Two African tribal objects, comprising:a Congolese brass crucifix, possibly 19th century and later, with figures in low relief and an engraved geometric pattern,20.5cm high, anda stoneware pipe, 20th century, of baluster form, with three stylised monkeys to the top,16cm high (2)Condition ReportWith marks and scratches to the pipe commensurate with use. The curcifix with restoration to the back.
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ASTERIX CONQUERS AMERICA (1994) - Asterix, Obelix and Multi-Character Original Production Cel and Pan Original Layout Drawing Setup - A richly detailed pan layout setup from the animated feature Asterix Conquers America (aka Asterix In America), expertly composed using seven original hand-painted production cels over a large-format pan background drawing.Asterix Conquers America was the first Asterix film produced entirely outside France and marked an ambitious expansion of the franchise. With its distinctive style, international tone, and strong visual storytelling, it brought the iconic Gauls to a new generation.While this specific arrangement does not appear "as is" in the film, each cel and layout element was created for the production and has been thoughtfully assembled by the studio to showcase the visual dynamism and character design that define the feature. The studio officially released this piece as part of the Asterix Art Program, curated to preserve the series' legacy and offer collectors a rare look into the production process.Set in a Native American village deep in the New World, the artwork brings together an ensemble of key characters: the defiant Asterix stands mid-conversation alongside the wise druid Getafix (Panoramix), recently kidnapped and flung across the ocean by Roman forces. To their side, the young tribal girl, while a wary villager and medicine man, and the elaborately dressed village chief observe from either end, the ever-faithful Obelix acting as both mediator and muscle in the scene.The pencil layout background stretches across, laying out the ceremonial grounds and tipi village in a sweeping perspective. These layouts were integral to shot planning, camera movement, and cel positioning. The scale, clarity, and theatrical composition make this setup an ideal display piece, a scene that captures the drama and charm of the film's aesthetic. Multiple production reference numbers are handwritten along the bottom edge of the cels, and several annotations are written on the drawing. The official studio stamp is present on the bottom right corner of the layout, authenticating its origin. A special offering for fans of the franchise and for collectors who value the immediacy, scale, and storytelling power of original animation art. Dimensions: 31 cm x 109 cm (12.25" x 43")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: Ω
A pair of carved hardwood tribal figures, 20th century, painted in polychrome, 48cm and 46cm high together with an embroidered patchwork wall hanging, 146 x 91cm Provenance: The Clock House, Dunmow, Essex Condition ReportThe figures with cracking and chipping throughout. The wall hanging with some loose areas.
THE SWORD OF NGULA / NGALA | DEMOCRATIC REPUBLIC OF THE CONGO, CONGOLESE | Country: Democratic Republic of the Congo | Date: 19th century | Condition: very good | Lot information | A 19th century Ngula/Ngala type executioner's sword, used by the Ngombe, Ngbandi, Ngbaka, Ngala and Doko tribes in what is now the Democratic Republic of the Congo. This type of weapon served not only as a tool for carrying out punishments, but also had a ritual and ceremonial function.The blade is wide, asymmetrically curved with rich engraving, which is typical of African tribal blacksmithing. The characteristic shape of the blade allowed for a deadly blow with a single cut. The handle is wooden, finished with an ornate conical tip and braided with wire for a firmer grip. | Dimensions | Length: 62 cm | Blade length: 39.5 cm | Weight: 720 g***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.
Leather stickstand in the form of an artillery shell carrier, 50cm high together with a quantity of walking sticks, spears and umbrellas including a carved monkey head walking stick, carved and painted pheasant head walking stick, carved snake handled walking stick, hardwood tribal African carved walking stick, two spears and others
A group of assorted silver jewellery comprising an unusual pair of spear shaped earrings, the silver front outline depicting a tribal face, mounted on hardwood backs, length 4.5cm, a pair of silver and modern amber drop earrings, length 6.5cm, a pair of white metal mother of pearl and leaf shaped border drop earrings, with hook style clasp, length 7cm, a pair of wooden button earrings and a silver bracelet with lobster claw clasp, length 18cm.
Enjilas RugKurdistan, Circa 1930The mid-indigo lozenge field with a serrated linked terracotta medallion flanked by zoomorphic and tribal devices, enclosed by ivory curled leaf borders and barber poles.194cm by 127cmUpper and lower babrer poles probably missing and possible outer guard stripe missing. Selvedges complete. Pile is in good/fair condition throughout, one area of old re-weave; suitable for immediate use.
AN ALGERIAN CORAL-SET SILVER AND WHITE METAL MINIATURE GUNPOWDER FLASK Algeria, North Africa, second half 19th centuryOf exaggerated curved, C-like shape, the crescentic flask made of chased and repoussé silver, the body with swirling foliate arabesques and rope-twisted bands, each domed terminal set with a polished Mediterranean red coral cabochon and further embellished with twisted wirework, the hinged lid surmounted by an additional coral-set finial and opening to reveal the powder compartment, the body pierced with suspension loops for attachment to a bandolier or belt, the form and decoration closely associated with the Kabyle and Berber silversmithing traditions of northern Algeria, on a black metal stand.9cm x 7cm excluding the stand These flasks were typically used by tribal horsemen and cavalry, both as functional powder containers and as status symbols. Similar examples have been highly sought after by collectors of Islamic, North African, and Maghribi arms and armour, as well as ethnographic art. For other comparable specimens, please see the Musée de l’Armée, Paris and the Musée National des Antiquités et des Arts Islamiques, Algiers. 9cm x 7cm excluding the stand Qty: 2
100 ARMS & ARMOUR AND ANTIQUITIES AUCTION CATALOGUES Reference libraryComprising approximately 100 specialist auction catalogues primarily focused on arms, armour, and militaria, including numerous issues from Thomas Del Mar Ltd., Christie’s, Czerny’s, and Hermann Historica, alongside a selection covering antiquities from Bonhams, Christie’s, and David Aaron, among others. The collection includes both single-owner sales and general auctions, spanning topics from Islamic and European weaponry to Classical antiquities and tribal art. A valuable reference archive for collectors, researchers, or dealers in the field. Qty: 100
A NAZWA STYLE QURAYSHIA TRIBE BRASS DALLAH COFFEE POT Bahrain or Saudi Arabia, early 20th centuryOf classic flared cylindrical shape, rising from a wide splayed rounded base, engraved throughout with overlapping bands of vegetal scrollwork, fretwork and stylised flower heads, the tall conical lid surmounted by a pointed finial, with its distinctive ‘saw-tooth’ hinged lid-catch, with a boldly arched spout decorated with further floral designs and a curved handle on the opposite side, the overall design associated with the Qurayshia tribe, fitted with original chains, just below the rim a gold and red seal stamped in Arabic, testifying to the 'superior quality' of the ware, the base left plain displaying natural patina from age and use.32cm high This type of dallah, known as the ‘Nazwa’ style (دلة نزوى), is highly prized in the Arabian Gulf, with close links to Bedouin hospitality and coffee culture (qahwa), particularly among the Qurayshia tribe. This distinct shape is easily recognisable by the strong arch of the spout and the flared lower section. Early 20th-century examples from Bahrain and Eastern Saudi Arabia are increasingly rare, representing an important part of Gulf material heritage and Islamic decorative arts. Such pieces were often used in majlis gatherings, where serving coffee is a symbol of hospitality, social status, and tribal identity. For a related example, please see the collection of the Bahrain National Museum. Other published examples can be found in Traditional Metalwork from Bahrain (Bahrain Authority for Culture & Antiquities, 2012). 32cm high Qty: 1

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