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JOHN WHITE ABBOTT (ENGLISH 1763-1851) FIVE SKETCHES AFTER RAPHAEL'S TAPESTRY CARTOONS, COMPRISING: THE MIRACULOUS DRAUGHT OF THE FISHES; THE HEALING OF THE LAME MAN; ELYMAS STRUCK WITH BLINDNESS; THE SACRIFICE OF LYSTRA; THE PREACHING OF PAUL Pencil, unframed The first five signed with a monogram and inscribed `RAPHAEL' (along the lower edge) 14 x 18.5cm (5½ x 7¼ in.) Together with an additional sketch by the artist: The Mary Magdalene, After Raphael(6)Provenance: Purchased from Cynthia Broadman, New York, 14 October 2003 (THE MIRACULOUS DRAUGHT OF THE FISHES; THE HEALING OF THE LAME MAN; THE SACRIFICE OF LYSTRA; THE PREACHING OF PAUL) Sale, Christie's, London, 17 November 1992, lots 58J and 58O respectively (ELYMAS STRUCK WITH BLINDNESS; THE MARY MAGDALENE)
Three-seat rococo revival style stained beech settee, with blind scrollwork top rail and arms, cane sides and back, on ball and claw feet, upholstered in a tapestry style fabric with matching cushions together with three matching single chairs, 1930s (4) settee 181x61x88cm, chairs 86x76x70cm
Le cheval fondu, an Aubusson tapestry, 18th century, after a design by Jean-Baptiste Huet or Jacques-Nicolas Julliard from the series Les Amusements Champêtres, and depicting children playing in a pastoral landscape and set within a repeating foliate border246 x 264cmPlease see further imagesReverse - Panels of linen have been applied to the back in order to stabilise the tapestry, with running stitch rectangular sections each measuring approximately 30cms x 20cms, across the whole piece. Front - there are numerous ladders, sections where the stitching has thinned, and horizontal rents where stitching has given. Some later restoration to various areas, but large areas of lost stitches still present, and associated holes.Colour is varied across the whole, with some areas somewhat faded.
A Carolean carved walnut and oak needlework upholstered wingback armchair, 17th century, raised on scrolled front feet united by a carved apron and turned stretcher, upholstered in 17th century verdure tapestry129 x 76 x 60cmtapestry worn and faded in places, threads coming loose on the arm rests, top rail with a small tearframe structurally with some give in the jointsunderside of the seat has been re-blockedarm supports knocked and repairedthe front right kneecap has been damaged and repairedlegs and stretchers knocked with signs of restorationSee images
Pietro Piffetti (1701-1777)-manner, Commode with three drawers on curved legs. Four curved side coloumns ending in carved gilded fruit decorations on top and feeds. Curved front and sides. The top with snail formed and carved corners ending in scrolls. Hard wood corpus with rich geometrical intarsias in rose wood. Maple wood and coloured and engraved floral bone intarsias on four sides. Eight oval mother of pearl medaillons. Carved bone shields, Iron locks with later key, outsorced lower border. Inside later textile tapestry. Probably in the past restored and partly reconstructed. Signs of age, skratches. 105 x 52 cm, high 90 cm.
French, 20th CenturyUntitledSigned Christian Royer (lr)TapestrySight 33 3/4 x 62 3/4 inches (85.7 x 159.4 cm)(Framed 36 3/4 x 65 1/2 inches)No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
A GEORGE I WALNUT AND NEEDLEWORK STOOL CIRCA 1720 The rectangular padded seat upholstered with 18th century tapestry 41cm high, 50cm wide, 41cm deep Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.The tapestry extensively re-worked at various dates and increased in size with later woolwork so that it fits the stool seat; with close nailed borders; though repaired it has real charm.There are some cracks, some of which are sectional construction joins; some dowels to the underside of the pad feet; some evidence of old worm; some small repairs behind the knees of the cabriole legs and inner seat rails; one pad foot repaired.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer
A LOUIS XV AUBUSSON TAPESTRY, 'BLIND MAN'S BUFF' AFTER JEAN-BAPTISTE OUDRY, CIRCA 1770 From the series "Les Amusements Champetres", woven with ladies and gentlemen playing 'Blind Man's Buff', within a four-sided frame pattern red and gold guilloche border with intermittent floral sprays approximately 224cm high, 454cm wide Provenance: Purchased Davari, Paris, 1st March 2001 (580,000F), a copy of the original invoice is available with this lot Property of a Private European Collector The original Jean-Baptiste Oudry designs were first woven in the Beauvais manufactory in 1730. Condition Report: The colours are muted, notably to sky and greens which have faded back. Some facial rose tints visible throughout. Slight imbalance of scale and thinness of border which may suggest that this has been reduced in size slightly. Left hand border lacks outer orange strip. The whole showing various stages of restorations scattered throughout. Some to a professional, almost hidden level, but other notably to four central faces, tree trunks and across the fountain of a lesser degree of sophistication. The ground to the front with what may be inset patches but following colour muting and with sealed later back impossible to determine accurately. Condition Report Disclaimer
A COLLECTION OF ELEVEN CUSHIONS AND A TAPESTRY FRAGMENT EARLY 18TH CENTURY AND LATER Incorporating sections of tapestry, gros and petit point work smallest cushion approximately 30 x 30cm; largest cushion approximately 70 x 45cm; the bordered tapestry fragment 76 x 74cm Condition Report: As is not uncommon as fragments, these have historic wear and stitched repairs and losses and with colour fading and some loss to threading to both warp and weft. Generally cushions are in fairly good order, showing signs of regular domestic use and one smallest rectangular example with numerous losses and pulling apart at the seams and stains to reverse. slightly musty.Condition Report Disclaimer
A late Victorian mahogany chaise longue day bed and tub armchair. The chaise raised on turned feet having scrolled backrest with carved panel detail, and spindle gallery to side. The armchair raised on turned legs, with a trio of carved pierced urn form splats to back. Each featuring tapestry upholstery. Measures approx: 74x180x60cm
2 chairs and an armchair de curré in mahogany and with tapestry with floral decoration finished with upholstery nails, legs with elaborate ribs and frame decorated with brass plaques, France, circa 19002 stoelen en een fautteuil de curré in mahonie en met tapisserie met bloemendecor afgewerkt met stoffering. Nagels, poten met uitgewerkte ribbels en frame versierd met messing plaquettes, Frankrijk, circa 1900H 86 cm
James Shoolbred & Co. (1814-1934) - Arts & Crafts high-back oak settle or hall-bench, the projecting cresting rail over a frieze decorated with stylised poppy pewter inlays, the drop-in sprung seat beneath high back and arms, flanked by tapering uprights terminating to shaped stile feet, upholstered in Archibald Knox patterned fabric with the original tapestry and horsehair upholstery beneath, applied plaque by James Shoolbred to underside, with stamped serial number W1573, circa 1890Dimensions: Height: 135cm Length/Width: 152cm Depth/Diameter: 72cm
Early 20th century French walnut open armchair, carved top rail centred with floral cresting over a shaped back and serpentine front seat, upholstered in floral needlepoint tapestry with brass stud edging, moulded scroll arms, on cabriole forelegs with foliate carved knees and scrolled feetDimensions: Height: 89cm Length/Width: 60cm Depth/Diameter: 62cm
Magnificent Oscar de la Renta couture two-piece evening ensemble featuring a fully embellished long-sleeve jacket and a coordinating wrap-style maxi skirt. The jacket is richly adorned with elaborate sequin and bead embroidery in jewel tones of ruby, emerald, amethyst, and sapphire, arranged in an intricate motif reminiscent of fine tapestry work. A gold beaded tassel accent highlights the front closure, while the sculpted silhouette emphasizes the waist with impeccable couture tailoring. The matching skirt showcases a vivid paisley-inspired brocade design, complementing the upper piece with equal opulence. Both pieces are fully lined in deep burgundy satin, underscoring the refined craftsmanship and luxurious finish synonymous with Oscar de la Renta's couture creations. Material - Embellished textile with sequin, bead, and metallic thread; lined in satin; Color: Multicolor jewel tones with gold accents. A show-stopping couture ensemble that exemplifies Oscar de la Renta's legacy of elegance, luxury, and hand-finished artistry.Issued: 20th centuryDimensions: 40"L (skirt)Country of Origin: United StatesCondition: Age related wear.
This vibrant hand-signed textured paper serigraph titled Waiting by Itzchak Tarkay captures a serene moment of quiet anticipation. Executed in bold, layered colors and fluid forms, the composition centers on an elegantly dressed woman seated in a richly stylized interior. Floral patterns embellish her dark vest, and a floral arrangement on a side table contributes to the decorative ambiance. The background, rendered in a tapestry of blues and warm hues, balances geometry with expressive brushwork, echoing Tarkay's signature post-impressionist and art deco fusion. This piece is numbered 315/350 and bears Tarkay's pencil signature on the lower right margin. Elegantly double-matted and presented in a gold-accented wood frame.Artist: Itzchak Tarkay (Israeli, 1935-2012)Issued: c. 1990Dimensions: 31"LEdition Number: 315 of 350Condition: Age related wear.

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40104 item(s)/page