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Vinyl - 15 Fleetwood Mac & members LPs to include Rumours, self titled, Tusk, Live, Heroes Are Hard To Find, Mirage, Tango In The Night and more. Vg+ overall

Vinyl - 11 Fleetwood Mac LPs and 1 12" to include 1969-1974 (blue vinyl, sealed), Alternate Live (2021 ltd edn in open shrink), Heroes Are Hard To Find (splatter vinyl, sealed), Rumours (2009 reissue, sealed), Rumours (2023 2LP 180g reissue, open shrink), The Pious Bird Of Good Omen (UK Blue Horizon), Peter Green's Fleetwood Mac (UK Blue Horizon), Tusk, Mystery To Me and others. Vg overall (other than where mentioned)

Vinyl - 8 Fleetwod Mac & members LPs to include Mr Wonderful (Blue Horizon), self titled (blue vinyl reissue), Then Play On (original steamboat labels), Rumours, Tusk, Greatest Hits, The End Of The Game, In The Skies. Vg+ overall

Miscellaneous: Photgraphic Postcard Album, porcelain head, doll, trench art, alms? dish, wood workers chisels, scientific instruments, German ration book, boars tusk bottle opener, copper Art Nouveau frame, black wool British Naval Great Coat with black buttons impressed 'CD', Taryn de Chellis black crepe dress and another, etc

FLEETWOOD MAC / RELATED - LP / 7" PACK. A pack of 11 x LPs and 3 x 7". Titles are Buckingham/ Nicks (2391093, Ex+/VG+), Stevie Nicks inc The Other Side Of The Mirror, Rock A Little, Bella Donna, The Wild Heart, Rumours, Fleetwood Mac, Tusk, Tango In The Night, Live, Mirage and Go Your Own Way. The condition is generally VG+ to Ex+.

FLEETWOOD MAC / THE WHO / RELATED - LP COLLECTION. A collection of approx 27 x (mostly) LPs. Artists/ Titles include Mick Fleetwood & Friends Celebrate The Music Of Peter Green (BMGCAT454BOX), Chicken Shack - Forty Blue Fingers, Freshly Packed And Ready To Serve, Mr. Wonderful, The Pious Bird Of Good Omen, Rumours, Tango In The Night, Tusk, Live, Mirage, Mystery To Me and Stevie Nicks, The Who inc Sell Out (612002, A2/B1, G/VG), Live At Leeds (2406001, no poster, 9 x inserts), Tommy (no number booklet), Quadrophenia, A Quick One, Odds & Sodds, By Numbers and Meaty Beaty Big & Bouncy. Please note whilst records grade between VG and Ex condition in this lot varies and some records (particularly older releases) grade below VG.

JOHN MAYALL/ BLUESBREAKERS/ FLEETWOOD MAC - LP COLLECTION. A collection of around 45 rock LPs. Artists/ titles include John Mayall/ Bluesbreakers inc With Eric Clapton (SKL 4804, unboxed label. Record Ex/ sleeve Ex), Plays John Mayall (LK4680, unboxed. VG+/ VG), A Hard Road (LK 4853, unboxed. VG/ VG), The Blues Alone (ACL 1243, VG+/ VG+), Bare Wires (x2), Crusade, Blues From Laurel Canyon, Looking Back, The Diary Of A Band Vol 2, Behind The Iron Curtain, Jazz Blues Fusion, The Turning Point, Beyond The Turning Point, A Banquet In Blues, The Roots, Memories, USA Union. Fleetwood Mac in S/T (x2) inc (7-63200 & S7-63200), The Pious Bird Of Good Omen (S7-63215), Rumours (x2), Tusk, Then Play On, Kiln House, Future Games, Greatest Hits, The Orignal Fleetwood Mac, Mystery To Me. Condtion is generally VG to Ex+

A Royal Worcester tusk jug, together with a Royal Worcester pedestal vase, both decorated with pink and red roses, shape numbers 1116 and 2801, height 7ins and 4.5ins

Royal Worcester blush ivory tusk jug, H: 15 cm. UK P&P Group 2 (£20+VAT for the first lot and £4+VAT for subsequent lots)

Collection of ceramics to include: graduated set of Doulton cylinder pincher jugs depicting countryside scenery, collection of Blanc de Chine Worcester tusk shaped graduated jugs, other Worcester jugs etc. (B.P. 21% + VAT)

One large J. Tobuk carved stone walrus on a stone base. The walrus with incised details for the fins and face. Signed in Roman along the base.Height: 8 in x width: 10 1/2 in x depth: 6 3/4 in. Condition: One tusk has come unglued, included with the lot. Two old adhesives along the base side.

Leah Olatitaq Kalluk, Inuit. Cribbage board carved as a sotne transformation figure, morphing back into a narwhal tusk. Without pegs. Signed in Roman and dated 1978 along the base.Provenance: Heard Museum, Arizona; Private Collection, New York.Height: 5 in x width: 17 in x depth: 2 in. Condition: Tusk is slightly separating from the base, old adhesive reside along the base.

Victorian gentleman’s walking cane, with Rosewood shaft and Wild Boar’s tusk handle, white metal collar with Queen Victoria 1897 medallion and horn ferrule. 110cm overall length.

A Tudor Rose architecture boss, together with another Acanthus leaf boss both mounted on a metal stand, both approximately 30cm high, and a mounted boar’s tusk, 19cm long

Hukin and Heath, a plated serving tray, of hearth-shaped form, the body with textured decoration, and boar's tusk handle, the underside marked, 'H&H' 10313, length (to tip of handle) 38.5cm, together with a crumb tray of similar form, length (to tip of handle) 14.5cm approx (2)

Hukin and Heath, a silver-plated and 'hammered' glass claret jug, with a wooden simulated tusk form handle, pattern number 3869, circa 1890, height 24.2cm approx

Hukin and Heath, an electroplated and bark wood biscuit box, with faux boar's tusk handle, pattern number 3297, registered design number 17037, circa 1885, length 19.3cm, height 13.3cm approx

Hukin and Heath, a silver-plated magnum Champagne bottle holder and cooler, the textured body with dual boar's tusk handles, the domed detachable cover with tusk finial, the underside marked 'H&H' 14779, height 40cm approx

Hukin and Heath, a Victorian glass claret jug with silver mount and boar's tusk handle, the hinged flat top cover with a curved flat thumb piece, London 1901, height 26cm approx

Hukin and Heath, a pair of plated pitchers, the flared cylindrical bodies with textured decoration, each with a flat cover secured by a swivel and counter-weight, and boar's tusk handle, marked on the underside, 'H&H' 13572, height 18.5cm approx (2)

Hukin and Heath and Coalport, a silver-mounted ceramic jug in cream and gold with boar's tusk-shaped handle, Birmingham 1895, height 19.7cm approx

Hukin and Heath, a silver-plated and glass claret jug, with a wooden simulated tusk form handle, pattern number 4232, circa 1890, height 24cm approx

A ceremonial dance mask, probably Sepik River region, Papua New Guinea, 20th century, the painted mask with cowrie shell and boar tusk decoration to a wicker helmet with fibre manethe mask 40 x 26 x 28cm

A carved wooden oval top side table, the supports in the form of elephants with bone inlaid eyes and trunks, on a plinth base, 47 x 89 x 59cm.Condition Report: One tusk missing, table is teak, and is heavily water damaged to the top and the base board.

A Victorian warthog tusk table cigar cutter with metal mount, 20cms.

A BRONZE FIGURE OF GANESHA, KERALA, SOUTH INDIA, 15TH/16TH CENTURY the ten-armed elephant headed deity with pot belly, seated on a double lotus throne, with legs splayed, his consort on his left knee, his two primary hands holding a butter ball and his broken tusk, various other attributes in his other hands, surrounded by the branches of a tree with a pair of parrots perched above, 17cm highProvenance: From the collection of the late Oscar Sternbach, New York (1904-1999)For a closely related image of Ganesha from Kerala in the National Museum, New Delhi (inv. 66.87), see George Michell et al., In the Image of Man, Arts Council of Great Britain 1982, fig.475Oscar Sternbach was a renowned psychoanalyst based in New York. Born in Vienna, his formative years were spent in the rich artistic, scientific and cultural milieu of the central European city between the wars. He was training to be a lawyer when the Nazis invaded, and after arriving in the United States, embarked on a new career in psychoanalysis, something which he had always been aware of, not least through being a distant relative of Sigmund Freud. He enjoyed considerable success in New York, but beyond this was known for his interest in art, music and left-wing politics. Slight overall wear, aureole slightly dented, loss to tip of finial, surface with minor pitting in places

AN EARLY BRONZE FIGURE OF GANESHA, KARNATAKA, CIRCA 12TH / 13TH CENTURY the pot bellied four armed elephant headed deity, seated with legs loosely crossed, his primary hands holding his broken tusk and a bowl of sweets, his upper hands holding axe and mace, surrounded by an arched aureole with kalasa finial, 9cmWorn and slightly dented

A JAVANESE ANDESITE FIGURE OF GANESHA, INDONESIA, 10TH-11TH CENTURY the four-armed, elephant-headed pot-bellied deity seated with soles together on a cushion, his broken tusk and a bowl of sweets in his primary hands, wearing elaborate crown, surrounded by a halo, 57cm highProvenance: Property of Geoffrey Saba, London. Acquired at auction in the Netherlands or Germany about ten years ago. Weathered and worn, various mostly minor chips particularly around base

The larger h cm 38,3Depicting a sage with a sphere, figures among vegetation, Gama Sennin with a toad, carved tusk tip.N. CITES: IT/CE/2025/MI/00274象牙摆件，十九世纪末

Natural History - Collection of fossils, gemstones and geodes. Examples including an Ammonite section, a woolly mammoth tusk section, a fish fossil from the Eocene era, Hexagonaria Coral from the Devonian period, an arrow head, a section of coral and more.

Crucified Christ, partially painted and gilt ivory sculpture, Brazilian rosewood base and cross with gilt carvings and silver applications en relief, 18th C., arms sculpted on the same ivory tusk as the body, missing two fingers, base with minor defects, minor fault and traces of wood insects, silver without marks, pursuant to Decreto-Lei No. 120/2017, of 15 September - art. 2, paragraph 2, point (c), Dim. - (Cristo) 63,5 cm; (total) 158 cm

TWO SILVER TANKARDS WITH WARTHOG TUSK HANDLESLargest 13cm HTotal weight: 815gms

A carved resin tusk

Fleetwood Mac & solo vinyl records - collection to include, Tusk, Rumours, Mick Fleetwood 'The Visitor', Tango in the Night, Heroes are Hard to Find, Fleetwood Mac Live, Mystery To Me, Penguin and more, some duplicates (15).

A Indian silver gem-set walking stick handle, 19th century, the gold handle with convex terminal set with rubies, emeralds and cut diamonds, with a design of diamond flowerheads against a ground of meandering ruby and emerald stems, 12cm high Provenance: Private Collection Sotheby's, Arts of the Islamic World, 12th October, 2005, lot 123 Condition Report: some minor loses to stones and when originally sold at Sotheby's it had a narwhal tusk forming the walking stick which is no longer presenta photocopy of the Sotheby's catalogue page illustrating this lot is available upon request Condition Report Disclaimer

Guy Shaw (British, 1951-2003). Carved mammoth tusk ojime titled "Tiger in Bamboo," completed at 10 PM on November 29, 1995. With an amber inlaid eye with the eyes-follow technique. With a tomobako with wood burned signature.As commented by Shaw:"It is actually a bit of a rarity as it is only the third ojime I have every made. I like it for its immediate impact which came about because I wanted to make something different from the usual representation of tigers in ojime. So I started thinking about may be just concentrating on one particular aspect and came up with its most salient feature - an eye with a kind of dispassionate and calculating look about it and trying to put in the idea of maybe this is the last thing you see!The eye is looking slightly down at you although the 'eyes follow' technique is used too. One the reverse is a bamboo forest scene, once again seen from slightly below the normal eye line, giving I hope a slightly uneasy feeling."Provenance: Commission from Guy Shaw, December 6, 1995.Height: 1 in x width: 3/4 in x depth: 3/4 in.Condition: There are no breaks, losses, or chips. Light scratches to the surface of the eye.

Two Chinese sancai glazed pottery models of elephant heads, Liao Dynasty (916-1125), the animal detailed with almond-shaped eyes, large ears, curved tusks, and subtly carved wrinkles, 10.5cm high x 7.2cm wide (2)Compare with similar models at the Xi'an City Museum, China Provenance: Private Collection Christies, Myth and Reality, Animals in Chinese Art, 14 May 1999, lot 9Please note this lot is to be sold without reserve.遼 三彩象首一對拍品來源：英國私人收藏，1999年5月14日購自佳士得，拍品編號9*請注意本品不設底價 Condition Report: one tusk broken and restored and the same elephant with one ear restorederosion to the glazeCondition Report Disclaimer

FLEETWOOD MAC "Heroes are Hard to Find" 1974, "Rumours" 1977, "Live" 1980 double album gatefold, "Mirage" 1982, "Tusk" 1979 double album gatefold, together with STEVIE NICKS "Belladonna" 1981 and MICK FLEETWOOD "The Visitor" 1981 gatefold (7)

A silver tankard with boar tusk handles, Walker & Hall, sheffield 1915, height 16cm, gross weight 20oz 5dwt. Condition - one handle with a little play, also with some visible glue, otherwise fine, no inscriptions, no damage/repair, general wear including minor marks etc.

FLEETWOOD MAC; twelve albums comprising Then Play On (RSLP 9000), Kiln House (K54001), Fleetwood Mac (REP 54 043), The Pious Bird Of Good Omen (7-63215), Rumours (K56344), Tusk (S 96.009), Fleetwood Mac (EMB 31036), Mirage (K 56952), Tango In The Night (WX65), Bare Trees (K44181), Live (K66097) and The Collection (CCSLP 157), with a 12" single, As Long As You Follow (W7644T) (13).

Oceanic tribal paddle (possibly Fijian), Pigmy bow with arrows, wild boar tusk native adornment, gourd shaped fruit bottle

HUKIN & HEATH; a late Victorian hallmarked silver travelling cigar box, with boar tusk handle, inscribed with initials 'CWC', Birmingham 1899, 20 x 12cm, approx 31.15ozt/968.5g.

FLEETWOOD MAC AND RELATED - 7" PACK. A quality pack of 17 7" singles by Fleetwood Mac and related. FM titles include Oh Well Pt 1 (RS 27000, demo), Albatros (57-3145, demo with press release), Say You Love Me, Rhiannon, Did You Ever Love Me (demo), You Make Loving Fun, Don't Stop, Dreams, Warm Ways, Hold Me, It's Not That Funny, Go Your Own Way, Tusk, Think About Me, Gypsy, Sara and Stevie Nicks - Stop Draggin My Heart Around. Condition is generally VG+ to Ex+, some of the records may require a professional clean.

P.N. Guinea, Mendi, shell pectoral and an Abelam tridacna shell currency. Herewith a bone dagger, Mendi necklace, bone nose ornament and boar tusk ornament and a hornbill beak. various sizes [zkj]

A Royal Worcester blush ivory trinket dish and tusk jug, L15.5cm, sold together a Royal Worcester porcelain jug ect, (21)

A Zimbabwean Silver Model of a Bull Elephant Reaching, by Patrick Mavros, Harare, Circa 1992 realistically modelled and with resin tusks, on blackwood basethe base 14cm wide, 18.5cm high, gross weight of model 21oz 1dwt, 655grProvenance:Sold by Order of the Royal Regiment of Fusiliers to Benefit the Fusiliers' Aid Society.Marked underneath. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. There is some silver polish residue on the base. One tusk has been re-glued. There is a Fusiliers sticker under the base.

A Victorian ebony, carved wood and silver mounted novelty boar's head cane, Birmingham 1898, with bone tusks, (lacking one tusk and glass eyes), 91.5cm long.

SWAROVSKI ANIMAL FIGURES, including a monkey, frog, dogs, elephant, deer, donkey, kangaroo, dolphin and various birdsScratches, tusk broken off the elephant, dolphin tail half has broken, monkeys feet have broke, kangaroos joeys ear is missing, no other visable damage to the rest of the lot

Rectangular Benin carved wooden board, 81cm x 27cm, carved with 5 standing figures including 2 with large knives, one holding animal head, another holding umbrella, and with further elements including a severed human arm and an elephant’s tusk. Good condition.

Inuit walrus tusk spear rest in the form of a bear with incised geometric decoration, 7cm; and a similar totem 8cm tall carved with 4 totemic masks on top of each other. Good condition.

A petrified ivory tusk section, on an iron stand13cm diameter13.5cm high37cm high overallProvenance: Provenance: Count Eric von Rosen of Rockelstad Castle, Stockholm, Sweden;thence by descent.These items were acquired by Count von Rosen, a prolific author, explorer and friend of Howard Carter during the 1920s, and were exhibited at Rockelstad at that time. Together with a pamphlet ' Archaeological Researches'.Condition Reportsurface degraded and chipped, stand later, cracks, fragile surface likely to degrade

A ROYAL DOULTON BLUE FLAMBÉ ELEPHANT, HN891, with raised trunk, printed navy Royal Doulton Flambé backstamp on stomach, height 13.5cm x length 18cm (1) (Condition Report: has a small shallow chip on one tusk, extensive restoration including trunk, the top of the head and at least one leg, etc, visible hairlines on trunk, light crazing, otherwise appears ok)

Dimensions: Height 60 cm Wide 25 cm Depth 18 cm without baseWeight: 18,6 Kilograms with base This expressive sandstone sculpture represents Ganesha, the elephant-headed Hindu deity venerated as the remover of obstacles and god of beginnings, intellect, and prosperity. Created during the 10th to 11th century under the Khmer Empire, the work exhibits the stylistic characteristics of early Khmer religious stone sculpture: rounded organic modeling, simplified volumes, and a harmonious sense of proportion. Ganesha is depicted in a frontal standing pose, his robust form marked by a distended belly and thick limbs. His elephant head, with a long curved trunk extending to the left, is rendered with clarity and stylized simplicity. The figure holds a conical sweet (modaka) in his left hand—a common emblem of Ganesha’s association with abundance—while the right hand grasps a tusk or.The deity is shown wearing a short sampot with a knotted belt at the front, detailed with incised pleats and subtle textural treatment around the waist and buttocks. The back is finished but less detailed. The minimal adornment and the compact, powerful physique are hallmarks of Khmer representations of Ganesha from this period. Well-preserved with minor surface weathering and abrasion consistent with age. Some loss of detail to the facial features and extremities. The trunk and modaka are intact, retaining expressive energy. Mounted on a modern base for display. In Khmer art, Ganesha was commonly incorporated into the Shaivite pantheon, especially under royal patronage during the Angkor period. While Indian depictions often include multiple arms and ornate jewelry, Khmer versions favor more restrained iconography—typically two or four arms, a corpulent torso, and a joyful, accessible demeanor. The integration of Hindu deities like Ganesha into Khmer temples underscores the syncretic religious landscape of the empire.

Dimensions: Height 9 cm Wide 6,5 cm Depth 3,5 cm without baseWeight: 690,2 grams with base Early seated hinduist copper alloy bronze with four arms holding a ball of sweets and his broken tusk, the two arms at the back holding his battle axe and a snoose. Ganesha is seated leisurely with spread kneed, his belly protruding with the snake wrapped around.

Dimensions: Height 7,5 cm Wide 5,5 cm Depth 4 cmWeight: 288,4 grams Bronze sculpture of Ganesha in a relaxed yet powerful seated pose, symbolic of his calm and grounded nature. Ganesha a revered Hindu deity known for his elephant head, symbolic of wisdom, remover of obstacles, and patron of arts and sciences.Ganesha is seated with four arms, his lower right hand holding a sweet delicacy, called Modak.It symbolizes the rewards of spiritual practice and the sweetness of knowledge and devotion.the other right hand holds an Ankusha, a tool traditionally used to guide elephants and symbolizes Ganesha’s ability to steer devotees on the right path.It represents control over desires and helps in removing obstacles from one’s life. One left hand holds a Noose, symbolizing Ganesha’s power to bind or liberate obstacles in life. The noose can also signify attachment and the deity’s ability to help devotees overcome such bindings.The last hand holds his broken tusk. It symbolizes sacrifice, as Ganesha is said to have broken it to write the Mahabharata. It also represents selflessness, humility, and resilience.

Dimensions: Height 20 cm ; Wide 13 cm ; Depth 9 cmWeight: 3067 grams Seated in Lalitasana on a lotus base holding a mala, axe, bowl of sweets and his broken tusk in his four hands, adorned with various jewellery with a serpent tied across his belly and a sash draped over the shoulders, the face with heavy-lidded eyes flanked by wide ears and surmounted by a foliate headdress, backed by an aureole with flaming border Gray stone stele representing Ganesha in "royal posture" and crowned.

FOSSILISED WOOLLY MAMMOTH MOLAR TOOTH, UPPER PLEISTOCENE, MAMMUTHUS PRIMIGENIUS dredged from the North Sea, with label, along with a strand of Woolly mammoth hair and slive of tusk ivoryProvenance: The Cabinets of Dr. Todd. 11.5cm high, 13cm wide

FOSSILISED HIPPOPOTOMUS TUSK, PLEISTOCENE Shropham, Norfolk, with labelProvenance: The Cabinets of Dr. Todd. 23cm long

An African carved ivory tusk with a train of seven elephants. L57cm, approx. weight: 659g, early 20th century, with CITES Certificates.Provenance: Zambia - Mr & Mrs Kellari.[This lot will only be shipped domestically and was legally imported into Cyprus. It complies with the legislation in the jurisdiction in which it is offered. Bidders elsewhere may want to refer to their local jurisdiction’s regulations before deciding whether to bid. This item contains ivory and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.]

An African carved ivory tusk with a train of seven elephants. L43cm, approx. weight: 277g, early 20th century, with CITES Certificates.Provenance: Zambia - Mr & Mrs Kellari.[This lot will only be shipped domestically and was legally imported into Cyprus. It complies with the legislation in the jurisdiction in which it is offered. Bidders elsewhere may want to refer to their local jurisdiction’s regulations before deciding whether to bid. This item contains ivory and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.]