block supports united by a baluster turned front stretcher and square stretchers to the other sides, 92cm high x 47cm wide x 41cm deep and an oak low table/stool in the 17th century manner with circular top, on turned and block supports, 40cm high x 46cm diameter (2)
19th century nursing chair, the white painted frame set with a blue jasperware panel to back, with upholstered top rail and circular upholstered stuff-over seat, on castors, 66cm high x 52cm diameter together with French style white painted circular dressing stool with upholstered seat, 40cm high x 38cm diameter (2)
Elda lounge chair by Joe Columbo for Comfort, the seat and back upholstered in red leather on a fibre glass swivel base, 94cm high x 101cm wide x 100cm deepCondition ReportFibreglass with some scratches, scuffs and accretions. Chair rotates freely. Upholstery in poor condition with numerous scratches and scuffs, accretions, stains and a rip to the seat. General wear and tear.
Group of 18th / 19th century maps and engravings, including: Double sheet "Nova Famigerabilis insulae ad ducatus Rugiae descriptio", text in Latin to reverse headed "Rugia". From Mercator-Hondius Atlas ?1613, Ditto "Italia Gallica sive Giallia Cisalpina.. Petrus Coerius coelavit", text in Latin to reverse headed "Italia Gallica" From Ortelius 'Theatrum Orbis Terrarum' ?1624, "An accurate map of Radnorshire", Thomas Kitchin. From the 'Large English Atlas' 1749-55, "An accurate map of Brecknockshire", Printed for Carington Bowles, Robert Wilkinson & Robert Sayer. 18th century, "Prospectus ab Aedibus Flanginorum usque ad Bembos" (Grand Canal & Palazzo Flangini). Antonio Visentini, from 'Urbis Venetiarum Prospectus Celebriores', 1735, "Vue generale prise de la cote de Bonsecours, Rouen". Dantaud pinx & lith, imp. Auguste Bry a Paris. 19th century, Portrait of Rev. Samuel Parr. A. Chisholm del, printed C. Hullmandel, "A view of Coombank nr Sevenoaks in Kent, the seat of the Hon. Liet. Gen. Campbell. N.Woolett del. & sculpt. 'Twelve Views of Gentlemen's Seats & Gardens', c. 1770s, Nine images on a single sheet, "Blaise Hamlet", drawn on stone by R. Pocock, pub. Geo Davey Bristol. 19th century, "The Upper Fountain of Siloam". David Roberts, pub. G. Moon, Threadneedle St, 1 July 1841. From "The Holy Land" (10)
A stone bench, rectangular seat on matched capital supports 153cm wide 44.5cm deep 36cm highProvenance: The Estate of the Late Jackie Mann Condition ReportWith matched supports. The supports in need of attention. Bench top doesn't sit level. Knocks and losses to stone. Please see additional images.
An Edwardian green leather and mahogany framed armchair 20th century, with brass studwork, raised on castors, 70cm wide 74cm deep87cm high, seat 39cmCondition ReportUsed condition. Some cracking to the arms. Small tear to the back of the chairs upholstery. The green leather has been applied with what appears to be a darked polish, not consistent with the crease to the seat. Some chips and nibbles to the casters. The bottom with some mildew. Please see additional images.
A Queen Elizabeth II silvered oak coronation chair, mid-20th century, with blue velvet upholstery, labelled '134' to the top rail, stamped marks,49cm wide45cm deep85cm high, seat 46cm highProvenance: Property of Colonel William Arthur Hinchcliffe M.B.E., who attended the coronation, thence by descent.Condition ReportWear, fading and marks to the upholstery. General knocks, scuffs, and wear to the frame. Structurally sound, with only slight movement under pressure.
Picturesque Views of the Principal Seats of the Nobility and Gentry in England and Wales. By the most eminent British Artists. With a Description of each Seat. Harrison & Co. N.D. C1788 (Plates dated 1786-88). After two counts, I can only find 99 plates of the 100, Hence missing one plate. Oblong 4to. Later half leather; light damp staining; Jones' Views of the Seats, Mansions, Castles, & c. of Noblemen & Gentlemen in England, Wales, Scotland & Ireland. Forming part of the general Series of Jones' Great Britain Illustrated. L, Jones & Co. 1829, 1st. Edn. Engraved title page with vignette plus 298 engraved views on 149 Plates. 4to. Near cont. half leather over marbled boards and marbled endpapers. With the bookplate of 'Martin Drury' to front pastedown. VG Joseph Pannell: The Work of Charles Keene With an Introduction and Comments on the Drawings.. New York, R H Russell, 1897, 1st. Edn. With an Original Etching by Keene, mounted & bound in at the front, together with an autograph letter sent from 55 Baker Street, to S Read (10 lines), Signed is full & tipped-in to the front blank. Folio, original cloth gilt; rubbed and with tears to the spine; Edward Horswell: Sculpture of Les Animaliers 1900-1950. Scala Arts and Heritage Publishers Ltd, 2019, Title page Inscribed and signed by Edward. VG+ (4)
making up a very complete set, consisting of a saddle with stirrups, bridle and trappings, the saddle seat faced in yellow silk kesi from a dragon robe, and with cloisonne mounts against a shagreen field, on a birch wood base structure. Note: Birch was considered a hardwood in Northern China, due to the dry winter and wet summer. The structure is composed of four pieces, following Manchu and Mongolian classic tradition. The surface of the front and back parts are covered with Shark- skin and decorated with gilt brass mounts, finely enamelled in cloisonne with floral motifs. The present seat cover epitomises much of the stylistic achievements in embroidery production during the early Qing period, from the smooth yellow ground to the strongly delineated deep brown mountains, and border of ocean waves. As a symbol of the emperor himself, the pattern is a most fitting subject for a saddle destined to grace one of the halls of an imperial palace. The Brass stirrups have treads pierced with a swastika which is considered to symbolise the auspicious footprints of the Buddha. The left-facing swastika is often imprinted on the chest, feet or palms of Buddha images. It is a symbol for the Buddha in many parts of Asia and homologous with the dharma wheel.The shape symbolises the eternal and cyclical, a theme found in the samsara doctrine of Buddhism. The exterior surface enamelled on a Black-ground with floral and geometrical motifs. With a rare horse tail holder, in fabric, with silver 27 mounts, enamelled in polychrome with floral motifs. Together with bridle reins gold-gilt in fabric, with 29 cloisonne mounts, enamelled with bats, birds, longevity symbols and flowers. The bridle rings connect to the iron bit.The bat is a punning rebus for fu meaning fortune or fortunate. Those patterns are very often appear on porclain, furnature, lacquer ware, and cloisonne. . Dimension:Saddle length 45 cm . Condition:. Provenance:Given by Xu Jingcheng to Italian Diplomat, Daniele Vare, in 1891; Collection of Musee du Cheval et de la peronnerie d Art Rene Francois in Beaucaire; Acquired from Roberto Nicola in Milano, 2010.
1960s Triang Hornby OO gauge - including eight boxed locomotives, comprising an R.869S Winston Churchill loco and tender, SR 21C151; an R855N LNER Flying Scotsman with Steam Exhaust Noise; an R.59S 2-6-2 Class 3MT Tank loco; an R.354 GWR 4-2-2 Lord of the Isles loco and tender; an R.866A LNER 4-6-0 B12 loco and tender; an R.871 LMS 4-6-2 Coronation Class 'King George VI' loco and tender; an R.152 0-6-0 Diesel Electric Shunter; and an R.258 NS LMS 4-6-2 Princess loco and tender (front and rear bogies detached); a boxed R.35 Tender; four unboxed Triang locos; six boxed bogie coaches; a boxed R.666 Articulated Car Carrier; two R.585 Platforms with Canopy Seat; a boxed R.406 Automatic Train Control Set; and a quantity of unboxed coaches and wagons.
An early 19th century ash and elm ladder back open armchair - the ladder back with six shaped rails on turned uprights, over a rush seat and swept arms on baluster turned supports, on baluster turned front legs with pad feet, united by a turned front stretcher and plain back and side stretchers, 58.5cm wide, 100.5cm high.
Mouseman and the Yorkshire Critters: an oak and leather topped foot stool by Malcolm Pipes, 'Foxman' - of Fox Furniture, Carlton, Husthwaite, Thirsk, North Yorkshire, the nailed, woven tan leather seat raised on waisted, chamfered block supports, united by peripheral stretchers, the top of one support carved with the maker’s fox head signature. (LWH 34.3 x 27 x 22.8cm)
Five vintage alloy and leather shooting sticks - third quarter 20th century, two by Swaine & Adeney Ltd of London, one 34in with a wooden stem (leather a/f, one seat strut a/f), the other 32½in with an aluminium stem; and three 'The Perfect' shooting sticks, one with an integral umbrella. (some faults)
A charming 19th century ash and elm child's spindle-back high chair - the back with shaped top rail centred with a shell, over two rows of turned spindles, turned arms and a painted rush seat, raised on baluster turned front legs with pad feet, united by a footrest, 40cm wide, 91cm high, good colour, old repairs.
A 1920s-30s folding portable picnic table, the '"Flexion Legless Table" - in mottled green painted steel and fibreboard, the rectangular box with copper plated corner mounts, opening to form a four-seat picnic table, the top 92 x 73cm, overall size when open 149 x 92cm, size when closed 92 x 36.5cm.

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235744 item(s)/page