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A finely detailed Byzantine-style Orthodox icon plaque depicting the Virgin Mary in the revered image of the "Softener of Evil Hearts" (also known as Our Lady of the Seven Sorrows). The central image is rendered in high-relief silver-tone with gold accents and inset ruby-colored cabochons. Crafted with ornate detailing throughout the halo and background, and framed within a dark-stained wooden surround with gilt trim. This icon bears a certificate on verso from Beautiful Style Art - Orthodox Icons, stating that the image is crafted using traditional iconographic techniques with precious metals. Made in Greece.Issued: 20th centuryDimensions: 6"L x 7"HCountry of Origin: GreeceCondition: Age related wear.
This exquisite set includes a Waterford Crystal clock and a matching rectangular tray, both beautifully crafted with the brand's iconic intricate cut designs and fine crystal clarity. The clock, marked Waterford Crystal, features a white dial with Roman numerals and is encased in a heavy, cut crystal surround. The rectangular tray features a captivating starburst pattern in the center, framed by deep cuts and a textured border, and has two side handles that further enhance its elegance and functionality. Both pieces are etched with the Waterford mark, underscoring their authenticity and exceptional craftsmanship. Issued: 20th centuryDimensions: Largest: 14"LCountry of Origin: IrelandCondition: Age related wear. Clock has not been tested.
Early 20th century gold and silver sapphire and diamond chip open work cluster ring, the principal oval cut sapphire of approx 1.60 carat, with a round cut sapphire set either side and diamond chip surroundCondition Report:Approx 6.2gm, head tested 8ct and silver, shank 9ct, size approx Q-R (ring sizing beads within shank), overall head = 19mm x 14.3mm, principal sapphire - chip to sapphire top facet and diamond chips missing, sapphire good colour, with some inclusions, probably converted from a brooch or another piece of jewellery
Platinum milgrain set emerald and diamond ring, octagonal cut emerald with calibre cut emerald and old cut diamond surround and diamond set shoulders, stamped, total emerald weight approx 1.11 carat, diamond weight approx 0.33 caratCondition Report:Approx 5.4gm, size M-N, stone weight engraved to inside shank, max depth = 20mm
Stunning cut crystal bowl featuring a deeply cut geometric and starburst design and a gentle scalloped rim adding a refined and delicate touch to its overall silhouette. Panels of crosshatched diamond cuts and starbursts surround the bowl, creating a dazzling display of light and reflection. Waterford backstamp. Issued: 1996Dimensions: 9.5"W x 5.5"HCountry of Origin: IrelandCondition: Age related wear.
A Chinese firescreen, the intricately carved and pierced surround with lion finials and supports, the circular embroidery with parrots, chickens, quail etc. 66 x 56cm The silk is in good conditon, slighly discoloured around the edge. Scratching to the wood and slight splitting to the wooden pierced surround. There are slight losses to the wooden back panel which supports the silk panel. Bashes to the base which has been stained and one of the lion feet has a large split through it. It is possible that teh base has been made up as there are holes in the wood which do not relate to anythingThe screen slides out of the base.
Circa 1915The domed shade with three central rows of large geometric segments in mottled opalescent and amber colored glass, with an upper and lower band of circular motifs, in amethyst and amber rippled glass, supported on a slender urn-form standard, with a paneled body and stepped shaped circular foot, pierced metal heat cap; shade with three affixed tags stamped TIFFANY STUDIOS, NEW YORK, and 593 (?), respectively; base stamped TIFFANY STUDIOS 585. Height 21 inches; height of shade 7 1/2 inches, diameter 16 1/4 inches. Provenance:James D. Julia, Fairfield, Maine, Lamps & Glass, November 18, 2016, lot 1284.Shade: approximately three of the small circular glass segments at the uppermost ring band have hairline cracks; none of the larger circular glass segments at the bottom ring band appear to have hairline cracks; approximately five of the small geometric brick segments at the bottom rim of the shade have hairline cracks; none of the large central glass segments that comprise the three inners rows of geometric segments appear to have hairline cracks; approximately nine of the small glass segments that surround the large circular segments at the lower border have hairline cracks;; shade is slightly 'out of round' (slightly pushed in at one end)Base: there are three light sockets; sockets appear to ave some age; all three sockets have on/off switches with paddles marked 'Arrow;' the lamp is currently wired, however, the switches, sockets and wiring were not tested; the lamp has a mottled green and rust-colored patina; the patina has a uniform dulled appearance (would benefit from a possible cleaning and waxing); the heat cap may or may not be an original Tiffany Studios heat cap; the heat cap has a replaced (later) screw to adhere it to the ring mount at the top of the standard, however, it does not fit and the cap does not fit properly onto the shadeShade: approximately three of the small circular glass segments at the uppermost ring band have hairline cracks; none of the larger circular glass segments at the bottom ring band appear to have hairline cracks; approximately five of the small geometric brick segments at the bottom rim of the shade have hairline cracks; none of the large central glass segments that comprise the three inners rows of geometric segments appear to have hairline cracks; approximately nine of the small glass segments that surround the large circular segments at the lower border have hairline cracks;; shade is slightly 'out of round' (slightly pushed in at one end) Base: there are three light sockets; sockets appear to ave some age; all three sockets have on/off switches with paddles marked 'Arrow;' the lamp is currently wired, however, the switches, sockets and wiring were not tested; the lamp has a mottled green and rust-colored patina; the patina has a uniform dulled appearance (would benefit from a possible cleaning and waxing); the heat cap may or may not be an original Tiffany Studios heat cap; the heat cap has a replaced (later) screw to adhere it to the ring mount at the top of the standard, however, it does not fit and the cap does not fit properly onto the shadeAny condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
A William & Mary walnut seaweed marquetry cabinet having a drawer to the frieze, fitted four drawers enclosed by a panel door within a surround of eleven drawers all enclosed by a pair of panel doors inlaid octofoil panels of marquetry to the inside with similar panels to the sides of the cabinet, the doors intricately inlaid and centred by crowns, 107cm wide, 49.5cm deep (max), raised on a stand of later date with scroll supports and concave front bottom board under,108cm wide, 52cm deep (max), 170.5cm high togetherAll over fair condition. A few historical veneer patches and damages as pictures. Some minor lifting to veneer inlay. Small piece of moulding missing right corner of lower edge of cabinet. Veneer chips to base. Exterior faded compared to interior. Small veneer chips to right leg. Stable panel cracks to doors. Lacking keys. One drawer to interior cabinet missing. Base with some damp stains. All over light scratches, scuffs and marks commensurate with age and use.
An early 20th century carved hardwood kitchen work table counter. The table having a solid rectangular top over a two drawer front. Each deep drawer with a heart-shaped escutcheon and medieval style large handles. Flared frame surround, all raised on turned gadrooned supports.Measures approx. 80cm x 180cm x 79cm.
A 'CHARLES HORNER' ENAMEL PENDANT, A LARGE MEMORIAL BROOCH AND STICK PINS, to include a white metal and blue guilloche enamel pendant, stamped 'Sterling Silver' makers mark for Charle Horner, broken chain requires some attention, approximate gross weight 2.1 grams, together with a large AF broken and damaged unmarked double photo memorial brooch, broken surround approximate gross weight 29.0 grams, together with a yellow metal Staffordshire knot stick pin 15ct, a yellow metal Staffordshire knot stick pin set with a pearl, stamped 15ct, approximate gross weight 3.5 grams, and two yellow metal stick pins unmarked and one AF, and a rose metal bolt spring clasp with jump ring stamped 9.375, approximate gross weight 1.6 grams (condition report: some pieces will require attention, brooch is in poor condition, Charles Horner pendant also requires some attention)
A 9CT GOLD CAMEO BROOCH, of an oval form, carved shell depicting a mythical scene, collet set within a rope twist surround, fitted with a brooch pin and safety clasp with additional safety chain, hallmarked 9ct Birmingham, approximate dimensions length 57.5mm x width 43.5mm, approximate gross weight 17.2 grams (condition report: overall condition good, some small nibbles to the surround)
TWO 9CT GOLD RINGS, the first set with a circular cut Citrine, six claw set within a scalloped surround, to the polished band, hallmarked 9ct London, ring size P, the second a fine foliate pattern ring, hallmarked 9ct Birmingham, ring size N 1/2, approximate gross weight 4.1 grams (condition report: general light wear)
A PAIR OF 18CT GOLD PEARL AND DIAMOND EARRINGS, cultured white pearls with yellow and pink undertones, approximate pearl width 6mm, prong set in white gold with a surround of twelve round brilliant cut diamonds, fitted with post and scroll fittings, hallmarked 18ct London, scrolls stamped 750, approximate gross weight 3.1 grams, (condition report: general moderate wear, all stones intact, some light scratches to pearls, overall condition good)
TWO 9CT GOLD GEM SET RINGS, the first set with three circular cut amethyst and two opal cabochons, scrolling gallery and polished band, hallmarked 9ct Birmingham, ring size N 1/2, the second an oval cluster ring set with a central oval cut garnet in a surround of colourless cubic zirconia, to the polished band, hallmarked 9ct London, ring size O 1/2, approximate gross weight 5.3 grams (condition report: general light wear, both would benefit from a gentle clean and polish)
A YELLOW METAL CAMEO BROOCH, of an oval form, carved shell depicting a lady in profile, collet set within a rope twist surround, fitted with a brooch pin and C clasp, stamped 9ct, approximate dimensions length 49.4mm x 42.8mm, approximate gross weight 15.2 grams (condition report: general light wear)
A YELLOW METAL RUBY AND DIAMOND RING, diamond shape ring head set with a central circular cut ruby, claw set in a surround of four single cut diamonds, white metal mount leading onto a pinched yellow metal shoulder and band, stamped 18ct Plat, ring size K, approximate gross weight 2.1 grams (condition report: general light wear, stones secure at time of cataloguing)
Henry De La Feuille of London-early 18th century marquetry 8-day longcase clock c 1720, hood with a moulded upstand to the domed caddy top, set on a lower upstand above a wide cornice with a marquetry frieze beneath, square hood door with marquetry inlay and attached three-quarter columns with wooden capitals, hood sides with glazed panels, trunk and door inlaid with figural marquetry with various representations of people, birds, scrollwork and foliage, full length door with cock-beading surround and a circular glazed lenticle, the case sides veneered with bordered panels within crossbanded surrounds, plinth with a convex moulding and shallow moulded skirt, brass dial with a matted centre and ringed winding holes, date aperture and seconds dial, silvered chapter with Roman numerals, five minute Arabic’s, minute and inner quarter hour tracks and half-our markers, with pierced steel hands and matching cast scroll spandrels depicting angels supporting a crown, dial pinned directly to a four pillar movement with an outside countwheel and recoil anchor escapement, striking the hours on a cast and polished bell.With weights, pendulum and key.Henry De La Feuille was a French Huguenot, born in 1670, moving to Jersey c1690 and finally London where he is thought to have died c1730.Dimensions: Height: 240cm Length/Width: 46cm Depth/Diameter: 25cm
*** Please note the description of this lot has changed *** [Gauden (John)] Eikon Basilike [graece]. The Pourtraicture of his Sacred Majestie in his Solitudes and Sufferings, initial leaf with woodcut arms, engraved portrait frontispiece and folding engraved plate, small burn-hole in S3 just touching a couple of letters of text, tiny marginal worming (not affecting text), contemporary black sheep with gilt vignette of the king and a skull with thorny oval surround and crown at top, winged cherubs in corners, simple ruled spine with "C Rex" at head, handsome gilt gauffered edges, rubbed, small hole at foot of spine, lacking ties, [Wing E290], 8vo, 1649.*** Attractive contemporary binding presumably executed for a royalist sympathiser.Provenance: "Eliza Lorde her book" (ink inscription on recto of frontispiece); J. Blowers (ink name on front pastedown).
A Victorian Diamond and Freshwater Pearl Set Mourning Ring, of navette shape, the round cut diamonds collet set within freshwater pearl bead surround, between tapered shoulders of scrollwork design, highlighted in black enamel (damages), with glazed section verso, stamped "18CT" (finger size N1/2), in a vintage Bracher & Sydenham ring box.6grams.
A Five Stone Diamond Bar Brooch, the round cut stones graduated millegrain set betwen scalloped style surround, between tapered dagger style shoulders, with safety chain; An Antique Style Single Stone Diamond Stick Pin, the round cut diamond claw set within starburst style frame, and a vintage J.W.Benson Ludgate Hill London brooch box. (2)The diamond in the stick pin is approximately 4mm diameter.
A Large Abstract Style Single Stone Ring, the elongated stone within abstract bark textured surround, between wide tapering shoulders stamped "18CT" (finger size R).The ring weighs 28grams. The stone is unknown. Surface abrasions to the stone, no other visible damage. No makers mark only "18ct" stamp.
A Vintage Hallmarked Silver and Enamel Presentation Medal, A.C.B, Birmingham 1929, of shaped oval form, detailed with enamel grape vine to centre, blue chapter style ring, reading "Presented by The Central Currant Office (London)", within openwork foliage and flowerhead detailed surround, engraved "Awarded to J.I.Clark Currant White Bread" verso, suspended on a blue ribbon with applied monogram, panel style terminals highlighted in blue enamel, "1930 Liverpool", silver medallion approximately 6.5cm x 5.5cm.

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80362 item(s)/page