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ASTERIX CONQUERS AMERICA (1994) - Asterix, Obelix and Multi-Character Original Production Cel and Pan Original Layout Drawing Setup - A richly detailed pan layout setup from the animated feature Asterix Conquers America (aka Asterix In America), expertly composed using seven original hand-painted production cels over a large-format pan background drawing.Asterix Conquers America was the first Asterix film produced entirely outside France and marked an ambitious expansion of the franchise. With its distinctive style, international tone, and strong visual storytelling, it brought the iconic Gauls to a new generation.While this specific arrangement does not appear "as is" in the film, each cel and layout element was created for the production and has been thoughtfully assembled by the studio to showcase the visual dynamism and character design that define the feature. The studio officially released this piece as part of the Asterix Art Program, curated to preserve the series' legacy and offer collectors a rare look into the production process.Set in a Native American village deep in the New World, the artwork brings together an ensemble of key characters: the defiant Asterix stands mid-conversation alongside the wise druid Getafix (Panoramix), recently kidnapped and flung across the ocean by Roman forces. To their side, the young tribal girl, while a wary villager and medicine man, and the elaborately dressed village chief observe from either end, the ever-faithful Obelix acting as both mediator and muscle in the scene.The pencil layout background stretches across, laying out the ceremonial grounds and tipi village in a sweeping perspective. These layouts were integral to shot planning, camera movement, and cel positioning. The scale, clarity, and theatrical composition make this setup an ideal display piece, a scene that captures the drama and charm of the film's aesthetic. Multiple production reference numbers are handwritten along the bottom edge of the cels, and several annotations are written on the drawing. The official studio stamp is present on the bottom right corner of the layout, authenticating its origin. A special offering for fans of the franchise and for collectors who value the immediacy, scale, and storytelling power of original animation art. Dimensions: 31 cm x 109 cm (12.25" x 43")Sold without copyright; see copyright notice in the Buyer's Guide.VAT Status: Ω

Tribal Art - Ashanti ceremonial stool

Tribal Art - a Naga necklace with incised bone pendant , Indian

Tribal Art - a Yoruba.ibedji twin figure with beads and cowrie shells, 25cm

Tribal Art - African drum and three carved wood figures

Tribal Art - Ibo carved and painted wood hand-held figurative wand 43cm on stand

Tribal Art - African Luba figure with half skirt And a Cameroon standing figure

Tribal Art - African Yoruba shango priests staff with metal axe blade (this item cannot be posted overseas)

Tribal Art - four large carved wood African figures and a painted Masai cowhide shield

Tribal Art - a metal water vessel from Siam

Tribal Art - Nigerian Janus headed helmet mask with leather covering

Tribal Art - African scythe with wooden handle (this item cannot be posted overseas)

Tribal Art - African spear with carved rosewood shaft, 130cm long (cannot be posted overseas)

Tribal Art - Ashanti stool

Tribal Art - African Yornba shango staff with Janus head

Tribal Art - African Ibo Nigerian boys carved and painted wood initiation mask.

Tribal Art - Ivory Coast Dan mask with beard and another Dan mask

Tribal Art - painted wood Native America ? birds head and beak mask

Tribal Art - African, Congo, Bembe slit gong with carved head

Tribal Art - a Yoruba Priests beadwork bag

Tribal Art; An African Hardwood Carving of a Seated Gentleman Holding Three Children, seven others by his feet, 40cm high and another carved with two faces, 36.5cm high. (2)

AN ALGERIAN CORAL-SET SILVER AND WHITE METAL MINIATURE GUNPOWDER FLASK Algeria, North Africa, second half 19th centuryOf exaggerated curved, C-like shape, the crescentic flask made of chased and repoussé silver, the body with swirling foliate arabesques and rope-twisted bands, each domed terminal set with a polished Mediterranean red coral cabochon and further embellished with twisted wirework, the hinged lid surmounted by an additional coral-set finial and opening to reveal the powder compartment, the body pierced with suspension loops for attachment to a bandolier or belt, the form and decoration closely associated with the Kabyle and Berber silversmithing traditions of northern Algeria, on a black metal stand.9cm x 7cm excluding the stand These flasks were typically used by tribal horsemen and cavalry, both as functional powder containers and as status symbols. Similar examples have been highly sought after by collectors of Islamic, North African, and Maghribi arms and armour, as well as ethnographic art. For other comparable specimens, please see the Musée de l’Armée, Paris and the Musée National des Antiquités et des Arts Islamiques, Algiers. 9cm x 7cm excluding the stand Qty: 2

100 ARMS & ARMOUR AND ANTIQUITIES AUCTION CATALOGUES Reference libraryComprising approximately 100 specialist auction catalogues primarily focused on arms, armour, and militaria, including numerous issues from Thomas Del Mar Ltd., Christie’s, Czerny’s, and Hermann Historica, alongside a selection covering antiquities from Bonhams, Christie’s, and David Aaron, among others. The collection includes both single-owner sales and general auctions, spanning topics from Islamic and European weaponry to Classical antiquities and tribal art. A valuable reference archive for collectors, researchers, or dealers in the field. Qty: 100

A COLLECTION OF EIGHT SOUTH AFRICAN ZULU TRIBAL ART BEER CONTAINER POTS, in various sizes, some with painted and incised decoration

Tribal Art - David Murathi (South Africa, 20th century), stinkwood sculpture of a stylised figure, signed dated & inscribed to base, 1994, 31cm. high.

African tribal art, including masks, statuettes and busts

A part dinner service ' Losol ware Claremont' by Keeling &Co to include dinner plates, soup bowls side plates and tureens (52 pieces), a hand carved tribal art piece depicting a human face 65cm high, a Pentax Zoom 90 camera with instruction book, a Canon Autofocus 38mm camera, a Kodak Brownie 127 camera, a Kodak Instamatic 100 camera (boxed), a Cine Kodak Eight model 20 camera, a Nikon vacuum cleaning brush (boxed), also a vintage table lamp featuring a porcelain ginger jar on a wooden base with floral decoration.

3 silver necklaces with pendants and a vintage red tribal art style pendant

Two Nigerian tribal art wall plaques, H: 34 cm. UK P&P Group 3 (£30+VAT for the first lot and £8+VAT for subsequent lots)

Five South African Zulu tribal art beer container pots - some with painted & incised decoration

A 19th century Oceanic Polynesian tribal art wooden paddle from Papua New Guinea A/F, a huge East African Masai lion hunting spear, beaded African Zulu knobkerrie club, a Taiwan Paiwan knife & sheath and an East African fly whisk

Five various African tribal art carved figures including two Senufo Ivory Coast carved figures - one with large fangs, an East African Masai carved figure with spear & two tribal figures

* IAN DAVID COOK RI RSW RGI (SCOTTISH b. 1950), DRAWING ROOM WITH SEATED NUDE oil on canvas, signedunframedoverall size 51cm x 76cmNote: Studied at Glasgow School of Art from 1968 to 1975 during which time he won the Hutchieson Drawing Prize and completed a year of Post Graduate study in Fine Art. He was then awarded the Cargill Travelling Scholarship, a major travelling bursary that enabled him to develop research and works from Spanish and North African sources. As a recipient of a travel bursary from the Scottish Arts Council in 1985 he travelled to Central Africa as a means of furthering his two-dimensional and three-dimensional studies and produced many artworks sourced from indigenous cultures. The urge to continue such study has never abated, and in 1993, after a sojourn in the Indian reservations of America’s North Western States, he created an immense series of works that, with the endorsement of Glasgow City Council, filled the entire exhibition areas of the Glasgow Royal Concert Hall and was upheld in critical acclaim. In the last four years he has made regular trips to Central and South America and Mexico in pursuit of Pre Columbian symbolism and contemporary Latin American culture, adopting historical and tribal elements with the intention of incorporating them in his work. Aside from these gestures to ethnic genre he regularly produces a range of figurative and surrealist works using diverse subjects. In 2000 he won the Winsor and Newton Award at the RI Show and in 2005 he was awarded the RI Award for the most outstanding contribution to the Exhibition at the Mall Gallery in London. In 2011 he won the Fellowship of the Glasgow Art Club at the RGI Exhibition, and in 2015 he was awarded the House for an Art Lover Award at the RSW exhibition. His work has been exhibited at the Royal Academy, Sunday Times Watercolour Exhibition, London, The Portrait Society, RGI and RSW shows in the UK, many British and continental galleries, as well as public and private collections worldwide inclusive of Trainload Freight, The TSB, The BBC, The Kinsey Institute, Indiana State University, and The American Equestrian Association.

* IAN DAVID COOK RI RSW (SCOTTISH b. 1950), AT THE PIANO gouache on paper, signed mounted, framed and under glassimage size 24cm x 26cm, overall size 40cm x 41cmNote: Studied at Glasgow School of Art from 1968 to 1975 during which time he won the Hutchieson Drawing Prize and completed a year of Post Graduate study in Fine Art. He was then awarded the Cargill Travelling Scholarship, a major travelling bursary that enabled him to develop research and works from Spanish and North African sources. As a recipient of a travel bursary from the Scottish Arts Council in 1985 he travelled to Central Africa as a means of furthering his two-dimensional and three-dimensional studies and produced many artworks sourced from indigenous cultures. The urge to continue such study has never abated, and in 1993, after a sojourn in the Indian reservations of America’s North Western States, he created an immense series of works that, with the endorsement of Glasgow City Council, filled the entire exhibition areas of the Glasgow Royal Concert Hall and was upheld in critical acclaim. In the last four years he has made regular trips to Central and South America and Mexico in pursuit of Pre Columbian symbolism and contemporary Latin American culture, adopting historical and tribal elements with the intention of incorporating them in his work. Aside from these gestures to ethnic genre he regularly produces a range of figurative and surrealist works using diverse subjects. In 2000 he won the Winsor and Newton Award at the RI Show and in 2005 he was awarded the RI Award for the most outstanding contribution to the Exhibition at the Mall Gallery in London. In 2011 he won the Fellowship of the Glasgow Art Club at the RGI Exhibition, and in 2015 he was awarded the House for an Art Lover Award at the RSW exhibition. His work has been exhibited at the Royal Academy, Sunday Times Watercolour Exhibition, London, The Portrait Society, RGI and RSW shows in the UK, many British and continental galleries, as well as public and private collections worldwide inclusive of Trainload Freight, The TSB, The BBC, The Kinsey Institute, Indiana State University, and The American Equestrian Association.

Josef Herman OBE RA, Polish/British 1911-2000 - Women of Taos III, 1985; watercolour on paper, 22.7 x 17.1 cm (ARR) Provenance: Boundary Gallery, London Exhibited:Boundary Gallery, 'Josef Herman and Tribal Art', March 2002, no.24 

Collection of African tribal items to include Kenyan tribal art ceramic plate, wooden giraffe on plinth, wooden carved box, etc, plus a Peruvian carved gourd rattle shaker

Collection of African tribal art to include carved stool, carved wooden cigarette box, carved Alligator wooden crescent box and carved stone sculpture

Collection of African tribal art to include wooden face wall plaques, carved wooden jewellery box with inlaid parquetry, fertility figure, wooden mortar with African carved design, etc

Tribal Art - African drum and three carved wood figures

Tribal Art - African spear with carved rosewood shaft, 130cm long

Antique Folk Art carved wooden figure of lady, African Tribal art wooden figure and burnished pot

Tribal Art - antique African tribal axe/club with steel blade and carved wood animal head

A collection of auction catalogues, covering Asian & Tribal Art, etc.

A striking bronze sculpture by Eli Ran, of an abstract female head that features a stylized, elongated form with a smooth, minimalist facial structure and closed, recessed eyes. The head is adorned with an intricately braided element that cascades down the back, merging seamlessly into the neck and base. The dark patina, with greenish undertones, enhances the organic, almost timeless quality of the piece. The artist's signature and edition number 7/7 are inscribed on the base, indicating its exclusivity. Eli Ran's sculptural work often explores themes of identity, form, and texture, with this piece evoking a sense of introspection and elegance. Its modernist aesthetic, with influences of Cubist and African tribal art, makes it a compelling addition to any fine art collection.Artist: Eli Ran (Israeli 1946-2020) Issued: c. 1990Dimensions: 8"L x 10"W x 16"HCountry of Origin: IsraelCondition: Age related wear.

Striking hand formed pottery vessel featuring a stylized human face and raised textured detailing throughout. The facial features are sculpted in high relief, including bold eyes, nose, and mouth, while the body of the vessel is adorned with raised dot patterns, giving it a tactile, organic surface. Finished in smoky earth tones with a burnished appearance, the piece has a narrow flared neck rising from a rounded base. A powerful example of tribal-inspired or folk art pottery, showcasing expressive form and surface texture.Issued: 20th centuryDimensions: 8"HCondition: Age related wear.

* Tribal Art. A collection of Aboriginal hardwood boomerangs, probably eucalyptus wood, the largest 91 cm, the smallest 55 cm, together with two woomera (spear-throwers), 70 and 66 cm QTY: (7)

* Tribal Art. A Fijian hardwood root club, with plain grip, 99.5 cm longQTY: (1)

* Tribal Art. A Soloman Islands hardwood club, of plain tapered form with medial ridge, 123.5 cm long QTY: (1)

* Tribal Art. A Fijian hardwood root club, with geometric carved grip, 103 cm long QTY: (1)

Tribal art - a Navajo terracotta vase, incised with geometric band motifs, marked Tee Dine (The People), 31cm high; Black wedding flask, Pima first nation pot, Canadian agawa glass paperweight, bear cub (4)

A very large quantity of auction catalogues, mostly for sales of Asian, Oceanic and Tribal art, with many examples from Bonhams, Christie's, Lyon & Turnbull, Woolley & Wallis etc. (6 boxes) Condition Report:Available upon request

CHIEF ZACHEUS OLOWONUBI OLORUNTOBA (Nigerian 1934-2014) pen and ink on muslin - detailed collage of faces, figures and patterns, signed and inscribed, 25 x 77cmsProvenance: private collection Carmarthenshire, bought directly from artist in 1972Auctioneer's Note: Oloruntoba was a Yoruba chieftain, tribal shaman and herbal medicine consultant. His work is held in collection around the world including the Museum of Modern Art in New York and the Commonwealth Institute in London. His work seldom appears at auction.Comments: good overall, some minor stains / marks, framed and glazed, viewing recommended

Tribal Art - an Australian Aboriginal bark painting, painted in earth pigments with stylized snake and foliate motifs, 41cm long, label to verso Church Missionary Society, Angurugu (Groote Eylandt) Aboriginal Mission

Tribal Art - a Pende/Yaka people of the Democratic Republic of Congo hardwood figural mortar, 60cm high

African tribal art - a Benin bronze, warriors on horseback, 40cm long x 19cm high

Tribal Art - a Dogon figural fertility carving,  101cm high, Mali, West Africa

D.R. Congo, Yaka, power figure and two Yaka figures; the first item, phuongu, with blackish brown patina and traces of resin. One of the others with written in white T.H. 24. h. 20, 23 and 28,5 cm. Provenance: one Ten Houten, with number in white and one with auction sticker Zemanek-Munster, 82 tribal art auction, lot 513. [3]

Tribal art: a carved wood Dogon maternity figure, of a mother holding her infant child on her lap seated on a stool, H91cm, on a later wooden base, together with another similar, H71cm, both with patinated wood, some cracking and wood loss, and two later African carved wood figures, one with extensive wood worm holes (4)

Tribal art: three Senufo Masks, carved in traditional form, each H: 61cm, 46cm and 42cm,  together with another smaller mask, also from the Ivory Coast  (4)

Tribal Art - a Benin bronze figure, of an Oba, seated on his throne, 42cm high, Nigeria