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Click here to subscribeJohn Ruskin (1819-1900), a signed letter, addressed to Huish, 'Have you a copy of the Proust book left and can you send it over here? - The illustrated one, I mean - I want to compare the view on the spot. Very busy. Ever affecty. yrs. J Ruskin'.Marcus Huish was a barrister with an interest in the arts who, from 1879 to 1911, was director of the Fine Art Society.Condition Reportdescription should read 'Prout' not Proust
John Ruskin (1819-1900), a group of various letters including: an eight-page signed letter, undated, to The Reverend Stephen Bridge concerning the building of St Matthew, Denmark Hill, the letter includes eleven small pen sketches of architectural details within the text, through which Ruskin attempts to show that the architect has made several serious design errors: '...I find myself reduced to the ungracious task of finding fault with the present design without being able to suggest any mode of arriving at a happier result - still, I feel so strongly that the large sum required for the completion of this floor plan will be miserably wasted - and that many who might be pleased by the drawing, would yet be disappointed by the church - that I cannot forbear giving you the reasons...', a signed letter to 'Mr. Bridge' from 31 Park Street, 23rd Nov., stating he has returned from Normandy '...finding in my own neighbourhood a piece of architecture so graceful and picturesque as your new church - I wrote a very impertinent letter about the design of it... I trust you will acquit me of conceitedness in the matter - and of putting much value on my high opinion - but I do love architecture very much and I believe I enjoy more than most people when I enjoy a design at all: and suffer more than most when I do not.', and three other signed letters from Ruskin to Bridge, an envelope to Bridge, franked 29th and 30th December 1846, a section of the text of a lecture by Ruskin, 'The Aim of Poetry', delivered in the Sheldonian Theatre, Oxford, 24th October 1877, and a two-page signed letter by Arthur Severn, dated Dec 5th 1900, from Brantwood, to The Reverend Stephen Bridge, concerning the choice of the dignitary to unveil the Ruskin Memorial (qty.)
John Ruskin (1819-1900), a signed letter, addressed to Mrs Collins, Paris 21st September 80, encouraging her in her writing: 'tell me what your new children's book is to be about, and write it as you would like to write it - not consulting the Christian Knowledge people's notions more than you choose to' and offering sympathy in her troubles: 'I have not forgotten you, although more often as I remembered, -- the thought of your difficulties and their cruel causes, make me still helplessly silent. Indeed I don't, and never have thought, that our wills can conquer anything, and I am the last to tell any delicate woman she ought to live hardly - many things I may have said against common idlers and useless luxury, -- but nothing [?] of severe in expectation from people who are in hundreds of cases, already living an anchorites life, compared to mine', adding that her letters deeply touch and interest him and that he will assuredly 'keep you at present from feeling yourself in servitude for the sake of fifteen pounds', in a postscript, he offers to send a cheque for £20, with further instalments of money, although he is not sure that she would like that kind of help often ('...But there are times for it...), anda letter addressed to Mr Ruskin, from J R Lowell, 22nd Nov 1859, expressing his delight that Ruskin should admire his work: 'My dear Mr Ruskin,/ to have made one man happy in a lifetime is worth living for, & you have made me happy and proud too in writing to Norton that you counted me among your friends. That you may take for granted, but I must go farther & say, among your debtors as well. My proportion of a debt which I share with all who speak or read the English tongue may be small as far as it concerns you, but to me it is great & lifelong. We all quarrel with you sometimes, but what good could we get from a man who prophesied smooth things? & I am sure that I am not assuming too much when I say that in giving you my hearty thanks for what you have done, I am only doing what all the men whose opinion you would care for in America would gladly do if they had the same pretext for it that I have. I offer you my hand with all my heart, & I pay you my fealty also as to the man who has done for Art what Wordsworth wished to do for Poetry', and asking him if he could contribute an article to the Atlantic Monthly, ending in the persona and feigned hand of Hosea Biglow: 'i go in for the A buv like all git eout/ Hosea Biglow' (2)
John Ruskin (1819-1900), two letters relating to pupils of the High School, Cork:the first addressed to John Ruskin, 1st December 1885, 'Dear Mr Ruskin, We write for the Pupils of the High School, who have been anxious to express their great satisfaction at hearing of your recovery to health, but they waited in order to be able to send you a very hearty invitation to their breaking-up Conceit. Only they fear that the present inclement weather and the long journey to Cork may prevent your acceptance. Our Lady Principal is writing to you and she will tell you much better than we can, how deeply we should enjoy your presence then, or indeed on any occasion, if you will come to see us. We would ask our Queen to exercise here authority, but that we think it would be thoughtless and selfish just now but indeed we should be proud to welcome you in our school. We would like to tell you of our successes in the Year’s Examinations, because we are very proud of two of our elder girls, one of whom, Nita, has just passed her First University Examination in Dublin, and Lattie, on the Queen’s elder maidens, has matriculated in the Royal University. Maggie, Eva, Ethel, Florrie, Susanna, Daisy and Ethel the Second, passed the Intermediate Examinations in English, Mathematics and Modern Languages. While Lattie, Daisy, Maggie Lizzie, Florrie, Lily, Lottie and Annie have all gained Certificates in Botany. We are, Dear Mr Ruskin, Your affectionate Pupils of the High School, Rose Queen',the second addressed to Mr dear Queen', 'I am quite happy with your Majesty’s letter – signed as it is by your loving subjects – and can quite peacefully wait to receive the Lady Principal’s by next post, it has not reached me with yours. She cannot tell me better than you can yourselves, what you want of me – and I should most thankfully have come - and listened – and heard – and much more than I can tell – besides, had I been able now to go anywhere. But though I am’ better’ and even, for an old man, well (or at least able for the things I chiefly wished to carry forward, I am altogether wholly unable for travelling, - and for all very delightful – as for all exciting and anxious things . I can’t let my head be turned - as it would in Ireland , when I’ve only just got it a little into order again after an illness, more serious than I care to tell you – Though I am writing quite seriously, - and not in play. But even ‘serious’ letters are forbidden me, yet a while. I hope before May day of next year to be of some use to you – even though I cannot be with you & I am always your loving and grateful servant J Ruskin' (2)
John Ruskin (1819-1900), a group of four signed letters:the first formed as a brief apology,the second addressed 'Lord Bishop', stating 'I am entirely grateful for the gift - and still more for all the kindness you have shown to Mr Severn and my Joanie - who are never weary of talking of the happy days and kind family at Rose Castle',the third addressed to Mrs Simon, appearing to be written in ill health,the fourth to Mrs Barratt, earnestly thanking the recipient for the flowers and general care, anda collection of postcards, travel documents, and a bill of sale, predominantly relating to James Barratt and Barrett family letters (qty.)
This exquisite Swarovski Tang Fish (color) was an exclusive reward for Swarovski Crystal Society (SCS) Members who collected all three color versions from the 'Wonders of the Sea' trilogy. Released in 2007, this rare and retired piece showcases Swarovski's expert craftsmanship with its brilliant faceted crystal in vibrant blue, yellow, and clear tones. Designed to capture the beauty of marine life, the fish features a sleek, faceted body with an iridescent blue dorsal fin, a striking yellow caudal fin, and delicate black crystal eyes. The figurine is mounted on a frosted coral reef base, creating an elegant underwater scene. Swarovski swan mark. 886180. Box is included.Artist: Edith MairIssued: 2007Dimensions: 2.25"HCountry of Origin: AustriaCondition: Age related wear.
Eric Ravilious (1903-1942) for Wedgwood, a pair of 1953 Queen Elizabeth II coronation mugs, printed design and one with a pink band, printed and impressed marks,10.3cm high (2)Provenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportThere is a repaired and repainted crack to the body of the white example. There is a hairline crack to the upper interior of the pink example.
Eric Ravilious (1903-1942) for Wedgwood, a set of three 'Garden Implement' mugs, designed in 1939, printed marks,12cm high (3)Provenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportA hairline crack to the body of mug cup, and some minor crazing to both mugs. Some marks, rubbing and crazing to the plate.
Eric Ravilious (1903-1942) for Wedgwood, a 1937 King Edward VIII coronation mug, printed design, printed and impressed marks,10.1cm highProvenance: Richard Dennis Wedgwood Exhibition, 1982;from the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportGood overall condition. Some light marks and minor scratches. No signs of restoration under UV light.
Eric Ravilious (1903-1942) for Wedgwood, a pair of blue 'Alphabet' mugs, commissioned for the Brighton Museum & Art Gallery, printed marks, one with a Wedgwood box8.5cm high (2)Provenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.
Eric Ravilious (1903-1942) for Wedgwood, six plates, comprising four 'Alphabet' plates, one 'Garden' plate, and one 'Persephone' plate, printed and impressed marks, with three Wedgwood boxes,largest plate 23.5cm diameter (6)Provenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.
Eric Ravilious (1903-1942) for Wedgwood, a pink 'Alphabet' egg cup, printed marks and painted 'CL 6260 T',10.4cm highProvenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportThere is a hairline crack to the bottom section of the cup.
Eric Ravilious (1903-1942) for Wedgwood, two espresso cups and matching saucers, one in 'Persephone' pattern, the other in the 'Garden' pattern, printed marks,cup 6cm highsaucer 11.3cm diameter (4)Provenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.
Eric Ravilious (1903-1942) for Wedgwood, three 'Garden' teacups and saucers, with three side plates and a bowl, printed design with yellow highlights, printed and impressed marks,teacups, 6.5cm highsaucers, 14cm diameterside plates, 15.5cm diameterbowl 6cm high (10)Provenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportWith some marks and minor chips to the underside of the foot rims to all examples commensurate with use. With a mark to one of the saucers. Otherwise structurally sound and appearing in good order. With dust and would benefit from a clean. Please see additional images.
Eric Ravilious (1903-1942) for Wedgwood, a 1937 King George VI and Queen Elizabeth coronation mug, printed design with a blue band, impressed marks,10.2cm highProvenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportGood overall condition. Slight rubbing to the handle. Some minor marks to the underside of the rim commensurate with use. Please see additional images.
Eric Ravilious (1903-1942) for Wedgwood, a pair of pink 'Garden Implements' lemonade jugs and two accompanying cups, printed design, the jugs with pink highlights, painted and printed marks,jugs 20.2cm high,cups 11cm high (4)Provenance: One jug from the Richard Dennis Wedgwood Exhibition, 1982;from the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportAn impressed bruise to one of the jugs. One of the cups has a crack going approximately half way down the body of the cup, with a chip to the rim and base.
Eric Ravilious (1903-1942) for Wedgwood, a 1937 King George VI and Queen Elizabeth coronation mug, printed design with a blue band, printed mark, painted 'CL6203 4' and impressed marks,10.3cm highProvenance: Richard Dennis Wedgwood Exhibition, 1982;from the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportOverall good condition with no signs of damage.
Eric Ravilious (1903-1942) for Wedgwood, a pair of black and white 'Alphabet' cups, printed marks, with boxes,8.5cm high (2)Provenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.
Eric Ravilious (1903-1942) for Wedgwood, a 1953 Queen Elizabeth II coronation mug, printed design, printed and impressed marks,10.2cm highProvenance: Richard Dennis Wedgwood Exhibition, 1982;from the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportSurface marks but subject to this it appears in good condition.
Eric Ravilious (1903-1942) for Wedgwood, a pair of black and gold 'Alphabet' mugs, printed marks,8cm high (2)Provenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportGood overall condition.
Eric Ravilious (1903-1942) for Wedgwood, a set of three 'Alphabet' cups, one in pink, one in green, and one in blue, printed marks,blue example 8.5cm high,pink and green examples 8cm high (3)Provenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportA chip to the base of the blue example, only visible when looking at the cup upside down.
Eric Ravilious (1903-1942) for Wedgwood, an 'Etruria' mug, commemorating the move of the Wedgwood factory from Etruria to Barlaston in 1940, printed design, printed marks,10.1cm highProvenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportOne small chip to the foot rim.
Eric Ravilious (1903-1942) for Wedgwood, a blue 'Alphabet' egg cup, printed marks and painted 'AL 6261 T',10.4cm highProvenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.
Eric Ravilious (1903-1942) for Wedgwood, a 1937 King George VI and Queen Elizabeth coronation mug, printed design, printed and impressed marks,10cm highProvenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportGood overall condition with no signs of damage under UV light.
Eric Ravilious (1903-1942) for Wedgwood, a 1953 Queen Elizabeth II coronation mug, printed design with a pink band, printed and painted marks,10cm highProvenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportGood overall condition. No signs of damage under UV light.
Eric Ravilious (1903-1942) for Wedgwood, a pair of green 'Alphabet' mugs, printed marks,8.5cm high (2)Provenance: From the private collection of Barry and Saria Viney, London, who were lifelong collectors of Eric Ravilious' works and contributors to the artist's catalogue raisonné.Condition ReportGood overall condition with some surface marks and dirt.
Limited edition finely made grouping of a seated Cleopatra looking in the mirror doing makeup with a black moor by her side. Throughout time there have been women whose impenetrable qualities have brought them awesome power and unrivalled superiority. The beguiling women of the Les Femmes Fatales collection were each made in a limited edition of 750. Cleopatra HN2868 was a famous Egyptian queen and the last Pharaoh of Ancient Egypt. In one well-known story, Cleopatra, who had been exiled by her younger brother Ptolemy, appeared at the Egyptian palace rolled inside of a Persian rug that had been presented to Julius Caesar. When Cleopatra tumbled out, he was so charmed by her that he took her as his mistress and restored her to the throne as Pharaoh. After Caesar's assassination, Cleopatra took up with Mark Antony, solidifying her place on the throne and strengthening ties between Egypt and Rome. Her legacy survives in numerous works of art and the many dramatizations of her story in Les Femmes Fatales . Royal Doulton backstamp. Artist: Peggy DaviesIssued: 1979Dimensions: 4"L x 9"W x 7.75"HEdition Number: 708 of 750Country of Origin: EnglandCondition: Age related wear.
Italian sculptural group titled The Wrestlers. Powerful representation inspired by the ancient Greco Roman Lysippus, the renowned 4th century BCE sculptor of classical antiquity. Rendered with extraordinary anatomical realism and dynamic tension, the composition depicts two male athletes locked in an intense moment of physical struggle, showcasing a masterful study of musculature, motion, and human form. The original marble group is traditionally thought to reflect the stylistic influence of Lysippus, official sculptor to Alexander the Great and a transformative figure in Greek art who broke from the static proportions of Polykleitos, a well known sculptor before Lysippos, in favor of more slender, naturalistic forms. Lysippus introduced a new canon of bodily proportions and expressive movement, pioneering a dynamic aesthetic that profoundly influenced later Hellenistic and Roman sculpture. This contemporary cast, mounted on a textured naturalistic base and finished in a rich golden bronze patina. Weight: 64lbs. Dimensions: 20"W x 17.5"HCondition: Age related wear.
JOHNNY DEPP - Hand-Painted Artwork by Johnny Depp - Hand-painted artwork created by Johnny Depp, who originally gifted this piece to a close friend. Although best known for acting and as a musician, Depp has expressed an interest in art and has produced his own drawings for many years. He has proved that he is an incredibly gifted artist, producing several popular collections of his artwork, which have been released through the art retailer Castle Fine Art.The lot comprises a painting of one half of a face in red, purple and black shades on a round-shaped piece of paper. Black has been used to fill the rest of the piece, perhaps indicating that the other half of the face is hidden in shadow. A small hole has formed near the ear of the figure, and the piece exhibits minor creasing. Dimensions: 24 cm x 24 cm (9.5" x 9.5")Sold without copyright; see notice in the Buyer's Guide.VAT Status: † Δ
WHO FRAMED ROGER RABBIT (1988) - Roger Rabbit Original Production Cel - An original production cel of Roger Rabbit from Who Framed Roger Rabbit (1988). Who Framed Roger Rabbit was a landmark in animation history, produced at Elstree Studios in London and directed by Robert Zemeckis, with animation supervised by Richard Williams. Seamlessly blending live action and animation, the film revitalised the genre for a new generation and remains a masterclass in technical achievement and character performance.This shot shows Roger mid-line in a pivotal scene with Dolores and Eddie Valiant. Large, animated, and full of cartoon expression, this frame appears at 46:06 as Roger pleads his case while Eddie saws through the handcuffs in the backroom of the bar."You think my boss R.K. Maroon dropped a safe on Marvin Acme's head... just so he could get his hands on Toontown?!"It's classic, dramatic Roger, and this frame's sheer size and emotional energy make it fun and desirable. Original cels from key dialogue scenes are increasingly scarce, especially with this level of expression and scale. "77/16" and "238" written in black ink along the bottom. Dimensions: 31 cm x 42 cm (12.25" x 16.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M
JAMES BOND: GOLDFINGER (1964) - David Frangioni Collection: US 24-Sheet, 1965 - A US 24-sheet poster from the promotion of Guy Hamilton's Bond film Goldfinger. The design of this huge and incredibly rare 24-sheet poster is perfectly suited to the format. A massive image of the famous gold-painted Margaret Nolan (while Shirley Eaton was painted gold in the film it is Nolan who is on the poster) is stretched over roughly 20 feet. Nolan completely dominates the design, with the face of Sean Connery tactfully placed to appease the censors. There are some minor areas of paper loss and a few larger tears on some panels. One panel has red ink on the reverse, which has bled through to the white lettering of "Goldfinger". However, the poster is in very good overall condition. Dimensions (approx.): 275 cm x 610 cm (108.25" x 240.25")Condition: FineArtist: Unknown ArtistAdditional Provenance:David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.VAT Status: Ω
STAR WARS: THE EMPIRE STRIKES BACK (1980) - Pair of Mark Hamill Autographed Photographs and Preview and Party Tickets - A pair of Mark Hamill autographed photographs and invites from the production of Irvin Kershner's Star Wars: The Empire Strikes Back.The two images feature Hamill in character as Luke Skywalker and he has autographed them, along with the handwritten messages "Best wishes from a galaxy far, far away!" on one and "May your aim be true!" on the other. The images are accompanied by two invites to a party on the Star Wars stage at Elstree Studios and an invite to a special preview screening. One of the party invites is for Andrew Mitchell, who was the managing director of the studio at the time, and the other has a handwritten list of some of the invitees.One of the autographed photos has some minor discolouration. Dimensions (largest photo): 20 cm x 25.5 cm (7.75" x 10")The autographs in this lot have been professionally authenticated by expert Garry King; see notice in the Buyer's Guide.VAT Status: M
JAMES BOND: THUNDERBALL (1965) - Advance US Subway, 1965 - Linen-Backed - Frank McCarthy's art is stunning in this very rare large format Advance US Subway poster and only the second example to be offered by Propstore.In Thunderball, Sean Connery returns for his fourth outing as 007 who is hot on the trail of two nuclear warheads which have been stolen by SPECTRE's agent Emilio Largo (Adolfo Celi).The "Look Up!" jetpack design by McCarthy is arguably more desirable than the "Look Out!" bikini girl artwork by Robert McGinnis that features on the other Advance US Subway. While both versions are rare, the design on offer here is certainly scarcer.Conservation linen-backed with only the slightest amount of restoration dotted around where needed. There are some nicks and tears around the borders (mainly the along top) with one 4cm tear in the bottom right corner. Otherwise it is in excellent condition with bright whites and saturated colours. Dimensions: 116 cm x 151 cm (45.5" x 59.5")Condition: Very Fine+Artist: Frank McCarthyVAT Status: M
BEAUTY AND THE BEAST (1991) - Collection of Four Production Concept Designs by Hans Bacher - A collection of four original hand-drawn and painted concept designs by celebrated artist Hans Bacher, created during the early development of Disney's Academy Award-winning animated feature Beauty and the Beast.Hans Bacher, a renowned production designer and visual development artist, contributed extensively to some of Disney's greatest animated achievements, including Mulan, Aladdin, Hercules, and Who Framed Roger Rabbit. For Beauty and the Beast, Bacher served as a production consultant and visual development artist, helping shape the film's visual atmosphere and emotional tone. Rarely do such treasures from Disney's "Renaissance" period surface on the open market, original pre-production artworks of this calibre are fiercely sought after and represent an extraordinary opportunity to acquire a piece of Beauty and the Beast's creative journey.This lot includes a hand-painted full character study of Mrs. Potts in her human form dressed in a period costume (dated "4/20/89"); a concept storyboard sheet featuring four different scenic compositions (dated "April 7, 90"); a dual-concept design (one rendered in cold blues and another in earth-toned detail) atmospheric forest settings (dated "3/22/90" and an architectural study of the castle gardens and staircase leading to the fountain (dated "3.90). Each piece is signed and dated by Hans Bacher, and the storyboard sheet features an official Walt Disney Pictures Production Design development stamp.The use of vibrant colour blocking, expressive linework, and mood-driven layouts highlight Bacher's extraordinary ability to influence the atmosphere and pacing long before animation began. These works are not just production artefacts but the foundations of the film's emotional and visual DNA. The lot exhibits some minor marks. Dimensions (largest sheet): 30.5 cm x 21.5 cm (12" x 8.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: Ω
DC COMICS - Set of Four Comics - A set of four comics published by DC Comics. The set includes Comic Cavalcade #18, All Star Comics #43, Sensation Comics #65 and Adventure Comics #95.Comic Cavalcade #18 was published in December 1946. It was written by Joye Murchison, Howard Purcell and John L. Blummer. Purcell and Blummer also did the artwork with G.G. Peter and Paul Reinman in pencil and ink. CGC graded the comic as a 6.5 blue label.All Star Comics #43 was published in October 1948. It was written by John Broome with the artwork by Irwin Hasen and Bob Oksner in pencil and ink. The comic was graded by CGC as 6.5 blue label.Sensation Comics #65 was published in May 1947. It was written by Bob Kanigher with the artwork by Paul Reinman, Frank Harry and H.G. Peter, who also did the cover. The comic was graded by CGC as 6.5 blue label.Adventure Comics #95 was published in December 1944. Joe Samachson wrote it, and the artwork was by Jack Kirby, Gil Kane, Louis Cazeneuve, Emil Gershwin, Stan Kaye and Maurice Del Bourgo in pencil and ink. This comic does not come with a CGC label (please contact for additional photographs).The magazines in this lot that are CGC-graded were broken out of their slabs by the consignor for the purpose of reading, but they still come with their original blue labels. Dimensions (Comic Cavalcade): 26.5 cm x 18.75 cm (10.5" x 7.5")VAT Status: M
ASTERIX CONQUERS AMERICA (1994) - Asterix, Obelix and Multi-Character Original Production Cel and Pan Original Layout Drawing Setup - A richly detailed pan layout setup from the animated feature Asterix Conquers America (aka Asterix In America), expertly composed using seven original hand-painted production cels over a large-format pan background drawing.Asterix Conquers America was the first Asterix film produced entirely outside France and marked an ambitious expansion of the franchise. With its distinctive style, international tone, and strong visual storytelling, it brought the iconic Gauls to a new generation.While this specific arrangement does not appear "as is" in the film, each cel and layout element was created for the production and has been thoughtfully assembled by the studio to showcase the visual dynamism and character design that define the feature. The studio officially released this piece as part of the Asterix Art Program, curated to preserve the series' legacy and offer collectors a rare look into the production process.Set in a Native American village deep in the New World, the artwork brings together an ensemble of key characters: the defiant Asterix stands mid-conversation alongside the wise druid Getafix (Panoramix), recently kidnapped and flung across the ocean by Roman forces. To their side, the young tribal girl, while a wary villager and medicine man, and the elaborately dressed village chief observe from either end, the ever-faithful Obelix acting as both mediator and muscle in the scene.The pencil layout background stretches across, laying out the ceremonial grounds and tipi village in a sweeping perspective. These layouts were integral to shot planning, camera movement, and cel positioning. The scale, clarity, and theatrical composition make this setup an ideal display piece, a scene that captures the drama and charm of the film's aesthetic. Multiple production reference numbers are handwritten along the bottom edge of the cels, and several annotations are written on the drawing. The official studio stamp is present on the bottom right corner of the layout, authenticating its origin. A special offering for fans of the franchise and for collectors who value the immediacy, scale, and storytelling power of original animation art. Dimensions: 31 cm x 109 cm (12.25" x 43")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: Ω
LOST BOYS, THE (1987) - Cast-Autographed Poster - A cast-autographed poster from Joel Schumacher's comedy horror film The Lost Boys.The poster has been autographed by Kiefer Sutherland (David), Jason Patric (Michael), Billy Wirth (Dwayne), Alex Winter (Marko), Tim Capello (Beach Concert Star), and Gerard McMahon, who wrote and performed the film's theme "Cry Little Sister". Patric, Sutherland and Wirth have appended their autographs with their characters' names, Capello has written a quote from the film: "I still believe!", and McMahon has written the title of his song. McMahon has autographed the poster with his alias "G Tom Mac". All of the autographs are written in silver ink. Dimensions: 53 cm x 42 cm (21" x 16.5")The autographs in this lot have been professionally authenticated by expert Garry King; see notice in the Buyer's Guide.VAT Status: M
BATMAN: THE ANIMATED SERIES (1992-1995) - Framed Original Hand-Painted Background "The Man Who Killed Batman" Animation Cel - A moody and evocative preliminary background from Batman: The Animated Series, hand-painted by celebrated artist John Calmette for Episode 51, "The Man Who Killed Batman" (1993).While the final camera pan in the episode reveals a slightly modified background with a "Diamond Exchange" sign over the door, this earlier, almost identical iteration captures the distilled atmosphere of Gotham's skyline with graphic elegance and anticipation. Calmette's signature Art Deco geometry and theatrical use of light are on full display, from the looming vertical scale to the isolation of a single glowing streetlamp.Unusually, the piece is inscribed in the artist's own hand: "406 551, Diamond Exchange, sc. B60, Batman, J. Calmette", a rare dedication for internal production work. Painted on black paper rather than the usual white in animation, this was a deliberate stylistic choice by the art department to enhance the show's noir shadows and dramatic compositions. As a result, the atmosphere isn't layered on in post-production or FX cels; it's embedded in the very base of the painting. Gotham breathes here…quiet, stylised, and waiting to detonate. A beautifully preserved and highly displayable original, this is a compelling acquisition for collectors drawn to the visual world-building of the series as much as the action within it.It comes mounted within a black frame with plexiglass and features a hanging wire on the reverse. The frame displays minor marks, and the lot comes with a Warner Bros. Animation Art certificate of authenticity. Dimensions (framed): 16" x 21.75" x 1" (41 x 55 x 2.5 cm)Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M
ARSENIC AND OLD LACE (1944) - US One-Sheet, 1944 - Linen-Backed - "Insanity runs in my family. It practically gallops." Frank Capra's classic screwball comedy stars Cary Grant as Mortimer Brewster who, as a writer that advocates the futility of marriage, risks his reputation by marrying Elaine Harper (Priscilla Lane). To complicate matters further, he also learns that his two aunts are serial killers who like to murder lonely men and bury them in their basement.This US One-Sheet is conservation linen-backed with very light restoration on the folds. Some issues have not been addressed during restoration including some tiny areas or paper loss on the folds, some staining, and some bleed through from text printed on the reverse behind the title. Dimensions: 104 cm x 69 cm (41" x 27")Condition: FineArtist: Unknown ArtistVAT Status: M
JAWS (1975) - Hand-Numbered Limited Edition Screen Print by Laurent Durieux, 2013 - A highly sought-after limited edition alternative movie poster created by artist Laurent Durieux for Steven Spielberg's thriller Jaws. Durieux's unique style is instantly identifiable, with his creations among the most desirable artworks in the alternative movie poster market. This design is one of those most coveted by collectors. It was released in 2013 through Mondo and even attracted the attention of Spielberg himself, who allegedly ordered 25 copies to give to close friends and family.Durieux created this image as a contrast to Roger Kastel's iconic shark design for the original marketing campaign. The postcard-esque scene appears idyllic, yet the black panel on the beach umbrella creates a feeling of unease. Printed by DL Screenprinting, this example is hand-numbered #54/525. Dimensions: 91 cm x 61 cm (36" x 24")Condition: Near Mint+Artist: Laurent DurieuxVAT Status: M
VARIOUS PRODUCTIONS - Collection of Telegrams from Golden Era Hollywood Stars to Clark Gable and Sylvia Ashley - A collection of telegrams to Clark Gable and Sylvia Ashley, congratulating them on their marriage. This collection has 71 Western Union telegrams addressed to Gable and Ashley, who married on 20th December 1949. The telegrams are full of thoughtful messages and well-wishes from notable people from Hollywood and beyond, including James Stewart, Tyrone Power, Fred Astaire, David Niven, Joan Crawford, Cole Porter, Douglas Fairbanks Jr., Jack Benny, and even Queen Mary, the widow of King George V.The lot also includes a telegram from Alfred Hitchcock to Lady Aileen Freda Balcon, the wife of Sir Michael Elias Balcon, expressing his sympathy at Sir Michael's passing in October 1977. Sir Michael was a film producer and mentor to Hitchcock. Dimensions: 16 cm x 20.5 cm (6.25" x 8") VAT Status: M
LES ADVENTURES DE TINTIN (TV SERIES, 1959-1964) - Tintin and Snowy Original Hand-Painted Original Production Cel and Background Setup - This rare hand-inked and hand-painted original production cel setup from the episode Destination Moon (Objectif Lune), part of the 1959 TV serial Hergé's Adventures of Tintin. The series was produced by legendary Belgian production house Belvision Studios in collaboration with Larry Harmon Pictures. In 1957, Belvision began adapting Hergé's iconic Tintin comics into animation, producing eight of the Adventures as short-format television episodes. Destination Moon marked a standout two-part episode in the second animated series, directed by Ray Goossens and scripted by the renowned cartoonist Greg, who would go on to become editor-in-chief of Tintin magazine.The significance of these animated adaptations cannot be overstated. They were among the first efforts to bring Hergé's beloved characters to the screen, introducing Tintin, Snowy, Captain Haddock, and the rest of the cast to an entirely new audience. For many fans, these early adaptations hold a nostalgic place alongside the classic comic albums, bridging the gap between print and screen with a distinctive mid-century European animation style.This appealing scene features Tintin in his distinctive orange spacesuit alongside his faithful companion Snowy. The cels are paired with a hand-painted background used in the production that beautifully evokes the stylised sci-fi setting of the story.Its scarcity makes original production artwork from Hergé's Adventures of Tintin especially coveted. Few cels survived from this period, as animation art was typically discarded or destroyed after use and only served a functional role. Pieces like this, especially with both Tintin and Snowy, are rarely seen, making them highly desirable to animation, European comics, and pop culture history collectors alike.This setup is not just a charming scene; it's a piece of animation and Tintin history, capturing the bold spirit of one of the most influential comic series ever created. Dimensions (mounted): 33 x 38 cm (13†x 15")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M
NIGHTMARE ON ELM STREET, A (1984) - Cast-Autographed Poster - A cast-autographed US one-sheet from Wes Craven's horror film A Nightmare on Elm Street. The artwork by Matthew Peak, son of the great poster illustrator Bob Peak, depicts Krueger with his face obscured and his trademark razor-clawed glove hovering above Nancy's terrified face. The poster is autographed in silver-coloured ink by Heather Langenkamp and Robert Englund, who played Nancy Thompson and Freddy Krueger, respectively. Dimensions: 101 cm x 68 cm (39.75" x 26.75")The autographs in this lot have been professionally authenticated by expert Garry King; see notice in the Buyer's Guide.VAT Status: M
CINDERELLA (1950) - Cinderella In Bed Original Production-Era Animation Pencil Drawing - An original production-era animation drawing of Cinderella from Walt Disney Studios c.1949-1950. While this drawing does not match an exact final frame in the completed 1950 animated film, several production markers affirm its authenticity: the paper, peg configuration, and character styling place it squarely within the film's production window. The line quality and looseness of the facial features and hairstyle suggest it may have been part of a rough animation pass, an assistant animator's timing test, or a development drawing created while refining key scenes.Drawings like this often originate from early or alternate versions of sequences that were later revised or reanimated. The softer linework and absence of ink-and-paint registration marks reinforce that this was not traced for cel use but was a working part of the animation process. It is ideal for collectors who value the craftsmanship and behind-the-scenes artistry that shaped the golden age of Disney animation.The drawing shows Cinderella seated in bed and holding a blanket. It is rendered in graphite with a small amount of pink coloured pencil added to her lips on 12-field, 5-peg hole animation paper. It is numbered "47" on the lower right. The paper displays some minor creasing. Dimensions: 25.5 cm x 30.5 cm (10" x 12")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M
GAME OF THRONES (TV SERIES, 2011-2019) - 1996 UK Uncorrected Proof Copy - A 1996 UK uncorrected proof advance reading copy of George R.R. Martin's novel A Game of Thrones: A Song of Ice and Fire. It is the first instalment in the iconic Game of Thrones saga, later adapted into an Emmy-award-winning TV series by HBO.The book is a paperback, and a pre-publication version that was mainly sent to reviewers before the final edits were conducted. The book features positive comments on the covers from other reviewers who had already read it. The book exhibits minor creases in its spine and covers. Dimensions: 23.5 cm x 15 cm x 4 cm (9.25" x 6" x 1.5")VAT Status: M
PINK FLOYD: THE WALL (1982) - Prosecuting Counsel Original Production Cel and Matching Drawing - An original production cel and accompanying drawing of the Prosecuting Counsel from Pink Floyd: The Wall (1982), directed by Alan Parker, with animation designed and directed by British satirical illustrator and artist, Gerald Scarfe.This moment appears during the animated trial sequence, as the Counsel leaps onto the stage and takes a bow. Scarfe, who had worked with Pink Floyd since 1974, was given full creative control over the film's 11 minutes of animation, and this character reflects his distinctive visual language: sharp and elongated forms.The drawing, in graphite and blue pencil on 16-field animation paper, is numbered "35" and carries the official Pink Floyd: The Wall Animation Art Programme seal. The matching hand-painted cel corresponds precisely to the drawing (also denoted "35").Together, they offer a complete and authentic example of Scarfe's animation process, from line to paint, and a striking, energetic and iconic image from one of the film's most recognisable sequences. Dimensions: 32 x 42 cm (12.5" x 16.5")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M
COOL HAND LUKE (1967) - UK Quad, 1967 - Linen-Backed - A scarce UK Quad for one of Paul Newman's standout roles as non-conformist chain gang prisoner Cool Hand Luke. Despite being repeatedly reprimanded for failing to fall in line, Luke fights authority at every turn resulting in beatings and psychological intimidation in effort to break a man who seemingly cannot be broken. The consequences of Luke's rebellious nature are reflected in the design of this poster which features images of him being scarred, beaten, punched and dragged, but will audiences still see Newman's signature smile by the end of the movie?Conservation linen-backed with border and fold line restoration as well as work to the whites surrounding the credits, some of the yellow and scattered areas where needed but done to a high standard. Dimensions: 76 cm x 102 cm (30" x 40")Condition: Fine+Artist: Unknown ArtistVAT Status: M
SUPER NINTENDO: MIGHT AND MAGIC II - Preliminary Map of the World Cron Sketch, Signed Guidebook, Poster and Game Cartridge - A preliminary map of the World Cron sketch, a signed guidebook, a poster and a game cartridge from the production of the role-playing video game Might and Magic II: Gates to Another World.The map was created by US illustrator Jim Krogle, who was also employed to draw the maps for the first instalment, Might and Magic: Book One - Secret of the Inner Sanctum. The sketch is rendered in pencil on velum and embellished with adhered printed cutouts. Krogle has signed the map in the bottom right corner in pencil.The guidebook is addressed to Krogle and signed by the game's designers, Jon Van Caneghem and Michaela Van Caneghem. Krogle has also signed the same page of the guidebook.The Might and Magic II cartridge is for the Super Nintendo Entertainment System. The poster is a printed colour version of the map. Dimensions: 103 cm x 79 cm x 0.5 cm (40.5" x 31" x 0.25")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M
VINTAGE TOYS - Zoltan Fortune Teller Machine - A Zoltan fortune teller machine manufactured by Prophetron Inc. in Massachusetts during the late '60s and early '70s. The machine features Zoltan, a Hungarian-accented fortune teller who provides a fortune once a coin is inserted and one of the buttons on the front is pressed. The machine's 12 buttons correspond to the 12 signs of the Zodiac, each featuring different illustrations that illuminate when the machine is powered. Zoltan's crystal ball glows, and he speaks through the plastic receiver on the front. His fortunes offer predictions of the future, lucky numbers, lucky colours and more.Zoltan's cabinet is made of wood and fibreglass and sits atop a pedestal, which is also made of fibreglass. The machine is painted bronze, features plush drapes around the inside of the window, and has lights down each side. A key is used on the side of the cabinet to unlock the front of the machine, and it features a US plug.The final three star signs do not currently illuminate. Dimensions: 63 cm x 69 cm x 185 cm (24.75" x 27.25" x 72.75")Special shipping required; see special shipping notice in the Buyer's Guide.Contains electronics; see electronics notice in the Buyer's Guide.VAT Status: M
COOL HAND LUKE (1967) - US Window Card, 1967 - "What we've got here is a failure to communicate." Paul Newman stars as rebellious chain-gang prisoner Luke Jackson who refuses to bow to authority. One of the most recognisable posters from the 1960s, this classic poster illustration was created by James Bama (know for his portraits of the American West) under the direction of Bill Gold.This US Window Card is presented mounted and unrestored. It has faded writing along the top with some light staining in places and stamped three times with "Fox Theatre". Dimensions (mounted): 69 cm x 49 cm (27.25" x 19.25")Condition: Fine-Artist: James Bama and Bill GoldVAT Status: M
ALADDIN (TV SERIES, 1994-1995) - Aladdin and Princess Jasmine Original Production Cel, Background and Matching Drawings - An original multi-layer production cel on a hand-painted production background and matching production drawings featuring Aladdin and Princess Jasmine from Walt Disney's television series Aladdin.Disney's television animation output was sometimes considered a step down from the prestige of its theatrical features by critics. Yet these series are now recognised as the studio's final era of hand-painted production art. Unlike the Aladdin feature film, which was digitally coloured, this cel setup is a rare example of traditional painted cels actually used in the filming process.With hindsight, pieces like this mark the final chapter of an era, making them ever more relevant to collectors who value Disney's legacy of hand-crafted animation.This standout key setup consists of Aladdin (labelled "A20") and Princess Jasmine (labelled "J30") in matching hand-painted cel layers, paired with their original production drawings and a hand-painted production background which is marked "083" and "B6306" in red ink. It captures both leads in a moment of emotional clarity, rendered with warmth, expression, and clean character linework. The two accompanying graphite drawings include frame range notations. The original Walt Disney Television Animation seal on the cel and drawings adds prestige and confirms its route to market. The lot is accompanied by a The Walt Disney Company certificate of authenticity. Dimensions: 27 cm x 32 cm (10.5" x 12.5")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M
SIMPSONS, THE (TV SERIES, 1989-PRESENT) - Bart Cornered By Santa's Little Helper Original Production Cel and Production Background Signed by Nancy Cartwright - An original production cel setup featuring Bart Simpson and Santa's Little Helper from the episode "Dog of Death" (Season 3, Episode 19).In this fan-favourite episode, Santa's Little Helper falls ill and needs expensive surgery. After a series of sacrifices to fund the operation, including giving up beer, meat, and cable TV, the family becomes resentful. Santa's Little Helper runs away, eventually being adopted and trained by Mr. Burns as one of his vicious hounds.In this climactic moment depicted in this artwork, the now-feral Santa's Little Helper corners Bart until he hears, "I love you boy!" and a flood of loving memories restores the dog's true nature and turns on Mr Burn's Hounds. It's a brilliant balance of satire and sincerity, showcasing the emotional core that made this era of The Simpsons so revered.This is a key setup, comprising hand-painted production cels and the original hand-painted background, but created on celluloid, not paper, as was standard practice during The Simpsons' golden era (Seasons 1-13). The background is rich with that bold, vibrant colour palette unique to The Simpsons. It is also signed by Nancy Cartwright, the voice of Bart Simpson, who has inscribed it with "Feet don't fail me now!"This production setup was never part of the official art programme, making its appearance here all the more exciting. However, it was released through the studio and carries the original 20th Century Fox seal. Dimensions: 27 cm x 32 cm (10.5" x 12.5")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: M
CURSE OF THE DEMON (1957) - Collection of Lobby Cards, Promotional Stills and Posters - A collection of lobby cards, promotional stills and two posters for the British horror film Night of the Demon (known in the US as Curse of the Demon). The director never intended to show the titular demon on-screen, leaving that to the audience's imagination. Still, he was overruled on this point by the producer, who inserted a shot of the monster at the beginning and end of the film without Tourneur's knowledge or participation.The lot comprises six US colour lobby cards (one is a reproduction card), five Spanish lobby cards, seven Mexican lobby cards featuring two different designs, a copy of Photon fanzine number 26, a print of the one-sheet poster, an Australian daybill poster and a linen-backed Belgian poster. Completing the lot is a black binder containing various promotional stills and photographs relating to the movie and the actor Dana Andrews. Some of the lobby cards have signs of pinholes, marks and small tears. Dimensions (daybill poster): 76 cm x 33.5 cm (30" x 13.25"); (Belgian poster): 57.75 cm x 40 cm (22.75" x 15.75")VAT Status: M
DIRTY HARRY (1971) - David Frangioni Collection: UK Quad, 1971 - One of the defining films of the 1970s, Dirty Harry was the film that took Clint Eastwood from a cult hero to a mainstream superstar. Eastwood carved out a violent niche in the cinema with his portrayal of 'Dirty Harry Callahan' in this, the first in the popular series about a San Francisco detective who makes his own rules. He may be beaten up but never beaten by the criminals or by authority. This first release ABC UK Quad poster features Bill Gold's distinctive design and artwork.Unrestored and folded with pinholes and edge wear. There is a large stain across the middle of the poster which does affect the main image. We have been advised by a professional paper restorer that this stain can be removed if cleaned and backed. Dimensions 76 cm x 102 cm (30" x 40")Condition: Very Good-Artist: Bill GoldAdditional Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.VAT Status: Ω
STAR WARS: A NEW HOPE (1977) - Alec Guinness and James Earl Jones Autograph Display - A framed display containing autographs of James Earl Jones (voice role of Darth Vader) and Alec Guinness (Obi-Wan Kenobi). The custom-built framed display features a laser-cut mount board with the classic movie title in yellow. It includes two small pieces of paper signed in black ink by Earl Jones and blue ink by Guinness, who has also inscribed "Yours sincerely". Completing the display is an image of Obi-Wan in a lightsaber duel with Vader situated above the signatures. Dimensions (framed): 48 cm x 37 cm x 2 cm (19" x 14.5" x 0.75").The autographs in this lot have been professionally authenticated by expert Garry King; see notice in the Buyer's Guide.VAT Status: M
PINK FLOYD: THE WALL (1982) - Original Framed Teacher Marionette Production Cel and Pencil Drawing Display - An original production cel and matching production drawing of The Teacher, one of the most infamous and enduring figures from Pink Floyd’s The Wall. Suspended like a marionette, this moment captures the very essence of what The Wall set out to do: visualise control, repression, and the psychological unravelling of its protagonist, Pink.Though The Wall was released as a feature film in 1982, this specific sequence, the Teacher as puppet, had already burned itself into public consciousness years earlier through the official music video for “Another Brick in the Wall, Part 2â€. The sight of the Teacher strung up like a grotesque marionette became one of the defining visuals of the band’s critique of authoritarian schooling, institutional power, and the loss of innocence. This image is instantly recognisable even for those who never sat through the whole film.In the film, the Teacher is no longer a person, but a tool, a cog, a puppet used to beat down the next generation. The fact that this visual found its way from a concept album to a feature film and into pop culture consciousness is a testament to its power.The original drawing and production cel carry the official seal of the Pink Floyd – The Wall art programme, set up to offer artefacts from one of the boldest, most iconic animated films in music history. These icons are now increasingly rare and increasingly meaningful. A certificate of authenticity featuring the printed signatures of Scarfe and Pink Floyd frontman Roger Waters are stuck to the back of the display. The frame exhibits some light wear. Dimensions (framed): 44.25 cm x 89.75 cm x 1.5 cm (17.5" x 35.25" x 0.5")Sold without copyright; see notice in the Buyer's Guide.VAT Status: M
KING OF THE UNDERWORLD (1939) - US One-Sheet, 1939 - Linen-Backed - This US One-Sheet for King Of The Underworld (1939) was a significant milestone in the career of Humphrey Bogart as it marked his first top-billing. Having firmly established himself as a strong supporting actor with regular roles alongside the likes of James Cagney and Edward G. Robinson, Bogart excels as egocentric gangster Joe Gurney who kidnaps a writer to whom he then dictates his biography.This example is conservation linen-backed with border and fold line restoration. There's work done to the "G" and "D" of the title as well as some scattered restoration where needed. There is also a small area of paper replacement in the top left corner. Dimensions: 104 cm x 69 cm (41" x 27")Condition: FineArtist: Unknown ArtistVAT Status: M
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