RHYS BROWN - I Love You But I Love The Dog More (White and Blue), 2020 - "I Love You But I Love The Dog More" by Rhys Brown, British b. 1993 -British-born artist Rhys Brown has captured the charm and nostalgia of the iconic Peanuts character Snoopy in this playful silkscreen print. The line work is textured, replicating the appearance achieved using oil pastels. This white and blue version is labelled "PP", meaning it is a printer's proof edition. It is also signed in the lower right corner by the artist in coloured pencil. Dimensions: 70 cm x 50 cm (27.5" x 19.75")About the Artist:Rhys Brown is a young British urban contemporary artist whose work captures the spirit of nostalgia, using toys, characters, and memoirs from his childhood as the primary sources of inspiration. Starting as a graffiti artist around his local council estate, Brown has broadened his artistic skills, delving into creating illustrations, screen prints and Gyotaku prints.VAT Status: M
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PINK FLOYD - Framed Limited Edition The Dark Side of The Moon Album Cover Print Signed by Storm Thorgerson - A limited edition silk screenprint of Pink Floyd's iconic cover artwork for their eighth album, "The Dark Side of the Moon". The artwork was created by the design group Hipgnosis, consisting of graphic designers Storm Thorgerson and Aubrey Powell. The initial idea came after Thorgerson discovered an image of a prism with light projecting through it in a 1963 physics textbook. Thorgerson is known for his many previous collaborations with Pink Floyd and his work with other bands, including Led Zeppelin and Black Sabbath.The print shows a white light hitting a glass prism, causing it to disperse into multiple colours on a black background. It is often regarded as one of the greatest album covers of all time. The striking 12-colour silkscreen is printed on Somerset tub sized 310gsm paper. This example is hand-numbered 149/295 and is signed in pencil by Thorgerson. It comes mounted in a silver-coloured frame with glass. There is a small chip on the top right corner of the frame. Dimensions (framed): 87.5 cm x 80.5 cm x 2 cm (34.5" x 31.75" x 0.75")An artist resale right royalty applies to this lot, as provided under local law. The buyer agrees to pay us the amount equal to that resale royalty and we undertake to the buyer to pay such amount to the appropriate authority.VAT Status: M ARR
SHOK-1 - Neon Flamingo, 2013 - "Neon Flamingo" by Shok-1, British b. 1970-This piece captures the artist's signature blend of street art and science. This particular artwork was released as part of his Beautiful Birds series, which comprised multiple prints showing the same middle finger X-ray imagery finished in various colours. This piece was displayed in December 2013 as part of the X-Rainbow exhibition at Pictures on Walls in London.The silkscreen print has been enhanced with spray paint on Somerset Velvet Black 250 gsm paper. Along the bottom, the artist has written the series title and artwork title and signed the piece, all in white-coloured pencil. The lower left corner also features a "Shok 1" embossed logo. It is presented in a black-coloured frame, which exhibits some minor scuffing.This artwork comes from an esteemed private collection, and this is the first time it has been publicly available for sale since its creation in 2013. Dimensions (framed): 83 cm x 48 cm x 3 cm (32.5" x 19" x 1.25")About the Artist:Starting as an aerosol writer, British artist Shok-1 has been creating art for over 40 years and has crafted a unique signature style, merging the technique of spray painting with X-ray art. His work aims to champion freethinking, taking what is considered an eerie subject matter and adding neon colours, producing glowing creations that capture attention.VAT Status: M
Mel RAMOS (1935-2018) Three Campbell’s Soup blondes .2016 Ensemble de trois sérigraphies en couleurs sur papier d'art. Chacune signée et numérotée. Edition de 450 exemplaires. 29,8 x 22,4 cm chaque. 29,8 x 67,3 cm Accompagné d’un certificat, COA. Colour silkscreen on art paper, edition of 450 exemplaries.
* IAN FLEMING RSA RSW RGI (SCOTTISH 1906 - 1994), NIGHT FLIGHT silkscreen print on paper, signed, titled and numbered 5/15 (signed, titled and numbered upside down) mounted, framed and under glass image size 47cm x 40cm, overall size 69cm x 56cm Provenance: the artist's studio sale, Great Western Auctions
* IAN FLEMING RSA RSW RGI (SCOTTISH 1906 - 1994), CATHEDRAL SUITES trial state silkscreen print on paper, signed, titled, inscribed 'trial state' and dated '82mounted, framed and under glass image size 30cm x 45cm, overall size 57cm x 75cm Provenance: the artist's studio sale, Great Western Auctions
Mr Brainwash - 'Pop wall' 2022 A silkscreen and mixed media on paper. Framed with glass panel to reverse showing artists doddle and signature. 36 inches by 60 inches image size. With artist COA present. Provenance: Privately owned from purchase. ***Certificate in cabinet*** ARTIST'S RESALE RIGHT REGULATIONS (ARR) MAY APPLY
Bold, symbolic serigraph by Yankel Ginzburg (Russian-American, b. 1945), titled Birth of a Nation. This signed and numbered print (edition 144/199) is a vivid example of Ginzburg's colorful, geometric visual language. It blends abstraction with elements of Americana-most prominently a stylized U.S. flag-alongside dynamic spheres, botanical forms, and cosmic motifs. Executed in a richly layered color silkscreen technique, this limited edition reflects the artist's fascination with national identity and the intersection of nature and technology. Signed by the artist in pencil at the lower right, with edition number at the lower left. Framed under glass in a black and metallic frame with gallery backing.Artist: Yankel Ginzburg (Kazakh, b. 1945)Issued: 20th centuryDimensions: 28"L x 33"HCondition: Age related wear. Frame is scuffed and scratched.
Charming silkscreen on paper by Marsha C. Vandivort titled FL-23, depicting a minimalist Floridian seaside scene with a striped umbrella, lounge chair, and patio furniture rendered in soft pastel tones of pink, white, and blue. The work captures a serene, summery ambiance with bold shapes and a modern aesthetic. Signed in pencil by the artist lower right, and marked IV/IV in the edition series lower left. Presented in a simple white frame with a dusty blue mat that complements the palette of the artwork.Artist: Marsha C. Vandivort (American 20th-21st century)Issued: 20th centuryDimensions: 11.75"L x 14.75"HCountry of Origin: USACondition: Age related wear.
Carlos Merida (Mexican/Guatemalan, 1891-1985). Group of five silkscreen prints on paper from the "Trajes Regionales Mexicanos (Regional Mexican Dress or Mexican Costumes)" portfolio, 1945. Each from an edition of 1000, published by Editorial Atlante, Mexico City. Including:"Two musicians from the state of Tlaxcala," plate no. 22. Signed in plate along the lower right."A Purepecha (or Tarascan) woman from the state of Michoacán," plate no. 11. Numbered, titled, and signed along the lower edge."Two Tzotzil women from the state of Chiapas," plate no. 4. Numbered, titled, and signed along the lower edge."Two musicians (Chontal Maya) from the state of Tabasco," plate no. 21. Signed in plate along the lower right."Two Tzeltal women from the state of Chiapas," plate no. 3. Signed in plate along the lower right.(Each) Sight; height: 13 1/2 in x width: 10 1/2 in. Framed; height: 15 1/4 in x width: 12 1/4 in x depth: 1 in. Condition: There are no visible tears, losses, or repairs. The sheets are toned; there is foxing throughout. One print with visible water damage to the lower left corner; there is evidence of further moisture exposure along the verso of the frame. Wear to the frames; framed under glass. None have been inspected out of frame.
Andy Warhol 1928 Pittsburgh - 1987 New York Martha Graham: Letter to the World (The Kick). 1986. Farbserigrafie. Verso mit dem Nachlassstempel sowie dem Stempel der Andy Warhol Foundation for the Visual Arts und der handschriftlichen Nummerierung '144C UT.032'. Auf Lenox Museum-Karton. 91,4 x 91,4 cm (35,9 x 35,9 in), Blattgröße. Unikat. [MH]. • Unikat. • Eine der letzten Farbserigrafien des im Februar 1987 plötzlich verstorbenen Pop-Art-Künstlers. • Warhols plakative Schöpfungen sind Ikonen der amerikanischen Pop-Art mit großem Wiedererkennungswert. • Martha Graham ist die US-amerikanische Erneuerin des Modern Dance. PROVENIENZ: Nachlass des Künstlers (verso mit dem Stempel). Privatsammlung. Privatsammlung Nordrhein-Westfalen (seit 2011, Philipps de Pury & Company, New York). AUSSTELLUNG: Andy Warhol. Prints und Screen Tests, Kunstmuseum Pablo Picasso, Münster, 14.5.-18.9.2022, Kat.-Nr. 64 (m. Abb., S. 139). LITERATUR: Philipps de Pury & Company, New York, Auktion Modern and Contemporary Prints, 8.6.2011, Los 146. Aufrufzeit: 07.06.2025 - ca. 16.18 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONAndy Warhol 1928 Pittsburgh - 1987 New York Martha Graham: Letter to the World (The Kick). 1986. Silkscreen in colors. With the estate stamp and the stamp of the Andy Warhol Foundation for the Visual Arts, and the handwritten number “144C UT.032” on the reverse. On Lenox Museum cardboard. 91.4 x 91.4 cm (35.9 x 35.9 in), size of sheet. Unique object. [MH]. • Unique piece. • One of the last color silkscreen prints by the pop art icon before his untimely death in February 1987. • Warhol's striking creations are iconic symbols of American pop art and enjoy a high recognition value. • Martha Graham was an important figure in modern dance in the US. PROVENANCE: From the artist's estate (with the stamp on the reverse). Private collection. Private collection, North Rhine-Westphalia (since 2011, Philipps de Pury & Company, New York). EXHIBITION: Andy Warhol. Prints und Screen Tests, Kunstmuseum Pablo Picasso, Münster, May 14–September 18, 2022, cat. no. 64 (illustrated on p. 139). LITERATURE: Philipps de Pury & Company, New York, Auktion Modern and Contemporary Prints, June 8, 2011, lot 146. Called up: June 7, 2025 - ca. 16.18 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Andy Warhol 1928 Pittsburgh - 1987 New York Black Bean (aus der Serie 'Campbell's Soup II'). 1968. Farbserigrafie. Verso signiert und mit der gestempelten Nummerierung. Aus einer Auflage von 250 Exemplaren. Auf glattem Offsetpapier. 89 x 58,5 cm (35 x 23 in), Blattgröße. Gedruckt von Salvatore Silkscreen Co., Inc., New York. Herausgegeben von Factory Additions, New York. Blatt 1 aus dem Portfolio 'Campbell's Soup II'. [EH]. • Die 'Campbell's Soup Cans' von Andy Warhol sind der Inbegriff der Pop-Art. • Herausgegeben von Factory Additions, dem von Andy Warhol gegründeten Verlag. • Andy Warhol legitimiert als der erste Künstler des 20. Jahrhunderts den Siebdruck als Ausdrucksform der bildenden Kunst. PROVENIENZ: Privatsammlung Süddeutschland. LITERATUR: Frayda Feldman, Jörg Schellmann, Claudia Defendi. Andy Warhol Prints. A catalogue raisonné 1962-1987, New York 2003, WVZ-Nr. II.44. Aufrufzeit: 07.06.2025 - ca. 15.48 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONAndy Warhol 1928 Pittsburgh - 1987 New York Black Bean (aus der Serie 'Campbell's Soup II'). 1968. Silkscreen in colors. Signed and with the stamped number on the reverse. From an edition of 250 copies. On smooth offset paper. 89 x 58.5 cm (35 x 23 in), size of sheet. Printed by Salvatore Silkscreen Co., Inc., New York. Published by Factory Additions, New York. Sheet 1 from the portfolio 'Campbell's Soup II'. [EH]. • Andy Warhol's “Campbell's Soup Cans” are the epitome of Pop Art. • Published by Factory Additions, the publishing house founded by Andy Warhol. • Andy Warhol was the first artist of the 20th century to legitimize screen printing as a form of fine art. PROVENANCE: Private collection, South Germany. LITERATURE: Frayda Feldman, Jörg Schellmann, Claudia Defendi. Andy Warhol Prints. A catalogue raisonné 1962-1987, New York 2003, cat. no. II.44. Called up: June 7, 2025 - ca. 15.48 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Andy Warhol 1928 Pittsburgh - 1987 New York Details of Renaissance Paintings (Leonardo da Vinci, The Annunciation, 1472). 1984. Farbserigrafie. Signiert und nummeriert. Aus einer Auflage von 60 Exemplaren. Auf festem Velinkarton von Arches. 64 x 96 cm (25,1 x 37,7 in). Papier: 82 x 112 cm (32,2 x 44 in). Blatt 2 des insgesamt 4 Farbserigrafien umfassenden Portfolios. Gedruckt von Rupert Jasen Smith, New York. Herausgegeben von Edition Schellmann & Klüser, München/New York (verso mit dem Copyright-Stempel). [KA]. • Sakraler Moment wird zu kraftvoller Pop-Ikone. • Warhol überführt Leonardo da Vincis berühmtes Renaissance-Gemälde (Uffizien, Florenz) in die Bildsprache der Pop-Art. • Seit 40 Jahren in Privatbesitz. • Ein Exemplar dieser Werkreihe zählt zur ständigen Sammlung des Museum of Modern Art, New York. PROVENIENZ: Edition Schellmann, München/New York. Privatsammlung Süddeutschland (1985 vom Vorgenannten erworben). LITERATUR: Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints. A Catalogue Raisonné 1962-1987, New York 2003, WVZ-Nr. II.321 (m. Abb.). Frayda Feldman, Jörg Schellmann, Andy Warhol Prints. A Catalogue Raisonné, München/New York 1989, WVZ-Nr. 321 (m. Abb.). Aufrufzeit: 07.06.2025 - ca. 15.57 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONAndy Warhol 1928 Pittsburgh - 1987 New York Details of Renaissance Paintings (Leonardo da Vinci, The Annunciation, 1472). 1984. Silkscreen in colors. Signed and numbered. From an edition of 60 copies. On firm Arches wove board. 64 x 96 cm (25.1 x 37.7 in). Sheet: 82 x 112 cm (32,2 x 44 in). Sheet 2 of a portfolio comprising 4 color silkscreen prints. Printed by Rupert Jasen Smith, New York. Published by Editions Schellmann & Klüser, Munich/New York (with copyright stamp on the reverse). [KA]. • A sacred moment transformed into a striking pop art icon. • Warhol adapts Leonardo da Vinci's famous Renaissance painting (Uffizi, Florence) into the visual language of pop art. • Privately owned for 40 years. • One copy of this series is part of the permanent collection of the Museum of Modern Art, New York. PROVENANCE: Edition Schellmann, Munich/New York. Private collection, South Germany (acquired from the above in 1985). LITERATURE: Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints. A Catalogue Raisonné 1962-1987, New York 2003, cat. no. II.321 (illustrated). Frayda Feldman, Jörg Schellmann, Andy Warhol Prints. A Catalogue Raisonné, Munich/New York 1989, cat. no. 321 (illustrated). Called up: June 7, 2025 - ca. 15.57 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Andy Warhol 1928 Pittsburgh - 1987 New York Goethe. 1982. Farbserigrafie. Signiert, nummiert und bezeichnet 'TP'. Unikat. Das 'Goethe'-Portfolio wurde in einer Auflage von 15 Probedrucken gedruckt, die alle in Farbkombination und Ausführungen der Details variieren. Auf Lenox-Museumskarton. 96,5 x 96,5 cm (37,9 x 37,9 in). Gedruckt von Rupert Jasen Smith, New York (mit dem Trockenstempel). Herausgegeben von Edition Schellmann & Klüser, München/New York (verso mit dem Copyright-Stempel). [KA]. • In dieser Farbkombination und Ausführung ein Unikat. • Warhol at his best: eines der bekanntesten Motive aus der technisch ausgereiftesten Schaffensphase. • Mit 'Goethe' widmet sich Warhol dem bekannten Porträt des großen deutschen Dichters und Farbtheoretikers und transformiert es in ein Kultmotiv der Pop-Art. • Warhols Porträts historischer Persönlichkeiten zählen zu seinen gefragtesten und bedeutendsten Arbeiten. • 1989 direkt vom Herausgeber und seither Teil einer süddeutschen Privatsammlung. PROVENIENZ: Privatsammlung Norddeutschland. Privatsammlung Süddeutschland (1989 vom Vorgenannten). AUSSTELLUNG: Andy Warhol. Art from Art, Fridericianum, Kassel, 1994/95. LITERATUR: Frayda Feldman, Jörg Schellmann, Claudia Defendi. Andy Warhol Prints. A catalogue raisonné 1962-1987, New York 2003, WVZ-Nr. IIB.270-273. - - Schellmann Art, Andy Warhol Unique. Catalogue of 100 Unique Silkscreen Prints, Ostfildern/München 2014, Kat.-Nr. 40 (m. Abb.). 'Ich sehe mich ganz als Teil meiner Zeit, meiner Kultur, als ebenso selbstverständlichen Teil von ihr wie Raketen und Fernsehen.' Andy Warhol, zit. nach: Andy Warhol. Prints, München/New York 1989, S. 6. Aufrufzeit: 07.06.2025 - ca. 14.14 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONAndy Warhol 1928 Pittsburgh - 1987 New York Goethe. 1982. Silkscreen in colors. Signed, numbered and inscribed 'TP'. Unique object. The The Goethe portfolio was printed in a limited edition of 15 proofs, all of which vary in color combination and detailss. On Lenox Museum cardboard. 96.5 x 96.5 cm (37.9 x 37.9 in). Printed by Rupert Jasen Smith, New York (with blind stamp). Published by Edition Schellmann & Klüser, Munich/New York (with the copyright stamp on the reverse). [KA]. • One of a kind in this color combination and finish. • Warhol at his best: one of the most famous motifs from his mature creative period. • In “Goethe,” Warhol focuses on the well-known portrait of the great German poet and color theorist, transforming it into a cult motif of pop art. • Warhol's portraits of historical figures are among his most sought-after works. • Acquired directly from the publisher in 1989 and part of a South German private collection ever since. PROVENANCE: Private collection, North Germany. Private collection, South Germany (1989 from the above). LITERATURE: Frayda Feldman, Jörg Schellmann, Claudia Defendi. Andy Warhol Prints. A catalogue raisonné 1962-1987, New York 2003, cat. no. IIB.270-273. 'I consider myself very much a part of my time and my culture, as much a natural part of it as rockets and television.' Andy Warhol, quoted from: Andy Warhol. Prints, Munich/New York 1989, p. 6. Called up: June 7, 2025 - ca. 14.14 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Andy Warhol 1928 Pittsburgh - 1987 New York Details of Renaissance Paintings (Piero della Francesca, Madonna del Duca da Montefeltro, circa 1472). 1984. Farbserigrafie. Signiert und nummeriert. Unikat. Von der Auflage von 36 Probeexemplaren, bezeichnet 'TP'. Auf festem Velinkarton. 70 x 97 cm (27,5 x 38,1 in). Papier: 81,5 x 112 cm (32 x 44 in). Gedruckt bei Rupert Jasen Smith, New York. [KA]. • Unikaler Probedruck: Warhol testete verschiedene Farbzusammenstellungen, bevor er sich für die in der Edition verwendeten Farben entschied. • Durch die Aneigung und gezielte Verfremdung von Details ikonischer Renaissance-Gemälde interpretiert Warhol deren Bedeutung neu. • Warhols Œuvre umfasst Film, Fotografie, Malerei, Musik und Performance – zu Emblemen einer postmodernen Ästhetik werden jedoch seine Siebdrucke. • Seit vier Jahrzehnten in Privatbesitz. PROVENIENZ: Edition Schellmann, München/New York. Privatsammlung Süddeutschland (1985 vom Vorgenannten erworben). AUSSTELLUNG: Andy Warhol. Art from Art, Fridericianum, Kassel, 1994-1995. LITERATUR: Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints. A catalogue raisonné 1962-1987, New York 2003, WVZ-Nr. II B.316 A. - - Schellmann Art, Andy Warhol Unique. Catalogue of 100 Unique Silkscreen Prints, Ostfildern/München 2014, Kat.-Nr. 90 (m. Abb.). Aufrufzeit: 07.06.2025 - ca. 15.58 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONAndy Warhol 1928 Pittsburgh - 1987 New York Details of Renaissance Paintings (Piero della Francesca, Madonna del Duca da Montefeltro, circa 1472). 1984. Silkscreen in colors. Signed and numbered. Unique object. From a print run of 36 trial copies marked “TP”. On firm wove board. 70 x 97 cm (27.5 x 38.1 in). Sheet: 81,5 x 112 cm (32 x 44 in). Printed by Rupert Jasn Smith, New York. [KA]. • Unique proof print: Warhol experimented with different color combinations before deciding on the colors for the edition. • By adopting and altering details from iconic Renaissance paintings, Warhol reinterprets their meaning. • Warhol's oeuvre encompasses film, photography, painting, music, and performance, yet it is his silkscreen prints that have become emblematic of postmodern aesthetics. • In private ownership for four decades. PROVENANCE: Edition Schellmann, Munich/New York. Private collection, South Germany (acquired from the above in 1985). LITERATURE: Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints. A catalogue raisonné 1962-1987, New York 2003, cat. no. II B.316 A. Called up: June 7, 2025 - ca. 15.58 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Andy Warhol 1928 Pittsburgh - 1987 New York Details of Renaissance Paintings (Paolo Uccello, St. George and the Dragon, 1460). 1984. Folge von 4 Farbserigrafien. Jeweils signiert und nummeriert. Eines von 4 nummerierten 'HC'-Exemplaren, außerhalb der Auflage von 50. Auf festem Velinkarton von Arches. Bis 64,4 x 95 cm (25,3 x 37,4 in). Papier: jeweils 81,5 x 112 cm (32 x 44 in). Vollständige Folge. Gedruckt von Rupert Jasen Smith, New York. Herausgegeben von Edition Schellmann & Klüser, München/New York (verso mit dem Copyright-Stempel). [KA]. • Warhol at his best: Komplette Folge aus der technisch ausgereiftesten Schaffensphase. • Eine Hommage an die Ikonen der Kunstgeschichte: Warhol greift Bildmotive Alter Meister auf und verleiht ihnen durch leuchtende Farbkontraste und serielle Transformationen eine neue popkulturelle Präsenz. • Durch den Einsatz der Siebdrucktechnik ergründet Warhol auf einzigartige Weise die Schnittstelle zwischen Kunst und Kommerz – ein zentrales Thema seines Œuvres. • 1989 vom Herausgeber erhalten und seither in einer süddeutschen Privatsammlung. • Warhol wurde zuletzt mit Keith Haring in der Ausstellung 'Andy Warhol & Keith Haring. Party of Life' im Museum Brandhorst, München, gewürdigt. PROVENIENZ: Edition Schellmann, München/New York. Privatsammlung Süddeutschland (1989 vom Vorgenannten). LITERATUR: Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints. A catalogue raisonné 1962-1987, New York 2003, WVZ-Nr. II.324-327. 'I used to work for the magazines and I always thought I was being original, and then they'd never want it. This is when I decided not to be imaginative.' Andy Warhol, 1986, zit. nach: Andy Warhol Prints, A Catalogue Raisonné 1962-1987, New York 2003, S. 18. Aufrufzeit: 07.06.2025 - ca. 16.16 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONAndy Warhol 1928 Pittsburgh - 1987 New York Details of Renaissance Paintings (Paolo Uccello, St. George and the Dragon, 1460). 1984. Serie of 4 Silkscreen in colors. Each signed and numbered. One of 4 numbered 'HC' copies aside from the edition of 50. On firm Arches wove board. Up to 64.4 x 95 cm (25.3 x 37.4 in). Sheet: each 81,5 x 112 cm (32 x 44 in). Complete series. Printed by Rupert Jasen Smith, New York. Published by Edition Schellmann & Klüser, Munich/New York (with the copyright stamp on the reverse). [KA]. • Warhol at his best: Complete series from his most mature creative period. • A tribute to icons of art history: Warhol takes motifs from Old Masters and gives them a new pop art presence through bright color contrasts and serial transformations. • Through the use of silkscreen printing, Warhol explored the interface between art and commerce —a key aspect of his art. • Obtained by the publisher in 1989 and since then in a private Southern German collection. • Most recently, Warhol was honored together with Keith Haring in the exhibition “Andy Warhol & Keith Haring. Party of Life” at the Museum Brandhorst, Munich. PROVENANCE: Edition Schellmann, Munich/New York. Private collection. South Germany (from the above in 1989). LITERATURE: Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints. A catalogue raisonné 1962-1987, New York 2003, cat. no. II.324-327. 'I used to work for the magazines and I always thought I was being original, and then they'd never want it. This is when I decided not to be imaginative.' Andy Warhol, 1986, quoted from: Andy Warhol Prints, A Catalogue Raisonné 1962-1987, New York 2003, p. 18. Called up: June 7, 2025 - ca. 16.16 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Andy Warhol 1928 Pittsburgh - 1987 New York Joseph Beuys. 1980/1983. Farbserigrafie mit Rayon-Satinierung in den bunten Bereichen. Signiert und nummeriert. Verso mit dem Copyright-Stempel. Eines von 36 Künstlerexemplaren außerhalb der Auflage von 150 Exemplaren. Auf Lenox Museum-Karton. 101,5 x 81,5 cm (39,9 x 32 in), fast blattgroß. Gedruckt von Rupert Jasen Smith, New York (mit dem Trockenstempel). Herausgegeben von Edition Schellmann & Klüser, München/New York (verso mit dem Copyright-Stempel). [KA]. • Meister trifft Meister: Warhol verewigt Beuys und erschafft zugleich ein Zeugnis seines eigenen künstlerischen Selbstverständnisses. • 1979, ein Jahr vor Entstehung des Porträts, ist Beuys anlässlich seiner Ausstellung im Guggenheim Museum zu Besuch in New York und der Factory. • Besondere Oberflächenbehandlung mit Rayon-Satinierung. • Kurz nach Entstehung direkt vom Künstler erhalten und seitdem in derselben Sammlung. • Warhols Beuys-Porträts sind in renommierten Museumssammlungen vertreten, darunter das Museum of Modern Art, New York, die Tate London sowie das Philadelphia Museum of Art. PROVENIENZ: Andy Warhol Studio, New York. Privatsammlung Süddeutschland (1983/84 direkt vom Künstler). LITERATUR: Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints. A Catalogue Raisonné 1962-1987, New York 2003, WVZ-Nr. II.243 State II (m. Abb.). Frayda Feldman, Jörg Schellmann, Andy Warhol Prints. A Catalogue Raisonné, München/New York 1989, WVZ-Nr. 243 State II (m. Abb.). Aufrufzeit: 07.06.2025 - ca. 14.12 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONAndy Warhol 1928 Pittsburgh - 1987 New York Joseph Beuys. 1980/1983. Silkscreen in colors with Rayon satin in the color areas. Signed and numbered. With the copyright stamp on the reverse. One of 36 artist copies outside the edition of 150 copies. On Lenox Museum cardboard. 101.5 x 81.5 cm (39.9 x 32 in), nearly the full sheet. Printed by Rupert Jasen Smith, New York (with the blind stamp). Published by Editions Schellmann & Klüser, Munich/New York (with the copyright stamp on the reverse). [KA]. • Two masters meet: Warhol immortalizes Beuys, creating a testament to his own artistic identity. • In 1979, a year before the portrait was made, Beuys visited New York and the Factory for his exhibition at the Guggenheim Museum. • Special surface treatment with Rayon satin finish. • Acquired directly from the artist shortly after its creation and in the same collection ever since. • Warhol's Beuys portraits are in renowned museum collections, including the Museum of Modern Art, New York, the Tate, London, and the Philadelphia Museum of Art. PROVENANCE: Andy Warhol Studio, New York. Private collection, South Germany (acquired from the artist in 1983/84). LITERATURE: Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints. A Catalogue Raisonné 1962-1987, New York 2003, cat. no. II.243 State II (illustrated). Frayda Feldman, Jörg Schellmann, Andy Warhol Prints. A Catalogue Raisonné, Munich/New York 1989, cat. no. 243 State II (illustrated). Called up: June 7, 2025 - ca. 14.12 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Andy Warhol 1928 Pittsburgh - 1987 New York Queen Margrethe II. 1985. Farbserigrafie. Signiert und nummeriert. Einer von 30 Trial Proofs. Auf Lenox-Museumskarton. 100 x 80 cm (39,3 x 31,4 in). Verso mit dem Copyright-Stempel 'Andy Warhol 1985'. Gedruckt von Rupert Jasen Smith, New York (mit dem Trockenstempel). Herausgegeben von George C. P. Mulder, Amsterdam. [AR]. • Aus dem Portfolio der 'Reigning Queens'. • Die royale dänische Königin wird zum Pop-Star auf Andy Warhols legendären Screenprints. • Aufgrund der individuellen Farbgebung mit Unikatcharakter. PROVENIENZ: Galerie Benden und Klimczak, Viersen (heute Galerie Benden & Ackermann, Köln). Privatsammlung Niedersachsen. LITERATUR: Vgl. Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints. A catalogue raisonné 1962-1987, New York 2003, WVZ-Nr. IIB. 342-345. Aufrufzeit: 07.06.2025 - ca. 14.10 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONAndy Warhol 1928 Pittsburgh - 1987 New York Queen Margrethe II. 1985. Silkscreen in colors. Signed and numbered. One of 30 Trial Proofs. On Lenox Museum card. 100 x 80 cm (39.3 x 31.4 x 39,3 in). With the copyright stamp “Andy Warhol 1985” on the reverse. Printed by Rupert Jasen Smith, New York (with blind stamp). Published by George C. P. Mulder, Amsterdam. [AR]. • From the “Reigning Queens” portfolio. • The royal Danish queen becomes a pop star in Andy Warhol's legendary screen prints. • Unique character due to individual coloring. PROVENANCE: Galerie Benden and Klimczak, Viersen (today Galerie Benden & Ackermann, Cologne). Private collection, Lower Saxony. LITERATURE: Cf. Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints. A catalogue raisonné 1962-1987, New York 2003, no. IIB. 342-345. Called up: June 7, 2025 - ca. 14.10 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Vibrant pop art portrait of Marilyn Monroe by acclaimed Brazilian-American artist Jozza, known for his colorful and energetic style. This mixed media work combines acrylic paint with silkscreen elements on canvas, resulting in a dynamic depiction of the iconic actress. The bold composition features bright colors, graphic patterns, and stylized outlines characteristic of Jozza's work. Signed by the artist on the front. Excellent; canvas surface clean and colors bright.Artist: Jozza (Brazilian, b. 1958)Issued: 2013Dimensions: 36"L x 38"HCondition: Age related wear.
* GEORGE WYLLIE MBE (SCOTTISH 1921 - 2012), THE ANTONINE LINE THIS FAR - NO FURTHER?, 1989 silkscreen print on concrete slab28cm x 35cm Note: George Wyllie lived most of his life in Gourock and worked as a customs officer until he decided it was time for art and there began his pursuit of the "Question Mark". He entered into a four-decade long late-flowering career as an artist, achieving international acclaim. As an untrained artist, his creative output is made even more remarkable with iconic pieces such as The Straw Locomotive, which was a full size locomotive made out of straw, suspended by the Finnieston Crane in Glasgow and the 80 foot Paper Boat. George was a remarkable artist who reached out beyond the confines of the gallery to connect with people all over the world through his wit and thought-provoking art. Wyllie described his own art as "scul?ture" because he said "the question mark should be at the centre of everything".
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