We found 3655 price guide item(s) matching your search

A Chinese soapstone mountain carving - second half 20th century, the grey marbled ochre and buff coloured stone carved with a long-bodied dragon and a phoenix chasing a flaming pearl, 9cm high.

A Chinese jadeite boulder carving of Buddha, 20th centuryThe stone of graduated pale to dark green hue with ochre inclusions, carved as a reclining Buddha holding a pot issuing a magical cloud containing two bats, the reverse carved and pierced with cloud forms. Set on a carved wood base.23cm wideCondition:Negligible signs of age only.

Two vintage Green Verdite Shona Tribe Stone Carving Sculptures of a Woman & Man Bust. Signed

A finely hand-carved marble sculpture depicting a horse in the Tang Dynasty style, characterized by its muscular form, detailed saddle, and decorative harness engravings. This intricately crafted piece showcases precise carving with a strong stance, flowing mane, and expressive facial details, reminiscent of ancient Chinese equestrian sculptures. The mottled green stone enhances the visual depth, adding an organic quality to the piece. A striking display of artistry, ideal for collectors of Asian-inspired or equine-themed decor.Issued: 20th centuryDimensions: 10"HCondition: Age related wear.

A STONE CARVING OF A FOO DOG

Stone Carving, Pillar and Top

A Chinese pale celadon jade carving of Sun Wukong, the Monkey King, 18th/19th century, the figure lying recumbent on a giant banana leaf fan (probably taken from Princess Iron Fan), wearing a chain mail shirt, a circlet headband and cloud-walking boots, holding his staff, the Ruyi Jingu Bang, in his right hand, the stone of excellent even tone, 6.6cm high There is an inclusion or hairline crack to the joint of the staff to his robes just above his right knee, but no other damage detected, generally in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A sandstone Ekamukha Shiva Linga and Yoni, Northwest India, 7th/8th century A.D., the Linga with the face of Shiva, fangs bird and with third eye, the hair in a topknot with locks swept behind the ears, the wasted square in form, mottled stone throughout, 22cm highProvenance - London private collection, formed between early 1940s-1972 Typical natural and carving imperfections. Several chips to the base, particularly the base rim. Many scuffs and scratches throughout. Some shallow losses to the upright carving.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Bayan style stone carving, on an ebonised plinth, 78cm high

A boxed pink stone carving featuring birds (a/f some chips).Height 18.5cm not including wooden base.

Ca. AD 2-3rd Century. A stone carving of Matreiya. His hands in Abhaya mudra and with serene facial expression, dressed a long robe with detailed drapery, and backed with a halo. Size: 510mm x 230mm; Weight: 50+kg Provenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; Ex. Swiss collection, 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Antique stone carving of a head - Height: 68cm

* JAKE HARVEY RSA (SCOTTISH b. 1948), THE MAIDEN'S DREAM forged steel and welded found objects and stone, cast into bronze in an edition of 6, on stone base, signed and dated '89 91cm tall x 79cm wide Publication: Jake Harvey - Sculpture 1972-93. Catalogue produced to accompany the exhibition of Jake Harvey’s sculpture at the Talbot Rice Gallery in October 1993. Cat 105. Illustrated inside front cover. Reference by Douglas Hall page 22 Note: ‘My creative stimulus comes from many sources but frequently evolves from drawing things seen and imagined, from lived encounters with the landscape and, in the reductive process of carving, from embracing the tangential ways of making that evolve. The title of this exhibition of sculptures carved in basalt, granite, marble and porphyry relates to a material and a way of working it. In a broader context it links to my aim to create simple sculptural forms; works of distilled essence that invite deliberation from the viewer; sculptures made by a process of paring down and refining in terms of both form and concept.’ – Jake Harvey, 2022Jake Harvey is a sculptor of elemental works imbued with stillness, sense-stimulus and a sophisticated Zen-like simplicity. He carves granite, basalt, marble and limestone, often placing the simple abstract forms directly on the wall or floor, or sometimes on shaped bases that can be set indoors or outside within a landscape. After studying sculpture at Edinburgh College of Art (1966–72), Harvey went on to become the Head of School of Sculpture for eleven years. He is currently Emeritus Professor of Sculpture and lives and works in Maxton in the Scottish Borders. Increasingly intrigued by the relationship of man to the earth and enthralled by the shaping of earth by man and vice versa, his sculptures retain the indexical mark of the maker and often subtly imply an indeterminate use or function.

LUIS ALBERTO QUISPE APARICIO (20TH CENTURY): A LAPIS LAZULI FIGURE OF BUDDHA modelled seated on a turquoise pebble, highlighted in gold leaf with turquoise beads, raised on an agate plinth base, 35cm high x 31cm wide x 22cm deepProvenance: Bonham's, Lapidary Arts and Gems including The Rock H. Currier Collection, 27th October 2020.Note: This extraordinary Buddha sculpture was designed by Luis Alberto Quispe Aparicio, a world-respected glyptographer. He takes pride in working with precious stones, which have a rich colour and texture and give special character to his works. Following a second generation family tradition in the fabrication of objects d'art, Luis' studio specializes in the carving of rubies, the second hardest stone after diamonds. Few artists have managed to successfully work this mineral since it requires a very advanced technique for carving and polishing. His works are displayed in museums in the United States and Europe and are enjoyed by private collectors around the world.

A large red stone carving of an Apsara. Adorned with jewels, standing on a lotus base. H92cm.

CHINESE STONE CARVING 14.5CMS (H) APPROX

Opalite stone carving of an angel, 10cm high

An 18ct Gold Thermometer Case, specially commissioned for a retiring surgeon, the body depicting a serpent set with a cabochon gem stone to the top, 120mm overall, gross weight 14.1g inclusive of mercury thermometerThe item presents in excellent overall condition and could possibly be best described as 'new' condition.  All the carving is crisp, the safety chain functions correctly.  The cabochon stone to the top is secure. The item bears no hallmarks or any personalisations or inscriptions.  Prospective bidders are strongly advised to study all images closely prior to bidding. Weight without thermometer - 9.8g

Casper Darare a signed stone carving, head of a woman, together with a citrine Treasure Tree, and a pair of polished agate bookends

Chinese blue faux lapis lazuli stone carving of village scene, 18cm high

Henderson (William Augustus). The Housekeeper's Instructor; or, Universal Family Cook. being a full and clear Display of the Art of Cookery in all its Branches..., to which added, The Complete Art of Carving..., 16th edition, London: J. Stratford, 1810, engraved frontispiece and 11 plates (2 folding), some light dust-soiling, front free endpaper with early ownership signature 'Mrs Painter, Cricklade', contemporary calf, gilt decorated spine with red morocco title label, 8vo, together with:Wilson (Robert Thomas). The British Expedition to Egypt, London: W. Chalk, 1803, hand-coloured etched frontispiece, edges untrimmed, original boards, 12mo,Lily (William). A Short Introduction to Grammar, compiled and set forth for the bringing up of all those that intend to attain to the knowledge of the Latin tongue, 3 parts in 1, London: Printed by S. Buckley and T. Longman ..., 1776, woodcut border to general and part titles, light dust-soiling, lacking endpapers, contemporary sheep, worn to spine with loss at head and foot, 8vo,Stone (Thomas). An Essay on Agriculture, with a view to inform Gentlemen of Landed Property, whether their Estates are managed to the Greatest Advantage, Lynn: W. Whittingham, 1785, page edges untrimmed, original boards, worn and dust-soiled, 8vo (Goldsmiths' 12846; Kress B969. The author was land agent to the Duke of Bedford),Lawrence (John). A General Treatise on Cattle, The Ox, The Sheep, and the Swine: comprehending their Breeding, Management, Improvement and Diseases. Dedicated to The Right Hon. Lord Somerville, 2nd edition, with additions, London: Sherwood, Neely, and Jones [et al.], 1809, edges untrimmed, original boards, worn and some dust-soiling, 8vo,Davis (William). A Complete Treatise of Land Surveying, by the Chain, Cross, and Offset Staffs Only, London: printed for the Author, 1798, 6 folding plans and diagrams (one map with closed tears to fore-margins), original boards lacking paper covering, worn, 8vo, plus other miscellaneous 18th-early 20th-century books, including several defective and some odd volumesQTY: (3 cartons)

A large vintage stone carving depicting a Buddhist deity in chariot, likely South East Asian, unknown age, 53cm W x 99cm H

A large vintage stone carving depicting a Buddhist deity, likely South East Asian, unknown age, 53cm W x 99cm H

A stone carving of a sleeping nude woman, monogrammed MH, 37cm wide. Condition - fair

A quantity of miscellaneous and treen to include: open spiral candlesticks. elephant bookends, wooden Buddha figure, plus a cardboard Easter egg, Oriental carving set, souvenir spoon with polished stone, slices of polished stone, etc.

A Chinese green stone carving of a bird, 20 cm, and another, 15 cm (2)

A pair of intricately carved Chinese soapstone brush pots, showcasing natural stone hues of gray-black and reddish-brown. Both pieces feature detailed floral and landscape motifs, with openwork carving that adds depth and texture. The largest brush pot measures 4.25"H. These decorative items are perfect as desk or shelf accents, celebrating traditional Chinese craftsmanship.Dimensions: See DescriptionCondition: Age related wear. As is, as found. Small chips present.

Ca. AD 200 - 400. A carved stone head of Bodhisattva. The serene face depicts deep set almond eyes, with the urna, and lobed ears with earrings. The carving shows an elaborately carved ushnisha with a decorative chain under the topknot and over the forehead.Size: 360mm x 210mm; Weight: 15kgProvenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; Ex. Swiss collection, 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 200 - 400. A carved stone head of Buddha. The serene face depicts deep set almond eyes, with the urna and lobed ears. The carving shows an elaborate hairstyle of a slightly loosened and hanging bun. Comes with a custom made stand.Size: 390mm x 210mm; Weight: 14kgProvenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; Ex. Swiss collection, 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Stone carving in the form of an archaic lion, with its body drawn up on its bent legs, and its large head cocked to one side. It shows a tense expression, with large open eyes, a wide nazi and a half-open maw revealing sharp fangs. Tang Dynasty (618 - 906) or later.Size: 6.9 x 5 x 7.8 cm (approx.)Weight: 485 g

The Bull Pub Complete Building. The Bull Pub complete building comprising hardwood frontage with a 7-paned window either side of the doorway, decorative pillasters with ornately carved capitals & with carved wooden pub sign above, HxW 314x388cm. 4 sections of wooden railing with gate, H 88cm, total length 427cm. Carved hardwood pillar attached to the railings, HxWxW 235x11.5x11.5cm. 2 half glazed doors with carving to the frames situated at the back of the Pub, approx. 19 sq.m oak parquet flooring & a pair of reconstituted stone ball finials on the roof.Buyer to dismantle (please see "Buyers Notes").

A 'Lincoln Imp' George VI silver spoon. James Dixon & Sons, Sheffield,  1948. The terminal of the dessert spoon with cast finial designed as the Lincoln Imp, 17.8cm long, together with a Victorian provincial silver dessert spoon by James Barber, York, 1853, the Fiddle pattern stem and terminal decoratively engraved with foliage and scrolls framing a monogram, 17.8cm long, total weight approx. 2.6ozt (2) Footnotes: The Lincoln Imp is a 14th century carving in Lincoln Cathedral. A legend states that the Imp was sent to the cathedral by the Devil to spread mischief but it was turned to stone by an Angel. An 1899 reproduction was placed on the wall of Lincoln College, Oxford and although that one is now inside the college, a copy has been installed in its place. The use of the image on silver is associated with the prominent Lincoln citizen James Ward Usher (1845-1921) who inherited a Jewellers and Watchmakers business in the City. In the late 19th century he acquired the sole right to reproduce the Lincoln Imp on jewellery and silver and letters addressed to ‘The Silversmith who makes and sells the Lincoln Imp’ and one with only a sketch of the Imp found their way to him. Usher's personal art collection was left to the City as 'The Usher Gallery' and from 2005 has been merged with the other museums in the City

CHINESE BLUE STONE CARVING - 12 CMS (H) APPROX

Polly Hill Clarke - Head and shoulders portrait bust of the artist's husband, mid-20th century green patinated plaster, unsigned, height 36cm. Note: Polly Hill Clarke studied stone carving at the Central School of Art and Design, and painting at the Westminster School under Sickert. She became a member of Royal Society of British Sculptors in 1947.

A pair of Egyptian-style scarab stone carvings featuring intricate hieroglyphic and symbolic engravings. One carving is crafted in green stone, while the other is in a lighter-toned stone. The largest measures 3.75"L. These carvings draw inspiration from ancient Egyptian scarabs, which were often used as seals or stamps, with their carved bottoms designed to leave an imprint in clay or other materials, serving as signatures or symbols of authority. While these pieces appear decorative, their detailed craftsmanship pays homage to the scarab's historical role as an amulet of protection and a symbol of rebirth.Dimensions: See DescriptionCondition: Age related wear.

The openwork carving displays a recumbent beast and its cub in a woodland scene; the stone of mottled and russet coloring.(Length 7 inches)No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

A GROUP OF FOUR STONE CARVINGS A hardstone carving in the Ghandaran style of a robed man praying before flaming pillar, two Han style figures, a lapis lazuli decorative archaistic axe head 18cm to 43cm high From the collection of Philip Ng Fook Leong Ownership Statement: This item is offered for sale in the name of the owner, Philip Ng. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

* Jade. A Chinese jade carving of a recumbent feline cub, its head turned back, 60 mm long together with various carved stone animals including tortoise, hare and othersQTY: (6)

* Jade. A Chinese jade carving of a recumbent deer, its head turned back, 8 cm long, together with a dark green stone carving of a Buddhist lion, its head turned back, 7 cm long, plus two other carved jade animals QTY: (4)

[PRIVATE ENGLISH COLLECTION, ENGLAND] CHINESE WHITE JADE WITH RUSSET INCLUSIONS CARVING OF DOUBLE CATFISH PENDANT 19TH-20TH CENTURY 十九至二十世紀 白玉帶沁雕年年有餘吊墜carved in round with a larger and smaller catfish, the stone of cloudy white tone with russets patches  10cm wide  Private English collection, England; acquired from Bonhams 英格蘭私人收藏；購自邦翰斯 Please note this lot will be offered with no reserve. 本拍品不設底價

[PRIVATE ENGLISH COLLECTION, ENGLAND] CHINESE CELADON JADE WITH RUSSET INCLUSIONS CARVING OF AN ELEPHANT QING DYNASTY, 19TH CENTURY 清 青玉帶沁雕立象carved in round as a vivid elephant turning its head back, the stone of celadon hue with russet inclusions 7cm wide Private English collection, England英格蘭私人收藏

[PRIVATE ENGLISH COLLECTION, ENGLAND] CHINESE SPINACH JADE CARVING OF A MYTHICAL ANIMAL, BIXIE 20TH CENTURY OR EARLIER 二十世紀或之前 碧玉雕避邪carved in round in the form of a seated mythical creature bixie, the stone of dark spinach tone 8.5cm wide  Private English collection, England英格蘭私人收藏

[PRIVATE ENGLISH COLLECTION, ENGLAND] CHINESE WHITE JADE WITH RUSSET SKIN CARVING 'ELEPHANT' WATER DROPPER LATE QING DYNASTY TO REPUBLIC PERIOD, 19TH-20TH CENTURY 清末民初 白玉帶皮雕象形水滴the well caparisoned and bejewelled elephant carved in low relief from a pebble with remnant of yellow skin, the upper part with an oval opening and hollowed body, the stone overall in white tone  7.8cm wide  Private English collection, England英格蘭私人收藏 Please note this lot will be offered with no reserve. 本拍品不設底價

[PRIVATE ENGLISH COLLECTION, ENGLAND] CHINESE WHITE JADE CARVING OF A SEATED LION-DOG 19TH-20TH CENTURY 十九世紀至二十世紀 白玉雕臥獅carved in round in the form of a recumbent lion, the stone of even white tone 8.5cm wide  Private English collection, England英格蘭私人收藏

[PRIVATE ENGLISH COLLECTION, ENGLAND] CHINESE WHITE JADE CARVING OF AN APSARA QING DYNASTY 清 白玉雕飛天吊墜carved in round with a flying deity apsara dressing in a long robe with wind-swiped scarf floating horizontally, her head half raised with jewelled high chignon, both arms extending forwards holding a lotus in front of her mouth, a band of swirling clouds supporting her underneath, the stone of even white colour 6.8cm wide  Private English collection, England英格蘭私人收藏 Please note this lot will be offered with no reserve. 本拍品不設底價

An African stone carving, of a crouching woman by a cooking pot, 44cm high.

A Chinese Shoushan carved and polished stone "Birds And Bamboo", on scrolled base, carving height 10.5cm

A chalcedony intaglio ring, early 19th century, set with a pale chalcedony intaglio depicting a lady in profile, in a plain gold mount with bifurcated shoulders, size V Intaglio approximately 18 x 15 x 2mm, translucent with speckled inclusions visible under close scrutiny. Some minor fissures running through stone, none particularly obvious or causing concern. Slight uneven edge to setting. Carving good quality, in good condition. Overall in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Fragment of a capital or corbel in terracotta, a Thai Buddhist style head on plinth with sticker to underside 'Artisan Collection', 20cm high; Buddhist stone carving on stand, a metal figure of a male servant holding shell-form tray, 30cm high, two square pots with sticker to underside for 'PTMD collection'; a metal stand, 2 Indian wooden crudely carved toy animals, 19th century or later, tallest 22cm high; carved wooden box with metal latch, H.10cm x 20.5cm x 9cm, and an alabaster or white marble bowl with carved leaf decoration to exterior, 26cm diameter, 8cm high. (11)

This is an exquisite early Renaissance polychrome wood sculpture depicting Saint Martin of Tours on horseback, captured in the moment of his legendary act of charity. In a dynamic and expressive pose, Saint Martin turns gracefully to share his cloak, symbolizing compassion and selflessness, a defining moment in Christian iconography.This piece is attributed to the French Lorraine School, a renowned artistic tradition that flourished in northeastern France during the late Gothic and early Renaissance periods. Lorraine artists were known for their expressive religious sculptures, seamlessly blending Gothic traditions with Renaissance humanism. The region's sculptors mastered naturalistic detailing, particularly in facial expressions, drapery, and anatomical realism, all of which are evident in this piece.The French Lorraine School retained strong Gothic influences throughout the late 15th century, while gradually incorporating Renaissance realism and emotional expressiveness into the early 16th century. This sculpture likely dates to the late 15th or early 16th century (circa 1470-1520). Its stylistic elements reflect the artistic traditions of this period, particularly those seen in works by Lorraine sculptors influenced by early French Renaissance carving techniques and the expressive stone sculptures of Ligier Richier (circa 1500-1567).Carved from wood with traces of original polychrome, the sculpture would have once been richly colored, enhancing its lifelike presence. The detailed rendering of Saint Martin's garments and the horse's dynamic posture is characteristic of Lorraine craftsmanship, while the subject matter reflects the region's deep devotion to saints and narrative-driven religious art.Saint Martin of Tours (circa 316-397 AD) was a Roman soldier-turned-bishop, renowned for his charitable deeds and monastic reforms. His act of dividing his cloak to clothe a beggar-immortalized in Christian legend-became a powerful symbol of generosity, inspiring countless artistic interpretations. His legacy endures through Martinmas (November 11), a feast day celebrating his contributions to the Church and European religious life.Approximate Dimensions: 34"L x 13"W x 45"H.Artist: French (Lorraine) SchoolIssued: Circa 1500Dimensions: See DescriptionCountry of Origin: FranceProvenance: John and Johanna Bass Collection, New York, NY; Bass Museum of Art, Miami Beach, FL, 1963. Condition: Age related wear. Right hand is missing. The horse is made of two pieces that need to be reattached. Loss of polychromy.

Deckelgefäß. Josephinenhütte. Gräflich Schaffgotsch'sche Josephinenhütte, Schreiberhau, um 1912. Farbloses, dickwandiges Bleikristall. H 31 cm. Bauchiger Korpus, hoher Knaufdeckel, mehrfach gegliederter Schaft, Rundfuß, auf Quadratplinthe. Allseitig Kerb- und Steinelschliff. 4 Bestoßungen am Korpusrand. Literatur : Żelasko (2009), S. 139/Kat.-Nr. 203. Provenienz : Rheinlandpfälzische Privatsammlung. Aufrufzeit 27. | Feb. 2025 | voraussichtlich 16:46 Uhr (CET)Lidded vessel. Josephinenhütte. Gräflich Schaffgotsch'sche Josephinenhütte, Schreiberhau, around 1912. Colorless, thick-walled lead crystal. H 31 cm. Bellied body, high knobbed lid, multi-jointed stem, round base, on a square plinth. Notch and stone carving on all sides. 4 knocks to the rim. Literature : Żelasko (2009), p. 139/cat. no. 203. Provenance : Rhineland-Palatinate private collection. Aufrufzeit 27. | Feb. 2025 | probably 16:46 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Schale und 2 Ansichtengläser. 2. H. 19. Jh. Böhmen. Farbloses, gelb bzw. rosa lasiertes Glas. 1x achtpassige Schale mit gravierten Blumenbuketts, Symbolarrangements und Steinelschliff (Ø 15 cm). / 1x Fußbecher mit Kerb- und Linsenschliff sowie einer gravierten Ansicht von Charlottenbrunn (H 11,5 cm). / 1x Fußschale mit Kerb- und Steinelschliff sowie drei gravierten Ansichten (Kynast, Warmbrunn, Landhausen; H 13,5 cm). Bestoßungen am Schalenrand und den Füßen der Ansichtengläser. Aufrufzeit 27. | Feb. 2025 | voraussichtlich 16:51 Uhr (CET)Bowl and 2 view glasses. 2nd half 19th century Bohemia. Colorless, yellow or pink glazed glass. 1x eight-pass bowl with engraved flower bouquets, symbol arrangements and stone carving (Ø 15 cm). / 1x footed beaker with notch and lentil cut and an engraved view of Charlottenbrunn (h 11.5 cm). / 1x footed bowl with notch and lentil cut and three engraved views (Kynast, Warmbrunn, Landhausen; h 13.5 cm). Bumps to the bowl rim and the feet of the view glasses. Call time 27 | Feb. 2025 | probably 16:51 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Walzenspieldose mit 8 Lieder. J. H. Heller, Bern. Firmenzettel mit Serien-Nr. 4125. Ende 19. Jh. Schweiz. Eiche dunkel gebeizt, teils ebonisiert. 14 x 52 x 22 cm, L Walze 28 cm. 9,3 kg. "Walzenspieluhr" mit vegetabiler Schnitzerei auf allen Seiten und auf dem Scharnierdeckel. Im Deckel teils geprägter Firmenzettel mit 8 Liedern, z.B. Die Zigeunerin, Wilhelm Tell, Springinsfeld usw.. Innen Ratschenaufzug und 2 Stellhebel; unter der Verglasung das Spielwerk mit steingelagertem Windrad sowie zuschaltbare Zitherfunktion. Restauriert, funktioniert. 1 Schlüssel. Provenienz : Sammlungsnachlass aus Nordrhein-Westfalen. Aufrufzeit 26. | Feb. 2025 | voraussichtlich 16:40 Uhr (CET)Roller music box with 8 songs. J. H. Heller, Bern. Company label with serial no. 4125. late 19th century Switzerland. Oak stained dark, partly ebonized. 14 x 52 x 22 cm, L roller 28 cm. 9.3 kg. "Roll music box" with vegetal carving on all sides and on the hinged lid. Partially embossed company label in the lid with 8 songs, e.g. Die Zigeunerin, Wilhelm Tell, Springinsfeld etc.. Inside ratchet winding mechanism and 2 adjusting levers; under the glazing the musical mechanism with stone-mounted wind wheel and switchable zither function. Restored, works. 1 key. Provenance : Collection estate from North Rhine-Westphalia. Call time 26 | Feb. 2025 | probably 16:40 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

A mixed group of silver and costume jewellery, including a silver Victorian buckle bangle with ornate carving to front panel, hinged, UK hallmark, makers mark D&F, Deeley & Fisher, Chester, 1883, 30.0grams; a foliate and floral carved jet mourning brooch with gilt pin fitting; a silver torque bangle, UK hallmark, 26.4grams; a paste stone set openwork brooch; an odd silver gilt twisted hoop earring; a Wedgwood cameo ring, marked sterling silver; an aurealis borealis triple row bead necklace and four dress watches including Louis Pion, Inventic, Rovel, etc, (Qty).

A VERY LARGE CARVED STONE BUDDHIST STELE Rectangular stele with relief carving to both sides, 'one thousand' Buddha type decoration, and inscription in the Northern Wei style, the reverse with a large standing Buddha showing similarities to later periods, two dragons above. Probably of Qing dynasty origin as a restoration corresponding with the temple interiors of an earlier period, with rectangular polished granite stand 164 x 63 x 16cm, 120 x 65 x 15.5cm Acquired by the vendor circa 1990 Additional Information: With accompanying correspondence from Liu Cheng, Associate Professor of the School of Cultural Heritage, Northwest University, X'ian, dated 2001. "From my point of view it should be of the Qing dynasty. In order to re-repair the fragments of a recorded Beilu period, the temple was built in the style of that time (Tibetan Buddhism was the state religion) and the level of craftsmen at that time, it belongs to the post-injuries of the Qing dynasty." Ownership Statement: This item is offered for sale in the name of the owner, Tan Hui Seng. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Early 20thC Chinese stone carving of a recumbent Buddha, holding coins, with Jin Chan - the 'Money Toad' at his side. A symbol of prosperity.

A quantity of Sheffield silver handled Knives to include: a carving knife set, a sharpening stone and steak knives by United Cutlery.

An Eastern dolomite stele/stone carving of a seated Buddha along with a Chinese Han Dynasty style twin handled glazed terracotta censer/tripod ding. H.25cm (buddha), Dia.20cm (pot)

A JADE CARVING OF A RECUMBENT CAMEL Brown and celadon Hetian jade modelled with head facing backward, rested on hump, seated with legs tucked under torso 11cm x 7cm From the estate of Dr. Lam Wing Onn Additional Information: With a certificate from Zhong Gong Gem Testing Centre, Guangzhou identifying the stone as Hetian jade Ownership Statement: This item is offered for sale in the name of the owner, Ji Ming Lam. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A GROUP FIVE SOAPSTONE CARVINGS OF BOYS One example in transparent grey stone modelled as two boys taking fish from a basket, an opaque yellow toned carving of a boy crouched under lotus pad, another yellow toned example modelled as boy holding a peach, a small semi-transparent boy playing a pipa (lute), and a double gourd form snuff bottle with a boy climbing the side 4cm to 8.5cm high Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.