A collection of stereoscopic cards and scenic ephemera, 19th century, comprising a collection of stereoview cards, together with a stereoviewer, stamped 'Sun Sculpture U&U Trade Mark Man'f'd by Underwood & Underwood New York Patented U.S.A. June 11 . 1901.', a quantity of stereoscopic cards, from c.1860-1900,a quantity of stereoscopic cards, 19th century, mainly of the Isle of Wight,a collection of stereoscopic cards, 19th century, depicting the Boer War,an album of cathedrals of England,late 19th century, by Francis Frith, two photographic views,19th century, of Chester, and an anonymous Italian church by Francis Frith, an album of American street scenes and buildings,c.1877,a travel album,c.1910, of France, Italy, Algiers and Tunisia, compiled by Suzanne Pelletan Brun, andeighty-two photochromes,c.1890s, depicting scenes of German cities, Switzerland, Austria, Italy and Bosnia (qty.)Condition ReportWith wear throughout commensurate with use. The stereoview cards with some slight bending to the card and creasing to the edges. The albums with yellowing, foxing and creasing to the pages. The covers with wear and surface marks commensurate with use. The stereoviewer with a section of the leather trim missing, general surface marks and scratches commensurate with use. The boxes to the Isle of Wight stereoscopic cards with surface wear and chips, one example with a large split to the lid.
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William McCance (1894-1970) and Agnes Miller Parker (1895-1980) Woodblock, lithograph and linocut Christmas cards, designed/sent by artist friends, 1930s-1950s PLEASE NOTE THERE ARE NO CARDS BY GERTRUDE HERMES IN THIS LOT 75+ cards received by the artists William McCance and Agnes Miller Parker, designed/sent by artist friends, many of whom associated with Gregynog Press and Golden Cockerel Press (and others). All between 9 x 13cm and 24 x 15cm (laid flat), largely with typographic messages or signed by the artist:Leonard Beaumont (1891-1986). ‘In the hope of a more peaceful and Dictatorless year from Francis and Vera Meynell 1937’ - Sir Francis Meynell (1891-1975) founded the Pelican Press and Nonesuch Press;Dorothea Braby (1909-1987). 2 Christmas/New Year cards;Lawrence Bradshaw (1899-1978). Monochrome lithograph of mother and child, signed to reverse with inscription, 1929;Cynthia Burnley (1900-1964). 4 x wood engraving cards, sent by the artist, 1930s;Edmund Dulac (1882-1953). 3 cards, monoprints;Eric Gill (1882-1940). Wood engraving of two figures.Judith Hughes-Stanton (b. 1927, daughter of Gertrude Hermes and Blair Hughes-Stanton). 3 cards from Dick and Naomi Mitchison (MP and author respectively);Margaret K. Macadam (1902-1991). Christmas card with dachshund, printed by Raven;George Mackley (1900-1983). 4 wood engraving cards with printed messages, 2 being signed and editioned in pencil by the artist;John Mansbridge (1901-1981). 3 x coloured screen print cards, 1 x monochrome print;Albert A. Mason (n.d). 7 cards, 3 featuring cats;Robert Maynard (1888-1966). Quantity of colour wood engraving (and other) Christmas cards, many sent by the artist; Maynard was the original Controller of Gregynog Press, until McCance took over in 1930;John Nash (1893-1977). 'Above Cadsdean', colour reproduction for The Soho Gallery Ltd, signed ‘Philip’ [Nash was a friend of McCance and Parker];John O'Connor (1913-2004). 2 cards, 1 featuring a cockerel and signed from Christopher Sandford (1902-1983, owner of Golden Cockerel Press and a founding director of the Folio Society) and Lettice Sandford (1902-1993, artist); also:Eric Ravilious (1903-1942). Wood engraving of a train and aeroplane, printed for Golden Cockerel Press and signed ‘The Old Cockerel’ and Christopher Sandford, and asking for a suggestion for ‘the perfect book for Agnes Miller Parker’, presumably to commission illustrations; idem. green and black lithograph [The Grape House], with printed Christmas message from Sir Stephen and Lady Tallents of St John's Jerusalem;Mark Severin (1906-1987). 4 tri-colour lithograph prints;Leon Underwood (1890-1975). Print attached to cartridge paper with calligraphic message, and 1949/50 card with ink inscription from Leon and Mary with drawing of cat and mouse;together with a quantity of cards received from former pupils of McCance from his time teaching at Reading University (approximately 150 in total) From the Estate of William McCance. Agnes Miller Parker illustrated a number of private press books, including several for Golden Cockerel Press and Gregynog Press. William McCance was Controller of Gregynog between 1930 and 1933. He taught typography and book production at the University of Reading between 1943 and 1957 and a number of the cards in this collection are by those students.
TWAIN MARK: (1835-1910) Samuel Langhorne Clemens. American writer and humourist. A very fine, large vintage signed sepia 10.5 x 9.5 photograph of Twain, the unusual and captivating image depicting the white-haired author in a half-length pose, wearing his white nightgown whilst propped up in his bed by several pillows, and with a pen in one hand as he works on a manuscript. On a bedside table Twain´s cigar can be seen resting in an ashtray. Photograph by Underwood & Underwood of New York. Signed (´Mark Twin´) in ink to the centre of the lower white border and dated January 1906 in his hand. Professionally matted in two complementing shades and framed and glazed in a decorative gilt frame to an overall size of 18 x 16.5. A wonderful and rare image to find signed. VGTwain captured writing in his heavenly bed: the author has been quoted as telling a friend (New York Times, 12th April 1902) that he used to have the notion that there was only one place in the world where he could write, ´That was Elmira, where I used to spend all my summers. But I´ve got over that notion now. I find that I can write anywhere.` Especially in bed, ´Just try it in bed sometime. I sit up with a pipe in my mouth and a board on my knees and I scribble away. Thinking is easy work, and there isn´t much labour in moving your fingers sufficiently to get the words down´. The bed in question was a masterpiece, at least in Twain´s mind. He and his wife purchased it in Venice, Italy, when they were furnishing their new, ruinously expensive three-storey Victorian home, Nook Farm, in Hartford, Connecticut. The master bedroom occupied its own wing on the second floor and the massive, ornately carved Venetian oak bed dominated the room. It featured a headboard carved into a bas-relief of cupids, nymphs and seraphs, the six-wing angels who guard God´s throne. Twain found it sublime, and today it is one of the most famous furnishings of the Mark Twain House in Hartford.
CLASSIC / HEAVY ROCK / POP / ROCK N ROLL - LP COLLECTION. A classic collection of approx 49 x LPs. Artists/ Titles include Crazy Moon - Crazy Horse (sealed), Cream inc Wheels Of Fire, Live Cream, Rush - Moving Pictures and Exit... Stage Left, Bruce Springsteen - Darkness On The Edge Of Town, Gillan - Future Shock (signed on the inner pages of the integrated booklet my Ian Gillan and Mick Underwood, obtained by the vendor outside Metro Radio in Newcastle when Ian and Mick were arriving for the interview), Van Halen inc Diver Down, MCMLXXXIV, Women and Children First, Dire Straits inc Dire Straits, Brothers In Arms, Making Movies, Bon Jovi, Meat Loaf, Poison, The Michael Schenker Group, Aerosmith, Free, UFO and Rainbow. The condition is generally VG to Ex+.
ANNEKE KIMMEL, EDWIN HAROLD GLASBEY.2 paintings ANNEKE KIMMEL (Dutch 1932 - 2018)A still life with fruit The Netherlands, mid-20th century Oil on canvas, the vertical-format still life depicting a table set with a bountiful arrangement of lemons, limes and other fruits, as well as a tray filled with kitchen utensils, all rendered in Kimmel’s characteristic impressionist style, artist’s signature to lower right corner, framed. Image 45cm x 35cmWith frame 48.5cm x 38.5cm EDWIN HAROLD GLASBEY (British 1894 - 1952)Coastal scene Britain, early-mid 20th century Oil on canvas, the vertical view of a quiet beach in a suburban setting, as a few figures gather around small boats, warmly lit by late-afternoon sun and captured with thick, wide brushstrokes, signed E. H. Glasbey to the lower left-hand corner, framed. Image 60cm x 49.5cmWith frame 77.5cm x 67cmProvenance: Leigh Underwood Gallery, London N1
8th-10th century A.D. With scooped forward edge, straight single edge and arched triangular back; transverse mounting tang. Cf. The British Museum's Portable Antiquities Scheme (PAS) no.GLO-B663A3, for a similar knife; and Underwood, R., Anglo-Saxon, Weapons & Warfare, Stroud, 1999, p.69. Exhibited at the Harwich Museum, Harwich, Essex, UK, 12th March-9th June 2025; accompanied by a copy of a photograph of the artefacts on display. 208 grams, 37.5 cm (14 5/8 in.). [No Reserve] From a North American collection formed in the 1970s-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.This knife seems to be of type IV, like the one found in the Thames at Wandsworth. Based on its similarities with a specimen from Canterbury, it could be dated to the 8th century A.D. Underwood classifies these kind of knives under the typology C (angled back-curved cutting edge) dating them from the mid 6th to early 8th century A.D.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: See our website for further information.
One Box of STEREOSCOPIC VIEWING CARDS containing approximately 160 miscellaneous examples featuring topographical views, landmarks and people from the UK, France, Belgium, Germany, Switzerland, including Alpine scenes, with a selection of 'Saucy' Comic or Sentimental examples, together with an Underwood & Underwood Stereoscopic Viewer
Motorsport interest: Indianapolis/ Indy 500, a 1970 winner's ring, yellow metal, stamped 'Josten 10K', the bezel modelled a white metal and black enamelled chequered flag surrounded by '1970 Champs', the shanks modelled with Indy 500 and Team Colt emblem below a presentation banner engraved 'M Underwood', ring size Y, weight 23.8g.
Motorsport interest: Indianapolis / Indy 500, Team McLaren 1974-1976 identity bracelet, the yellow metal elongated identity panel with INDIANAPOLIS 500 and TEAM MCLAREN with emblem, engraved fields '74-76' and 'M.C.U., the reverse engraved Mike C Underwood, stamped '10KT'; on hollow curb link bracelet with clasp, unmarked, overall length 20cm, weight 35.5g.Provenance:Mike 'Charlie' Underwood was a senior mechanic with Team Lotus, having joined them in 1963 following a short career as a radar operator in the RAF. Initially working in Lotus Components, he became friends with David Lazenby, the Formula 1 Lotus team's senior mechanic, and Indy Team's Chief Mechanic in 1964-'66. Charlie's involvement with Team Lotus throughout the mid-to-late 1960s, saw him heavily involved with Lotus's successful involvement in the infamous Indianapolis 500-mile races. Inevitably, this saw Charlie return in 1970 for the Parnelli team, where he worked alongside the legendary Indy 500 Crew Chief, George Bignotti, for Al Unser's winning car - a Colt 70 fitted with Ford V8 engine. The bracelet offered in this lot, and the Indy 500 winners ring offered previously, present a rare opportunity for motorsport enthusiasts to own a piece of British motorsport history at America's largest endurance race.
THREE BOXES AND LOOSE CERAMICS, GLASS, METALWARE, AND SUNDRY ITEMS, to include a Shelley Little Red Riding Hood teacup and saucer, a Royal Crown Derby Imari 2457 egg cup, an unmarked Imari candlestick, a Ringtons Tea willow pattern jar (no lid), two reticulated comports and a dessert plate painted with flowers, a wooden cased mantle clock, an Underwood Standard Portable Typewriter, a small tea caddy with inlaid designs, a wall clock with barometer, JG Dill's Best Sliced Cut Plug and WD & HO Wills Capstan Navy Cut tobacco tins, a tin bearing an inset photograph of the New Pump Room, Market Place, Buxton 1894, a whistle stamped 'W. Dowler, Birmm', etc (3 boxes + loose)
MILLER, T. Songs of the Sea nymphs, First edition, 16.3 x 10cm, contemp. half-calf, internally bright, contemp. style bookplate front pastedown for Nottingham Reference Library and blind stamp, London: Simpkin and Marshall, 1832._ CRUIKSHANK, George. Illustrations of Smollett, Fielding, and Goldsmith; 16.2 x 10.5cm, highly attractive binding by Bayntun of Bath - full red morocco with decoration and lettering in gilt, all edges gilt, bookplate for Annie Freeman, occasional spot, some cracking in gutter at front end-leaf, comical etchings by Cruikshank, London: Charles Tilt, 1832._ TITMARSH, Mr. M. A. [pseud. William Makepeace Thackery]. "Our Street", First edition,18 x 14cm, attractive full morocco in red with decoration in gilt at boards and dentelles, hand-coloured frontispiece, title page and 14 plates, slight rubbing at spine and corners, London: Chapman and Hall, 1848._ Cowper Illustrated by a Series of Views In Or Near The Park of Weston Underwood Buckinghamshire, contemp. half-calf, attractive engravings of Weston Underwood, no half-title front end paper, illustrated title page and 12 plates, contemp. bookplate for Samuel Abbott, corners bumped/worn, London: Vernor, Hood, and Sharpe, 1810 (4)
* West Africa. An album containing 60 gelatin silver prints of Sierra Leone, c. 1915-20, including 6 panoramic photos (8.5 x 29.5 cm) town and rural scenes including some with native figures, plus Colonial groups and gatherings, images mostly 15.5 x 20.5 cm and similar, mounted to rectos and versos of stiff card leaves without captions, inner hinges broken, contemporary morocco with 2 gilt silver clasps and the name Arthur Rosie to upper cover, rubbed and some wear, oblong folioQTY: (1)NOTE:A loose letter from the Colonial office at Downing Street, 1 July 1920, addressed to E. E. Evelyn, suggests that this album belonged to and was possibly compiled by Edward Ernest Evelyn (1864-1950), then acting Governor of Sierra Leone. He married Kate Rosa Underwood (1873-1954).
A Group of Stereoscopic Cards, including six Stereoscopic Art Series, of The Garfield Monument Ohio, The Elevated Railroad New York, Senate Chamber Washington, four Underwood & Underwood cards, including images of the Brooklyn Bridge, three comical topic Great Western View Co. eighteen Stereoscopic Gems of American and Foreign Scenery and other examples, all F
3 Stereobetrachter und Stereokarten Alle für 9 x 18 cm. 1) Holmes-Stereoskop auf Ständer, Prismen. – 2) Holmes-Hand-Stereobetrachter, Prismen. – 3) Underwood & Underwood Stereobetrachter, Prismen. – 4) Keystone und andere amerikanische Stereokarten, grauer Karton, Themen aus aller Welt, 70 Stück. – 5) Underwood und andere amerikanische Stereokarten, weißer Karton, Themen aus aller Welt, 80 Stück. – Und: 6) Unter Passepartout: kolorierte frühe Genre-Stereokarte. Zustand: (3/3)
4 mechanische Schreibmaschinen 1) "Blickensderfer Aluminium Featherweight", 1913, Serien-Nr. 178050, QWERTY-Tastatur, mit Kasten. – 2) Olympia-Plana, um 1940, Kunststoffgehäuse, leichte Beschädigung unter der Tab-Taste. – 3) Underwood Standard Portable Typewriter, ab 1926, 4-reihige Tastatur, mit Koffer. – Und: 4) "Blickensderfer 7", ab 1898, Serien-Nr. 85887, mit Kasten. Zustand: (3/3)
A George Wostenholm I XL lock knife with stag horn scales, steel bolster and suspension loop, length when closed 11.5cm, together with an Underwood lock knife with stag scales and steel bolster, length when closed 12.5cm, slight damage. (2) Due to legal restrictions and safety regulations, we are unable to pack and/or send, swords, bladed items or weapons through the post. Collection must be made in person or by a designated carrier who is aware of the nature of the goods. All bidders must be over the age of 18 and be able to show identification and proof of age upon collection.
A late 19th to early 20th Century two blade pruning knife by Underwood of London, with an 11cm flat bottom blade and a saw, with Bombay rosewood scales and metal bolster, length when closed. Due to legal restrictions and safety regulations, we are unable to pack and/or send, swords, bladed items or weapons through the post. Collection must be made in person, or by a designated carrier who is aware of the nature of the goods. All bidders must be over the age of 18 and be able to show identification and proof of age upon collection.
An Underwood lock knife with horn scales, file, corkscrew, hook and removable scissors, tweezers and pick, length when closed 15cm, together with a Taylor Real Eye Witness lock knife, complete with a smaller blade, hook, corkscrew, awl and with removable scissors, tweezers and pick, length when closed 14cm. (2) Due to legal restrictions and safety regulations, we are unable to pack and/or send, swords, bladed items or weapons through the post. Collection must be made in person, or by a designated carrier who is aware of the nature of the goods. All bidders must be over the age of 18 and be able to show identification and proof of age upon collection.
17th Century Tokens, Reading, Richard Bagly, Farthing, 0.87g/12h (N 129; BW. 64); Solomon Barnard, Farthings, 1653 (3), 0.87g/3h (N 130; BW. 65), 0.94g/6h, 0.88g/6h (both N 131; BW. 65); Mary Blower, Farthing, 1652, 0.91g/6h (N 132; BW. 66); James Blunt, Farthings, 1666 (2), 1.29g/3h, 1.03g/12h (both N 196, former this piece; BW. 67); Henry Boad, Farthings, 1664 (3), 0.65g/3h (N 133; BW. 68), 1.03g/3h, 0.43g/3h (both N 134, latter this piece; BW. 68); Edward Bowland, Farthing, 1666, 1.20g/9h (N 135; BW. 69); Frances Brown, Farthings (2), 1.00g/6h (N 136; BW. 70), 0.70g/9h (N 137; BW. 70); John Browne, Farthing, 0.72g/6h (N 199; BW. 71); William Burly, Farthings, 1655 (2), 1.38g/6h, 0.84g/12h (both N 139; BW. 73); Thomas Bye, Farthings (2), 0.97g/9h, 0.72g/6h (both N 140; BW. 74); William Castell, Farthing, 1666, 1.21g/6h (N 141, this piece; BW. 75); William Champe, Farthings, 1658 (2), 1.03g/12h, 0.74g/6h (both N 142; BW. 78); Hugh Champion, heart-shaped Halfpence, 1669 (2), 0.90g/12h, 0.78g/12h (both N 143; BW. 76); Richard Cottam, Halfpenny, 1669, 1.26g/12h (N 144, this piece; BW. 79); Robert Creed, Farthings (3), 1655, 1.17g/6h (N 145, this piece; BW. 80), 1658 (2), 0.76g/12h, 0.66g/12h (N 146; D 80A); Nicholas Edwards, Farthings, 1667 (3), 0.69g/6h, 0.67g/6h, 0.27g/6h (all N 148; BW. 81); Will Gand, Farthing, 0.90g/6h (N 149; BW. 82); Alce Gill, Farthing, 1666, 0.94g/6h (N 150; BW. 83); John Harrison, Farthing, 1666, 0.78g/12h (N 151; BW. 85); John Harvie, Farthings (2), 1.11g/12h, 0.96g/6h (both N 152; BW. 86); Henry Head, Farthing, 1652, 1.27g/6h (N 153; BW. 87); Richard Hellows, Farthings, 1656 (2), 1.12g/6h, 1.10g/6h (both N 154; BW. 84); William James, Farthings, 1664 (4), 1.17g/12h (N 155; BW. 88), 1.47g/12h, 1.02g/12h, 0.98g/12h (all N 156; BW. 88); Tho. King Jr, Farthings, 1666 (2), 1.10g/9h, 0.76g/12h (both N 157; BW. 89); Martha Knight, Farthing, 1669, 0.78g/12h (N 158, this piece; BW. 90); Moses Lamb, Farthings, 1658 (3), 0.87g/6h, 0.81g/6h (both N 159, latter this piece; BW. 91), 1.17g/6h (N 160; BW. 91); Richard Levens, Farthings (3), 0.69g/6h, 0.43g/6h, 0.41g/6h (all N 161; BW. 92); John Loader, Farthing, 0.93g/12h (N 162; BW. 93); William Lovegrove, Farthings, 1664 (3), 1.21g/9h, 0.69g/9h, 0.59g/9h (all N 163; BW. 94); Tho. Machin, Farthings (2), 1.31g/3h, 0.72g/3h (both N 164; BW. 95); William Malthus, Farthings, 1658 (2), 1.13g/6h, 1.02g/6h (both N 165, latter this piece; BW. 96); Clement Marlow, Farthings (2), 1.18g/6h, 0.89g/6h (both N 195; BW. 97); Daniell Martin, Farthing, 1653, 1.21g/6h (N 166; BW. 99); Humphrey Mills, Farthings (2), 1.32g/12h, 0.73g/12h (both N 168; BW. 101); John Paice, Farthing, 1666, 0.73g/12h (N 169; BW. 102); John Peters, Farthings (2), 0.98g/12h, 0.73g/12h (both N 197, latter this piece; BW. 103); Thomas Phipps, Farthing, 1652, 1.02g/6h (N 170; BW. 104); John Phips, Farthing, 1655, 1.48g/6h (N 171; BW. 105); Robert Pidgion, Farthings, 1663 (2), 0.76g/6h, 0.72g/12h (both N 172, former this piece; BW. 106); Thomas Pineck, Farthings (2), 1.08g/12h, 0.99g/12h (both N 173; BW. 107); Edward Pinnill, Farthings, 1665 (2), 1.47g/12h, 0.72g/3h (both N 174; BW. 108); Nicholas Prince, Farthing, 1.48g/3h (N 175; BW. 110); John Remnant, Farthings, 1669 (2), 0.66g/3h, 0.44g/12h (both N 176, former this piece; BW. 111); John Shipway, Halfpence, 1667 (2), 1.69g/6h, 1.15g/9h (both N 177; D 111A); Robert Smart, Farthings (3), 1.33g/12h, 0.99g/12h (both N 178; BW. 112), 1.04g/6h (N 179, this piece; BW. 112); Joell Stevens, Farthings, 1652 (2), 1.14g/6h, 1.12g/12h (both N 180; BW. 113); Joseph Stockwell, Farthing, 0.66g/6h (N 181; BW. 114); Richard Stockwell, Farthings, 1656 (4), 1.24g/6h, 1.04g/6h, 0.82g/6h (all N 182; BW. 115), 0.97g/12h (N 183; BW. 115); John Swift, Farthing, 1.08g/6h (N 198; BW. 116); Francis Tassell, Farthing, 1663, 1.03g/3h (N 184; BW. 117); William Taylor, Farthings, 1658 (3), 1.00g/6h, 0.98g/6h, 0.95g/9h (all N 186; BW. 118); Reynold Thornbrough, Farthings (2), 0.94g/6h, 0.90g/6h (both N 187; BW. 119); John Thorp, Halfpenny, 1665, 1.58g/3h (N 200; BW. 120); Thomas Underwood, Farthing, 1666, 0.88g/6h (N 188; BW. 121); Henry Whitell, Farthings, 1656 (2), 1.16g/6h, 0.98g/6h (both N 189; BW. 122); John Wilder the Elder, Farthings (3), undated (2), 1.06g/6h, 0.96g/6h (both N 190; BW. 123), 1663, 0.49g/6h (N 191; BW. 125); John Wilder the Younger, Farthings, 1652 (2), 1.21g/6h, 1.08g/6h (both N 192; BW. 124); Thomas Winckells, Farthings (3), 0.97g/6h, 0.95g/6h (both N 193; BW. 126), 0.81g/12h (N 194, this piece; BW. 126) [109]. Many fine, some better, but N 149 broken and repaired, several rare; the best and most comprehensive collection of Reading tokens in private hands £1,500-£2,000 --- Provenance: N 129 and 166 bt Baldwin 1970; N 130, 134 at 1.03g, 173 at 0.99g, 174 at 0.72g, 180 at 1.14g, 186 at 0.95g and 193 at 0.95g bt Spink 1972; N 131 at 0.94g bt Seaby 1970; N 131 at 0.88g bt in Wokingham 1987; N 132, 135, 136 at 1.00g, 142 at 0.74g, 148 at 0.67g, 152 at 0.96g, 154 at 1.10g, 155, 161 at 0.69g, 163 at 1.21g, 173 at 1.08g, 182 at 0.82g and 193 at 0.97g bt Baldwin 1972; N 133 bt B. Dewhirst 1974; N 134 at 0.43g, N 141, 144, 145, 158, 159 at 0.81g, 165 at 1.02g, 172 at 0.76g, 176 at 0.66g, 179, 194 and 197 at 0.73g R.A. Nott Collection, Norweb Collection, SNC November 1987 (6672), February 1988 (425), March 1988 (1427, 1429, 1432, 1433, 1435, 1436, 1438), September 1988 (5741), February 1989 (423), December 1989 (7078); N 137, 146 at 0.76g, 150, 156 at 0.98g and 169 bt Reading Coin Club 1975; N 139 at 1.38g, 156 at 1.47g and 195 at 0.89g bt R. Gladdle 1989; N 139 at 0.84g bt J.L. Wetton 1967; N 139 at 0.72g bt F. Milward 1991; N 140 at 0.97g bt Baldwin 1969; N 142 at 1.03g, 152 at 1.11g, 156 at 1.02g, 165 at 1.13g, 180 at 1.12g and 186 at 1.00g bt Seaby 1972; N 143 at 0.90g bt N.A. Clark 1996; N 143 at 0.78g found in a field at Henley-on-Thames (Oxfordshire) 1994, bt F. Milward 1994; N 146 at 0.66g bt Seaby 1978; N 148 at 0.69g, 159 at 0.87g, 162, 164 at 1.31g, 168 at 1.32g, 177 at 1.69g, 186 at 0.98g and 200 P.J. Seaby Collection, bt M.J. Dickinson 1988; N 148 at 0.27g gift of P. Wainwright 1983; N 151 J.L. Wetton Collection, SNC June 1989 (3377); N 153 bt Baldwin 1968; N 154 at 1.12g and 182 at 1.04g Hodgkin Collection, Bonhams Auction, 22 May 2002, lot 730 (part); N 157 at 1.10g and 190 at 0.96g bt Baldwin 1963; N 157 at 0.76g, 161 at 0.41g, 187 at 0.94g, 192 at 1.08g and 199 bt Baldwin 1973; N 160, 171, 177 at 1.15g and 191 bt Baldwin 1967; N 161 at 0.43g bt Spink 1975; N 163 at 0.69g bt F. Milward 1991; N 163 at 0.59g bt Seaby 1975; N 164 at 0.72g, 168 at 0.73g and 196 at 1.03g bt Seaby 1973; N 172 at 0.72g, 174 at 1.47g and 181 bt Baldwin 1973; N 175 with Seaby 1963, bt Seaby 1966; N 176 at 0.44g and 178 at 0.99g bt Seaby 1971; *N 178 at 1.33g found in the R. Thames in London 1988, bt R. Sharman 1988; N 182 at 1.24g, 184, 188 and 192 at 1.21g bt Spink 1971; N 183 with Seaby 1966, bt Seaby 1970; N 187 at 0.90g acquired 1973; N 189 at 1.16g found by A. Byde in Forbury Gardens, Reading, 1972; N 189 at 0.98g and 195 at 1.18g bt Seaby 1966; N 190 at 1.06g bt Baldwin 1964; N 196 at 1.29g Norweb Collection [from R. Picker], SNC November 1987 (6671); N 197 at 0.98g found in the R. Thames, bt Baldwin 1989; N 198 bt Baldwin 1966
A collection of military memorabilia, including a De La Rue & Co Officer's travelling inkwell, a pipe cleaning tool by Underwood of Haymarket, 2 cap badges for Pilot of the Glider Regiment, 2 crossed sword lapel badges, and a Christmas card to Brigadier Rupert Harding-Newman with accompanying article from The Telegraph
Ricalton,J.: India through the stereoscope. A journey through Hindustan. New York u. London, Underwood & Underwood 1907. Mit 10 meist gefalt. Karten u. Plänen in hint. Deckeltasche u. 100 Stereo-Photos (je 8,5 x 17,5 cm) in separater Olwd.-Kassette. 383 S., 2 Bl. Olwd. (Etw. berieb.). - Titelbl. fleckig, le. Bl. (Anz.) im Bug eingerissen. - Selten.
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