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Lot 1001
Mouseman and the Yorkshire Critters: a carved oak foot stool or small occasional table by Nigel Dixon, 'Woodwormman' - the rectangular top carved with a central tudor rose, raised on chamfered square supports, the inside of one support carved with the maker's distinctive woodworm signature. (LWH 31 x 22.25 x 21.7cm)
Lot 110
A small group of antique and vintage glass ware - including a blue cased glass tazza, probably Bohemian, early 20th century, 14.25cm high; a moulded glass 'chrysanthemum' bowl, 26.2cm diameter; a pair of 1920s moulded glass celery vases; a Victorian large, heavy rummer, 14.7cm high; a 1950s-60s paperweight; and a set of five small tumblers, possibly Tudor, unmarked, 7.7cm high. (11)
Lot 37
A LATE 19TH CENTURY CULTURED PEARL, CHALCEDONY AND ENAMEL PENDANT, CIRCA 1880Of quatrefoil design, centring a rectangular-shaped blue chalcedony, corners highlighted by foliate motifs, between red guilloché enamel scalloped quarters, within a twisted-wire frame highlighted with button-shaped and drilled cultured pearls, suspending a baroque-shaped cultured pearl, reverse applied with blue and red champlevé enamel spelling out ‘Ceciliæ, Cecilia, Tibiq and Raphel’, mounted in 18K gold, length 7.7cm During the 19th century, a growing fascination with the past sparked a revival of historical styles across Europe, most notably a resurgence of 15th- and 16th-century-inspired jewellery that celebrated the richness and artistry of the Renaissance. The opulence, vibrant colours, and ornate designs once favoured by the Tudor court and European aristocracy returned to prominence in the mid to late 1800s, in a period known as the Renaissance Revival. This movement was fuelled by jewellers who found inspiration in the exquisite pieces portrayed in Renaissance-era portraits, so much so that the term "Holbeinesque jewellery" emerged to describe these revivalist designs. The 19th century pendant in this auction can be closely compared to a pendant worn by Saint Cecilia in Raphael’s ‘La Sacra Conversazione’. Painted c.1514 by the young master Raphael, La Sacra Conversazione, also known as The Ecstasy of Saint Cecilia, was commissioned by the Bolognese noblewoman Elena Duglioli dall’Olio for the chapel dedicated to the saint in the church of San Giovanni in Monte, Bologna. The revival of this pendant’s design was led by the influential arts and crafts society Aemilia Ars, founded in Bologna in 1898 by Count Francesco Cavazza in collaboration with designer Rubbiani. The designs created by Rubbiani, including that of the St Cecilia pendant, were donated to the Museo della Tappezzeria in Bologna by the Cavazza family in 1994. Known for their patronage of Aemilia Ars, the Cavazza family played a key role in reintroducing historical artistic motifs to a contemporary audience. Marked with the annotation “Grandezza al vero” (actual size), the pendant came with a handwritten list from Rubbiani noting that it was copied from a Raphael painting and was later acquired by prominent figures such as Queen Margherita of Savoy, Queen Elena of Savoy, Princess Corsini, and the Princess of Essling. The design gained public attention when a pendant identical to the one featured in Raphael’s painting was displayed at the 1902 International Exhibition of Decorative Arts in Turin, highlighting its significance as an emblem of historical revivalism. While the design of the Saint Cecilia pendant was driven by Aemilia Ars and Rubbiani, the production is closely linked to the history of the Marchi family. Initially managed by Luigi Marchi alongside his son Raffaele Angelo from 1891 until Luigi’s retirement in 1894, the goldsmith firm was subsequently led by Raffaele Angelo alone, who was responsible for producing the Aemilia Ars pieces, including the St Cecilia pendant. Unlike some contemporaries who attempted to pass off their intricate reproductions as genuine Renaissance artifacts, the Marchi brothers were upfront about their work being modern creations inspired by historical designs. Over time, variations of the reproduced St. Cecilia have emerged, with differences in colour, materials, and detailing; including one version that sold at Christie’s in 1995 that featured a grey-green chalcedony at its centre. Another similar pendant held by the British Museum displays a deliberate colour reversal: where the original design presents a red central chalcedony, the museum’s version features a blue-stained stone, with the enamelled lobes of the quatrefoil rendered in red instead of blue. It is worth noting, across different examples of the reproduced pendant design, subtle differences can be seen in the inscriptions and decorative details; while the British Museum pendant is inscribed “RAPHAEL CAECILIAE CAECILIA TIBI:QV,” another version omits a letter in “Raphael,” streamlines “Caeciliae,” and leaves off the final “V,” along with variations in the reverse orientation and the thickness of the palmette motifs above the text. Condition Report: Areas of green tarnish commensurate with agePearls with some signs of wear, typical surface features visible and one pearl with some surface fractures to mother-of-pearl nacreMetal unmarked, tested by the jewellery department to be 18K goldNormal signs of wear commensurate with age, overall in good conditionTotal gross weight approx. 25g
Lot 26
Registration – BS 6745Chassis No. – SADDDALW3CC354707M.O.T. – ExemptOdometer – 48,344This characterful Daimler Double-Six Series III HE, part of one man’s extensive collection, is tantalisingly being offered at No Reserve. Notably, the HPI report shows this 42-year-old Daimler has had only three former keepers, with the first and second keeping it right up to 2016. The odometer reads just 48,300 miles and the V5 is present with the car. The vendor also reminds its future keeper than this 1983 model is now MOT-exempt, too. They describe bodywork paintwork and interior as in average condition, but add the 5.3-litre V12 engine could require some attention to restore it to its former glory.‘BS6745’ is finished in Tudor White with Isis Blue leather and charcoal carpets. The original dealer sticker features in the rear window, and the registration plates carry Mann Egerton Norwich branding too – as does the key fob. The original bill of sale is included, and the service book contains dozens of main dealer stamps. It is also understood this car was featured in Jaguar World magazine in 2016.The Daimler Double-Six are V12 versions of the Daimler Sovereign, named after the original Daimler V12s. Introduced in 1972, they followed the Series revisions of the Jaguar XJ6 they were derived from. The facelifted Series III HE is the choice model, and while this car was built in 1983, the series actually continued until 1992. While the Sovereign name itself was transferred to Jaguar in this time, Daimler always retained the iconic Double-Six name.In summary:1983 Daimler Double-Six offered at No ReservePart of one man’s extensive collectionFeatured in Jaguar World magazine
Lot 48
Registration – C329 LOEChassis No. – SAJJNACW3CC127777M.O.T. – ExemptOdometer – 77,274The Jaguar XJ-SC is a fixed profile, targa topped version of the venerable GT coupe which was launched in 1983 in both 3.6-litre straight six and 5.3-litre V12 iterations. ‘C329 LOE’ is an example of the V12 range topper, hailing from 1986. Offered from a private collection, ‘C329 LOE’ boasts a well below average 8 keepers to date and a decidedly moderate 77,300 miles to date. Records show, in fact, that ‘C329 LOE’ has covered less than 300 miles since 2021. A schedule of restorative works, both mechanical and aesthetic, were carried out in 2021 resulting in the fie example on offer today. ‘C329 LOE’ comes with its original book pack including its service record consisting of a full 14 stamps. ‘C329 LOE’ comes from the large collection of an individual enthusiast. Just 1598 right hand drive XJ-SCs were built with less than 50 thought to remain on today’s roads. Certainly, one of the rarer XJSs.‘C329 LOE’ presents in bright Tudor White with dark, removable roof panels and rear landau style hood. The roof panels were re-covered in 2021, and the 15-inch “Starfish” alloy wheels and tyres were fitted new at that time, too. ‘C329 LOE’s’ cabin is trimmed in less common Iris Blue leather and the original steering wheel has refurbished to a high standard. The XJ-SC is a two seater coupe with the area behind the seats given over to a storage locker and space for the roof panels once removed.This fine example is fitted with the revered Jaguar 5.3-litre V12 engine, originally designed for use in the cancelled XJ13 Le Mans car. This is mated to a GM TH400 three speed automatic transmission in ‘C329 LOE’ and the power output was originally rated at around 295bhp. The ample torque is probably the key asset of this engine, however, making for a highly desirable continent crosser. ‘C329 LOE’ has clearly been well maintained with a 14-stamp service history. The mechanical work undertaken in 2021 includes the fitting of a refurbished steering rack, a new ECU and exhaust system – all just a few hundred miles ago.In summary:One of the rarest XJS model produced with less than 50 thought to remain in useOffered complete with a full service history and much recent work undertakenA popular Tudor White over Iris Blue leather livery
Lot 245
• Fitted with a V8 engine• Has power steering fitted• Chrome bumper conversionThe MGB was first introduced in May 1962 as a direct replacement for the MGA. Ken Costello saw the possibility of fitting the larger aluminium 3528cc Rover P5B engine into the MGB GT having been sure that the handling and braking could be made to match the much-improved performance; not that it needed significant changes as the V8 weighed in at around 40 pounds lighter than the four-cylinder iron blocked engine it replaced. Space was not a problem as the car had originally been designed for fitment of a V4 that was never produced. It was not until two years after the first Costello car that MG decided to follow suit. Due to their popularity and reliability, the club support is excellent with many still on the road especially as their fixedhead cousins are still very affordable.This 1979 registered MGB was originally built for the U.S. and was repatriated to the U.K. in 1997. Upon arrival in the U.K. this MGB Roadster was stripped and restored. It was changed to right hand drive guise and a V8 engine from a Rover SD1 fitted. A great addition to this lovely MGB is power steering and chrome bumpers. It was repainted in Aston Martin Tudor Green which is complemented by a black interior. Whilst probably not for the purest, this MGB Roadster is a great specification and offers plenty of fun. Supplied with a V5C registration document and a current MoT test certificate valid until 1st April 2026 (with no advisories). A comprehensive history folder accompanies this Roadster. MGs’ are well supported by several specialists resulting in a motorcar that is, not only straight forward to maintain but also great fun to drive. Consigned by Stewart Banks.FITTED WITH A 3.5 LITRE V8 ENGINEHAS POWER STEERING FITTED AND A CHROME BUMPER CONVERSIONMoT'D UNTIL 1ST APRIL 2026 (NO ADVISORIES)GREAT HISTORY FOLDERS
Lot 208
Subject to a no expense spared restoration with many subtle upgradesProfessionally rebuilt 359ci Chevrolet engine producing between 350bhp-400bhpRack and pinion steeringThe sole coupé model of the Ford V8 DeLuxe was a five-window design, with a single bench seat for three people. This allowed the car to boast two luggage compartments, one reached by raising the boot lid, the other from inside by lifting the seatback. The coupé was available as either a Standard or DeLuxe model, the former with a choice of the small 60bhp V8 or the 221ci 85bhp powerplant. Standard Fords had a variation of the 1938 nose, less exterior trim, and a single taillight. In DeLuxe trim, cars had the new Gregorie front end, two taillights, and came with the 85bhp engine as standard equipment. For the first time, the headlights were recessed smoothly into the front fenders, but for the last time they had free-form lenses, unconstrained by the new round shape of standardised sealed beams. Despite its limited seating, the coupé proved quite popular, with 37,326 manufactured of all types. This placed it third in sales, behind the Tudor and Fordor saloons.This exquisite Ford V8 presents in beautiful condition throughout. Imported into the UK in February 2015, this vehicle was then subjected to a no expense spared, frame-up build featuring a modified, professionally built, 359 cubic inch Chevrolet engine fuelled by a Carter 600cfm carburettor with Brodix aluminium cylinder heads, roller rockers and a hydraulic performance camshaft. The distributor is an electronic Igniter ignition and cooling is handled by a Walker radiator with the power conservatively estimated at between an eye watering 350 and 400bhp! The gearbox is a 350 automatic with a Lokar shifter, the front suspension is independent with coilover shocks and heavy-duty springs and the steering is rack and pinion. Braking at the front is taken care of by Mustang disc brakes and calipers and the rear axle is a heavy duty 9″ Ford unit with drum brakes, all sitting on a powder-coated chassis. The interior of this coupé features new headlining, carpets, seats, door trims and seat belts and the beautifully original woodgrain-look dash gives a fantastically authentic feel. A complete Ron Francis wiring loom was also installed along with new VDU gauges to complement the banjo steering wheel and the front screen winds out just as it should. Presented in Cordoba Tan with chrome wheels housed by Coker Classic whitewall tyres; 215/75/R15s on the back and 195/75/R15s on the front. Aesthetically a beautiful vehicle, the quality of which needs to be seen to be fully appreciated. Supplied to auction with a V5C registration document and history file containing various bills and invoices from the build. Consigned by Fraser Smith SUBJECT TO A NO EXPENSE SPARED RESTORATION WITH MANY SUBTLE UPGRADESPROFESSIONALLY REBUILT 359CI CHEVROLET ENGINE PRODUCING BETWEEN 350BHP-400BHPRACK AND PINION STEERING
Lot 325
Decorative Royal Doulton mug commemorating the 1589 visit of Queen Elizabeth I, featuring a finely detailed transfer scene in full color and bordered by an acanthus leaf motif. The rim interior is inscribed with Visit of Elizabeth 1589, and the base bears the Royal Doulton Old Morton 1589 England backstamp. This piece captures a moment of Tudor pageantry in a classic English pottery form. Measures approx. 4.5"H.Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Lot 8135
Early 20th century gold agate shamrock brooch, stamped 9ct, gold garnet pendant, silver jewellery including blue enamel shamrock pendant and similar ring, Tudor rose brooch and similar enamelled bracelet, paste stone riviere necklace and a Viking ship brooch, gold mounted glass pedant and a turquoise and agate fobCondition Report:9ct approx 1.2gm, back pin not gold, garnet pendant tested 12ct approx 2.05gm, glass pendant approx 3.6gm, mounted tested 9ct, necklace length = 41cm
Lot 267
Tudor - A steel 'Oyster Prince Date+Day Jumbo' wristwatch, circa 1979, model number 70170, serial number 904617, circular black dial with silver coloured batons, hands and centre sweep, date window at 3H and day window at 12H, 21 jewel tandem signed mechanical automatic movement by Adolph Schild, calibre 1832/83 1895 with liveried screw down crown, oversized 'Oyster' case by Rolex, 38mm diameter, verso screw down, signed, to a steel Rolex 'Oyster' bracelet with liveried fold over clasp, end link numbered 7836, presented in the original box with outer card case, spare link, instruction booklet, original receipt dated 8/12/1980, guarantee dated 9/12/80 and a collection of service receiptsCrystal - Complete. some light surface scratches as to be expected and commensurate with age and use. A deeper scratch at 9H and scuff at 6HDial - In good condition with no obvious sign of damage or deteriorationMovement - In working order, though not tested for timekeeping or accuracyCase - Some minor surface scratches, dings and scuffs as to be expected. Bracelet rather stretched. Clasp operates satisfactorily
Lot 1292
A group of largely contemporary jewellery, including a vintage Damascene demi-parure, a quartz, jade and other polished hardstones necklace, a Past Times "Tudor Heart" historical replica faux-pearl necklace, a similar Art Deco Faux-amber necklace and Masonic and other men's cufflinks, together with a group of vintage Timex, Rotary and other wristwatches
Lot 1454
A 1950s Tudor "Small Rose" automatic wristwatch, having an Auto-Prince movement and frosted silver face, the latter having a lattice-textured hours chapter with a gilt baton and dagger markers, inner Arabic numerals at the quarters, gilt dagger hands and blued-steel centre seconds hand, in a gold plated case with screw-on stainless-steel back, 35 mm, (running when catalogued, accuracy and reliability not tested). [ Rolex ]
Lot 113
18 kt., braided mesh, 6 oval cabochon rubies, 6 round sapphires, 20 round diamonds ap. .60 ct., with maker's marks, design inspired by the Tudor period, ap. 32.3 dwts. Length 7 9/16 inches. With signed box.Width of stations 5/8 inch. Bracelet width 1/2 inch.Width of stations 5/8 inch. Bracelet width 1/2 inch.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Lot 112
18 kt., braided mesh, 10 oval cabochon rubies, one round cabochon emerald, 10 small round sapphires, 38 round diamonds ap. 1.15 cts., signed Greece, with maker's marks, design inspired by the Tudor period, ap. 70 dwts. Length 16 inches. With signed box.Rubies: dark purplish red, good polish.Sapphires: dark blue, lively.Diamonds: H-I-VS, several SI.Some rosy patina to gold.Width 5/8 (mesh) and 11/16 (stations) inch.Rubies: dark purplish red, good polish. Sapphires: dark blue, lively. Diamonds: H-I-VS, several SI. Some rosy patina to gold. Width 5/8 (mesh) and 11/16 (stations) inch.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Lot 115
Circle of Marcus Gheeraerts the Younger (Bruges 1561-1635 London)Portrait of William Cecil, 1st Baron Burghley, three-quarter-length, seated by a table, wearing black, with the Order of the Garter, with a fine jewel bearing a cameo portrait of Queen Elizabeth I, holding the Lord Chamberlain's white staff of officeinscribed 'Lord Tresr Cecil' (lower right) oil on panel 112.5 x 88 cm, framed 130 x 105 cm Provenance: With Lane Fine Art, London, where purchased in 1980. Sold by the above, Bonhams, 3 July 2019, lot 3. Deceased estate, UK.Footnote: The present composition uses as its source the full-length portrait of Lord Burghley which now hangs at Hatfield House, Hertfordshire. Strong dates this latter painting to circa 1596-97 but suggests that it may not be the original of this portrait type, which he identifies as Type C (see: R. Strong, Tudor and Jacobean Portraits, London, 1969, vol. I, pp. 32-33 and vol. II, pl. 61). The three panels are slightly bowed. Some of the supports verso are loose or taped on. There are two further hairline cracks visible to the left panel, and one to the right panel, the longest approximately 30cm in length. Rubbing is visible to the framing edges. Chips and associated paint loss to the edges of the central panel edges. There are several further scattered dents, scratches and losses. There is an old repaired damage to the lower left corner. Spots of surface dirt and a slightly discoloured varnish. Some old discoloured retouching is visible to the naked eye, mainly to robe and along panel edges. UV reveals further scattered retouchings throughout, including some touches to face and ruff, panel edges, background and elsewhere.
Lot 523
Illustrated Volumes: Poe (Edgar Allen) Tales of Mystery and Imagination, 4to L. (George G. Harrap) n.d., First Edn., cold. frontis & plts., text illus., black cloth, ptd. label, gilt lettered spine, also First American Edn., 4to N.Y. (Tudor Pub. Co.) 1935, cold. frontis & cold. plts., text illus. black cloth, ptd. label; Miller (L.)designer J.M. Synge, Queens - Harry Clarke, 8vo Mountrath (Dolmen Press) 1986, illus. blue cloth; Gibbings (R.) The Wood Engravings, lg. 4to L. (J. Dent) 1959, First Edn., illus., black cloth, red lettered transparent d.j., as a lot. (4)
Lot 1776
By Stuart Devlin, a modern commemorative parcel-gilt silver and enamel caddy spoon, London 1985, circular bowl, the handle with Prince of Wales Feathers, a Tudor rose and enamel flowers, in a fitted case, length 6.2cm, approx. weight 0.7oz.Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.
Lot 267
Tudor A Prince Oysterdate Submariner "Lollipop" bracelet watch. Circa 1984Case: Signed. Stainless steel. Reference 76100. Serial 12xxxx. Length: 47.6mm. Width: 38.3mmMovement: Signed. Self-winding movement. ETA calibre 2824-2Dial: Signed. Black matte dial with luminous hour markers with quarterly Arabic numeralsBracelet: Stainless steel Oyster bracelet with a signed Fliplock clasp. Interior measurement of the bracelet (including case) is approximately 17cmAdditional items: Signed inner box and an undated translation guarantee Movement is currently functioning at time of writingDial appears to be in a generally good condition with very few noticeable marks visible to the naked eyeHands appear to be in a generally fair condition with a few light marks, the luminous paint has cracked on the hour handCase has noticeable marks and scratches. Some of the edges have some small dentsThe watch glass has scratches and marksBracelet has signs of wear commensurate with everyday use. There are some signs of stretching with some of the links being worn from rubbing against other parts of the braceletClasp shows wear commensurate with everyday use. It could do with a little adjustmentThis lot comes with a box and undated translation guarantee Please note that we cannot guarantee the working order, timekeeping or water resistance of any watches sold in our auctions. We would recommend to get the best possible performance out of your purchase that you have it serviced by a qualified watchmaker Although every effort is made to identify aftermarket parts, we are unable to guarantee the originality of every part of each lot All lots are sold "as is" and clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot All weights and measurements are approximate and provided as a guide only For enquiries about this lot please contact Conrad Cunningham at conrad@kinghamsauctioneers.com
Lot 58
Royal Doulton figurine Anne of Cleves, model HN3356, from the Six Wives of Henry VIII collection. Issued in 1991 and modeled by Pauline Parsons, this limited edition piece (No. 1568 of 9,500) presents Anne seated in an elaborate green and gold gown, engaged in embroidery work. The figure is rich with historical detail, from her Tudor headdress to the sewing tools on the table beside her, reflecting Royal Doulton's exquisite craftsmanship and storytelling tradition. Base marked with the Royal Doulton backstamp and edition information.Artist: Pauline ParsonsIssued: 1991Dimensions: 6.5"HCountry of Origin: EnglandCondition: Age related wear.
Lot 57
Royal Doulton figurine Anne Boleyn, model HN3232, from the prestigious Six Wives of Henry VIII collection. Modeled by Pauline Parsons and issued in 1990, this limited edition porcelain figure (No. 4579 of 9,500) portrays Anne Boleyn in a red and blue Tudor gown, cradling a small dog with a second dog at her feet. Her composed stance and refined features reflect her legacy as one of Henry VIII's most enigmatic queens. The figure is hand-painted and bears the Royal Doulton backstamp on the base.Artist: Pauline ParsonsIssued: 1990Dimensions: 9"HCountry of Origin: EnglandCondition: Age related wear.
Lot 64
Royal Doulton figurine Jane Seymour, model HN3349, from the Six Wives of Henry VIII collection. Modeled by Pauline Parsons and issued in 1991 in a limited edition of 9,500 pieces, this hand-decorated porcelain figure captures the elegance of Jane Seymour, Henry VIII's third wife. She is depicted in a richly detailed Tudor gown in peach, blue, and gold tones, standing beside a small table with a lute and decorative vase. This is edition number 1777, marked on the underside with the Royal Doulton backstamp.Artist: Pauline ParsonsIssued: 1991Dimensions: 9.25"HCountry of Origin: EnglandCondition: Age related wear.
Lot 71
This limited edition piece from the Six Wives of Henry VIII collection features Catherine as the picture of royalty, dressed in highly detailed royal garments in black, purple, and gold. She is adorned with a choker and a gold pendant necklace, exuding regal elegance. Catherine is posed beside a chair, gracefully lifting a second royal gown draped over her arm. The additional gown is rendered in soft pink with a blue-gray bodice and trimmed in gold. Catherine Howard was the fifth wife of King Henry VIII and the cousin of Anne Boleyn. She married the king in 1540, becoming an integral part of English Tudor history. Royal Doulton backstamp.Artist: Pauline ParsonsIssued: 1992Dimensions: 6"L x 8.5"HCountry of Origin: EnglandCondition: Age related wear.
Lot 73
Hand-crafted and hand-decorated by Royal Doulton, this porcelain figurine represents King Henry VIII in full Tudor regalia. The piece features remarkable detail, with Henry holding a falcon and accompanied by a hound, symbolizing nobility and the royal pastime of falconry. Finished in rich tones of red, gold, and fur-textured brown, the figure rests on a marbleized base and includes a wooden display stand. Marked on the underside with the Royal Doulton backstamp.Artist: Pauline ParsonsIssued: 1991Dimensions: 6.5"L x 9.5"HCountry of Origin: EnglandCondition: Age related wear.
Lot 60
Royal Doulton figurine titled Catherine of Aragon, model HN3233, from the Six Wives of Henry VIII collection. This hand-painted porcelain figure was modeled by Peggy Davies and issued in 1990 in a limited edition of 9,500 pieces. The figure depicts Catherine of Aragon elegantly seated in Tudor attire, with fine detailing in her gown, headdress, and accessories, including a small spaniel perched on her lap. The base is marked with the Royal Doulton backstamp and edition number 4488 of 9500.Artist: Paulin Parsons Issued: 1990Dimensions: 7"HCountry of Origin: EnglandCondition: Age related wear.
Lot 74
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold Half-Sovereign, 1989. Royal Mint. Proof. Commemorating the 500 years anniversary of the sovereign 1489-1989, this is the first special design issued under Queen Elizabeth II, often held to be the most beautiful coin design during her reign.Facing full length portrait of Elizabeth II seated in King Edward's Chair as at her coronation, all within beaded border; legend around in Medieval typeface, ELIZABETH · II · DEI · GRA · REG · FID · DEF ·. Design by Bernard Sindall. / Crowned Royal Shield of Arms set in a double Tudor rose, within beaded circle; inscription around in medieval typeface, 'ANNIVERSARY · OF · THE · GOLD · SOVEREIGN · 1489 · 1989'. Design by Bernard R. Sindall. Edge milled. Comes with the original box as issued by the Mint and the certificate of authenticity (COA). Reference: S-SB3 (was 4277); KM-955Mintage: 21,824.Diameter: 19 mm.Thickness: 0.99 mm.Weight: 3.994 g. (AGW=0.1178 oz.)Composition: 917/1000 Gold.PLEASE NOTE: This lot is exempt from VAT. A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Lot 66
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold Sovereign, 1989. Royal Mint. Proof. Commemorating the 500 years anniversary of the sovereign 1489-1989, this is the first special design issued under Queen Elizabeth II, often held to be the most beautiful coin design during her reign.Facing full length portrait of Elizabeth II seated in King Edward's Chair as at her coronation, all within beaded border; legend around in Medieval typeface, ELIZABETH · II · DEI · GRA · REG · FID · DEF ·. Design by Bernard Sindall. / Crowned Royal Shield of Arms set in a double Tudor rose, within beaded circle; inscription around in medieval typeface, 'ANNIVERSARY · OF · THE · GOLD · SOVEREIGN · 1489 · 1989'. Design by Bernard R. Sindall. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 8237865-003.NGC Census in this grade: 297, equal-finest graded.Reference: S-SC3 (was 4272); KM-956Mintage: 23,471.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917/1000 Gold.PLEASE NOTE: This lot is exempt from VAT. A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Lot 67
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold Sovereign, 1989. Royal Mint. Proof. Commemorating the 500 years anniversary of the sovereign 1489-1989, this is the first special design issued under Queen Elizabeth II, often held to be the most beautiful coin design during her reign.Facing full length portrait of Elizabeth II seated in King Edward's Chair as at her coronation, all within beaded border; legend around in Medieval typeface, ELIZABETH · II · DEI · GRA · REG · FID · DEF ·. Design by Bernard Sindall. / Crowned Royal Shield of Arms set in a double Tudor rose, within beaded circle; inscription around in medieval typeface, 'ANNIVERSARY · OF · THE · GOLD · SOVEREIGN · 1489 · 1989'. Design by Bernard R. Sindall. Edge milled.In secure plastic holder, graded PCGS PR70 DCAM, certification number 48150067.PCGS population in this grade: 52, equal-finest graded.Reference: S-SC3 (was 4272); KM-956Mintage: 23,471.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917/1000 Gold.PLEASE NOTE: This lot is exempt from VAT. A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Lot 90
UNITED KINGDOM. Charles III, 2022-. Silver 5 Pounds, 2024. Royal Mint. The Royal Mint’s Four Nations 2024 Bullion Coin Range sees the return of a celebrated heraldic design by Gregory Cameron, featuring the Lion of England, Unicorn of Scotland, Dragon of Wales, and Stag of Northern Ireland. First seen on the final ‘round pound’ in 2016, the design has been subtly refreshed for this release. The four national symbols are arranged in a cross-like composition around the Tudor Crown, replacing the earlier St Edward’s Crown, with the precious metal specification now included in the design. Struck in a quarter-ounce of gold, this coin offers a distinguished entry into bullion investment with a powerful national theme.Portrait of King Charles III left, legend around; "CHARLES III · D · G · REX · F · D · 5 POUNDS · 2024 ·". Design by Martin Jennings. / Four quadrants each depicting the national beasts of the United Kingdom, the Lion of England, Unicorn of Scotland, Red Dragon of Wales, and Irish Elk. Tudor Crown in the centre, GKC below Dragon, legend around; "2 OZ · FINE · SILVER · 999.9 · 2024". Design by Gregory Cameron. Edge milled.Diameter: 39 mm.Weight: 62.42 g. (ASW=2 oz.)Composition: 1000/1000 Silver.PLEASE NOTE: A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Lot 73
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold Half-Sovereign, 1989. Royal Mint. Proof. Commemorating the 500 years anniversary of the sovereign 1489-1989, this is the first special design issued under Queen Elizabeth II, often held to be the most beautiful coin design during her reign.Facing full length portrait of Elizabeth II seated in King Edward's Chair as at her coronation, all within beaded border; legend around in Medieval typeface, ELIZABETH · II · DEI · GRA · REG · FID · DEF ·. Design by Bernard Sindall. / Crowned Royal Shield of Arms set in a double Tudor rose, within beaded circle; inscription around in medieval typeface, 'ANNIVERSARY · OF · THE · GOLD · SOVEREIGN · 1489 · 1989'. Design by Bernard R. Sindall. Edge milled.In secure plastic holder, graded PCGS PR70 DCAM, certification number 48150066.PCGS population in this grade: 71, equal-finest graded.Reference: S-SB3 (was 4277); KM-955Mintage: 21,824.Diameter: 19.3 mm.Thickness: 0.99 mm.Weight: 3.994 g. (AGW=0.1178 oz.)Composition: 917/1000 Gold.PLEASE NOTE: This lot is exempt from VAT. A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Lot 86
UNITED KINGDOM. Charles III, 2022-. Gold 25 Pounds, 2024. Royal Mint. The Royal Mint’s Four Nations 2024 Bullion Coin Range sees the return of a celebrated heraldic design by Gregory Cameron, featuring the Lion of England, Unicorn of Scotland, Dragon of Wales, and Stag of Northern Ireland. First seen on the final ‘round pound’ in 2016, the design has been subtly refreshed for this release. The four national symbols are arranged in a cross-like composition around the Tudor Crown, replacing the earlier St Edward’s Crown, with the precious metal specification now included in the design. Struck in a quarter-ounce of gold, this coin offers a distinguished entry into bullion investment with a powerful national theme.Portrait of King Charles III left, legend around; "CHARLES III · D · G · REX · F · D · 25 POUNDS · 2024 ·". Design by Martin Jennings. / Four quadrants each depicting the national beasts of the United Kingdom, the Lion of England, Unicorn of Scotland, Red Dragon of Wales, and Irish Elk. Tudor Crown in the centre, GKC below Dragon, legend around; "1/4 OZ · FINE · GOLD · 999.9 · 2024". Design by Gregory Cameron. Edge milled.Bullion.Reference: KM-2684Diameter: 22 mm.Weight: 7.8 g. (AGW=1/4 oz.)Composition: 1000/1000 Gold.PLEASE NOTE: This lot is exempt from VAT. A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Lot 135
A 1:5 SCALE REPLICA MODEL OF THE 1537 BASTARD CULVERIN FROM THE MARY ROSE BY OAKCRAFT FOR THE TRAFALGAR GUN COMPANY, CIRCA 1982the 25in. barrel cast in bronze and richly decorated with lion's heads, Tudor monogram, and English and Latin inscriptions, mounted on a detailed bronze-mounted oak carriage with makers plate to front -- 26 x 8¾in. (66 x 22cm.); together with promotional data and blank certificate of pedigree.Intended for sale by Mary Rose Trust, the original project envisaged a limited edition of 1000, however the lost wax manufacturing process proved so costly that only a handful are thought to have ever been produced. One is believed to have been presented to H.R.H. The King when, as Prince of Wales, he served as the Trust's patron, however, no other examples of this scale have been traced passing through auction rooms. Fine condition.
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