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JAR: A PAIR OF RESIN 'TICKLE ME FEATHER' EARCLIPSOf stylised feather design, in purple resin and 18K gold, signed JAR, numbered, with maker's mark, French assay mark, with maker's pouch, length 6cmJoel Arthur Rosenthal is one of the most exclusive and sought-after jewellery designers in the world, and yet, he remains a mystery to many. Founder of JAR, Rosenthal is known for his reclusive nature and limited production, making his creations highly coveted. His boutique in Paris's prestigious Place Vendôme doesn't advertise its presence with flashy signage or displays. Instead, the doors open only to a select few, such as Princess Caroline of Monaco, Ann Getty, Marella Agnelli and Princess Firyal of Jordan, ensuring that his work stays reserved for an elite clientele. A New York City native, Rosenthal never intended to enter the world of jewellery. After graduating from Harvard with a degree in art history and philosophy, he moved to Paris and opened a needlepoint shop. Though his business began slowly, his experiments with unusual colours of yarn attracted the custom of designers for Hermès and Valentino. It was through one of these clients, who asked him to design a mount for a gemstone, that Rosenthal's path toward jewellery design was set in motion. His growing fascination with fashion led him back to New York, where he worked at Bulgari's Fifth Avenue store. However, it was his love for gemstones that eventually drew him back to Paris in 1977, where he and his partner, Swiss psychiatrist Pierre Jeannet, opened an exclusive boutique. While JAR's name remained relatively unknown outside of Paris for years, his 2002 exhibition at London's Somerset House showcasing 400 of his pieces brought his work to global attention. A perfectionist, JAR shuns mass production and commercial trends, opting instead for an almost secretive, highly selective approach. This dedication to artistry and exclusivity culminated in a major retrospective at the Metropolitan Museum of Art in 2013, making him the first living jeweller to be honoured with a solo exhibition there. JAR's designs are celebrated for their daring use of unconventional gemstones, materials and striking colour combinations. His jewellery, often inspired by nature, transforms ordinary elements such as flowers, butterflies, and wildlife into intricate works of art. His mastery of materials like titanium and aluminium, paired with his innovative ombré colour schemes, adds a modern, sculptural quality to his pieces. Each piece is meticulously handcrafted, with only 70 to 80 jewels created annually, ensuring both exclusivity and a sense of personal connection with each client. One of her notable clients is Ellen Barkin, who in December 2006, after Revlon mogul Ronald Perelman blindsided her with divorce papers, turned the tables by selling her world-class jewellery collection at a Christie's auction in New York. The jewels, all gifts from her ex, included pieces once owned by the Duchess of Windsor and Doris Duke, but it was her 17 JAR pieces that stole the show. Highlights included a 22.76-carat thread ring and her favourite topaz, ruby, and diamond earrings, which she wore to the 2005 Vanity Fair Oscars. The auction reached $20 million, with JAR pieces such as diamond bangles and a diamond ring each surpassing $1 million. Ellen didn't just sell jewellery but a story of revenge and unapologetic glamour. JAR's influence on the jewellery world is profound. His work, blending antique techniques with modern sensibilities, has inspired a new generation of jewellers and helped re-establish high jewellery as a true art form. For nearly half a century, Joel Arthur Rosenthal has remained an elusive figure in luxury jewellery, letting his creations speak for themselves with unmatched artistry and vision. Condition Report: For non pierced ears - with good tensionBoth numbered 29Minor signs of wear, overall in good conditionTotal gross weight approx. 17.9g
GABRI: A PAIR OF TOPAZ AND DIAMOND PENDENT EARRINGSEach set with an elongated topaz drop, with rose-cut diamond terminals and old-cut diamond connector, mounted in 18K gold, signed Gabri, with case, length 6.8cm Condition Report: Topaz of strong blue hue, transparent, with minor surface scratches visible under 10 x magnification and a bright light sourceDiamonds bright and lively, unable to assess colour due to yellow mount, estimated clarity approximately SIOne pin stamped 750 and ‘NF’Butterfly fittings stamped 750, for pierced earsNormal signs of wear, overall in good conditionTotal gross weight approx. 22.9gAccompanied by a black case in good condition
Swarovski crystal limited edition figurine of Donald Duck. Released in 2015 as part of Swarovski's Disney collaboration, this figurine is limited to 150 pieces worldwide. It features 23,128 hand-set crystals in a variety of colors including Lavender, Vintage Rose, Sun, Sunflower, Capri Blue, Light Topaz, and Light Siam. Executed in Swarovski's exclusive Pointiage technique, the piece displays the character in his classic pose with red bow tie, blue sailor outfit, and matching cap. Base engraved with edition details showing number 29 of 150. Includes original fitted blue Swarovski hard case with locks and handle. Includes Swarovski gloves, cleaning cloth, and key. This item has its original box. Certificate of Authenticity included.Issued: 2015Dimensions: 9.5"HCountry of Origin: AustriaCondition: Age related wear.
Swarovski crystal figurine from the Crystal Paradise collection, depicting an elegant seahorse couple in vibrant topaz crystal with intricate clear crystal coral base. This detailed and dynamic piece exemplifies the brand's renowned craftsmanship and was part of the exclusive “Crystal Paradise line. Includes original blue Swarovski box. Figurine bears the Swarovski swan logo backstamp. Box measures 8"L x 8"W x 4"H. Figurine measures 5.25"H. Issued: 20th century Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.
JOCELYN BURTON (BRITISH 1946-2020) FOR AURUM PAIR OF 'FITZWILLIAM MUSEUM' CLARET CUPS, 1975 numbered 92/150 and 111/150, stamped maker's mark, hallmarked for London 1975, and with Fitzwilliam crest (to the underneath), silver, gilt and cabochon topaz stones each 23cm high (9in high), total weight 791 grms. (2) The Estate of Jocelyn Burton. The goblets were marketed by Aurum to raise funds for the Fitzwilliam Museum. Jocelyn drew inspiration for the Fitzwilliam Cup from Anglo-Saxon chalices. “I liked the simple, elegant concept, which I felt captured the simplicity of the 1970s,” she explained, adding, “One of the things that has always made my work unusual is the use of semi-precious stones in large pieces of silver.”Jocelyn Burton quoted in John Andrews and Derek Styles, Designer British Silver, from studios established 1930-1985, Antique Collectors' Club, 2014, p. 124.

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31541 item(s)/page