We found 82617 price guide item(s) matching your search

Group of tools to include heat gun, drill and extension lead.

Group of gardening tools to include spades, rakes and others

A collection of eleven cartridge reloading tools various calibres English and ContinentalShipping Disclaimer Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition Reportall with pitting, scratches, scuffs, and marks

An ebony pin fire sizer 16.5cm long together with additional loading tools Shipping Disclaimer Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition Reportscratches, wear and chippingLargest - has a scratch to the base of the barrel, otherwise rubbing - additional photos added

Robert 'Mouseman' Thompson (1876-1955): a mid-oak shield shaped prize plaque - with bevelled edge and fixed easel back, the front carved with his signature mouse in profile, with an attached plated metal dominos prize medal, 10.2 x 7.6cm. * Robert Thompson was born in 1876, the son of a local joiner and wheelwright in Kilburn, North Yorkshire. He trained as an engineer and completed his apprenticeship, but his passion was for traditional craftsmanship and he decided to follow in his father's footsteps, becoming an extremely skilled craftsman and furniture maker, working in English oak with tools such as the chisel and adze. He expanded his father's family business significantly and by the time he first registered the famous mouse as his signature in the 1930s, his work had become very popular across the country and he was already employing a large team of thirty craftsmen and apprentices. The firm remains a successful business that produces furniture and other smaller hand made wooden objects today, employing the same traditional skills and materials.

Antique tools: a small group of ten wooden smoothing, jointing and moulding planes - including a 1in block plane by Greenslade of Bristol; a moulding plane by E. Preston & Sons; a large 22in long 2½in block plane by H. C. Parkes; a light beech 17in long 2¼in block plane with British military broad arrow stamp and '7/1751 1947' to the top, Emir of London maker's mark and 'W48' with broad arrow to back face; a 15in long 2¼in block plane by F. Street; and five others.

A box of collectables - including a copper and brass hunting horn, 22.8cm long; a pewter and leather spirit flask; a silver mounted cut glass EII Silver Jubilee paperweight; an Omani white metal bangle with brass insert to convert to a dish, 12cm diameter; a small group of 1950s lead toy figures; a 1918 steel and brass police whistle, stamped maker's mark and date; various pocket knives and other tools; two fossil hunter's hammers; three vintage pre-war tin openers; a set of six EII EPNS Coronation tea spoons and jam spoon; etc.

Three boxes of hose on reel, DIY equipment, hand tools etc

Stanley mobile work center containing quantity of tools.

Vintage carpenters toolbox containing selection of tools.

Selection of vintage hand tools which include mallet, brace drills etc.

Two stepladders and garden tools

Box of mechanics tools including large spanners, sockets etc.

Box containing selection of hand tools, spanners, hammers etc.

Stack-On 5 drawer tool chest containing various tools, lockable with padlock and key.

Two tubs of tools that include rubber mallets, trowels, fabric tape measure etc.

Blue metal chest containing a Lufkin 100 m tape measure, quantity of hammers, hand tools, saws etc

Selection of packaged tools & equipment that include tow rope, night latch locks, organizers etc.

Galvanised bucket and tub of hand tools, drill bits, mallet etc (Hot air gun WITHDRAWN)

Selection of tools including saws, screwdrivers etc.

Selection of hand tools that include pot riveter, files, pliers etc.

MECHANICS & TOOLS 20 books

MECHANICS & TOOLS   2 boxes

Johan Rohde for Georg Jensen, a collection of Acorn pattern tools and accessories, designed in 1915, including grape scissors, corkscrew, a pair of horn bowled salad servers, sugar tongs, and a cheese slice, 21cm long (6)

Five gun related tools and accessories comprising three copper and brass powder flasks including one James Dixon & Sons and one G & JW Hawksley,  G & JW Hawksley powder measure and a bullet mould stamped '150'. 

A collection of vintage gun tools and accessories including two James Purdey striker disc keys, three oil bottles, five cartridge extractors, three nipple keys one with storage compartments to the handle, firing pin container, John Dixon & Son and Grant & Lang firing pin hole locators and a pair of turn screws. 

A collection of gun tools and accessories including four horn handled powder measures and four cleaning and servicing tools many by G&JW Hawksley, leather covered shot and powder flasks one also by G&JW Hawksley, re-loading accessories etc. 

A collection of shotgun or rifle cartridge re-loading tools and gun accessories including roll turnover tools, cappers/ de-cappers, Parker-Hale Ltd The Standard powder and adjustable shot measure set in original box, snapcaps etc 

Three shotgun cartridge re-loading tools comprising two G&JW Hawksley 12 bore roll turnover tools and Bartram & Co capper and de-capper. 

Four shotgun cartridge re-loading tools comprising Hercules 12 bore roll turnover tool, capper/ de-caper and two sets of balance powder scales. 

A collection of shotgun or rifle re-loading tools and accessories including Lee .433 and .395 bullet moulds, Smart Reloader SR104 Case Lube Pad, .45 Lead Remover, case length gauges & shell holders etc, some in original boxes/ packaging. 

Ruger Old Army .44 six-shot single action revolver with monogram inset to the shaped wooden grips, adjustable sights and named 7.5 inch barrel, overall length 36.5cm, serial number 145-30994, with instruction manual and a large collection of tools and accessories including bullets, powder scale, nipple key, powders, percussion caps, wads etc . PLEASE NOTE THAT A VALID RELEVANT FIREARMS CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

Parker-Hale Enfield pattern 2-band .451 muzzle loading percussion hammer action rifle with crown over 'P-H' cypher and 'Parker-Hale' to the lock, adjustable pop-up ladder sights, brass trigger guard and butt plate, chequered grip and forend, sling suspension mounts, steel ram-rod and 33 inch rifled barrel, overall length 125cm, serial number H1780, with Loading and Maintenance Instructions booklet, Henry Krank receipt and a large collection of tools and accessories including bullets, powder flask, wad punch, nipple key, powders, percussion caps, cleaning kit etc . PLEASE NOTE THAT A VALID RELEVANT FIREARMS CERTIFICATE IS REQUIRED TO VIEW OR PURCHASE THIS LOT AND FOR ALL SHOTGUNS OR RIFLES PLEASE ENSURE YOU HAVE THE RELEVANT CERTIFICATE BEFORE BIDDING.

RENÉ BOIVIN: A COLLECTIBLE 'GROSEILLES' CULTURED PEARL RINGOf bombé design, set with graduated cultured pearls, each punctuated with dot gold detailing, mounted in 18K gold, signed René Boivin, with maker's mark 'Sté RB' for René Boivin, French assay mark, with maker's case, ring size I½ (Probably a design from Juliette Moutard, later reinterpreted by Marie-Caroline)A similar ring is illustrated, page 388, 'René Boivin, Paris', by Francoise Cailles, éditions de l'Amateur.René Boivin (1864–1917) began his jewellery career at seventeen, following his elder brother Victor’s footsteps by working first as a goldsmith’s apprentice and taking drawing lessons at a local art school. Having refined his skills in several workshops, he soon earned a reputation as a talented draughtsman, designer and engraver. By 1890, René was ready to start his own enterprise. He acquired his first workshop in Paris, equipping it with all the necessary tools and skilled craftsmen. A few years later, he moved to new premises on the rue de Turbigo and married Jeanne Poirot, sister of the esteemed French fashion designer Paul Poiret. The firm’s reputation grew rapidly by word of mouth, thanks to its meticulously crafted pieces and commissions from jewellers such as Mellerio and Boucheron. Though proficient in both modern and classical design, René developed a keen interest in naturalism; his solid background in botany led him to create life-like floral motifs. While Art Nouveau’s flowing curves were fashionable at the time, the Boivin workshop chose a more unconventional path to appeal to a more discerning clientele. Boivin’s wife Jeanne had already been deeply involved in the business, and after René’s untimely death in 1917, she took full control of Maison Boivin. Though she had not planned a career in jewellery, she quickly adapted to managing both the creative and financial aspects of the business. Jeanne not only upheld René’s legacy, but she also steered the firm through challenging post-war years, leading a workshop of around twenty artisans and establishing it as the only major jewellery house of its time run by women. Jeanne possessed a keen eye for talent. In 1919, she recruited Suzanne Vuillerme, later known as Suzanne Belperron, a new graduate from the Besançon Beaux-Arts Academy. Belperron’s innovative use of coloured stones, texture, and predominantly 18K yellow gold set her work apart from the prevailing Art Nouveau and Art Deco styles. Her collaboration with Jeanne brought renewed energy to the firm throughout the 1920s. In 1931, Belperron left to form a partnership with Bernard Herz, paving the way for Juliette Moutard to join the firm. Moutard was an experienced designer having worked at Verger Frères and designed for Cartier and Van Cleef & Arpels. She began her long-standing association with Maison Boivin in 1933. Under Jeanne’s guidance, Juliette flourished. She introduced bold, imaginative designs that embraced organic, feminine lines over rigid Art Deco forms. Jeanne further recognised Juliette’s talent by entrusting her with drawing duties for both herself and her daughter Germaine, who had recently joined the business. The close collaboration between Jeanne, Germaine, and Juliette created a unified creative force, often making it hard to pinpoint the origin of any single design. The firm’s approach was as distinctive as its jewellery. Clients were rarely given cost estimates or delivery dates, and customer gemstones or design ideas were only accepted for particularly significant patrons, such as the Duchess of Windsor and Millicent Rogers. Madame Boivin was so confident in her workshop’s output that she famously declared, “my style is my signature”, believing the pieces spoke for themselves. Many clients appreciated this unconventional method, knowing each design was unique, with few repeats and even fewer exact copies. Juliette Moutard dedicated her entire career to Maison Boivin, remaining at the firm even after Madame Boivin retired in 1954 and passed away five years later, leaving Germaine in charge. Together, Moutard and Germaine maintained the firm’s creative integrity and commitment to originality. Moutard retired in 1970 but stayed connected to the firm until her death in 1990. The family sold the jewellery house to their diamond supplier Mr. Perrier, and in 1967 Jacques Bernard took over, with a former Cartier workshop manager later assuming ownership. The 1980s brought revived interest in the Boivin Maison, first led by Marie-Caroline de Brosses and subsequently by Sylvie Vilein. The introduction of fresh, new creations that remained true to the Boivin style, attracting clients such as Hélène Rochas and the Aga Khan. The Asprey Group, acquired the firm before Nathalie Choay purchased it in 1999 to preserve its heritage and archives. Now overseen by Thomas Torroni-Levene, these documents will form the basis of a definitive book scheduled for publication this year, one that aims to record the complete history of René Boivin and highlight the contributions of each designer along the way. Condition Report:Cultured pearls: of white/cream tint with pink and green overtones, very good lustreSignature located inside mount, on the upper side of the galleryEagle's head for French 18K gold & maker's mark for René Boivin, 'RB with snake'Normal signs of wear, overall in good conditionTotal gross weight approx. 29.5g

RENÉ BOIVIN: A RARE CULTURED PEARL CLIP PENDANT BROOCH, CIRCA 1940Designed as a cluster of grapes, of various sized cultured pearls of cream tint, suspended from a polished vine leaf surmount, mounted in silver and gold, signed René Boivin, indistinct maker's mark, French assay marks, length 6.8cmAccompanied by a certificate of authenticity from René Boivin Joaillier, certifying that the brooch is an original piece manufactured by René Boivin, circa 1940, after a drawing by Juliette Moutard. Certificate no. 202503PEP, dated March 31st 2025.René Boivin (1864–1917) began his jewellery career at seventeen, following his elder brother Victor’s footsteps by working first as a goldsmith’s apprentice and taking drawing lessons at a local art school. Having refined his skills in several workshops, he soon earned a reputation as a talented draughtsman, designer and engraver. By 1890, René was ready to start his own enterprise. He acquired his first workshop in Paris, equipping it with all the necessary tools and skilled craftsmen. A few years later, he moved to new premises on the rue de Turbigo and married Jeanne Poirot, sister of the esteemed French fashion designer Paul Poiret. The firm’s reputation grew rapidly by word of mouth, thanks to its meticulously crafted pieces and commissions from jewellers such as Mellerio and Boucheron. Though proficient in both modern and classical design, René developed a keen interest in naturalism; his solid background in botany led him to create life-like floral motifs. While Art Nouveau’s flowing curves were fashionable at the time, the Boivin workshop chose a more unconventional path to appeal to a more discerning clientele. Boivin’s wife Jeanne had already been deeply involved in the business, and after René’s untimely death in 1917, she took full control of Maison Boivin. Though she had not planned a career in jewellery, she quickly adapted to managing both the creative and financial aspects of the business. Jeanne not only upheld René’s legacy, but she also steered the firm through challenging post-war years, leading a workshop of around twenty artisans and establishing it as the only major jewellery house of its time run by women. Jeanne possessed a keen eye for talent. In 1919, she recruited Suzanne Vuillerme, later known as Suzanne Belperron, a new graduate from the Besançon Beaux-Arts Academy. Belperron’s innovative use of coloured stones, texture, and predominantly 18K yellow gold set her work apart from the prevailing Art Nouveau and Art Deco styles. Her collaboration with Jeanne brought renewed energy to the firm throughout the 1920s. In 1931, Belperron left to form a partnership with Bernard Herz, paving the way for Juliette Moutard to join the firm. Moutard was an experienced designer having worked at Verger Frères and designed for Cartier and Van Cleef & Arpels. She began her long-standing association with Maison Boivin in 1933. Under Jeanne’s guidance, Juliette flourished. She introduced bold, imaginative designs that embraced organic, feminine lines over rigid Art Deco forms. Jeanne further recognised Juliette’s talent by entrusting her with drawing duties for both herself and her daughter Germaine, who had recently joined the business. The close collaboration between Jeanne, Germaine, and Juliette created a unified creative force, often making it hard to pinpoint the origin of any single design. The firm’s approach was as distinctive as its jewellery. Clients were rarely given cost estimates or delivery dates, and customer gemstones or design ideas were only accepted for particularly significant patrons, such as the Duchess of Windsor and Millicent Rogers. Madame Boivin was so confident in her workshop’s output that she famously declared, “my style is my signature”, believing the pieces spoke for themselves. Many clients appreciated this unconventional method, knowing each design was unique, with few repeats and even fewer exact copies. Juliette Moutard dedicated her entire career to Maison Boivin, remaining at the firm even after Madame Boivin retired in 1954 and passed away five years later, leaving Germaine in charge. Together, Moutard and Germaine maintained the firm’s creative integrity and commitment to originality. Moutard retired in 1970 but stayed connected to the firm until her death in 1990. The family sold the jewellery house to their diamond supplier Mr. Perrier, and in 1967 Jacques Bernard took over, with a former Cartier workshop manager later assuming ownership. The 1980s brought revived interest in the Boivin Maison, first led by Marie-Caroline de Brosses and subsequently by Sylvie Vilein. The introduction of fresh, new creations that remained true to the Boivin style, attracting clients such as Hélène Rochas and the Aga Khan. The Asprey Group, acquired the firm before Nathalie Choay purchased it in 1999 to preserve its heritage and archives. Now overseen by Thomas Torroni-Levene, these documents will form the basis of a definitive book scheduled for publication this year, one that aims to record the complete history of René Boivin and highlight the contributions of each designer along the way.  Condition Report: Pearls: of cream/white body colour, with pink and green overtones, some pearls with presence of growth marks, and some pearls with visible blemishesFrench assay mark: an oval with boar & eagle's head for - Mixed gold and silver - mark introduced in 1905. Mark located on the reverse of the leaf surmount. Eagle's head for 18K gold located on the two pins and indistinct maker's mark also on one pinSignature René Boivin located on the reverse of the leaf surmount.Normal signs of wear, commensurate with age, overall in good conditionTotal gross weight approx. 22.36g

Collection of tools including vintage planes, chisels etc.

Collection of tools, Workzone pressure washer, tool boxes etc.

Three tool boxes containing a quantity of tools to include electric stapler, Black & Decker CD115 Angle Grinder, planes and similar. [3]. [W]

Two tool boxes containing a variety of hand tools. [2]. [W]

Various hand / decorators tools, glass suction plates and an Absaar battery charger. [2]. [W]

A Parkside electric scraper, various nails, hand tools and other. [W]

Lot to include a cased JCB circular saw and various hand tools. [W]

Lot to include a long handle angle grinder, bottle jack, various hand tools, Black & Becker power sander KA310. [3]. [W]

Lot to include a Power Craft circular saw, Bosch sander, various hand tools, straps and similar. [W]

Various hand tools to include chisels, files, screwdrivers and similar. [W]

Mixed tools to include a Worx WX680 multi tool, a Handy Power orbital waxer / polisher, Pro Craft detail sander and other. [4]. [W]

A collection of tools comprising a drill bit set, various hand tools, three spray guns to include Binks Bullows and other. [2]. [W]

A collection of tools to include spirit levels, clamps, measures and similar. [W]

A 1982 bottle of Royal Oporto port in gift box with bar tools. 

20th century vintage machinery tools (2)

Three storage trunks to include painted blue wooden example, painted black wooden box and black metal trunk with carry handles, together with a quantity of tools including planes, rulers, square, etc

A collection of power tools to include a Bosch PSM125 240v 300w bench grinder, a boxed DeWalt XRP 18V battery drill with charger and two batteries, a Record No 52 bench vice, a boxed Bosch PSR 14.4v battery drill with charger and battery, a boxed Metabo D72622 12v battery drill with charger and battery, a Ryobi Industrial RE600 240v 2050w router, a Panasonic EY6931 15.6V battery drill with charger and two batteries also another boxed unbranded 12v battery drill. (8). Please note; All the power tools have not been tested and we cannot guarantee they are fully functional, they are sold 'as seen'.

A collection of carpentry tools to include chisels, files, hammers, axes, mallets, masonry chisels, auger drill bits, rulers, trowels, adjustables spanners to include makes by Estwing, Marples, Stanley, Powerfix and Magnussun, also a pari of Record No24 stilsons.

A collection of power tools to include a boxed Hilti SB12 12V battery drill with charger and battery, a Hand Tools Sheffield bench vice, a Skil 240v 500w drill, a boxed Black and Decker KS896GT 230v 400w scorpion saw, a boxed Makita 3620 240v 860w router, a Droxxon No 28475 240v grinding/engraving set, a Makita 6510LVR 240v 330w drill and a boxed DeWalt 14.4v battery drill with charger and battery. (8).

A collection of power tools to include a boxed DeWalt DW625E 240v 200w router, a boxed Bosch PSB240 24V battery drill with charger and two batteries, a boxed Parkside PSTKA 12v jigsaw including battery, an Erbauer 230v 1100w SDS drill with chisel, a Black and Decker RT550 240v 90w Wizard rotary tool, a boxed Jein D73529N230v 250w multi-master cutter, a Record No 53 bench vice and a Makita 3612C 240v 1850w router. (8).

A collection of power tools to include a Makita 2400B 240v 1350w mitre saw, a Hilti TE2 110v 650w drill, a DeWalt D23550-LX 115v 1050w circular saw, a Makita HR1830 110v 440w drill, a boxed Britool EVT3000A torque bar and a Paromo No 60 bench vice. (6).

Record Bulldog, a cast iron Record Tools garden gnome, point of sale advertising merchandise given to tool shops in the early 20th Century, 25cm tall, weighs 7.6kg

An assortment of mechanic's and engineer's tools, to include, a Britool torque wrench, threading tools Britool imperial socket set, hex drive, and spanners.

A collection of power tools to include a Power CraFT PBF-1200 240v 1200w router, a DeWalt D23620 230V 1150w circular saw, a Bosch ACSB 500-2 240v 500w drill, a Black and Decker Proline PL80 240v 720w angle grinder, a Ferm FBS-710 230v 710 w biscuit jointer, a B&Q UB610WP 240v 610w planer, a Black and Decker MT300 230v 300w angle cutter and a Makita 9045N 240V 520w belt sander. (8).

A large quantity of hand tools, to include, B&D workmate attachments, mechanic's tools, and Kango/Dewalt cases.