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French Christofle silver plated paper knife, the terminal with raised decoration of an African face mask to one side and a ring of crocodiles to the other, 22cm long

Collection of silver items including set of three Victorian silver provincial teaspoons, Exeter 1858, Josiah Williams & Co, George III silver caddy sifting spoon, Birmingham 1907, salt spoon, fish knife and Victorian silver blade and mother of pearl fruit knife, together with a collection of silver plate flatware and an amber bakelite napkin ring, approximate total silver weight 4.18ozt

Victorian silver napkin ring, a pair of pierced silver plated napkin rings and a Chinese metal dragon cast napkin ring, the first engraved with the initial L.B.C. 0.59 ozt,  4.76 ozt gross weight (4)

A collection of costume jewellery including necklaces, brooches, pendants, also various collectables including a silver plated clutch purse, dressing table set, TSB Bank promotional pens, two porcelain floral decorated round trinket boxes, cat shaped ring holder, two boxed compacts, etc.

WILLIAM NEALE & SON LTD; a George V hallmarked silver napkin ring, with engine turned decoration, Birmingham 1914, two further hallmarked silver napkin rings, a hallmarked silver feeding spoon and matching food pusher, four silver bangles, a hallmarked silver ingot pendant, a hallmarked silver square link necklace (af), length 50cm, a white metal bangle and a silver plated butter knife, combined weighable silver approx 4.55ozt/141.4g.

A yellow metal opal and diamond set pendant, length approx 1.2cm, a 9ct yellow gold fine link necklace (cut), weight approx 0.9g, a further yellow metal fine link necklace, length approx 45cm, a yellow metal earring and 925 hallmarked silver ring (cut), gross combined weight 12.5g.

F D LONG; a George V hallmarked silver purse, Birmingham 1917, 8 x 5.5cm, suspended on ring loop chain, and two Edward VII hallmarked silver handled button hooks, one hallmarked Birmingham 1905 (3).

VINERS LTD; a George VI hallmarked silver napkin ring, Sheffield 1936, a George V hallmarked silver napkin ring, Birmingham 1937, an 800 grade hallmarked silver napkin ring, an 800 grade hallmarked silver stick mount, a white metal stick mount, white metal ashtray, Dutch silver caddy spoon, white metal tea strainer etc, combined approx 5.45ozt/169.5g.

W & C SISSONS; a Victorian hallmarked silver shell shaped bonbon dish, London 1899, 12.5 x 10.5cm, a pair of George VI hallmarked silver salt and pepper shakers, both Birmingham, 1948, a pair of Edward VII hallmarked silver squat candlesticks, Birmingham 1905, both height 9cm, a pair of hallmarked silver napkin rings, a further hallmarked silver napkin ring, a hallmarked silver fork, a hallmarked silver butterknife and a hallmarked silver food pusher, combined weighable silver 7.6ozt/236g (11).

A collection of designer and costume jewellery and watches, including six lady's watches, watch pendant on chain, cameo brooch, 925 hallmarked silver signet ring, size F, white metal filigree brooch, bead bracelets, brooches, etc.

WILLIAM HUTTON & SONS LTD; a cased set of six George V hallmarked silver coffee spoons, Sheffield 1916 and a cased set of five Victorian hallmarked silver teaspoons, manufactured by Wakeley & Wheeler, London 1891, also a hallmarked silver napkin ring, bangle and white metal belt buckle, combined weighable silver 6.05ozt/188.5g.

Tiffany & Co silver aeroplane and globe key ring (London 1999), in pouch

Silver napkin ring, two silver spoons, silver brooch, white metal locket on rope twist chain and a simulated pearl necklace

Pair of silver napkin rings in a fitted case, a single silver napkin ring in fitted case, German silver (800) bonbon dish, silver match box holder and another silver napkin ring

Two 18ct gold diamond set rings, four 9ct gold rings, 9ct gold and silver ring, two 9ct gold pendants on 9ct gold chains and two 9ct gold back and front locketsTwo 18ct gold rings weigh 4.5 grams.9ct gold jewellery weighs 9.6 grams (excluding the two lockets and the silver and 9ct gold ring)Two lockets weigh 7.9 grams.

Group of silver and white metal jewellery including amber pendant, pair of earrings and a ring, various chains, lockets, cufflinks etc

Group of gold, silver and costume jewellery including 15ct gold diamond brooch, 9ct gold bar brooch, Eastern gold ball ring, silver fob watch etc15ct gold brooch weighs 3.2 grams.9ct gold brooch weighs 1.2 grams.Eastern gold ring weighs 3.4 grams.

Silver gilt circular link necklace, 40cm long, cultured pearl necklace, 45.5cm long and an abstract silver and citrine ring, size M

Art Deco silver christening set comprising of knife with mother of pearl handle, fork, spoon (all Sheffield 1922) and a napkin ring, in fitted case

Silver charm bracelet with an extensive collection of novelty silver charms, together with a silver and amber pendant, ring and pair of stud earrings

9ct gold amethyst and diamond cluster ring, pair of 9ct gold sapphire and cultured pearl earrings, two tie pins (both stamped 18K) and a yellow metal signet ring (damaged)9ct gold ring and earrings (excluding the silver butterfly fittings) weigh 7.6 grams in totalTwo tie pins (excluding the gold plated backs) weigh 2.7 grams in totalYellow metal signet ring, unmarked, weighs 4 grams

A 925 silver Polki diamond three stone ring, O, 6g

A silver money clip, London 1977, together with a 925 silver presentation key ring, Birmingham 2019, and a 925 silver pen knife. (3)

Carolyn Pollack, a 925 silver and gemset pendant, with a Carolyn Pollack 925 silver ring, R, Relios San Poblano, a silver gemset pendant, 30mm, a sterling silver engraved ring, S, and a silver gemset pendant, 18g

Tiffany & Co, Elsa Peretti, a 925 silver cross over ring, H, 9g

A sterling silver gemset ring, I, two unmarked silver gemset brooches, and a pair of silver and turquoise screw back earrings, 12g

Mexico, a silver and turquoise necklace, a Mexico silver and turquoise ring, P, and a Mexico silver brooch, 53mm, 72g

A 925 silver and Blue John bangle, Sheffield 1996, a silver and Blue John ring, L, an unmarked silver and Blue John brooch, 45mm, and a sterling silver Blue John pendant, 18mm, 56g

A Victorian silver good luck locket, Birmingham 1886, 23mm, a silver buckle ring, P 1/2, a silver gemset brooch, 35mm, and a silver Albertina chain with heart charms, 29g

Two silver Blue John brooches including an example in the form of a riding crop, 50mm, a pair of silver Blue John earrings with scroll backs, and a silver Blue John dress ring, H, 16g

Running Bear, a 925 silver and gemset ring, S, Carolyn Pollack, a gemset elasticated bracelet with a silver charm, with an unmarked silver and gemset ring, S, 75g

Seventeen sterling silver rings - all different, with pierced and solid bands, including a two-part brushed and polished wave-shaped ring.

A small collection of sterling silver and white metal jewellery - including a Queen Victoria 1889 silver crown pendant; four pieces of silver and millefiori glass jewellery; a silver gilt cross pendant on chain with central red stone; a pair of ball knot earrings; a Wedgwood ring; a 1977 silver 1oz ingot pendant; three St Christopher pendant necklaces; a curb link charm bracelet (no charms); etc.

A Tiffany & Co. 'Peretti' sterling silver ring - the rounded band inset with a single round cut pale blue stone, impressed maker's marks inside shank, size L. (no box)

Two boxed Swarovski crystal dress rings - comprising a 935942 ring, pavé set with multi coloured gold, yellow, white and silver toned crystals, size K; and a 935392 Eclipse Sphere ring, both in the original box with outer sleeve and certificate, one with swing tag.

Three pieces of military interest jewellery - comprising a silver Royal Flying Corps sweetheart brooch, Birmingham 1916 (lacks pin loop from one side on back); a faux-tortoiseshell and rolled gold RAF brooch; and a WW2 period threepenny-bit ring; together with a 'Malvern Warship Week Mar. 14-21 1942' badge; and a silver brooch holding a 19th century Belgian silver coin, possibly WW1 period. (5)

A gold plated and white stone halo pendant, on a 9ct gold cable link chain - together with a vintage 9ct gold, silver and white stone eternity ring, size P. (2)

A large collection of vintage costume jewellery - mainly 1950s-80s, some earlier pieces, including several agate and tiger's eye pendants; a mid-century celluloid butterfly brooch; mother of pearl and shell necklaces; various 1950s-60s glass bead necklaces, some Murano style; a mid-century silver and amethyst ring; a 1960s modernist aluminium ring; a brass spaniel portrait brooch, 6.2 x 6.3cm (originally plated); a similar pewter horse head brooch; a gilt metal chatelaine purse; various ladies dress watches; etc; together with a cased 1950s EPNS dessert spoon set; and four EPNS and enamel prize spoons.

A white metal and citrine ring - unmarked (tests as silver), the large, 23 x 19mm fancy oval cut citrine in a flour claw setting over foliate shoulders, on a pierced ladder shank, size P.

A ornate hallmarked silver ring mount size Z plus one

A 9ct and silver ring size J

A art deco 9ct shank and silver set paste ring size P

A unusual four tier designer silver ring with gold ball decoration with hallmarks of 950 and 589 to interior

A silver tigers eye ring together with a silver figero link pendant necklace 18 inch

A collection of Chinese snuff bottles, late Qing dynasty, in silver, porcelain, agate, or hardstone, 5 to 7cm high, and two jade pendants, one in the shape of a crane, the other oval, carved with a landscape, inscribed to the reverse, 3.5 and 5.5cm long (10)Condition ReportCrane - minute holes for suspension.Blue and white - with tiger's eye stopper. Chipped to rim.Butterscotch amber with mask and ring handles - chipped in various locations, a crack to base, agate stopper. Silver - inlaid with turquoise and coral, spoon tested silver. Surface scratches and minor dents. Agate - the stopper with a mother-of-pearl cabochon and base metal bezel, spoon tested silver and dented, chipped to rim.Flattened hardstone - the stopper with silver bezel and spoon.Another hardstone - the stopper with silver bezel and underlid, spoon base metal. Minute chips to rim.Agatized dinosaur bone - small chips to edges.

An Anglo-Indian silver and gilt-metal ring, the gilt-metal oval panel possibly initialled 'M G C', with a crown above, the setting with ball decoration, 4cm long

A Sanders & Mackenzie silver christening mug monogrammed and dated 1948, assayed London 1945, napkin ring and miniature trophy (3) 82g

A 925 silver ring set with aquamarine, opal and tourmaline, (P.5).

A 925 silver and silver gilt ring set with semi-precious stones.

Georg Jensen, a Danish Skonvirke silver Grape pattern five branch candelabrum, model 383A, designed circa 1915, post-1945 mark, on a circular fluted and planished base, with five S form arms of spiralled berries emanating from a central lobed knop, the foliate ring and ball top handle with five trailing grape bunches, 27.5cm high, 98.89ozt. Note: this model is affectionately known as the 'Octopus' candelabrum

TIFFANY & CO. DESIGNED BY ELSA PERETTI: A PAIR OF JADE 'BEAN' CUFFLINKSEach polished jade bean front and back, mounted in 925 silver, signed Tiffany & Co. & Elsa PerettiBorn in Florence in 1940, Elsa Peretti led a life that spanned multiple countries and disciplines. Educated in Rome and Switzerland, she left home at 21 to teach abroad, later working as an interior designer in Milan. In 1966, she moved to Barcelona, where she began modelling, eventually relocating to New York two years later. In the 1960s and ’70s, Peretti forged her way as a fashion model and joined the glitterati of the New York’s nightlife scene, often attending Studio 54. During this time, she worked with photographers such as Helmut Newton and developed lasting relationships with designers, including Giorgio di Sant’Angelo and Halston. Peretti’s early jewellery designs were featured in Halston’s runway shows, complementing his minimalist style. Halston’s influence encouraged her to focus more seriously on jewellery design, so much so he became a key figure in her life, both personally and stylistically. Renowned for her effortless style, Peretti was soon invited to design silver jewellery in Manhattan. In 1972, she opened a boutique at Bloomingdale’s within Cul de Sac, a space for emerging designers. Two years later, through a meeting arranged by Halston and fashion editor Carrie Donovan, she joined Tiffany & Co. and was offered a contract shortly thereafter. Elsa Peretti’s defining moment came in 1974 when she began working with Tiffany & Co., reintroducing sterling silver to the brand for the first time in 25 years. Inspired by Victorian silver pieces she had encountered in London’s Portobello Road, she brought a fresh, modern perspective to Tiffany’s designs. That same year, she introduced her 'Diamonds by the Yard' collection, featuring fine gold chains with bezel-set diamonds, presenting a fresh and more accessible way to wear these precious stones.Her designs were deeply influenced by personal experiences, tactile sensations, and objects around her.  Wearability was central to her work, ensuring each piece was comfortable, fluid, and body-conscious. In 1975, while visiting India, Peretti discovered a metal mesh fabric that intrigued her with its movement and texture. She reached out to Samuel Beizer, Director of the Jewellery Department at the Fashion Institute of Technology, and together they sourced antique machinery originally used to make mesh for evening bags in the early 20th century. This led to the creation of Peretti’s iconic mesh pieces, including a bra that debuted on the Halston runway and the scar, that with its innovative design created a fluid, tactile quality that became a hallmark of her work. By the mid-1970s, Elsa Peretti had established herself as a defining figure in contemporary jewellery design, creating some of the most recognisable pieces of the 20th century. Among them were the Open Heart, inspired by a void in a Henry Moore sculpture; the Bean, symbolising the beginning of life; and the Bone Cuff, inspired by the Capuchin crypt in Rome and Gaudí’s forms in Barcelona. One of her most notable designs, the Snake, was inspired by a rattlesnake tail given to her by a friend from Texas, which she kept as a talisman throughout her youth. The first design featuring this motif was a necklace-belt composed of 120 graduated, fully articulated bean-shaped links, allowing fluid movement. When the belt was first showcased in Women’s Wear Daily in 1973, Peretti modelled it herself, paired with a calf-length cashmere sweater dress by Halston. Over time, the snake motif was expanded into various forms, including a belt buckle, hairband, necklace, choker, pendant, bangle, ring, and earrings. Elsa Peretti passed away in March 2021 at the age of 80 in her Spanish home, leaving behind a lasting legacy in the history of jewellery design.  Condition Report: Normal signs of wear, overall in good conditionTotal gross weight approx. 11.4g

TIFFANY & CO., DESIGNED BY ELSA PERETTI: A GOLD 'MESH SCARF' NECKLACEOf woven mesh-linking, in 18K gold, signed Peretti and T&Co., with maker's pouch and outer box, length approximately 96.2cmBorn in Florence in 1940, Elsa Peretti led a life that spanned multiple countries and disciplines. Educated in Rome and Switzerland, she left home at 21 to teach abroad, later working as an interior designer in Milan. In 1966, she moved to Barcelona, where she began modelling, eventually relocating to New York two years later. In the 1960s and ’70s, Peretti forged her way as a fashion model and joined the glitterati of the New York’s nightlife scene, often attending Studio 54. During this time, she worked with photographers such as Helmut Newton and developed lasting relationships with designers, including Giorgio di Sant’Angelo and Halston. Peretti’s early jewellery designs were featured in Halston’s runway shows, complementing his minimalist style. Halston’s influence encouraged her to focus more seriously on jewellery design, so much so he became a key figure in her life, both personally and stylistically. Renowned for her effortless style, Peretti was soon invited to design silver jewellery in Manhattan. In 1972, she opened a boutique at Bloomingdale’s within Cul de Sac, a space for emerging designers. Two years later, through a meeting arranged by Halston and fashion editor Carrie Donovan, she joined Tiffany & Co. and was offered a contract shortly thereafter. Elsa Peretti’s defining moment came in 1974 when she began working with Tiffany & Co., reintroducing sterling silver to the brand for the first time in 25 years. Inspired by Victorian silver pieces she had encountered in London’s Portobello Road, she brought a fresh, modern perspective to Tiffany’s designs. That same year, she introduced her 'Diamonds by the Yard' collection, featuring fine gold chains with bezel-set diamonds, presenting a fresh and more accessible way to wear these precious stones.Her designs were deeply influenced by personal experiences, tactile sensations, and objects around her.  Wearability was central to her work, ensuring each piece was comfortable, fluid, and body-conscious. In 1975, while visiting India, Peretti discovered a metal mesh fabric that intrigued her with its movement and texture. She reached out to Samuel Beizer, Director of the Jewellery Department at the Fashion Institute of Technology, and together they sourced antique machinery originally used to make mesh for evening bags in the early 20th century. This led to the creation of Peretti’s iconic mesh pieces, including a bra that debuted on the Halston runway and the scar, that with its innovative design created a fluid, tactile quality that became a hallmark of her work. By the mid-1970s, Elsa Peretti had established herself as a defining figure in contemporary jewellery design, creating some of the most recognisable pieces of the 20th century. Among them were the Open Heart, inspired by a void in a Henry Moore sculpture; the Bean, symbolising the beginning of life; and the Bone Cuff, inspired by the Capuchin crypt in Rome and Gaudí’s forms in Barcelona. One of her most notable designs, the Snake, was inspired by a rattlesnake tail given to her by a friend from Texas, which she kept as a talisman throughout her youth. The first design featuring this motif was a necklace-belt composed of 120 graduated, fully articulated bean-shaped links, allowing fluid movement. When the belt was first showcased in Women’s Wear Daily in 1973, Peretti modelled it herself, paired with a calf-length cashmere sweater dress by Halston. Over time, the snake motif was expanded into various forms, including a belt buckle, hairband, necklace, choker, pendant, bangle, ring, and earrings. Elsa Peretti passed away in March 2021 at the age of 80 in her Spanish home, leaving behind a lasting legacy in the history of jewellery design.  Condition Report: Minor signs of wear, overall in good conditionTotal gross weight approx. 90gRetail price on Tiffany & Co.'s website: €29,400 (currently out of stock)https://www.tiffany.ie/jewelry/necklaces-pendants/ep-mesh-18k-rose-gold-necklaces-pendants-60145954.html?queryID=233b5787aee6a0c495c4437336c5f578&objectID=60145954&indexName=ecommerce_eu_products__en_IE&searchQuery=MESH&variantId=1415168429According to client: bought in the 1990s, worn once

A LATE 18TH CENTURY/EARLY 19TH CENTURY GEORGIAN GARNET AND DIAMOND RINGCentrally set with an oval-shaped garnet cabochon, within an old cushion-shaped diamond surround, to a foliate engraved mount and closed-back setting, mounted in silver and gold, diamonds approximately 1.10cts total, ring size O Condition Report: Garnet: of purplish-red hue, medium tone, some typical inclusions visible under 10x magnification with bright light sourceDiamonds: approx. 1.10ct total, bright and livelyNormal signs of wear, overall in good conditionTotal gross weight approx. 4.2g

A 19TH CENTURY EMERALD AND DIAMOND DRESS RING, SECOND HALF OF THE CENTURYThe collet-set cushion-shaped emerald weighing approximately 2.00cts, within a closed-back rose-cut diamond surround, mounted in silver and gold, French import mark 'ET' between 1864-1893, ring size J Condition Report: Emerald: of bluish-green hue, medium tone, surface reaching inclusion, minor facet abrasions visible with 10x magnificationDiamonds: bright and livelyNormal signs of wear, commensurate with age, overall in good conditionTotal gross weight approx. 5g

TIFFANY & CO., DESIGNED BY ELSA PERETTI: A GOLD 'SNAKE' NECKLACEThe articulating graduated 'bean' links, finishing with a polished gold snake head clasp, mounted in 18K gold, signed Tiffany & Co. and Elsa Peretti, with maker's pouch and outer box, length 50.4cmBorn in Florence in 1940, Elsa Peretti led a life that spanned multiple countries and disciplines. Educated in Rome and Switzerland, she left home at 21 to teach abroad, later working as an interior designer in Milan. In 1966, she moved to Barcelona, where she began modelling, eventually relocating to New York two years later. In the 1960s and ’70s, Peretti forged her way as a fashion model and joined the glitterati of the New York’s nightlife scene, often attending Studio 54. During this time, she worked with photographers such as Helmut Newton and developed lasting relationships with designers, including Giorgio di Sant’Angelo and Halston. Peretti’s early jewellery designs were featured in Halston’s runway shows, complementing his minimalist style. Halston’s influence encouraged her to focus more seriously on jewellery design, so much so he became a key figure in her life, both personally and stylistically. Renowned for her effortless style, Peretti was soon invited to design silver jewellery in Manhattan. In 1972, she opened a boutique at Bloomingdale’s within Cul de Sac, a space for emerging designers. Two years later, through a meeting arranged by Halston and fashion editor Carrie Donovan, she joined Tiffany & Co. and was offered a contract shortly thereafter. Elsa Peretti’s defining moment came in 1974 when she began working with Tiffany & Co., reintroducing sterling silver to the brand for the first time in 25 years. Inspired by Victorian silver pieces she had encountered in London’s Portobello Road, she brought a fresh, modern perspective to Tiffany’s designs. That same year, she introduced her 'Diamonds by the Yard' collection, featuring fine gold chains with bezel-set diamonds, presenting a fresh and more accessible way to wear these precious stones.Her designs were deeply influenced by personal experiences, tactile sensations, and objects around her.  Wearability was central to her work, ensuring each piece was comfortable, fluid, and body-conscious. In 1975, while visiting India, Peretti discovered a metal mesh fabric that intrigued her with its movement and texture. She reached out to Samuel Beizer, Director of the Jewellery Department at the Fashion Institute of Technology, and together they sourced antique machinery originally used to make mesh for evening bags in the early 20th century. This led to the creation of Peretti’s iconic mesh pieces, including a bra that debuted on the Halston runway and the scar, that with its innovative design created a fluid, tactile quality that became a hallmark of her work. By the mid-1970s, Elsa Peretti had established herself as a defining figure in contemporary jewellery design, creating some of the most recognisable pieces of the 20th century. Among them were the Open Heart, inspired by a void in a Henry Moore sculpture; the Bean, symbolising the beginning of life; and the Bone Cuff, inspired by the Capuchin crypt in Rome and Gaudí’s forms in Barcelona. One of her most notable designs, the Snake, was inspired by a rattlesnake tail given to her by a friend from Texas, which she kept as a talisman throughout her youth. The first design featuring this motif was a necklace-belt composed of 120 graduated, fully articulated bean-shaped links, allowing fluid movement. When the belt was first showcased in Women’s Wear Daily in 1973, Peretti modelled it herself, paired with a calf-length cashmere sweater dress by Halston. Over time, the snake motif was expanded into various forms, including a belt buckle, hairband, necklace, choker, pendant, bangle, ring, and earrings. Elsa Peretti passed away in March 2021 at the age of 80 in her Spanish home, leaving behind a lasting legacy in the history of jewellery design.  Condition Report: Normal signs of wear, overall in good conditionWith maker's pouch and outer boxRetail price on Tiffany's website: €27,200https://www.tiffany.ie/jewelry/necklaces-pendants/18k-yellow-gold-necklaces-pendants-60116249.html?queryID=52817da0174899a6e7b063789b6a43b6&objectID=60116249&indexName=ecommerce_eu_products__en_IE&searchQuery=snake%20peretti&variantId=1415134711Total gross weight approx. 76.6g

A HEMATITE AND SILVER RING, CIRCA 1940Composed of a rectangular-shaped polished hematite, set between curved panels, to a tapered band, mounted in silver, ring size J Condition Report: Normal signs of wear, overall in good conditionUnmarked, tested by the jewellery department to be silverTotal gross weight approx. 8.2g

Silver - 3 items of hallmarked Sterling silver to include Napkin ring, pocket or 'toy' mirror and decorative buckle clasp. [GM]

Lot to include a Watts & Sons Ltd desktop magnifier, silver napkin ring, Splinter Cell figure, London 2012 Olympics soft toy mascot pack and other. [W]

A collection of mixed fully hallmarked and contemporary 925 silver ware to include a scalloped dish, salts, sugar nips, napkin ring, pill boxes...etc..

Silver, CZ and opal panelled Art Deco style ring