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A quantity of Shelley Queen Ann and other teawares, mid 20th century, to include tall trees pattern, the coffee pot, 19cm high, largest plate, 24 cm length,67 pieces with stamps and painted marks. Condition ReportSurface scratches and light rubbing to the decoration. Crazing throughout. Discolouration to the glaze, particularly to the rim of saucers. Base of coffee pot cracked.

A quantity of Shelley Harmony teawares, mid 20th century, each decorated with multi coloured glazes, to include a rectangular blue and green glazed butter dish, 20cm wide, 15cm deep, 9cm high, and two jugs the largest 22cm high14 pieces in total. Condition ReportLight scratches to the surface. Minor rubbing to the decoration. Hairline crack to the base of one butter dish. Heat damage to other butter dish. Remainder in fair order.

Driek van Wissen, Elze ter Harkel e.a., Wisselende contacten. Zwerfproject door de Lage Landen. Z.p: z.u, [2005]. Apart vormgegeven publicatie, cahiersteek, omslag van handgeschept papier van de koffiestruik. Handgenummerd in inkt 80 van 100 exemplaren. De betrokken auteurs signeerden allen het werk in potlood op de laatste pagina. In het originele bijbehorende omslagvel. Hierbij: Hendrik de Vries, de vluchtelingen. Naar Shelley. Groningen: Grafisch Museum, z.j. Gekartonneerd, linnen rug. Met vormgeving van Ellen Krol. Handgenummerd achterin in potlood XI van 100 exemplaren.En: Jean Pierre Rawie, Reiziger. Groningen: Rijksuniversiteit Groningen, 2004. Cahiersteek. Handgenummerd achterin in inkt 147/250 exemplaren. Conditie: Algemeen goed, normale gebruiksspoortjes. Afmetingen: De vluchtelingen: 19x12 cm.

A small collection of bone china figures by Beswick, Royal Worcester and Royal Doulton - comprising a Beswick dark brown mare; donkey foal; and lamb; three Royal Worcester figures of birds; and a Royal Doulton HN2158 Alice figure; together with two Border Fine Arts resin figures of dogs; two miniature cups and saucers by Shelley and Caverswall; and a Continental tin glazed floral plate.

SHELLEY (PERCY. B) ' ADONAIS, An Elegy on the Death of John Keats....' Gee and Bridges, Cambridge, 1829, slim green moroccoby Riviere plus mixed literature, poetry etc (16)

A group of Hammersly lily of the valley porcelain items together with a group of Shelley chin.

Shelley tea set decorated in the wisteria pattern, with 15-0103 to base, fifteen pieces, tallest 22.5cm

Shelley Art Deco twelve place setting tea set decorated in the Nasturtium pattern, forty one pieces including two cake plates, tallest 14cm

Large quantity of mixed ceramics to include Wedgwood 'Farrara' vase, c.1910, Shelley 'Anemone' coffee pot, Davenport dish, Copeland serving dish, Meissen lattice dish, Poole pottery footed dish and Truda Carter plate c.1930, opalescent French glass bowl, AB Jones Imari trios, Royal Worcester trios. St James's Relish horse racing lid jar, Wdgwood wall pocket, 'Plain Chinese Sprigs' lidded jar c.1800, Royal Albert part tea set together with an assortment of plates, etc (2 boxes)

Large assortment of ceramics to include Shelley, French fruit plates, Limoges, Aynsley 'Champagne', Chatsworth and blue and white examples (2 boxes)

XIX Century Shelley Advertising Dunville's Match Striker.

General Hector. A. MacDonald (chipped) and Sir Redvers Buller V.C. pottery mugs. HMS Dreadnought egg cup. XIX Century Prattware pottery, rectangular box with donkey scene to the lid. Shelley Morecambe mug, small pottery teapot, Aller Vale posy etc:- One Tray.

Winton & Shelley Jelly Mounds, Radford, Crown Derby and other plates, Losol jug, Santa Bunnykins, Lucite cake stand:- One Tray.

Limoges Coffee Service, Hammersley China, pedestal bowl, Minton Haddon Hall plate, Ingersol stopwatch, Shelley miniature cup and saucer etc :- One Tray.

Shelley - Six Art Deco Sunburst Side Plates, Royalty, Aynsley Man on the Moon, Edwardian and other ceramics:- One Box.

Two blue and white ginger jars (one AF), Shelley jug, Minton teapot and jug in blue and white blossom pattern

Thirty one piece Shelley Art Deco Queen Anne 'Autumn Leaves' design tea service, together with a Staffordshire transfer printed floral sauce boat. (B.P. 21% + VAT)

SHELLEY, P.B. The Letters. Ed. by F. L. Jones. 1964. 2 vols. Ocl. w. dust-j. (Spines discold. & affected by silverfish, inside clean & neat). -- Id. The Complete Poetical Works. Vols. 1-2. Ed. by N. Rogers. 1974. (All published). Ocl. w. dust-j. -- Id. Complete poetry. Vols. 1-3. Ed. by D. Reiman, N. Fraistat & N. Crook. (2000-12). 3 (of 7) vols. Ocl. w. dust-j. -- J. KEATS. The Poems. Ed. by J. Stillinger. (1978). Ocl. w. dust-j. -- And 5 o. by/on Keats & Shelley. (14).

SHELLEY, P.B. The Letters. Ed. by F.L. Jones. Oxf., 1964. 2 vols. Ocl.NOTE: Vol. I: Shelley in England. Vol. II: Shelley in Italy.

A Susie Cooper part dinner service, hand painted with floral designs and yellow border, comprising of two lidded tureens, sauce boat, 5 dessert plates, 6 starter plates, 6 dinner plates and a charger, (21), sold together with a 8 piece Susie Cooper tea servcie and a Shelley trinket dish.

A large collection of crested china figurines, including W. H. Goss, Arcadian, Shelley and Carlton wares, depicting cars, boats, various shaped vessels and a number of other novelty items. (qty)

CRICKETERS - A selection of late Georgian / early Victorian cricketers' autographs - signed to envelopes comprising: PAUL METHVEN, SIR JOHN SHELLEY, 9TH DUKE OF ST ALBANS, HENRY CECIL LOWTHER, 6TH EARL OF CARDIGAN, CHARLES GREVILLE, 3RD MARQUESS OF HERFORD and 2ND MARQUESS OF EXETER, this item has been independently checked by Garry King and comes with an Excalibur Auctions certificate of authenticity

BORIS KARLOFF - An autographed piece of paper signed by the legendary Horror actor with a black and white photo of one of his most famous roles as Frankenstein's Monster in a cardboard display frame together with an ELSA LANCHESTER signed autograph page who portrayed Mary Shelley and The Bride in THE BRIDE OF FRANKENSTEIN (1935) alongside Boris Karloff also in a cardboard display with a photograph of her character, included is a newspaper cutting that may indicate where the vendor met Karloff to acquire the signature, measuring approx 26cm x 40xcm each, this item has been independently checked by Garry King and comes with an Excalibur Auctions certificate of authenticity (2)***Condition*** The Elsa Lanchester autograph is quite faded from sun exposure.

Victorian porcelain cup and saucer set by Wileman & Co., predecessors to Shelley China. Decorated in rich pink transferware, this set showcases a patchwork of floral and geometric panels with scalloped edges and delicate gilt accents. The cup bears the Wileman monogram beneath a crown along with the British registration number Rd 92158. An excellent example of late 19th-century English porcelain craftsmanship from the historic Foley pottery works. Cup measures 2.5"H, saucer measures 6.5"L.Issued: c. 1885Dimensions: See DescriptionCondition: Age related wear.

Set of 27 Shelley England plates in assorted shapes, sizes, and floral patterns. Each piece bears the Shelley England backstamp, showcasing the brand's renowned craftsmanship. The collection features round and square plates with a variety of embossed, scalloped, and gold-rimmed designs, each decorated with colorful floral motifs. A vibrant and collectible lot from one of England's most celebrated china manufacturers. Largest plates measure 8" dia.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.

Decorated in the classic Lily of the Valley pattern, this Shelley teacup and saucer set features graceful white bell-shaped flowers with rich green leaves, all set against a fluted form. Crafted in fine English china, the set highlights Shelley's renowned quality, with subtle green trim accenting the rims of both pieces. Shelley backstamp. Teacup 4"L x 2.5"H, saucer 5.75" dia.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.

Assorted set of twelve square fine bone china dessert plates by Shelley, England. Each plate features a unique hand-decorated floral pattern with colorful blooms, leaves, and accents in cobalt, green, or gold. Designs include stylized tulips, wildflowers, carnations, and birds, all presented on Shelley's iconic square-shaped form with softly scalloped corners. The undersides bear the Shelley England shield mark and pattern numbers. A vibrant and collectible group showcasing the charm and variety of Shelley's floral artistry.Issued: c. 1930Dimensions: 6.5"LCountry of Origin: EnglandCondition: Age related wear.

Shelley fine bone china tea trio featuring the delicate Violets pattern, number 13821. This set includes a scalloped-edge luncheon plate, a matching saucer, and a teacup with an ornate lavender handle. Each piece is adorned with vivid purple violet blossoms and green foliage, with the Shelley England backstamp on the base. The approximate measurements are: teacup 2.25"H, saucer 5.75"Dia, and plate 8.25"Dia, all with softly scalloped edges typical of Shelley's refined craftsmanship. A lovely collectible set from one of England's premier porcelain makers.Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.

A collection of nineteen Shelley fine bone china variety of cups, each beautifully decorated in various floral and botanical patterns with scalloped or fluted forms and delicate pastel or gilt handles. Several notable patterns are present, including Blue Rock, Wild Flowers, Bridal Rose, Dainty Blue, Dainty Pink, and Green Dots. Backstamps on most pieces identify them as Shelley England, with some bearing pattern numbers and named designs. A lovely and diverse set perfect for collectors or display. Cup sizes are 2.5"H x 2" dia. to 2.25"H x 4" dia.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.

A vibrant 3-piece Shelley fine bone china tea set in the striking Ovington pattern, featuring a matching cup, saucer, and dessert plate. This elegant set is adorned with bold green florals and branches outlined in black against a pure white background, creating a dramatic contrast. The design is finely detailed, including a green handle on the cup and a subtle green rim on each piece. Marked on the base: Shelley England Fine Bone China and pattern number 13216, with the Ovington retailer's mark. Ovington Brothers was a prestigious New York retailer known for importing high-end European ceramics. Shelley was one of England's premier bone china manufacturers, celebrated for its delicate forms and artistic patterns, active primarily from the late 19th century until 1966. The cup measures 2.5"H, the saucer 5.75"dia., and the plate 6"dia. Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.

Shelley Gainsborough shape tea service, pattern 11284, comprising eleven teacups, twelve saucers, twelve tea plates, milk jug, sugar bowl and cake dish

A Shelley sandwich set 

C1920s Shelley China booklets/catalogues incl. price lists, with letter from 'Shelleys' to customer dated 1928Shipping £38.00 plus vat (UK Only)

Collection of Shelley Dainty white teaware with gold accents, incl. coffee pot, cups and saucers, plates, etc. (3 boxes)Shipping £88.00 plus vat (UK Only)

SHELLEY TEA SERVICE, DAINTY BLUE PATTERN along with a Royal Albert tea service

SHELLEY TEA SERVICE, WILD FLOWERS PATTERN along with a Grosvenor twenty one piece tea service, each with floral and gilt decoration

GROUP OF TEA WARE, including Shelley tea for two sets

ROYAL ALBERT TEA SERVICE, DEVONSHIRE ROSE PATTERN along with a Shelley Forget Me Not tea service

SHELLEY TEA SERVICE, FORGET ME NOT PATTERN along with a Bell China tea service

GROUP OF TEA WARE, including Tuscan, Foley, Hammersley and Shelley

SHELLEY POTTERY DRIPWARE COFFEE SERVICE, comprising two pots, milk jug, saucers and cupsGeneral surface ware, scratches, small hairline to one of the cups, no other visible damage to the lot. There are 6 saucers, 4 cups, 1 side plate, cream jug, two coffee jugs

A good collection of Early 20th Century English porcelain coffee cans and saucers. A set of 8 Cauldon China coffee cans and saucers, 1910-1920. A set of 4 Adderley’s LTD “Florida” Best Bone China coffee cans and saucers. A set of 4 Copeland’s China Indian Tree coffee cans and saucers, retailed by T. Goodie & Co. A Late Foley Shelley gilt rimmed tea bowl and saucer. A Crown Ducal Ware cobalt blue coffee can and saucer.

Laurence Stephen Lowry (British 1887-1976)Tree in the Squaresigned and numbered '42/75' in pencil, further signed, dated and dedicated 'To Martin. from L.S.Lowry/november 1969' lithograph, published by Ganymed Original Editions Ltd, London in an edition of 75 image size 47.3 x 60.5 cm, framed and glazed 58.5 x 78 cm Provenance: Gifted by the artist to Monty Bloom's son in November 1969.Footnote: Monty Bloom, a successful businessman and collector, originally based in the North West, became a great friend of Lowry’s. Below his son Martin Bloom, to whom the work is dedicated, shares his insight with Dawsons into his father’s fascinating relationship with one of England’s greatest 20th century artists:Extract from A COLLECTOR’S LIFE: Monty Bloom and L.S. Lowry © Martin Bloom, 2020 Chance plays a part in many lives. For my father, Monty Bloom, there were many random steps leading him to first meet and then become a close friend of L.S. Lowry and a collector of his works. My father was not at that stage an art collector but found in the images he saw in John Read’s 1957 documentary on L.S. Lowry reminiscences of his upbringing in Ebbw Vale. Nostalgia drove him to seek out these works. His accountant knew Lowry and my father commissioned two works, meeting Lowry by chance at an exhibition of the art of two chimpanzees curated by Roland Penrose. (His son Tony Penrose had an influence on my own artistic career, curating a joint exhibition of my works and those of his mother, the late Lee Miller.) From that first meeting, Lowry and my father met regularly, and in time once a week, often coming over to our house for tea. My mother’s apple pie was drowned in a large lake of cream, as this tall jovial man laughed and joked while consuming the last crumb and draining the bowl. My father was drawn to his personality. “His low-key humour was a perfect foil for Lowry’s hilarity, his ingenuous manner ideally matched to the artist’s own” (Shelley Rohde in A Private View of L.S. Lowry, William Collins, 1979).My father met Lowry at a critical period of his life. Lowry had started moving away from the traditional industrial landscapes for which he is best known and started creating single figures, isolating his characters from their surroundings. He became obsessed “with the grotesque and the deformed”, a subject for which he despaired of finding interest from collectors. My father was drawn to these and became a major collector. “The Bloom Collection is notable because it covers the whole range of Lowry’s art, from its beginnings, about 1906, until today. … [It] has particular value because it follows the development of Lowry’s mood.” (Maurice Collis, in L.S. Lowry, Hamet Gallery exhibition catalogue, 1972).To some extent, the industrial revolution and its aftermath tied Lowry to my father. Manchester’s role in the industrial revolution was based around the textile industry and its mills, driven by the increased use of coal for producing the steam power used for the mills and for transport. South Wales was a major source of coal and iron, driving on the industrial revolution even faster and transforming society.In effect, Lowry documented the impact of the industrial revolution on post-industrial Manchester and Salford, showing the human costs with the isolation of its inhabitants as they were ripped from their original villages and extended families, especially through his later works. My father moved to Manchester and its surroundings, where I was born. He took over failing businesses and turned them around, giving them new life. After he started collecting the single figures, my father then took Lowry to visit the sites of his youth in South Wales and the cycle continued. Lowry painted some of his most unique and important industrial landscapes there. “It was as if [Lowry] had explored every crevice of the industrial panorama. There were few other combinations … he could develop. … Only the discovery of the mining villages of South Wales with his friend and collector Monty Bloom, reawakened Lowry’s interest. Even there, it was the stunning mix of rugged countryside and industrial towns which excited him.” Michael Leber in L.S. Lowry (Phaidon, 1987). Image appears to be in good condition. The sheet is slightly undulating in frame. Light acidification to the sheet, a shade darker at the very edges of the sheet. There are some soft handling creases visible to the margins. Some spots of minor surface dirt. Under glass and unexmined out of frame.

Mabel Lucie Attwell (1879-1964) for Shelley, a group of porcelain nurseryware and figures, c.1930, printed marks,largest 15.5cm high (6)Condition ReportStructurally the ceramics appear sound. Some loses to the paint, marks, and surface dirt to the two larger figures. Some loses to the glaze, rubbing, and marks to the egg cup along with remnants of an adhesive label to the underside. Pitting, surface marks and minor loss to the paint on the three smaller figures.

Mabel Lucie Attwell (1879-1964) for Shelley, a porcelain tea service and a 'Sleepyhead' night light, c.1930, printed and painted marks,night light 20.2cm high (4)

A Shelley Queen Anne part tea service in the 'Blue Iris' pattern, early 20th century circa 1930, comprising: twelve teacups, twelve saucers, twelve side plates, a milk jug, a sugar bowl, and two square twin handled sandwich plates (40) (at fault) CONDITION REPORT:The service shows no obvious chips or losses, however, most of the saucers, most of the side plates and the sugar bowl show fine surface crazing throughout.  Three teacups show stained hairline cracks to the interior (extensive in one case).  The remaining pieces show minor surface wear.

A Poole vase; a Shelley Forth Road Bridge commemorative milk jug and sugar bowl; a Goss Trusty Servant teapot stand; a George VI silver mounted porcelain scent flask, printed with flowers, Birmingham 1938; a Wedgwood Londonderry pattern cream jug; a Royal Doulton Biltmore pattern vase, boxed; Royal Crown Derby, Wedgwood Jasper, Royal Albert, Minton Haddon Hall pin tray; qty

The Keepsake for 1829, published November 1828 by Hurst Chance and Co., London. 360 pages. Literary contributions to this volume include Sir Walter Scott (three contributions), William Wordsworth, (five contributions) F. M. Reynolds, Mary Shelley (two contributions), the first 'The Sisters of Albano' and the second 'Ferdinando Eboli', Percy Bysshe Shelley (two contributions), the first being 'On Love' and the second 'Fragments' of 3 poems with many other notable contributors. Many full-page engravings protected by tissue guards. Original red publishers' boards 5 x7½ . All edges gilt, titled in gilt. Weak external hinges. Now a very RARE volume. The most notable contributions by Percy and Mary Shelley. Single vendor book auction. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

The Keepsake for 1828, published by Hurst Chance and Co., London. 312 pages in publishers' red boards. 5 x7½ . Nibbed severely on external hinges. Weak on top and bottom of spine. Titled in gilt, all edges gilt. 18 full page plates. Approximately 40 contributions all anonymous. Includes items such as the 'The Covent at Chaillot', and much verse. The internet states Percy Shelley contribution to this 1828 volume and is possible his wife Mary also contributed. Single vendor book auction. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

Shelley Regal 13388 21 Piece Tea Set

Shelley 15 Piece Coffee Set and Shelley 17 Piece Tea Set

A Collection of Early/Mid 20th Century Ceramics to Comprise Shelley Drip Bowl, Crown Devon Relief Jug etc (Some Condition Issues)

Hereford Fine China Ltd, Villeroy & Boch, Noritake, Shelley, etc.

Shelley Late Foley porcelain tea service, together with a Wedgwood Susie Cooper design coffee service ' Glen Mist '

Shelley ' Surrey Scenery ' miniature vase, together with other miscellaneous small items of decorative porcelain and pottery including a handpainted porcelain plaque depicting chaffinches, signed

A Shelley porcelain tea service, c.1930, designed by Mabel Lucie Attwell, one modelled as a duck, all in sailing attire, printed marks,tallest 14.5cm high (3)Condition ReportWith minor nibbles and losses to glaze. Rubbing to the decoration. The footrims scuffed. No apparent cracks or chips. No apparent repairs.  Teapot missing cover. Please see additional images.

Two signed Buzzcocks singles to inc: 'Everybody's Happy...' signed by Pete Shelley and Steve Diggle to front of sleeve and to reverse by John Maher, Steve Garvey (sleeve shows water damage/poor storage), a copy of 'Orgasm Addict' (UP36316) signed to reverse by the same four. The single has suffered water damage and cannot be removed from the protective plastic sleeve without damaging the signatures.From a large collection of signed records, all obtained in person by the vendor's brother, a dedicated and active fan and concert goer during the 1970s and 80s.

A copy of Buzzcocks - Harmony in my Head / Something's Gone Wrong Again (UP36541), signed to reverse of sleeve by Steve Diggle, Pete Shelley, John Maher, Steve Garvey.From a large collection of signed records, all obtained in person by the vendor's brother, a dedicated and active fan and concert goer during the 1970s and 80s.

A collection of vintage Shelley "Harebell" pattern tea service, totally twenty-one pieces. In good condition, no signs of damage.

Mixed Lot: Various ceramics to include Shelley cups and saucers, a shell formed lustre finish jug and other items