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Collection of ten ancient Thai fragmentary bronze heads, the largest approximately 6cm high, presented in four frames Specimens are fragmentary and corroded, otherwise ok

17th century Thai bronze Buddha figure, depicted in serene standing pose on canted rectangular base, 38cm high

Two Thai Buddhist illustrated folios, 19th century, of Phra Malai, one depicting the seated monk meditating over a corpse, the other of him standing with a parasol,27 x 20cm (2)Condition ReportBoth have been folded in half leaving visible fold lines which are slightly frayed. The edges frayed. See additional images for details.

A pair of opal and sapphire drop earrings with screw fittings in hallmarked 9ct gold, opal dimensions approximately 7x5mm, gross weight 2.2g; also a pair of Thai silver clip on earrings and two silver pendants and chains. / SF

Three modern Thai gilt wood and jewelled figures of Buddha, including two reclining Buddhas, both length 53cm, and seated Buddha, height 33cm (3).

Three Chinese carved rootwood figures, including two figures of Shou Lao, height of tallest 41cm, and a carved hardwood figure of a Thai dancer, height 37cm (3).

SIAM THAI SILVER SET OF JEWELLERY

Aero Classics - 4 x boxed aircraft models in 1/400 scale include; Kuwait Airways #9K-AMB, Thai #HS-TAT and similar others. They appear Mint in Good to Poor boxes. (This does not constitute a guarantee) (JF) (4).

Aero Classics - Witty Wings 5 x boxed aircraft models in 1/400 scale include; Air Italy Orient Thai Limited Edition I-AIGJ, Aer Lingus EI-BUD and similar others. They appear Mint in Good boxes. (This does not constitute a guarantee) (JF) (5).

A THAI CARVED SANDALWOOD FIGURE OF RECLINING BUDDHA Ayutthaya style 18th/19th century, modelled reclining in 'Parinirvana' pose, right hand supporting head, left arm draped along side, hair, Ushnisha, and robes with gilt highlights, raised on a red lacquered and gilt stand with high relief carvings 48cm long From an important family collection, Singapore Condition Information: Toes showing evidence of detachment and glue to support dowels, the gilt painted resting block a replacement, replaced later, a section of loss to the curled hair at the top and reverse of the head, This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.

A THAI CARVED SANDALWOOD FIGURE OF STANDING BUDDHA Ayutthaya style, 18th/19th century, modelled standing with both hands in 'Abhayamudra' position, the face with downcast eyes, elongated earlobes, finely carved gilt highlighted hair, gilt highlighted robe, raised on a modern plinth 63cm From an important family collection, Singapore Condition Information: Left arm reattached, partial loss to flame finial, small section of back of robe replaced (11x2cm), left corner of robe reattached and chipped This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.

A THAI CARVED SANDALWOOD FIGURE OF STANDING BUDDHA Ayutthaya style 18th/19th century, Modelled standing, the left hand raised with open palm, gilt highlighted robes, the face with downcast eyes, elongated ear lobes, and gilt highlighted hair, raised on a red lacquered and gilt multi-tiered lotus plinth base 45cm high From an important family collection, Singapore Condition Information: Considerable wear to gilding, left arm and left corner of robe have been reattached, toes on right foot appear to be reattached This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.

A THAI CARVED WOOD FIGURE OF SEATED BUDDHA Ayutthaya style 18th/19th century, probably sandalwood, modelled seated in 'Sattvasana', hands placed in 'Bhumisparsa' and 'Dhyana Mudra' positions, gilt highlighted hair and flame finial, raised on a red lacquered and gilt wood stand 27.5cm high From an important family collection, Singapore Condition Information: Some wear to the gilding on the hair and ears, the base with discolouration and wear to the lacquer This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.

A LARGE THAI CARVED SANDALWOOD FIGURE OF BUDDHA Ayutthaya style, 18th/19th Century, Well carved, modelled standing, the right hand raised with open palm, gilt highlighted robes, the face with downcast eyes, elongated ear lobes, and gilt highlighted hair and flame, on square multi-tiered gilt lotus plinth base 79cm high From an important family collection, Singapore Condition Information: Some light scuffing to the figure on the front below the waist and to the edge of the robe at right hand side, some light surface cracks across the torso, face and back. The raised hand appears to be constructed as a separate section, possibly a replacement. Wear to the gilding on stand. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.

A VERY LARGE THAI BRONZE FIGURE OF BUDDHA Kamphaeng Phet style, 17th Century or earlier, Modelled standing, nearly life-size, the right hand in 'abhayamudra', downcast glass inset eyes, elongated earlobes, tightly curled hair, and tall detachable flame, on modern black plinth base 179cm high including base Condition Information: A repair to the right arm towards the elbow, damage to the left foot, a repair with some verdigris to the reverse and a larger vertical split with some repair towards the bottom of the robe on the reverse, This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.

THAILAND. Bronze Buddhist Charm, ND (20th Century). Obv: Thai inscription with Chinese idograms to angles. Rev: eighteen Arhats depicted in various positions.Weight: 34.21 g.Composition: Bronze.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Collectable odds to include Chinese horse sculpture, Thai porcelain pheasant, Chinese wares and others

A Thai gold plated orchid brooch, 4.5cm wide, boxed; together with two other gilt floral brooches. (3)

A Thai terracotta dragon form roof tile, 44cm tall

A Thai palmyra palm wood mortar & pestle. 14x11cm

Collectables to include a hickory shafted golf club, wooden boxes, carved Thai figures, commemorative ceramics and other items Location:If there is no condition report shown, please request

A Thai Hindu cast metal figure of a figure riding a three headed elephant, measuring 19.5cm highLocation: R1.2If there is no condition report shown, please request

James V (1512-1542), King of Scotland Document signed, dated 13th October 1542 Regarding a recent feud between the 9th Baron and the Bishop of Moray: “…our louit Huchoun Rose of Kilrawok, and liis seruandis iu his name, of ignorance brak laitlie ane arrestment maid be our shiref of Narne…at the bischop of Murrayis instance, quharethrouu thai haue incurrit the pane of confiseatioun of ther gudis, movable and presoning of ther personis: We, neuertheles, of our speciale grace, for the gude, trew and thankfull seruice done to ws be the said Hucheoun and for vtheris resonable causis and considerationis moving ws, remittis, forgevis. and dischargis to him, his seruandis, assistaris and pert takaris, all actioun and cryme that we may imput or cans be impute to him throu breking of the said arrestment, and dischargis the samin to tharae foreuir, with all rycht and titill that we may haue or clame to ther gudis movable therfor. and transferris the said rycht and titill in thaim and iikane for thare avin pertis be thir our lettres…”, signed James R., with remnants of seal, 18 lines on paper, 19.5 x 27cm [Rose, Shaw & Innes p.207]

Mary, Queen of Scots (1542-1587), Queen of Scotland 1542-1567 Letter signed, 1565 Letter signed "Marie R." with the joint name “Henry R.” (Henry Stewart, Earl of Darnley) to the Laird of Kilravock, regarding Inverness Castle: “The king and quenis majesties, for certane occasiones moving thame, ordains are officer of armes to pas, and in ther hienes name and auctorite command and charge George Monro of Dawachearty, and Andro Monro his sone, and all vtheris, havars and withhalderis of the castell of Innernes, to deliuer the samyn to Hueheoun Ros of Kilrawak, quhome ther majesties hes commandit and appointit to resaue the samyn, within sex howris nixt aftir thai be chargeit therto, vnder the pane of treasoun. /Marie R. Henry R.”, dated 22nd September 1565, 6 lines in a secretarial hand with the signatures below, 22 x 17cm, laid-down at corners only onto mount according to professional archival standards [Rose, Shaw & Innes p.244] Mary, Queen of Scots, ascended to the throne at just six days old. By the age of 19, she had been Queen Consort of France, widowed, orphaned, and returned to Scotland to assume personal rule in 1561. Her reign began as a Catholic monarch in a country undergoing profound religious change, following the rise of Protestantism led by the Lords of the Congregation and the outspoken reformer John Knox, who questioned whether her subjects were even obliged to obey her. Despite this hostility, Mary agreed to tolerate Protestantism and made no immediate attempt to alter the religious status quo.In July 1565, Mary married her half-cousin, Henry Stuart, Lord Darnley. The union was met with widespread disapproval, not least from Queen Elizabeth I of England, who saw the marriage as a direct threat (both Mary and Darnley had strong claims to the English throne). Elizabeth dispatched Nicholas Throckmorton to Edinburgh to convey her displeasure. Within Scotland, the nobility voiced concerns that Mary had made such a consequential decision without broader consultation. Her half-brother, James Stewart, 1st Earl of Moray, joined forces with the Earls of Argyll and Châtellerault to lead a rebellion, known as the "Chaseabout Raid." Rumours circulated of plans to kidnap and separate the royal couple.Though handsome and initially charming, Darnley soon revealed himself to be immature, arrogant, and frequently drunk. The marriage quickly deteriorated. In a dramatic and brutal episode, Darnley conspired with some of the same Protestant lords involved in the earlier rebellion to murder David Rizzio, Mary’s trusted Catholic secretary. Rizzio was stabbed to death in front of the pregnant queen on the 9th March 1566.Less than a year later, on the night of the 9th February 1567, Darnley was found murdered at the royal residence of Kirk o’ Field, following an explosion at the house. Mary’s conspicuous absence that night fueled suspicion. James Hepburn, 4th Earl of Bothwell, was charged with the murder but acquitted. To the astonishment of many, Mary married Bothwell on the 15th May 1567. The scandal surrounding Darnley’s murder and her subsequent remarriage led to Mary’s arrest, imprisonment, and eventual forced abdication in favour of her infant son James VI, later James I.The four letters presented here, dated September and October 1565 and co-signed by both Mary and Darnley, offer a rare glimpse into a brief period of apparent harmony in their marriage - James VI was conceived in October of that year. The letters concern the Sheriffdom of Inverness and control of the city’s castle, a strategically vital stronghold that had frequently changed hands. In 1562, Clans Munro and Fraser had seized the castle from George Gordon, 4th Earl of Huntly. In September 1565, Mary and Darnley appointed Hugh Rose of Kilravock as its keeper, only to return control to Huntly the following month. These abrupt changes reflect the volatile nature of court politics and shifting allegiances during Mary’s troubled reign.

James V (1512-1542), King of Scotland Document signed, dated 1542 Dated 17th May 1542, to the Bishop of Moray “Reuerend fader in God and treist counsalour”, writing: “… Forsamekle as we requestit yow of before in fauour of our louit Huchoun Rose of Kylrawak, anent the stedingis and rovmys had be him and his predecessouris of yowr predecessouris and yow, and to haue sufferit him brouk the samyn, payand vse and vont therfor, and nocht alenerly ye haue dissobeyit our said resonable request, bot alsua lies warnit and callit the said Hucheoun, his son, seruandis, and subtennentis, befor our shiref of Narne and his deputis, for allegeit violent occupatioun of his saidis stedingis and rovmis…” and requesting: “… we pray heirfore yit as of before, and als requiris that ye suffir the said Hucheoun, his soun, servandis, and subtenentis, brouk ther saidis stedingis and rovmis in tyme cuming, like as thai haue done in tyme bigane, and desist and cese fra all calling, following, and persewing of thaim, for violent occupatioun of the samyn or vther wayis,…”, signed James R., with seal, 13 lines on paper, 31.5 x 17cm [Rose, Shaw & Innes pp.207-208]

Group of 15th century documents c.1420-1496, relating to the 6th-8th Lairds of Kilravock [The family of Lochloy] Writ dated the 15th February 1422 from Thomas Earl of Murreff[?] to Squire John, Lord of Lochloy, regarding an unfulfilled betrothal contract and associated gifts of lands, informing him that “It is in fresch memore with you, as we understand, that throu certane tailye made betwix us and your fadir, ye ar oblisit to spouse a douchtir of ouris” however “and now of new we haf herd be certane relacioun of our lufet cusine Donalde thayne of Caldor, that ye wald be releschit of your obliging til us of the saide mariage, and haf our licence, fredome and gude will to spouse a douchter of the saide Donalde thayne of Caldor”, written on vellum, 35 x 22cm, with an impressive seal attached [Rose, Shaw & Innes p.124];Document dated 11th April 1431, with two attached seals;[Copy of the Crown Charter] Re-affirming the ownership of the Kilvarock Estates, dated June 1440 (see lot 7);[Resignation] into the hands of Alexander, Earl of Ross, by John Rose of Kilravock, in favour of Hugh Rose, his son, dated 22nd June 1440, 14 lines in Latin on vellum, 31 x 8.5cm;and another copy;[Charter of resignation] of Alexander Earl of Ross granting the barony (presumably to “John de Roos”), dated 2nd July 1440, 20 lines on vellum, 29 x 14.5cm;[Charter of resignation] of “John de Roos” granting the barony to John, dated Inverness, 20th July 1440, 15 lines in Latin on vellum, 30.5 x 13cm;[Confirmation of fiefdom] confirming the lands of Kilravock and Geddes as belonging to “Hugh Roos”, dated 20th July 1440, 13 lines on vellum, 28 x 10.5cm, with a finely preserved seal;Document “infefting” Hugh Rose in the above lands, dated 9th September 1443, 31 lines on vellum, two large holes;MacDonald, John, Earl of Ross - John of Islay, Fourth Lord of the Isles. Licence to build Kilravock Castle keep: “our full power ande licence till our luffid cosing, man ande tennand, Huchone de Roos, barou of Kylravok, to fund, big, ande vpmak a toure of fens, with barmkin ande bataling, wpon quhat place of strynth him best likis, within the barony of Kylrawok, without ony contradictioun or demavnd, questioun, or ony obiection to put in contrar of him or his ayris…”, dated 18th February 1461, 7 lines on vellum, 30 x 7cm, with intact seal [Rose, Shaw & Innes p.135];[Lands or Urquhart and Glenmorison] Instrument relating to the ownership of these lands, 28 lines in Latin on vellum, 41 x 24cm, ink soiling obstructing text (dated 26th March 1479) [Rose, Shaw & Innes p.139];and another document, unrecorded, dated 20th June 1463;Grant of a piece of land in Elgin, dated 20th June 1472, comprising 36 lines on vellum, with two seals attached, 29.5 x 19cm;“Receipt under the … seal for a Great Seal charter”, dated 2nd March 1475, relating to the document in lot 7;and another document, unrecorded, dated 21st August 1475;and another document, unrecorded, dated 1476;and another document, unrecorded, dated 21st August 1479, with a good-quality Bishop's seal attached;and another document, unrecorded, dated 13th August 1492;and another document, unrecorded, dated 17th November 1494, with seal attached;and another document, unrecorded, dated 17th November 1495, with remains of seal attached;document regarding the accession of Hugh Rose, the 8th Laird of Kilravock, dated 20th May 1496, 29 lines on vellum, seal, 16.5 x 27cm; and another document, unrecorded, dated 17th November 1498, with seal attached (23)  Hugh, the fifth Laird of Kilravock, died some time before the year 1420 and was proceeded by his son, John. Often referred to as “John de Roos of Kilravock”, the sixth Laird took great pains to recover the legal rights and title to the Barony, which he had not automatically inherited. The documents here show the complex story of the resignation and granting of various lands and titles. Hugh, the seventh Laird, well-cemented in his title and land by the 1460s, took advantage of James I's command that: “everilk lorde hafande Lands beyond the mownth, in the quhilk landis in aulde tymes thare was castells, fortalyces and maner places, big, reparel and reforme thar castells and manors, and dwell in thaim be thaim self or be ane of thare frends, for the gracious governall of their lands, be gude polising, and to expende the froyte of thai landis in the cuntre whare the lands lyis.” Accordingly, in 1461, the licence to build what would become Kilravock Castle's keep was issued by the Lord of the Isles and can be found here. 

WW2 period Allied / RAF Far East Silk issue Goolie Chit Two good examples, showing the Union Jack Flag and gives a friendly message in various languages, Chinese, Thai, Tamil, etc. One remains in very good condition, the other with service wear. (2 items) Payment by Bank Transfer ONLY

A Thai lacquered & gilded figure of Buddha Shakyamuni, probably 19th century, 50cm. high.

A Group of Thai and Balinese hardwood carvings, to include Yaksha, 35cm high, Dewi Sri, 33cm high, etc.

A cast metal Thai figure of a musician, with bronze and gilt decoration, unmarked, 24cm high.

Eleven Herpa model aircraft, including ref. 552196 Sabena Convair 440; ref. 551113 Swissair Cpnvair 440; ref. 551199 Lufthansa Convair CV 340; ref. 552486 American Inter-island Convair 440; ref. 554244 Daghestan Airlines Tupolev TU-154M; ref. 553797 Uzbekistan Airways Tupolev TU-154M; ref. 551359 ADAC Ambulance Dornier Do 328-300; ref. 551618 Thai International Aerospatiale SE-210; ref. 552042 Alitalia Sud SE-210; ref. 551496 LTU Sud SE-210; ref. 551366 Welcome Dornier Do 328, all boxed Qty: 11

Seven Herpa model aircraft, including ref. 553179 NASA Super-Guppy; ref. 552905 Iberia Douglas DC-8-52; ref. 552745 United Airlines Douglas DC-8-52; ref. 552394 Thai McDonnell Douglas DC-10-30; ref. 552301 Lufthansa McDonnell Douglas DC-10-30; ref. 550673 Delta McDonnell Douglas MD-11; ref. 551984 Swissair Douglas DC-8-53, all boxed Qty: 7

A group of 20th century Thai bronze figures, depicting characters in various pursuits and all mounted on turned wooden bases, height approx 22cm.

Aero Classics - Virgin - 6 x boxed aircraft models in 1/400 Virgin Nigeria, Douglas DC-10 Series 30 Thai #HS-TMA and similar others. They appear Mint in Very Good boxes. (This does not constitute a guarantee) (JF) (6).

A PAIR OF THAI SILVER PLATED BOWLS, COVERS AND STANDS Repoussé and chased with dense foliate scrollwork, each raised on a lotus pedestal foot and surmounted by a bud-form finial; marked “T90” to base. 25cm high This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.

A PAIR OF THAI SILVER PLATED BOWLS, COVERS AND STANDS Repoussé and chased with dense foliate scrollwork, each raised on a lotus pedestal foot and surmounted by a bud-form finial; marked “T90” to base 32cm high This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.

A LARGE THAI SILVER PLATED BOWL, COVER AND STAND Repoussé and chased with dense foliate scrollwork, raised on a lotus pedestal foot and surmounted by a bud-form finial; marked “T90” to base 32cm high This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.

Charming oil on board painting depicting a traditional riverside village scene in Thailand. The composition features thatched-roof huts on stilts, vibrant laundry lines, and a lush landscape with a central palm tree and blooming water lilies along the foreground pond. The artist's delicate brushwork captures the tranquil, everyday life in a rural Thai setting. The painting is presented in a dark wood frame with gold trim that complements the natural tones of the artwork.Issued: c. 1970Dimensions: 13.25"L x 11.25"HCountry of Origin: ThailandCondition: Age related wear.

A Thai temple hanging, decorated with a peacocks and birds, in metallic thread, mirrored glass etc

Set of three vintage screw-back earrings, each reflecting unique mid-century style and craftsmanship. The first pair features detailed Italian micro mosaic floral designs crafted from colorful green, red, white, and black glass tesserae, set in scalloped oval frames and marked Italy on the reverse. The second pair showcases fan-shaped sterling silver earrings with black enamel panels adorned with traditional gilt figural designs, marked Sterling Siam, a reference to Thai export jewelry popular in the mid-20th century. The third pair is composed of amber-toned marquise-cut rhinestones arranged in a floral cluster formation, set in sterling and marked as such. All three pairs are fitted with classic screw-back closures and offer a diverse mix of collectible vintage earring styles.Issued: 20th centuryDimensions: Each measures approx. 1"LCondition: Age related wear.

Vintage three-piece dessert cutlery set from U. Thailand Jewelry & Bronze Factory, Bangkok. The set includes a knife, fork, and spoon, each crafted in golden-toned bronze with polished black handles and brass accents. These smaller-scale utensils were likely designed for dessert or fruit service. Presented in the original box with red felt lining and the factory's branding stamped inside the lid, this charming mid-century set showcases distinctive Thai craftsmanship. Issued: 20th centuryDimensions: 5.5"L x 1.25"HCountry of Origin: ThailandCondition: Age related wear.

Group of four diverse costume necklaces including a strand of graduated opaque blue beads with crystal spacers, and a striking turquoise like stone necklace centered with an ornate silver toned cross pendant. A gilded necklace with a large, intricately detailed Buddha head pendant is adorned with faux seed pearls in a traditional Thai headdress form. Also included is a silver toned chain featuring a bold Maltese cross pendant, embellished with faux pearl accents and a central amethyst colored stone.Dimensions: Longest: 14.5"L x 2.5"WCondition: Age related wear.

A finely detailed Thai Temple brown rubbing artwork depicting three celestial musicians, intricately rendered in a traditional Southeast Asian style. Created by pressing handmade paper onto temple relief carvings, this method captures the exquisite patterns and textures of ancient Thai artistry. The figures, dressed in ornate headdresses and elaborate garments, embody classical Thai mythology and temple iconography. The piece is set within a textured woven mat border and framed in a bamboo-style frame, enhancing its organic and cultural aesthetic. This type of artwork is often associated with Thai Buddhist temple reliefs and has strong cultural and decorative appeal.Issued: c. 1980Dimensions: 26.25"L x 21"HCountry of Origin: ThailandeCondition: Age related wear.

Set of three handmade Thai Khon dancer dolls, dressed in traditional classical dance costumes. Each figure is elaborately crafted with detailed silk and brocade garments, golden headdresses, and expressive hand-painted faces. The figures are posed in dynamic dance stances and mounted on individual wooden bases. Two of the figures retain original labels reading Handmade Bangkok Dolls Thailand and Made in Thailand, indicating their origin from notable Thai artisan workshops. These dolls reflect the ornate regalia of classical Thai theater and are notable for their craftsmanship, cultural significance, and display quality. Issued: 20th centuryDimensions: Largest size: 9.50"HCountry of Origin: ThailandCondition: Age related wear.

A Thai brass and gilt seated buddha, 7" high, a smaller similar, and a brass and copper purse

A blue banded agate pendant on a silver curb link chain 60cm (25.5gms all in), and a Thai silver articulated necklace (7.0gms). (2)

A HEAVY BLACK THAI BUDDHA STATUE 10" TALL

A PAIR OF MODERNIST SILVER CUFFLINKSmaker KG, a pair of plated 'Concorde' cufflinks, a Thai silver pair, an 875 stamped pair, and others in base metal, and tie clips

Miscellaneous South East Asian and other bygones and works of art, including a pair of white metal ceremonial elephants, a Thai traditional dancer, wooden carvings, etc

A group of framed pictures to include a Thai shadow puppet, Thai rubbing depicting two dancers; Sri Lankan tree bark collage, photographic portrait of a horse, and other prints (9)

Five framed artworks: Cassie (Contemporary) - 'Mask I', charcoal/pastel on paper, frame dimensions: 107 x 148 cm; A Thai leather shadow puppet of a deity; 20th century tapestry after 'Coming from the Mill' by L.S. Lowry; Watercolour of a boy and girl playing with a toy boat; African School - Dancing figures, Acrylic on canvas (5)

Two Southeast Asian pottery objects to include: A Thai Sawankhalok box with cover, c.15th century, 8 cm diameter; together with a Buddhist amulet (2)

Five Thai silver Betel boxes, of varying shapes and sizes, 9.2oz

A set of six George VI silver Butter Knives, by Allens, hallmarked Sheffield, 1949, with mother of pearl handles, 14cm long, together with a Thai (Siam) sterling silver Cigarette Case, with niello decoration, 14cm long, 4.8ozt, a small quantity of silver plate and a boxed pair of Edinburgh crystal brandy balloons (a lot)

A framed and glazed Thai ink on paper depicting a deity together with After MAUD GOODMAN, a large framed print 'And Lived Happily Ever After', framed and glazed. The former 28 x 46 cm, the latter 111 x 87 cm.

A large Thai polychrome glazed pottery figure of Guanyin seated on the back of a mythical beast, 126 cm h, some minor surface losses, minor chips

A late 19thc Thai white metal mounted mallaca walking stick with cased top an engraved initials R C W depicting a farmer with water buffalo in rural landscape with buffalo horn tip: l. x 88cm top d. x 4.5cm

A Pair of 20th Century Continental Silver Oval Dishes and Mixed Silver, the dishes with import mark for W.I. Broadway, Birmingham 1973, with bead mounts, pierced sides and embossed with figures, 4ins x 2.75ins, a silver teaspoon with golf ball finial, a small silver box and cover and a small Thai silvery metal oval basket, combined weight 5.9ozs

THREE CHINESE BENCHARONG STEM CUPSQing dynasty, 19th century Produced for the Thai market, each with a flat cup and a lobed rim, rinsing form a flared foot, freely painted with stylised floral motifs. 13cm (3) PLEASE NOTE THIS LOT IS OFFERED WITHOUT RESERVE 清代 19世纪 三个一组花卉纹高足杯 本拍品不設底價Qty: 3

A late 19th century Burmese/Thai unmarked white metal tea caddy with stand with repousse decoration. Overall height 16cm. Weight 247.37 grams