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Three vintage lamp items to incl 2 oil lamps with chimneys and shades, one brass the other cast iron and glass, the largest 54cm tall, and a leaded-glass lantern shade with stained glass panels [3]

An antique 18ct gold and plique-á-jour enamel pendant designed as a French Gothic rose stained glass window with rope twist border, the pierced gold disc applied with plique-á-jour enamels in red, green and blue, likely late 19th or early 20th century, indistinctly marked to loop but likely French, believed to be 18ct gold but XRF testing as 16ct gold likely due to the presence of enamel, 36mm in diameter, 12.31g

A breathtaking floral-themed hanging chandelier composed of richly colored stained glass in a Tiffany-style motif. This handcrafted shade is constructed from hundreds of individually cut glass segments in a blooming pattern of red, pink, purple, green, and cream hues, accented with deep ruby glass jewels at the center of each flower. The domed shade features an elegantly scalloped lower edge, evoking the natural contours of flower petals. Inside, the light fixture reveals a vibrant mosaic of luminous warm amber and ruby tones when illuminated. Perfect for dining areas, foyers, or living rooms seeking a touch of vintage elegance.Issued: c. late 20th centuryDimensions: 15"H x 25"dia. Condition: Age related wear.

This vibrant stained glass hanging chandelier features a bold grapevine motif, meticulously handcrafted with multicolored glass panels. The shade showcases clusters of red and purple grapes framed by rich green leaves and bordered by a deep crimson band over a soft amber and white tiled background. Suspended by a brass-finished chain, the design evokes the style of classic Tiffany-inspired lighting, ideal for kitchens, dining areas, or vintage-themed interiors. The colorful shade delivers a warm, diffused glow that enhances its old-world charm.Issued: c. late 20th centuryDimensions: 15"H x 24"dia. Condition: Age related wear.

This Verichron world time desk clock features a brushed metal dial with a global map at its center and a rotating 24-hour ring encircled by international cities. Designed for function and flair, it displays both local time and simultaneous reference to major global time zones. The glass front and back are framed by dark-stained wood and brushed aluminum sides, offering a sleek, modernist silhouette. The quartz movement is battery-operated, marked Japan, and visible through the clear casing. A distinctive blend of utility and retro-futuristic design. Measures approximately 9.5"L x 7.75"H.Dimensions: See DescriptionCondition: Age related wear. Functionality not guaranteed.

This striking hanging pendant lamp features a richly colored stained glass shade in the classic Tiffany style, showcasing a detailed fruit motif that includes peaches, pears, plums, and grapes among green leaves and twisting vines. The dome-shaped shade is constructed from numerous pieces of hand-cut glass in warm amber, cream, and jewel-toned hues, bordered with vibrant fruit imagery that adds charm and character. The lamp is suspended from a chain and capped with a bronze-tone canopy, making it ideal for dining areas, kitchen islands, or foyers. With its artisanal craftsmanship and inviting palette, this lamp combines both functional lighting and decorative appeal.Issued: c. late 20th centuryDimensions: 10"H x 24"dia. Condition: Age related wear.

This stained glass ceiling pendant lamp features a dome-shaped shade crafted from richly hued glass panels in amber, green, burgundy, and deep violet tones. The design showcases a classic grid pattern transitioning into a detailed grapevine motif, with clusters of grapes in purple and red tones framed by layered green leaves. Reminiscent of Tiffany-style craftsmanship, the lamp casts a warm, glowing ambiance when lit, highlighting the intricate glasswork from within. Ideal for a vintage-inspired interior, kitchen island, or dining area centerpiece. The lamp hangs from a brass-finished chain and includes a single bulb socket.Issued: c. late 20th centuryDimensions: 11.75"H x 24.5"diaCondition: Age related wear.

This elegant stained glass pendant lamp features a domed silhouette adorned with swirling caramel-toned panels that transition into a vibrant floral border. The lower skirt of the shade is intricately decorated with rose blossoms in shades of pink, violet, and coral, interwoven with deep red ribbon bands and green foliage. Crafted in the Tiffany-revival style popular during the late 20th century, this piece captures the charm of vintage American decorative lighting. The lamp hangs from a brass-finished chain and houses a single bulb fixture with a vented gallery at the top for heat dissipation. Ideal for period-style interiors, this pendant adds warmth and character to dining or lounge settings.Issued: c. late 20th centuryDimensions: 15.5"H x 24"dia. Condition: Age related wear.

Gorgeous antique stained glass panel featuring a regal crown and cross motif within a lancet arch design. The rich color palette includes deep burgundy, emerald green, amber, violet, and marbled opalescent glass pieces. A heraldic medallion with a crowned cross, embellished with jewel-like red glass rondels, sits centrally within a Gothic-inspired tracery. Surrounding this are intricate floral and scroll elements, all housed in a solid wood frame. Likely crafted in the late 19th to early 20th century, this ecclesiastical style panel exemplifies high craftsmanship in leaded and stained glass, making it suitable for architectural reuse or decorative display. Light wear consistent with age.Issued: Early 20th centuryDimensions: Approximately 37"L x 1.75"W x 79.50"HCondition: Age related wear.

SIMPSONS, THE (TV SERIES, 1989-PRESENT) - Bart and Milhouse Inside Church Original Production Animation Cel Signed by Wes Archer - An original production cel setup featuring Bart Simpson and Milhouse from the critically acclaimed episode "Bart Sells His Soul" (Season 7, Episode 4), widely considered one of the greatest Simpsons episodes ever made. Creator of The Simpsons, Matt Groening, has even cited it as one of his personal favourites, and it remains a fan and critic favourite to this day.In this episode, Bart flippantly sells his soul to Milhouse for $5, only to face an existential crisis when strange things happen, and he realises the profound weight of what he's perhaps lost. This moment captures Bart and Milhouse inside the church, clutching pipe cleaners handed to them by Reverend Lovejoy as they turn toward the intimidating church organ, sizing up the enormous task ahead. Their tiny figures, set against the vast stained-glass backdrop, beautifully stage the characters and their anxious expressions.This cel is signed by Wes Archer, a pivotal figure in Simpsons history. Archer was part of the original animation team when The Simpsons first appeared on The Tracey Ullman Show and went on to direct numerous beloved episodes, including this very episode. His distinct directorial touch helped shape the show's golden-era visual identity.With its vibrant church interior and beautifully posed characters, this setup is a treasure from one of television's most celebrated animated series, made even more special by the signature of one of its most influential directors. Dimensions (mounted): 38 cm x 43 cm (15" x 17")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M

19th century Arts and Crafts revival stained glass panel, with angel and motto 'Fide et Fiducia' (in faith and trust), in acanthus borders, 66 x 40cmTwo small plain peripheral panels with splits, structurally this appears to be ok, no notable bowing just minor deterioration commensurate with age

A stained glass panel of St George, 19th century, depicting St George on horseback slaying the dragon, 49 x 35cm Provenance: The Clock House, Dunmow, Essex

A charming architectural collectible that captures the romantic spirit of a traditional ceremony. Modeled in resin with fine detail, the chapel features arched gothic windows, a tall steeple, manicured landscaping, and a front facing sign reading "Wedding Chapel." The side panel opens to reveal an interior scene of a bride and groom at the altar, surrounded by seated guests beneath stunning red rose stained-glass windows. The base is lined with felt and includes a battery compartment, indicating the chapel was designed to be illuminated for added display impact. Harmony Ball sticker label. Artist: Bob OlszewskiIssued: 2006Dimensions: 4.25"L x 5.5"W x 7"HCondition: Age related wear.

This 5-piece collection of flat ornaments from The Metropolitan Museum of Art features devotional imagery inspired by classical and early Christian art. The set includes two luminous gold-tone angels with red ribbons, and three round flat medallion-style ornaments: one adorned with a descending dove amid radiant beams, one depicting the Madonna and Child in a medieval style, and another inspired by stained glass with the crowned Madonna and Child set against a leafy background. Each piece is suspended by a ribbon-gold, orange, or blue-adding a rich palette to holiday decor. These ornaments reflect designs from sacred artworks housed at the Met and come with original boxes and informational inserts. The largest ornament measures approximately 4"L, and the largest box is approximately 5.5"L x 4"H.Dimensions: See DescriptionCondition: Age related wear.

Arthur O'Connor (Irish, 1826-1873) A stained glass window design depicting the Ascension of Christ flanked by St John the Baptist and St Stephensigned 'A OConnor / Berners St London' and inscribed 'Scale 3/4 of an inch to 1 foot / Drawing to be returned'; further signed to the mount, dated March 1861 and inscribed with a description of the design and its cost of £125 ink and watercolour31 x 17cm (sheet), 42.5 x 34cm (with original mount)

Three small Victorian leaded and stained glass panels. 25.5 cm x 18 cm.

Two 19th century shaped rectangular stained glass panels, with lead astragals. Each height 90 cm, width 42 cm.

Rosalind Grimshaw (1945 - 2020) 'St George and Edmund' a stained glass panel, etched into the glass at the base and dated 1987, 35.5cm x 27.5cmRosaling Grimshaw was a stained glass artist who lived in Clifton, Bristol. She suffered from Parkinson's disease from her early 30s.

A late 19th/early 20th century large hallway ceiling lantern, with four leaded stained glass panels, in need of some restoration, overall height 120cm, each panel 24 x 18cm, height of lantern 56cm.

An early 20th Century circular stained glass panel HMS 'Iron Duke'. Central armorial with lettering below and 'broken' green and floral border, 23cm diameter, together with an HMS 'Iron Duke' commemorative coffee mug. (2).

ART NOUVEAU STAINED GLASS PANEL 61CMS X 45CMS

A Tiffany-style leaded stained glass lightshade featuring tulips pattern, with a brass-tone metal mount, diameter 35cm.

A Tiffany style leaded stained glass standard lamp, height 158cm

Vega (Scottish Contemporary) coloured print of sheep, within a stepped card mount and stained wooden frame, under glass 28.5cm x 28.5cm & 43cm x 43cm overall.

Giles Norman (Irish b.1961) monochrome photographic print 'Donegal Cottage, 95' signed, entitled and dated in pencil to card mount along with embossed artists stamp, within a chamfered stained wood effect frame, under glass 13.5cm x 20.5cm & 30.5cm x 36.5cm overall.

Decorative and geometrically designed pair of stained glass table lamps in Art Deco revival style, 20th centuryDecoratief en geometrisch vormgegeven paar glas-in-lood tafellampen in Art Deco revival stijl, 20e eeuwH 44 cm

A small stained glass lantern, together with a three branch chandelier (2)

Late 19th Century Oak Arts & Crafts Dresser With Stained Leaded Glass Cupboard Detailing Over Carved Panel Front.

A stained glass folding screen

A stained glass Art Nouveau style desk lamp with red and white stained glass shade in a panel design and acorn finial to top, raised on a floral circular base (h. 32cm)

A stained and leaded glass panel of a cat, 45.5 x 38cm, (cracks).

A set of five Continental blue overlay goblets, 20cm high, (rim chips to four); together with another set of four stained glass goblets, 22cm high. (9)

Two Tiffany style stained and leaded glass ceiling lights, largest 43.5cm diameter. (2)

An antique stained glass panel 88x52cm, shipping unavailable

A PRATAPGARH THEWA PARCEL-GILT SILVER BOX WITH STAINED GLASS AND FIGURAL GOLD LEAF DECORATION Rajasthan, North-Western India, late 19th centuryA rectangular Indian silver box from Pratapgarh, Rajasthan, the lid exquisitely inlaid using the traditional thewa technique, with a pierced sheet of pure gold depicting the beloved couple of Radha and Krishna followed by a procession of cowherd girls (gopis) beneath flowering trees, surrounded by cows, bulls, and peacocks, all set against a shimmering green glass ground, the silver body and sides chased with scrolling floral patterns, the interior richly gilt, the base plain and highly polished, this distinctive Pratapgarh thewa work is prized by collectors for its unique method of fusing finely pierced gold leaf with vibrantly coloured glass, a craft developed in Rajasthan from the late 18th century and flourishing until the early 20th century, most often for presentation boxes, jewellery caskets, and collectible Indian decorative art. Thewa pieces are celebrated for their intricate goldwork, often showing scenes from Hindu mythology, Mughal court life, or floral and animal motifs.8.5cm x 6cm x 3.5cm130gr.

A 1.22m 19th Century stained mixed wood apothecary's chest with an array of twenty short drawers, each with original gilt glass labels and cut glass knob handles

Two white painted wood window frames, with stained and leaded glass panels

A modern polished wood cased President wall timepiece with part stained glass front and quartz movement

An old oil lamp, a stained glass lampshade, an ornamental elephant box and a large ceramic owl figurine

An 'Automobile Engineers' stained-glass sign, c.1900, with a ruby glass leaded panel, mounted in a plain wood frame,25 x 76cmCondition ReportAppears to be in good condition, none of the panes are lose and there are no cracks. some knocks and marks to the white painted frame.

A collection of ten early to mid 20th century stained glass window panels with lead , in red, green and yellow colourways, of varying sizes, most with some loss or minor damage but one with large area broken and parts missing.

A 20th Century painted stained glass panel. 31.5x19cm.

A walnut tabletop cabinet. C.1890. Late Victorian. With stained glass doors and fitted shelves. 43.5x19x68cm

EDWARD ARTHUR WALTON RSA PRSW (SCOTTISH 1860 - 1922), PORTRAIT OF ROBERT EDWARD WORTHINGTON oil on canvas, signedframed image size 67cm x 53cm, overall size 81cm x 66cm Note: Edward Walton was one of twelve children of Jackson Walton, a Manchester commission agent and a competent painter and photographer. Some of Edward's siblings were well known in their time - his brother George Henry Walton (1867-1933) was a noted architect, furniture designer and stained glass designer, Constance Walton was an acclaimed botanical painter, while Helen Walton, born 1850, was a decorative artist who studied at the Glasgow Government School of Design and was artistic mentor to the family. Walton enjoyed his art training at the Kunstakademie Düsseldorf and then at the Glasgow School of Art. He was a close friend of Joseph Crawhall - Walton's brother Richard having married Judith Crawhall in 1878 - George Henry and James Guthrie and lived in Glasgow until 1894 where he became part of the Glasgow School or Glasgow Boys, all of whom were great admirers of Whistler. Their favourite painting haunts were in the Trossachs and at Crowland in Lincolnshire. In 1883 Walton joined Guthrie, who had taken a house in the Berwickshire village of Cockburnspath. He also produced a remarkable set of watercolours in Helensburgh in 1883, showing the affluent suburb and its decorous people. These images are regarded as some of the finest of the Glasgow School and praised for their clarity, colour and strong decorative sense. Carrying out portrait commissions became Walton's main source of income. In the 1880s and 1890s he painted murals in the main building of the Glasgow International Exhibition of 1888 and other buildings in the city. Walton also attended painting classes at the Glasgow studio of W. Y. Macgregor, one of the central figures of the Glasgow School. Walton exhibited from 1880 in both Glasgow, at the Royal Glasgow Institute of Fine Arts, and Edinburgh, at the Royal Scottish Academy, being elected an associate of the Academy in 1889 and a full member in 1905. He was in London from 1894 until 1904, living in Cheyne Walk in Chelsea, and a neighbour of Whistler and John Lavery. While in London, Walton often painted in Suffolk, spending summers at the Old Vicarage in Wenhaston. Here he painted pastoral scenes in oil and watercolour, the latter often on buff paper with creative interplay between paper and paint. He used extensive underpainting in his oils, thereby creating subtle effects. In 1907 he accompanied Guthrie on a painting trip to Algiers and Spain and in 1913 worked in Belgium. The World War I years led to his discovering Galloway and he became a frequent visitor to the area. From 1915 he served as President of the Royal Scottish Water Colour Society. Walton's use of oil was reserved largely for important portraits in the Whistlerian manner. Walton married the artist Helen Law (née Henderson) after becoming engaged on 29 November 1889. Helen gave up her painting career in order to tend to their family. Their son John (1895-1971), became Regius Professor of Botany at the University of Glasgow. Their daughter Cecile (1891-1956), was a successful painter, sculptor and illustrator in Edinburgh. Their youngest daughter Margery married William Oliphant Hutchison in 1918. Sixty eight of his paintings are held in UK public collections including Glasgow Museums & Galleries.

An unusual Mirror and stained glass Panel, with ruby glass diamond and square panel, converted into Firescreen with wooden frame, approx. 58cms x 58cms (23" x 23"). (1)

An attractive heavy brass "Tiffany" style extending Table Lamp, with pierced and stained glass shade of octagonal domed shape, with reeded pillar on circular base, approx. 61cms (24") high. (1)

A Relic of Saint Michael's Church Fire : Dun Laoghaire, Dublin, 1965 Co. Dublin: A piece of stained glass (top of frame) of red, green colouring salvaged from the ruins after the fire in 1965, mounted in wooden frame, approx. 33cms x 41cms (13" x 16"). (1)

A small modern stained glass Panel, depicting a horse's head, 49cms x 29cms (19 1/2" x 11 1/2). (1)

[Arts and Crafts needlework binding] The Water-Babies A Fairy Tale for a Land-Baby by Charles Kingsley. London: Macmillan and Co., 1890. 8vo (18.4 x 11.6cm), viii 330 pp., contemporary needlework binding by Edith Bloxam after a design by Reginald Hallward, comprising silver and polychromatic silk threads embroidered on black filoselle silk ground on canvas backing over wooden boards, front cover illustrated with two cherubs flanking a tree against a background of a sun rising above stylised waves with fishes, heart-shaped cornerpieces, a simplified version of the same design to rear cover, all edges gilt, binding somewhat faded overall and with a few areas of wear, damp-stain to fore edge of textblock, lacking pp. 43-47, silk page-markers detached (laid in), endpapers slightly spotted and stained With a laid-in catalogue description from an exhibition of needlework bookbindings, describing the binding and identifying it as the work of Miss Edith Bloxam from a design by Reginald Hallward. Reginald Hallward (1858-1948) was a well-known painter and designer of stained glass, though we have been able to discover little about Edith Bloxam. Two embroidered bookbindings by Edith Bloxam after Reginald Hallward were displayed at the second exhibition of the Arts and Crafts Exhibition Society, held at the New Gallery, 121 Regent Street, London, in 1889.

'King David' a stained glass window by Harry Mileham, dated 1935, rectangular form, signed monogram and date, damages, 28 x 24.5cm. high Catalogue notesThis small stained glass panel by Harry Mileham (1873-1957) is a detail of a full sized window made in 1935 for St Andrew's Church Hove, depicting King David the musician / harpist. It was in memory of H. W. Yeats, violinist.

Two stained glass window panels, one painted with passionflower stems above inscription How modes of faith let graceless, the other decorated with a fruiting bough, with inscription Zealots Fight his cant be wrong, unsigned, 93 x 63cm. (2) ProvenancePrivate collection.

A stained glass Peacock window, rectangular with rounded top, decorated with a peacock displaying tail feathers, unsigned, 73.5 x 58cm.

An Aesthetic Movement stained glass window the design attributed to George Edward Cook, rectangular, decorated with a crane standing before a frog, fish swimming in the water in the distance, inside a border of scaly fish and square foliage quarries, inside an oak and ebony frame made by Peter Cornish, unsigned, 65 x 42cm. ProvenanceJeanette HayhurstThe Cornish Collection LiteratureThe Peter Rose & Albert Gallichan Collection, Lyon & Turnbull, 30th November 2021, page 13, lot 12 for a comparable (reversed) panel attributed to George Edward Cook.Brian Coleman The Best of British Arts and Crafts, Atglen, page 163 for the reversed panel illustrated.

A modern stained glass panel depicting "Nude with indistinct writing", 45 cm x 45.5 cm

A large fruitwood and part dark stained shoe form snuff box, the sliding lid with ‘hour glass’ stained panel outlined in brass pique, and below conforming triangular panels, the eyelets within stained borders to a stained square toe all with brass pique work, the sole also embellished in brass pique work, 12cms, 4.5cms high.

Henry Holiday (British, 1839-1927), Sketch for stained glass window at Hyde Chapel, Gee Cross, ManchesterPencil and watercolour, together with a further stained glass study by the same hand thought to be for the McCheyne Memorial, 26.75cm x 19.5cm and 21.5cm x 10.25cm respectively (2)

Henry Holiday (British, 1839-1927), Stained glass study depicting The AnnunciationSigned, pencil and watercolour, together with a further work by the same hand, 16.75cm x 8.25cm and 24.5cm x 11.25cm (2)

Two Tiffany style stained and leaded glass light shades, diameter 33 cm.

Resin fairy and child figure with stained-glass wings

Collection of Bowie memorabilia to inc: large framed 'Bowie at the Beeb' display, a framed, stained glass display with Bowie images, a limited edition signed Mick Rock print (unframed), two display with Bowie release artwork. No shipping.