India Collection of letters and documents, 20th century Victor Hope, 2nd Marquess of Linlithgow (1887-1952). Typed letter signed as Viceroy of India to the Maharaja of Gondal, 1940, 1 p., on the establishment of a medical college in Delhi; Doreen Hope, Marchioness of Linlithgow (1886-1965). Typed letter signed as Vicereine of India to the Maharaja of Gondal, 1943, ‘This letter contains a last request to Your Highness before my departure from India’, on the establishment of a ‘central institution in Kathiawar for the treatment of tuberculosis’, 2 pp.; [Indian Independence]. Blank instrument of accession to the Dominion of India, 1947, printed document with blank spaces left for signatures of an acceding prince, single foolscap bifolium printed on 3 sides, with 2 related blank documents ('Agreement between the State of _ and the Dominion of India', and ‘Instrument of Accession’, the latter authorising ‘the Dominio of India to exercise all the said powers and jurisdiction in relation to the said taluka/estate in such manner and through such agency or agencies as that Dominion may from time to time determine’), and a cyclostyled memorandum from the Secretary to the Regional Commissioner, W. I. and G. S. Region, Rajkot, 8 October 1947 (2 foolscap leaves, on relations between Indian states and the Dominion of India following the ‘lapse of paramountcy’; [Government of India]. ‘Memorandum on Some Dangers of Plural Representation of Indian States in the Proposed Upper Chamber of the All-India Federal Legislature’ [drop-head title], 1932, 2 copies, printed, foolscap, 40 pp., wire-stitched marked ‘for private circulation only’ and ‘private and confidential' in red types at head of first leaf, first copy dated 30 July 1932, the second dated 6 August 1932, both copies with different settings of the index on first leaf and presumably containing differences in text, outer leaves detached or detaching; Ganga Singh, Maharaja of Bikaner (1880-1943). Two printed memoranda on arranging a banquet for the visit to India of the Prince of Wales (the future Edward VIII), June and July 1920, each a single foolscap sheet with embossed crest at head, the first with two carbons of a response from the Maharaja Malavendra of Nabha, initialled in red pencil, with a corrected draft, the second with a curtly-phrased carbon response similarly initialled; [Kathiawar]. Printed letter from the princes of Kathiawar to Sir George Sydenham Clarke, Governor of Bombay, c.1910, single foolscap bifolium, 3 pp., on customs arrangements at Viramgam ('we hope Government will consider whether there is sufficient justification for subjecting the many non-maritime States … to the vexation incidental to the perpetuation of the preventive cordon …'), and the management of railways in Kathiawar, old repair to head of first leaf;[Jammu and Kashmir]. A Handbook of Jammu and Kashmir State. Jammu: Ranbir Government Press, 1944. 8vo, 60 pp., original wrappers, ink-stain to front wrapper; [Ratlam]. Ratlam. The Premier Rathore State of Central India and its Ruler. Indore: Narayan Das Tandon, c.1935. 4to, original wrappers, unpaginated, photographic illustrations throughout; and others: chromolithographic address from the people of Dharampur to the Maharaja of Jammu and Kashmir commemorating his visit, 1923; 'Memorandum of instructions prescribed for dress at the Investiture to be held at “The Viceroy's House”, New Delhi', 1939, printed, 4 ff.; ‘Programme of Ceremonies to be observed at the presentation to His Highness the Thakor Saheb of Bhavnagar’; autograph letter on Indian Office stationery, 1910;‘Summary of the existing policy regarding tours and visits abroad of Ruling Princes and Chiefs’, c.1920, printed document, 2 foolscap leaves, string-tied at upper inner corner; The Sphere, Indian Princes Number, 1938 (folio, original wrappers, contents working loose) (1 folder)
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Hand decorated figural jug. In the 17th century comedy, written by Edward Ravensroft, Scaramouche appears as a boastful, foolish character, dressed in the old Spanish style. The handle is shaped as a string instrument with the comedy and tragedy masks. Royal Doulton backstamp.Artist: Max HenkIssued: 1962-1967Dimensions: 7.75"L x 5.5"W x 7"HCountry of Origin: EnglandCondition: Age related wear.
ELECTRIC BASS GUITAR | FENDER (JAPAN / JAPANESE) | 115 cm | provenance: from the estate of the musician Pavel Chrastina (1940 - 2021) | Lot description |Fender Precision Bass electric bass guitar made in Japan, coming from the collection of Pavel Chrastina, founder of the legendary Czech rock group Olympic. Chrastina, who played a significant role in the early sound of the band, was one of the most prominent bassists of the Czech music scene in the 1960s.This Fender Precision Bass model, iconic for its shape and characteristic tone, is equipped with a single split pickup, a classic four-string configuration and a maple fingerboard. This instrument is not only an excellent example of Japanese Fender production from the second half of the 20th century, but also an important collector's item with a direct connection to the legendary Czech rock scene. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded. |
A German violin. Labelled 'Antonius, & Hieronymus FR. Amati Cremonen Andrea fil F .1679 Made In Germany'. The two-piece back has a length of 35.5cm, with the overall length of the instrument being 60cm, case included. The fingerboard is loose and the neck has pulled forward away from the body, most likely due to string tension. This has also pushed the ribs on both sides of the heel forward and will need to be repaired with glue.
![[INSTRUMENTS - NAVIGATIONAL AND TIMEKEEPING]A collection of ten portable navigation and timekeeping instruments, including DA](https://cdn.globalauctionplatform.com/034cdc41-5223-4edc-9728-b2ae01052634/1f82fb7f-427a-48ee-a7e4-b2ae014ee394/468x382.jpg)
[INSTRUMENTS - NAVIGATIONAL AND TIMEKEEPING]A collection of ten portable navigation and timekeeping instruments, including DAVID BERINGER. Portable diptych sundial and perpetual calendar. Nuremberg: circa 1775-1825. Hand-colored engraved paper over two leaves of hinged fruitwood, folding, metal hooks and eye closures at front and back, the top's exterior with a list of towns and their latitudes, the interior with vertical and horizontal dials, with a string gnomon adjustable between 36 and 56 degrees of latitude, and an inset compass under glass in the base, lined with a hand-colored printed paper dial signed "Verfertigt von David Beringer," the compass with a blued metal arrow, the base's exterior with a perpetual calendar of two paper volvelles, with brass ball feet in corners; measures 4 x 2 1/2 inches (10 x 6.5 cm). A few small spots of wear, some light toning and staining, but altogether an exceptionally well-preserved instrument; sundials by Beringer are rarely seen with a perpetual calendar; together with E. C. STOCKERT. Portable horizontal dial magnetic. German: circa 1800. Floating printed paper compass with a gnomon and hour dial, signed "Stockert," and a ring of printed paper with cardinal directions in German and floral designs around the edges, under domed glass, in a turned wood case. Dial lightly toned, a few spots of chipping and wear along the bottom of the case; A metal equicontal dial. France: mid to late nineteenth century. Housed in a pocket watch style hinged metal case. Partly tarnished; CHARLES NEPHEW. Portable horizontal dial magnetic. Calcutta: Charles Newphew & Co., mid-nineteenth century. Floating compass and hour dial with raised brass gnomon at center, under domed plastic, housed in a hinged wood case, with a printed paper calendar pasted in the interior of the lid. The plastic dame is a modern repair, the paper calendar rubbed and lightly toned; and with, Six more instruments, a 19th century pocket barometer and altimeter with curved thermoter by Ross of London, a brass equicontial ring dial, a minature ship's compass in a brass case, a wood diptych sundial, a brass compass and sundial in a square hinged wood case, and a Chinese I-Ching compass in a turned wood case. Varying amounts of wear; the compasses in this lot are not guaranteed in working order, thus sold as is. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Set of 7 original vintage Soviet propaganda posters issued in the Soviet Union during Perstroika period. 1. Each job requires professionalism - featuring an illustration of a string instrument with large metal bolts for tuning pegs. Very good condition, minor creasing. Country of issue: Russia, designer: V. Veshtak, size (cm): 65x48, year of printing: 1988; 2. In the report... but is it on the table? - featuring an illustration of a cabbage made out of papers titled 'report' and 'record' laying on a table marked 'order', the poster was possibly issued to point the attention to the difference between the paperwork and the actual situation. Very good condition, minor creasing. Country of issue: Russia, designer: N. Kravchenko, size (cm): 66x48, year of printing: 1988; 3. We should not allow a nuclear war! Image of a globe breaking down, looking like a human skull. Country: Russia. Year: 1983. Artist: S. Rayev. Size (cm): 66x48. Very good condition, minor tears and creases in bottom margin; 4. From design to implementation - minimum amount of time! - featuring an illustration of a tractor sketch with front part coloured red set over green background. Very good condition, minor creasing. Country of issue: Russia, designer: V. Zaikin, size (cm): 67x48, year of printing: 1987; 5. Nuclear energy - at the service of peace and progress! - featuring an illustration of storks making a nest on the electric post in the shape of a nuclear missile with a blue and yellow background. Very good condition, minor creasing, small tears. Country of issue: Russia, designer: A. Sinishin, size (cm): 67x48, year of printing: 1987; 6. Help! - featuring an illustration of a dog with an earflap hat ties coming from its ears and a price tag of 150 roubles set over yellow background; hats with earflaps made from dogs have entered the street youth fashion in the 1980s, the media and the public considered these hats to be immoral. Good condition, creasing, small tears on edges, staining. Country of issue: Russia, designer: S. Sukharyov, A. Rezerv, M. Rozhdestvin, size (cm): 87x55, year of printing: 1988; 7. For bungler / slipshod worker - featuring an illustration of a broken spoon with a hole with a tag attached to it on a string. Good condition, creasing, small tears, staining. Country of issue: Russia, designer: L. Gomonov, size (cm): 87x55, year of printing: 1987.
An early 20th century Continental violin, having a two piece maple back and spruce tablle with ebony fingerboard and pegs, 36cm (excluding button), together with two unmarked bows, in a leather case and an early 20th century twelve string mandolin, having a rosewood back and sides with spruce table, bearing a label for J.H. Ebblewhite's Music and Musical Instrument Warehouse, 72cm, housed in the remains of leather case. (2)
A collection of Staffordshire and continental figures / groups comprising a figure depicting a Scottish soldier and lady, the base marked Crimean, approximately 22 cm (h), a group depicting a lady and a gentleman, a group depicting a couple, the lady holding a peacock (head missing) and the gentleman a string instrument, a figural clock group, spill vase and other. [W]NOTE: IN HOUSE SHIPPING IS NOT AVAILABLE FOR THIS LOT, PLEASE CONTACT CLIENT SERVICES FOR A LIST OF SUITABLE COURIERS AND A QUOTE.
A collection of Staffordshire figures / groups to include a pair of figures depicting a lady and a gentleman stood next to a vine trellis, largest approximately 20 cm (h), a twin sided temperance figure, Gin and Water, a group depicting a couple holding flowers, a group depicting a couple, the gentleman standing in a kilt and the lady seated with a string instrument, Dick Turpin and Black Bess and other. [W]NOTE: IN HOUSE SHIPPING IS NOT AVAILABLE FOR THIS LOT, PLEASE CONTACT CLIENT SERVICES FOR A LIST OF SUITABLE COURIERS AND A QUOTE.
A traditional hand-carved wooden Sarangi from Nepal, a folk string instrument deeply rooted in Nepalese and Himalayan musical traditions. This finely crafted piece features an intricately carved wooden body with detailed patterns and an elaborate depiction of an elephant on the back. The resonator is covered with natural skin, and the strings are tensioned with wooden tuning pegs. A label marked "Made in Nepal" confirms its origin. The Sarangi is known for its unique, expressive sound and is traditionally played with a bow, often used in storytelling and folk music performances.Issued: 20th centuryDimensions: 19.5"LCountry of Origin: NepalCondition: Age related wear.
A unique handcrafted string instrument featuring a resonator bowl made from a hollowed coconut shell. The instrument showcases a dark wooden neck with a fretboard inlaid with simple dot markers, leading to a carved headstock with four wooden tuning pegs. The coconut shell body gives this piece a rustic and organic appeal, likely crafted in the folk music traditions of Southeast Asia or Africa. The strings are stretched across a wooden bridge inside the shell, adding to its traditional aesthetic. A rare and decorative musical artifact with cultural significance.Issued: 20th centuryDimensions: 13.5"HCondition: Age related wear.
**Benson Red Four-String Electric Bass Guitar** A Benson electric bass guitar featuring a solid, bright red body with a glossy finish. The instrument includes a black pickguard secured with multiple screws, showing signs of prior use with minor scuffs and scratches present. It has a rosewood fretboard with standard dot inlays and a maple neck displaying a natural finish. The chrome-plated fixed bridge anchors four metal-wound strings, paired with a single pickup for electric amplification. A single knob for volume or tone adjustment is located near the body edge. The headstock features the Benson branding and is equipped with four chrome tuning pegs. Signs of wear, such as a small body indentation and hardware tarnish, are visible, indicating prior use. Suitable for players or collectors seeking a functional and visually vibrant piece.
**1943 Vintage Tenor Banjo with Evelyn Laye Signature and Hard Case**This is a vintage tenor banjo, dating to circa 1943, featuring a polished dark wooden neck, metal hardware, and a natural skin drumhead. The drumhead is distinctly inscribed in ink with the message: *"Good Luck to you all, from Evelyn Laye, 1943"*, which adds a unique historical and personal provenance. The instrument exhibits a traditional four-string configuration and metallic tension hoops with aged components typical of its era.The banjo is accompanied by its original hard case with a black textured exterior and a blue velvet interior. The case shows wear consistent with age, including scuffs, tarnished metal clasps, and frayed edges, reflective of mid-20th-century craftsmanship.Notable features include the Evelyn Laye dedication, a polished dark-stained fretboard likely of mahogany or rosewood, and a metallic resonator backplate with intricate swirling patterns. The headstock bears a gold-embossed emblem with the text "BRITISH MADE" and the initials "G.H. & S," indicating United Kingdom origin.This instrument is both a collectible and a playable piece, appealing to enthusiasts of vintage musical instruments and memorabilia.
Chinese Seven String Guqin Lacquered Wood Musical Instrument Traditional form having a multi-color speckle on yellow ground lacquer finish and inlaid nacre fret markers, supported on four feet, unidentified Chinese cursive signature and archaic style seal mark carved into lacquer underside including a patterned silk carrying bag Property from: a Private Collector, Sanford, Florida Height: 4 1/2 inches, Length: 48 inches, Width: 7 3/4 inches Condition: overall light wear consistent with normal use, lacquer having craquelure overall, an inlaid fret marker having a superficial chip to varnish, bag having light wear Disclaimers: instrument not tested, we cannot guarantee that it will perform musically Category: Asian Arts > Asian Arts Estimated Sale Time: 11:25 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7
Ca. AD 600 -700.A pottery figure representing a seated female musician playing a string instrument. The woman is depicted seated on a square mat, with her legs tucked behind her and hidden under the pleats of her voluminous dress. Delicate facial features include a rounded face, red lips, black eyebrows, and her hair is styled in a double topknot. Original pigments are still visible. This artefact serves as a Mingqi, "spirit goods", referring to objects crafted to accompany individuals in their journey to the afterlife. These objects varied widely and could include representations of daily life, such as pottery figures like the one described, as well as functional items.For similar see: The Metropolitan Museum of Art, Object Number: 23.180.4–.7.Size: L:240mm / W:130mm ; 1.16kgProvenance: Private UK collection; From an old British collection formed in the 1990s.This piece has been precisely dated using a thermoluminescence analysis carried out by Ralf Kotalla. The report will accompany the lot.
ALDEN; a Dorchester-12 twelve-string semi-acoustic guitar, in soft carry case.Condition Report: - Please note that this lot is not suitable for our in-house postage service. We would recommend collecting this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on https://www.adampartridge.co.uk/services/transport/Yes this instrument is left handed.
A Rack Mounted Guitar Effects, Accessories and Soft Guitar Case together with a Samoson wheeled rack unit with 2 lockable drawers with keys, a Power Center 8 way IEC switchable distributor, a TECH 21 NYC Sansamp PSA 1.1 analogue preamp with a manual, a TC Electronic G Major 2 Guitar Effects Unit with a manual, factory reset, a Lexicon MX400 Dual Stereo/Surround Reverb, effects Unit, all units power on and change patches. Untested with a guitar, a MBT Soft Guitar Case. The op drawer of rack unit contains a Boss TU-12 Tuner and Korg Orchestral Tuner - both tested and appear to be working, a Seiko Rhythm Trainer - appears to be working, a D’Addario finger exerciser and string tool. Along with Unused packs of guitar strings (9-42) - 2 X Gibson, 1 Fender and 1 Legacy, various other items including guitar picks and cleaning brushes, the bottom Drawer contains Van Damme blue instrument cables, fifteen cables from 2m to 7m, three extra IEC cables for the Power Center, a spare rack screws and washers. CONDITION REPORT: No guarantee or warranty implied. Operational status may change during shipping.
Paolo Soleri, Italian/American, (1919-2013) for Arcosanti, United States. 'Ring a Bell for a Cause', 'The Spirit of the Cause Bell'. Each link represents an issue of either national or global concern. A cast bronze wind chime / Arcosanti stamp to bell bottom. Four prong bell dinger, casting of musician playing string instrument. Together with original paperwork. Height 65cm, width 15cm, depth 13.5cm. In good condition, chime is complete and in it's natural patina. It is starting to develop some verdigris. Soleri’s architectural design studio and nonprofit foundation "Cosanti," was a reaction and criticism of the culture of consumerism he witnessed taking hold in the world. Taking the Italian words "cosa" and "anti," meaning "against things."In 1970, The Cosanti Foundation began construction of a prototype arcology city (a term coming from the blending of architecture and ecology). This city in the Arizona desert would be named Arcosanti. Built on sustainable architecture, the artisans of this city are famous for their wind chimes and bells.
The lid opening, the face engraved with astrological signs. Folding engraved string with engraved tables on underside and face. To use the sundial one first needs to set the instrument on a flat surface and rotate it until the needle on the compass is correctly aligned in a north-south direction. When the metal pin is due north then the string is properly aligned towards the north-pole and the sundial will indicate the correct time – but only for the latitude for which it was constructed. 14.5 by 2.2 cm.
![A Vintage Hand Carved Bulkan Gusle String Instrument [93cm height]](https://cdn.globalauctionplatform.com/4f1e003a-28ab-4c40-a6f3-b24b00e1defc/9dd8c364-33a1-46ed-a629-b24b00ffb1ea/468x382.jpg)
Two Chinese Qing dynasty, 19th century, reverse glass paintings, both depicting ladies, one of a musician wearing traditional costume holding a guqin string instrument, 47.5cm x 31cm, the frame 55cm x 39cm, the other 39.5cm x 29.5cm, the frame 47cm x 37cm Location: A1FIf there is no condition report shown, please request
Glossy finish. Figure of an angel holding a string instrument. Lladro backstamp. This item has its original box. Box measures: 12.5"L x 7.25"W x 5.75"H. Artist: Angel Nino LiraIssued: 1988-1993Dimensions: 5.25"L x 4.5"W x 8"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.
ITEM: Level with plumb bobMATERIAL: BronzeCULTURE: RomanPERIOD: 4th - 5th Century A.DDIMENSIONS: 120 mm x 92 mmCONDITION: Good conditionPROVENANCE: Ex European private collection, acquired before 2000sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.The Roman level, often used in conjunction with a plumb bob, was a tool essential to Roman engineering and construction, allowing builders to establish precise horizontal lines. This simple yet effective instrument typically consisted of a wooden or metal frame in the shape of an “A” or a right triangle, with a string and plumb bob suspended from the apex. By observing where the plumb line intersected with markings on the frame, Roman engineers could verify that their structures were level, an essential step for everything from roads and aqueducts to temples and public buildings. This tool’s straightforward design and functionality exemplify the Romans' ability to achieve architectural precision with basic technology.The use of the Roman level with a plumb bob was integral to the construction of Rome’s architectural masterpieces. This tool helped achieve the structural stability seen in roads, aqueducts, and multi-story buildings, where maintaining horizontal lines was critical for even weight distribution. The Roman level was particularly useful in large-scale civil engineering projects, such as the construction of aqueducts, which required precise gradients over long distances to ensure water flow. By using the level to maintain a consistent angle, engineers could create a slight slope that allowed water to flow across valleys and plains, providing urban centers with reliable water access. This simple tool thus played a role in sustaining the infrastructure that fueled the Roman Empire’s growth.
White porcelain figure beautifully decorated with Swarovski rhinestones and gilt accents, playing his musical instrument. RG & Capodimonte impressed marks. This item has its original box: 14"L x 9.5"W x 8"H. Issued: 20th centuryDimensions: 3.5"L x 4.25"W x 9.25"HManufacturer: RG Oggetti PorcelainCountry of Origin: ItalyCondition: Age related wear. One instrument string is broken.
LARGE CHINESE BLUE AND WHITE 'FIGURAL' GU-FORM VASE QING DYNASTY OR LATER 清或以後 青花人物故事紋花觚of waisted beaker form, painted with a seated foreigner blowing a horn and a lady with boy playing a string musical instrument, between them a lady with high headgear admiring the music 38.8cm high Please note this lot will be offered with no reserve. 本拍品不設底價
Small figure of a boy playing a string instrument. Exclusive edition 1994/1995 M.I Hummel Club. This item has its original box measuring 3.75"L x 3.75"W x 5.75"H. Certificate of Authenticity included. Goebel Hummel backstamp. Issued: 20th centuryDimensions: 2.24"L x 1.75"W x 4.25"HManufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear.
Part of the Crystal Melodies collection. A clear crystal string instrument. Includes a rhodium metal stand. Swarovski swan marked. This item has its original box: 3.25"W x 6"H. Stand: 1.5"L x 0.75"W x 1.5"H. Artist: Martin ZendronIssued: 1992 - 1997Dimensions: 1.25"L x 0.75"W x 3.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
GRECEANU, Olga(1890 Nămăești - 1978 Bukarest) Jungenbildnis mit MandolineÖl/Leinwand. Unsigniert.81 x 65 cm. Gerahmt : 92 x 76 cm (Goldstuckrahmen). Porträt eines kleinen Jungen beim Spielen des Saiteninstruments. Rumänische Künstlerin, studierte in Lüttich, später in Paris an der Baudouin Akademie.Aufrufzeit 26. | Okt. 2024 | voraussichtlich 13:15 Uhr (CET) GRECEANU, Olga(1890 Nămăești - 1978 Bucharest) Portrait of a boy with mandolinOil/canvas. Unsigned.81 x 65 cm. Framed : 92 x 76 cm (gold stucco frame).Portrait of a small boy playing a string instrument. Romanian artist, studied in Liège, later in Paris at the Baudouin Academy.Call time 26 | Oct. 2024 | probably 13:15 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Rory Gallagher: A Bjarton Acoustic Guitar,Early 1960s, Indistinct serial no. 8 164 stamped to top of headstock, labelled inside Tillverkare Bjarton Musikinstrumentfabrik Bjarnum - Sweden, natural finish, spruce top, mahogany sides and back, mahogany laminate inside, fingerboard with dot markers, solid headstock with logo and three-a-side tuners, in shaped, plush-lined Yamaha hardshell case (damaged), with transit labels/stickers,guitar 35 1/2in (90cm) longFootnotes:'I've got an old Bjarton guitar and it's beautiful.'- Rory GallagherRory bought this acoustic guitar in Copenhagen, Denmark, in 1967 and used it for recording the song 'Hail' for Taste's debut album in 1969. He said, 'I've got an old Bjarton guitar and it's beautiful. It's a very small guitar like the small Martins. Blind Blake used to use one - it's like a ragtime guitar. The neck joins the body at the 12th fret. I got that in a pawn shop in Denmark in about '67 for about £4. I've been playing that a lot lately, and that's got the light strings - being a small-scale guitar, the light strings don't buzz or anything - it's just right. I used it on the first Taste album and I used to use it on stage. In fact, I was thinking of pulling it out one night and sticking an Ibanez or something on it.' - Rory Gallagher, International Musician, 1977.Literature'Gallagher', International Musician Magazine, April 1977. www.roryon.com/collection.html.Bjärton:Bjärton Musical Instrument Factory was founded in 1946, in Bjärnum, Sweden. Originally the company specialised in double basses, but soon began producing guitars from 1952, until their closure in 1990. In their guitar design, the company focused on producing classical and steel-string acoustic guitars. These instruments are renowned for their high-quality construction, using premium European tonewoods that contribute to their rich sound. Though the company eventually ceased production, Bjärton guitars remain prized by collectors and musicians who appreciate their vintage charm and the legacy of traditional Swedish luthiery.For further information on this lot please visit Bonhams.com
Rory Gallagher: A Vox Mark XII Special 12-String Electric Guitar,1967,Serial no. 76414 stamped to neckplate, made in England, teardrop-shaped body with black finish, three pickups with four controls, three-way pickup selector and six push-button controls, tremolo tailpiece, battery backplate, circular padding to back, unbound neck with Brazilian rosewood fingerboard, dot markers, headstock with decal and original Vox six-a-side tuners, in Fender tweed gig bag with lead,CITES 24GBA10E11PBV,guitar 41 1/2in (105cm) longFootnotes:'I've got this old Vox 12-string from the days of Beatlemania...'- Rory GallagherRory would have acquired this distinctive guitar as he was a big Brian Jones fan. Brian was the first person Rory ever saw playing slide guitar and that made a serious impression on him.Speaking about this guitar, Rory was quoted in Music Maker magazine, June 1978 issue: 'I have another very singular one. It is a Vox Phantom (sic), Brian Jones used to use one a while ago. The body is shaped like an egg. The one I have has 12 strings and has supplies like mid-range adaptors, fuzz and repeat built-in. The only difficult part is the placement of the push button switches. They are placed on the rhythm plate and therefore they are very much in the way during playing. I would like to change that because otherwise, it is a very good instrument. Guitars with 12 strings are very suitable for rhythm guitar work.''I've got this old Vox 12-string from the days of Beatlemania, which I've had for a couple of months. It's got an out-of-phase switch, you pull this up and it turns on this whole section. This I've turned into a tone control instead of a repeat tremolo thing, which isn't quite effective. The fuzz is quite good, but fuzz on a 12-string is unnecessary. Treble, you need, bass you need, top boost you might need. The mid boost is very good, flick this on and you get three positions which I haven't seen on any guitar yet, but if you had this on a Stratocaster...the only thing is, with a battery inside it and a surge of power, you're a little bit up and down on batteries. But I'll use this for recording, I've used it on stage once or twice.' - Rory Gallagher, Guitar magazine, 1978.Literature 'Rory Gallagher', Music Maker magazine, June 1978 issue, translated by Iris Rasenberg, www.roryon.com/mm678-315.htmlJohn Dalton,'I try to keep the balance between madness and technique', Guitar magazine, September 1978, www.roryon.com/balance384.htmlVox Mark XII:The Vox Mark XII guitar, famously known as the 'Teardrop' guitar, gained prominence in the 1960s, particularly through its association with British rock music. The guitar was a radical departure from traditional guitar designs, created by a company who were better known for amps. The unique shape of the guitar made it lightweight and comfortable to play. It was popularised by Brian Jones of The Rolling Stones, who helped cement its place in rock history. Known for its jangly, bright tone and stylish look, the Mark XII became a symbol of the British Invasion era. Today, it remains a beloved collectable, celebrated for its role in shaping the sound and image of 1960s rock music.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
Hand Carved String Instrument Assortment (5) items including (2) Hummingbird carved dulcimers signed on the inside 'Warren May', a heart carved dulcimer having 'Red Bird Mission' tag as well as a lap harp / zither and a bowed Psaltary, both stamped 'Jerry E. Farnsworth' Property from: a Private Collector, Muncie, Indiana Height: 2 1/2 inches, Width: 35 inches, Depth: 5 3/4 inches (largest) Condition: overall light wear consistent with normal use, minor nicks scuffs and finish wear Category: Cameras & Instruments > Instruments Estimated Sale Time: 1:25 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
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