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John Ruskin (1819-1900), a signed letter, addressed to Mrs Collins, Paris 21st September 80, encouraging her in her writing: 'tell me what your new children's book is to be about, and write it as you would like to write it - not consulting the Christian Knowledge people's notions more than you choose to' and offering sympathy in her troubles: 'I have not forgotten you, although more often as I remembered, -- the thought of your difficulties and their cruel causes, make me still helplessly silent. Indeed I don't, and never have thought, that our wills can conquer anything, and I am the last to tell any delicate woman she ought to live hardly - many things I may have said against common idlers and useless luxury, -- but nothing [?] of severe in expectation from people who are in hundreds of cases, already living an anchorites life, compared to mine', adding that her letters deeply touch and interest him and that he will assuredly 'keep you at present from feeling yourself in servitude for the sake of fifteen pounds', in a postscript, he offers to send a cheque for £20, with further instalments of money, although he is not sure that she would like that kind of help often ('...But there are times for it...), anda letter addressed to Mr Ruskin, from J R Lowell, 22nd Nov 1859, expressing his delight that Ruskin should admire his work: 'My dear Mr Ruskin,/ to have made one man happy in a lifetime is worth living for, & you have made me happy and proud too in writing to Norton that you counted me among your friends. That you may take for granted, but I must go farther & say, among your debtors as well. My proportion of a debt which I share with all who speak or read the English tongue may be small as far as it concerns you, but to me it is great & lifelong. We all quarrel with you sometimes, but what good could we get from a man who prophesied smooth things? & I am sure that I am not assuming too much when I say that in giving you my hearty thanks for what you have done, I am only doing what all the men whose opinion you would care for in America would gladly do if they had the same pretext for it that I have. I offer you my hand with all my heart, & I pay you my fealty also as to the man who has done for Art what Wordsworth wished to do for Poetry', and asking him if he could contribute an article to the Atlantic Monthly, ending in the persona and feigned hand of Hosea Biglow: 'i go in for the A buv like all git eout/ Hosea Biglow' (2)
A charming still life oil painting on board depicting a lush bouquet of multicolored flowers arranged in a classical gold urn. The floral composition includes red and white roses, daisies, bluebells, and other wildflowers, set against a soft woodland backdrop. Rich impasto brushwork gives the piece textural depth. Signed Gret lower right. The work is presented in a vintage two-tone carved frame featuring a silver-toned floral motif border and an inner beveled wood matting.Issued: 20th centuryDimensions: 8.5"L x 10.5"HCondition: Age related wear. Frame has discoloration and chips.
A vibrant and collectible set of 12 porcelain cocktail plates by Philippe Deshoulieres, renowned makers of fine Limoges porcelain. Each 6-inch plate features a different whimsical French market scene or gourmet still life, rendered in vivid color on classic white porcelain with a textured lattice-pattern border. Six plates depict charming facades of French storefronts - bistros, wine shops, and patisseries - while the other six showcase regional culinary pairings with wine, cheese, and seafood motifs. The set includes six boxed plates (in original purple Deshoulieres packaging) and six unboxed.Issued: 20th centuryDimensions: 6" dia. Country of Origin: FranceCondition: Age related wear.
Collection of arts works & antique Barbola mirror; Bradex Nautical ship scene prints in fitted display boxes, P.H Graver Possible Cornwall harbour scene watercolour, Antique Glasgow Horse Stallions Winners picture dated 4th & 5th of March 1931, Jas A. L Kennedy Still life watercolour signed dated 1921 & Antique Barbola Mirror.
λ MAXWELL ASHBY ARMFIELD (BRITISH 1882-1972) STILL LIFE WITH BROKEN EGG Tempera on board Signed with monogram (upper right) 15 x 19cm (5¾ x 7¼ in.) Unframed Exhibited: London, The Fine Art Society, October 1971, no. A3/41 Condition Report: There is a loss to the tip of the upper right corner and abrasions along the edges where the work has previously been framed. There is an uneven yellow varnish and some surface dirt throughout. The work would benefit from a clean. Condition Report Disclaimer
CHARLES THOMAS BALE (BRITISH 1849-1925) STILL LIFE WITH A BASKET OF FRUIT AND FLOWERS Oil on canvas Signed and dated '1884' (lower left) 51 x 76cm (20 x 29¾ in.) Condition Report: The canvas does not appear to have been lined and is a little slack. Light craquelure throughout. Rubbing and abrasions to the framing edges. Some superficial surface scratching and light surface dirt throughout. Inspection under UV light reveals a green cloudy varnish, together with some very light, scattered retouching.Condition Report Disclaimer
PIERRE BONNARD (FRENCH 1867-1947) PAYSAGE Pencil Stamped Bonnard (lower left) and with initials (lower right) 11 x 15cm (4¼ x 5¾ in.)With a study of a still life, stamped with initials, verso.Provenance: Sale, Christie's, South Kensington, 2 December 1996, lot 15This work is recorded in the Bernheim-Jeune Archives under no. 196-0716B 42/42. Condition Report: A double sided drawing, framed with both sides visible. The drawing on the verso has left a faint impression on the recto. Both sides are faintly discoloured. The landscape (recto) has a faint crease to the lower right corner and some slight staining to the same area. There is also large spot of brown staining to the upper right quadrant. This is also visible to the drawing verso. Also verso, there are some further spots of foxing and evidence of handling creases to the lower left quadrant. Unexamined out of glazed frame.Condition Report Disclaimer
CHARLES THOMAS BALE (BRITISH 1849-1925) STILL LIFE WITH A BASKET OF STRAWBERRIES Oil on canvas Signed (lower right) 51 x 76cm (20 x 29¾ in.) Condition Report: The canvas has not been lined and is a little slack. Rubbing and abrasions to the framing edges, and some light, superficial surface scratching throughout, together with some very light craquelure. Inspection under UV light reveals some fluorescence to one of the brown pigments but it is likely that this pigment is original to the work rather than a later addition.Condition Report Disclaimer
IVAN ALBRIGHT (AMERICAN 1897-1983) STILL LIFE IN MAINE Oil on canvas Signed (lower right) 50 x 77cm (19½ x 30¼ in.)Painted circa 1940s.Provenance: Sale, Sotheby's, New York, 29 May 1986, lot 231Exhibited: Katonah, Katonah Museum of Art, Katonah Collects, April-June 1997 Condition Report: Not relined. The canvas is slightly slack on the stretcher. There are areas of possible paint loss to the framed edges, particularly an area to the centre of the right hand edge. Some further minor scattered areas of cracking. Otherwise, in generally good condition.Condition Report Disclaimer
‡ JOSEPH MICHAEL GANDY (BRITISH 1771-1843) PEVENSEY; COASTAL LANDSCAPE NEAR MARGATE; SEASIDE LANDSCAPE Pencil and watercolour The first titled (verso); the third variously inscribed (verso) Each approx.11.5 x 19cm (4½ x 7¼ in.)Together with a fourth work Attributed to Hannah Gandy, Still life with Oyster and Flowers, watercolour and pencil, 11.5 x 19cm, all Unframed (mounted) (4)
19th century Chinese still life painting on rice paper, a butterfly among foliage, 32cm x 22cm, in glazed antique maple and gilt frameSome losses to the outer edges and discolouration to the background. Various bugs beneath the glass, fairly minor losses to the gilt parts of the frame. Basically ready to hang.
Adolphe Phalipon, 19th century, oil on canvas - Still life, The Extinguished Candle, signed and dated '79, 75cm x 56.5cm, in ebonised frameThe canvas has been lined, areas of overpainting restoration visible under a uv light. An old scratch to the right of the candle that has been touched up but requires further restoration. Some minor knocks to the frame and ill fitting corner joints. Overall framed size 96cm x 77cm.
Vinyl - 4 Heavy Metal / Hard Rock picture disc LP’s, 4 picture disc 12”, 5 shaped picture discs and one coloured 7” single to include: Skid Row – 18 & Life (Atlantic – A8883P, UK 1990 shaped picture disc), Skid Row – Monkey Business (Atlantic – A7673 SP, UK 1991 numbered shaped picture disc), Kingdom Come – Get It On (UK 1988 shaped picture disc), Kingdom Come – Do You Like It (EU 1989 12” picture disc), Tigertailz – Young And Crazy (UK 1988 picture disc album), Tigertailz – Bezerk (UK 1990 picture disc album), Warrant – Heaven (UK 1989 picture disc 12”), Steve Vai – Passion And Warfare (UK 1990 picture disc album), Whitesnake – 1987 (UK 1987 picture disc album), Whitesnake – Now You're Gone (UK 1990 shaped picture disc with plinth), Give Me All Your Love (12" Double Poster Edition) (UK 1988 12” with poster), Whitesnake – Still Of The Night (UK 1987 picture disc 12”), Whitesnake – Still Of The Night (UK 1987 white vinyl 7” with poster), David Lee Roth – Sensible Shoes (UK 1991 5" shaped picture disc). Condition at least EX overall
Stella Steyn (1907-1987), two oil on canvases on board, the first still life rose and vase 26 x 20 cm, the second still life fruit and basket 28 x 25 cm, framed and mounted. Both unsigned but purchased from Mitchells Auction Cockermouth in 2015 and prior to this purchased from Thomson Roddick & Medcalf Stella Steyn Studio Sale.

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86670 item(s)/page