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Antique Royal Crown Derby fine bone china twin-handled lidded urn-shaped vase with hand-painted water landscape scene on green ground with gilt highlights, 24cm

Antique ceramic garden urn with cast iron base, 43cm diameter x 48cm tall

A vintage Neoclassical style black marble urn-shaped lamp with shade and gilt metal or ormalu supports and figurative decoration, possibly Italian Brevettato style, 63cm incl shade

A charming still life oil painting on board depicting a lush bouquet of multicolored flowers arranged in a classical gold urn. The floral composition includes red and white roses, daisies, bluebells, and other wildflowers, set against a soft woodland backdrop. Rich impasto brushwork gives the piece textural depth. Signed Gret lower right. The work is presented in a vintage two-tone carved frame featuring a silver-toned floral motif border and an inner beveled wood matting.Issued: 20th centuryDimensions: 8.5"L x 10.5"HCondition: Age related wear. Frame has discoloration and chips.

Pair of early George V silver three light candelabra with twin branches, urn shaped candle holders and tapering hexagonal stems, on hexagonal pedestal bases, separate sconces (Sheffield 1913) Harrison Brothers & Howson. 43cm overall height.One stick is in reasonably good condition, some surface wear, scratching and dents, drip pans are bent, no holes or major damage, sits level, other stick does not sit square and is badly damaged, stem is completely broken where it joins pedestal base, one candle holder has also been poorly repaired and the joint moves. Both bases are loaded and covered with green baize. All parts are marked on both.

A. Van Wyck, late 17th/early 18th century, oil on canvas of slightly domed form - Still Life Summer Flowers in an Urn, signed, 105.5cm x 74.5cm, in gilt frame

A Chinese hardwood marble-topped urn stand, late 19th century, the inset with a scalloped rouge marble top, the frieze carved with grotesque masks, united by a circular undertier, on four cabriole supports and paw feet,60cm diameter79cm highCondition ReportTop loose. The top wedged with the pegs in need of attention. With old repairs to the hardwood.

A massive reconstituted garden urn on stand, modern, 250cm high,plinth, 74cm square, 75cm highCondition ReportBase cracked

A pair of bronze and brass Argand lamps, 19th century, with an urn shaped finial topping the central support, decorated with floral casted motifs, with glass chimneys and glass shades painted with laurel swags and torches, 56.5cm highCondition ReportStructually wobbly, with parts loose on both. Markings to the exterior of lamps and also glass parts. One chimney replaced with a newer one that does not fit the brass holder.

A carved oak Caqueteuse type chair, 19th century, with inset carved panel back decorated with a maiden surmounted by an urn, with wavy apron to seat, 62cm wide 53cm deep 122cm high Provenance: The Clock House, Dunmow, Essex Condition Reportsurface scratches and marks

A silver tea or hot water urn, by F B Thomas & Co, London 1898,17.5cm tall27.3ozt

A George III style steel fire basket, mounted with urn finials, and wavy pierced apron to the base, 78cm wide 39cm deep 61cm high Provenance: The Clock House, Dunmow, Essex Condition ReportBack plate measurement 51.5cm wide, 61cm high. No apparent cracks or repairs. Please see additional images.

A Japanese bronze jardinière, set with dragon handles, 34cm high, raised on a 20th century associated wooden urn stand, 76cm high, with another moulded metal long neck vase, 40.5cm high, a small censer with lion face handles raised on three squat feet, 7cm high, and another long neck metal vase with angular form and removable dragons to the neck, 31cm high (5) Provenance: The Clock House, Dunmow, Essex

A gilt metal campana form urn, 20th century, having twin handles wth relief figural decoration on a white marble plinth,22cm hightogether with a similar tazza on a rouge marble base,17.5cm highand one other with foliate relief decoration,28cm high (3)

A pair of Royal Doulton blue and gilt ground hand-painted urn shaped vases and covers, the panels decorated with rural scenes by J H Plant, No'd to base "RA6601", 31.5 cm high (2 plus covers) CONDITION REPORTS Both are incredibly dirty and in need of a good clean. One has damage to one of the "jewels" on the rim and some damage to the gilded area on the foot and some crazing to the glaze, particularly on one handle. One lid has been damaged to the main area and has been restored. Otherwise both have general wear and tear conducive with age and use, in need of a good clean - see images for more details

A refined Waterford crystal table lamp featuring the distinguished Araglin pattern, known for its elegant diamond and vertical cuts that catch the light with brilliant clarity. The lamp's urn-shaped body is expertly crafted from clear lead crystal and rests on a polished brass-tone base, blending traditional craftsmanship with timeless appeal. Etched with the Waterford mark near the base.Dimensions: 27.75"HCountry of Origin: IrelandCondition: Age related wear. Lampshade and lightbulb not included. Functional at the time of cataloging.

George III silver and silver-gilt repousse pair cased verge fusee pocket watch by J Johnson, London, No. 1479, pierced and engraved balance cock decorated with a classical urn, white enamel dial with Roman hours and outer Arabic minute ring, the outer case depicting a central classical scene, with scroll borders, inner case engraved with initials I.W, makers mark RPCS, London 1788Condition Report:Movement currently functioning, dial with hairline cracks around 9-10 o'clock and a few scratches, no glass, inner case closes tight, wear to gilt and light dents, pendant possibly been re-attached, hands moving, outer case tested silver (no hallmarks), heavy rubbing, wear, dents and probably restoration (visible to inside of case), outer case diameter = 50mm

George III silver sugar caster of waisted urn form, the pierced removable cover with bun finial, upon a weighted square base, hallmarked London 1811, maker's mark indistinct, H16cmCondition Report:Approx 6.2ozt (192.9 grams) (weighted)

Early 20th century silver three piece cruet set, comprising mustard pot, open salt and pepper pot, all of oval form with shaped rim, urn finials and upon four pad feet, hallmarked Fattorini & Sons Ltd, Birmingham 1918, together with two silver condiment spoons, both hallmarked Condition Report:Weighable silver approx 6.13 ozt (190.8 grams)

Three Louis XV style gilt metal mounted black marble table lamps, 20th century, each of urn form with applied swags and rams heads, raised on square plinth bases60cm high to top of bulb fitting

A Regency mahogany bracket clock, the urn topped rectangular case with painted 20cm dial, Roman numerals, twin fusee bell striking movement, side handles above pierced brass sound frets, on brass ball feet 48cm high Provenance: 8 Stanley Crescent, London, W11

A pair of re-constituted stone Campana urns on plinths, the moulded rims over part gadrooned bodies, on rectangular plinth bases decorated in relief with bacchic masks122 x 74cmGeneral wear and moss build up consistent with outdoor useminor chipping the both urn rimsone urn with a large chip to the soccle under the gadrooned body, the other with chipping to the circular and square baseboth plinth bases with minor knocks and chipsSee photos for damage

A Royal Albert Moonlight Rose patterned tea and dinner service, comprising plates, tureen, gravy boat, tea cups, saucers, salt and pepper, vases etc.  +/- 85 pieces  One egg cup has discolouration to the foot, one of the large oval meat plates has knife scratches to the base, one coffee can has a chip to the rim and another has a small amount of yellow discoloration around the handle. The milk jug and lidded sugar bowl both have some slight yellowing around the handle, a small urn shaped vase has a full length crack, small lidded vase has a discoloured lid to the interior. All items appear to be first condition and the gilding is in good condition.  All items show signs of use but nothing untoward other than the items that we have previously mentioned.

Three late 19th century oak panels, of various forms, the smallest rectangular with urn and winged cherubs. Height 47 cm, width 28 cm.

An Imari lidded pot, possibly an urn or samovar. Height 18.5 cm.

A Royal Vienna mantle urn vase with lid, 22cm high / T44

Circa 1915The domed shade in translucent amber colored glass cased with an opaque white glass lining, engraved on the fitter rim L.C.T.; the urn form base raised on incurved legs and ending in a stepped incurved square foot, numbered on the underside 2397. Height 14 5/8 inches; height of shade 4 1/2 inches, diameter 7 1/8 inches.Provenance:James D. Julia, Fairfield, Maine, Lamps & Glass, November 18, 2015, lot 1221.Shade: has a nice bell tone when gently struck, i.e., no hairline cracks; there is a small shallow chip loss to the fitter rim, which is somewhat sharp to the touch and is somewhat visible because there is no metal cap to cover it (the chip loss is mostly visible on the underside of the rim)Base: the socket and light switch appear to be later replacements; the lamp is currently wired, however, the switch, socket and wiring were not tested; the lamp has a nice uniform mottled chocolate brown and dark rust-colored patina; the shade fits onto the three-arm supports without risk of falling off, however, the shade sits on the supports somewhat loosely (not a tight fit)Shade: has a nice bell tone when gently struck, i.e., no hairline cracks; there is a small shallow chip loss to the fitter rim, which is somewhat sharp to the touch and is somewhat visible because there is no metal cap to cover it (the chip loss is mostly visible on the underside of the rim) Base: the socket and light switch appear to be later replacements; the lamp is currently wired, however, the switch, socket and wiring were not tested; the lamp has a nice uniform mottled chocolate brown and dark rust-colored patina; the shade fits onto the three-arm supports without risk of falling off, however, the shade sits on the supports somewhat loosely (not a tight fit)Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Circa 1915The domed shade with three central rows of large geometric segments in mottled opalescent and amber colored glass, with an upper and lower band of circular motifs, in amethyst and amber rippled glass, supported on a slender urn-form standard, with a paneled body and stepped shaped circular foot, pierced metal heat cap; shade with three affixed tags stamped TIFFANY STUDIOS, NEW YORK, and 593 (?), respectively; base stamped TIFFANY STUDIOS 585. Height 21 inches; height of shade 7 1/2 inches, diameter 16 1/4 inches. Provenance:James D. Julia, Fairfield, Maine, Lamps & Glass, November 18, 2016, lot 1284.Shade: approximately three of the small circular glass segments at the uppermost ring band have hairline cracks; none of the larger circular glass segments at the bottom ring band appear to have hairline cracks; approximately five of the small geometric brick segments at the bottom rim of the shade have hairline cracks; none of the large central glass segments that comprise the three inners rows of geometric segments appear to have hairline cracks; approximately nine of the small glass segments that surround the large circular segments at the lower border have hairline cracks;; shade is slightly 'out of round' (slightly pushed in at one end)Base: there are three light sockets; sockets appear to ave some age; all three sockets have on/off switches with paddles marked 'Arrow;' the lamp is currently wired, however, the switches, sockets and wiring were not tested; the lamp has a mottled green and rust-colored patina; the patina has a uniform dulled appearance (would benefit from a possible cleaning and waxing); the heat cap may or may not be an original Tiffany Studios heat cap; the heat cap has a replaced (later) screw to adhere it to the ring mount at the top of the standard, however, it does not fit and the cap does not fit properly onto the shadeShade: approximately three of the small circular glass segments at the uppermost ring band have hairline cracks; none of the larger circular glass segments at the bottom ring band appear to have hairline cracks; approximately five of the small geometric brick segments at the bottom rim of the shade have hairline cracks; none of the large central glass segments that comprise the three inners rows of geometric segments appear to have hairline cracks; approximately nine of the small glass segments that surround the large circular segments at the lower border have hairline cracks;; shade is slightly 'out of round' (slightly pushed in at one end) Base: there are three light sockets; sockets appear to ave some age; all three sockets have on/off switches with paddles marked 'Arrow;' the lamp is currently wired, however, the switches, sockets and wiring were not tested; the lamp has a mottled green and rust-colored patina; the patina has a uniform dulled appearance (would benefit from a possible cleaning and waxing); the heat cap may or may not be an original Tiffany Studios heat cap; the heat cap has a replaced (later) screw to adhere it to the ring mount at the top of the standard, however, it does not fit and the cap does not fit properly onto the shadeAny condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

A LARGE CARVED STONE FLUTED URN 19TH CENTURY Set on a separate plinth base 97cm high overall, 68cm diameter Provenance: Northwick Park, Gloucestershire Condition Report: Weathering and colour variance from exposure. Slight hairline visible to one edge of top rim. Small chips and losses to raised detailing presumably from transport and handling - 96.5cm high overall, vase approximately 66cm high, base approximately 41cm diameter Condition Report Disclaimer

A PARIS PORCELAIN TWO-HANDLED POT-POURRI URN MID 19TH CENTURY Painted with a chinoiserie panel reserved on a butterscotch ground, applied with a band of rectangular bosses and two mask handles 34.5cm high Condition Report: Cover lackingCondition Report Disclaimer

A SECTION OF CARVED STONE FRIEZE POSSIBLY 17TH CENTURY With stiff leaf frieze above two running animals, dog in pursuit possibly of a hare or deer, snake to the left, modern stand the stone 48.5cm wide, 16cm high, 9cm deep, 21cm high overall Provenance: Sotheby's Shrubland Park, 19th September 2006, part lot 1030 catalogued as "A quantity of architectural stonework including some urn sections" Condition Report: with historic breaks and repairs, inset brass plaque to top, part of the structural re-pinning. wear and loss to raised detailing Condition Report Disclaimer

A LARGE ITALIAN CARRARA MARBLE AMPHORA URN 19TH CENTURY 108cm high, top 32cm diameter

A NEAR PAIR OF ORMOLU MOUNTED BLUE JOHN AND FLUORSPAR EWERS PROBABLY FRENCH, 19TH CENTURY 17cm high and 16.5cm high Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Both with wear and loss to gilding of surfaces. Characteristic yellowing to internal matrix visible under UV. Blue John probably repaired at bottom of urn. Fluorspar urn probably reduced slightly in height, with slight loss to the base but remounted within frame, however not completely straight. Both with screwed apertures to base, one filled, which may indicate that these were formally mounts from a larger piece. Both with slight further losses to extremities of stone mounts. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.  Condition Report Disclaimer

A LARGE FLUTED CAST IRON CAMPANA VASE ON COMPOSITION STONE BASE 19TH CENTURY 126cm high overall, the urn 77.5cm high, the base 30.3cm square

HENRI LÉON THIÉBAUT (1855-1899), A LARGE BRONZE URN 'LA MER' LATE 19TH CENTURY With pseudo-handle in the form of a merman rising to embrace an nude arching nymph, in his arms, the other in the form of a rearing sea creature, body with a seascape featuring a merman and nymph amongst the waves and birds flying above, a series of scallop shells encircling the foot, with original separate metal interior liner, signed to cast H THIEBAUT and with foundry mark THIEBAULT FRERES PARIS 66.5cm high, approximately 45.5cm wide across the body Henri Léon Thiébaut was the son of Victor Thiébaut and co-director of the Thiébaut Frères foundry which undertook casting work for Sarah Bernhardt, Rodin and Camille Claudel. In this design he would seem to be drawing work from another sculptor Auguste Ledru for whom the firm produced figural urns. For a comparable example of this urn please see, Hotel des Ventes de Senlis SARL, 15th November 2015, Lot 282 (£2,191 excl. BP)

A GEORGE III FLUORSPAR AND BLUE JOHN URN ON PEDESTAL CIRCA 1800-1820 28.5cm high, the base 9cm square Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Size stated is overall height. Under natural light presents well, however under UV, clear evidence of restorations to the finial, lid, junction of lid with body, filler to body, top of stem, stem base, corners of plinth. The black slate base probably later. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.  Condition Report Disclaimer

A SET OF EIGHT ANGLO-DUTCH WALNUT AND MARQUETRY CHAIRS EARLY 18TH CENTURY, THE ARMCHAIRS LATER The vase shaped splats with marquetry cartouches, each centred with carnations in an urn surrounded by tendrils, the drop in seats with Imperial yellow silk damask upholstery, the feet carved with an unusual and distinctive 'shoe' The side chairs 107cm high, 56cm wide, 51cm deep; the armchairs 111cm high, 66cm wide, 58cm deep Provenance: Probably Matthias Kerrison at Hoxne Hall (afterwards Oakley Hall) Eye, Suffolk; Thence by descent to Lady Bateman, at Oakley Hall (one standing in the Entrance Hall in 1908), possibly sold with the Estate of the late Lady Bateman, Christie's, 10th July 1919 Literature: H. Avray Tipping, 'Oakley Park, Suffolk, A Seat of Dowager Baroness Bateman,' Country Life, 4 January 1908, vol XXII, pp.18-26. The present lot most likely formed part of a set of twenty-four chairs, twelve of which were acquired by Lord Leverhulme at the sale of the contents of Oakley Hall, Eye, Suffolk on the 10th July 1919. The Leverhulme examples were then sold in the 2001 Thornton Manor sale by Sotheby's.

A needlework picture, 19th Century, circular depicting a lady stood by an urn marked 'Werter', the lady with painted face, 31cm in diameter

An Adam style pine fire surround, the frieze with central carved tablet of bacchanalian putti, applied swag, urn and ribbon tied foliate details throughout, 180cm wide, 18.5cm deep, 154cm high

ARR Margaret Lindsay Williams (1888-1960)Still Life with Flowers in an Urninitialled lower rightoil on canvas68.5cm x 68.5cm Substantial areas of paint loss and flaking. Some losses overpainted. Horizontal scratch and paint loss to right of urn

ARR Elsie Frederica Stokes (1904-1974) two woolwork embroideries, garden with sundial and flowers in an urn on a pedestal, one inscribed to reverse ‘Designed + Worked by Elsie F Stokes 1947’ and the other circa. 1950, 30cm x 22cm and 25cm x 21.5cm (2) Elsie Frederica Stokes (1904-1974) of Churchdown, Gloucestershire was bedridden after suffering a spinal injury. She became known for her needlework, and her toys were successfully retailed in a top London department store. These embroidered pictures were purchased directly from the artist by a friend and neighbour.

A Chinese hardwood urn stand the circular marble inset top with a beaded edge above a pierced floral carved apron, on scroll legs joined by stretchers, 38cm diameter, 89cm high

An 18th Century style burnished steel fire grate, the frieze centred by a raised circular boss, the grate with serpentine front flanked by urn finials and above a pierced apron, 105cm wide, 43cm deep, 105cm highOverall good condition, showing signs of use and age, rust, dirt etc

A late 19th century French gilt metal and ormolu mounted mantel clock, with hand painted porcelain set plaques, the hand painted porcelain dial set with Roman numerals and subsidiary seconds, surmounted with urn decoration, height 42cm.

A pair of Chinese gilt metal black ground cloisonné enamel baluster form vases, both decorated with yellow five clawed dragons, both height 24cm, a pair of Chinese gilt metal blue ground cloisonné enamel floral decorated baluster form vases, height 18.5cm, a Japanese Imari porcelain vase and a Japanese Imari porcelain lidded urn (6).

19th century Italian ‘ Grand Tour ‘ Brazier, the bowl held on three birds, supported on a stand with stag's head masks, an urn surmounted by a figure and three lion's paw feet, 68cm high Condition ReportGood overall condition. Light surface marks, accretions. Slight dent to rim of bowl. General wear and tear.

A late Victorian mahogany chaise longue day bed and tub armchair. The chaise raised on turned feet having scrolled backrest with carved panel detail, and spindle gallery to side. The armchair raised on turned legs, with a trio of carved pierced urn form splats to back. Each featuring tapestry upholstery. Measures approx: 74x180x60cm

A 20th century Persian Ghom carpet rug. The rug having a sparsely populated deep blue central field, featuring decorative bird and urn motifs, alongside hayat agaci style tree motifs. Featuring a red main border with floral imagery encompassed by a series of inner and guard borders. Taselled fringes to ends. Measures approx. 218cm x 138cm

A COLLECTION OF AYNSLEY 'LITTLE SWEETHEART' GIFTWARE to include two lidded pots with butterfly finials a pot with a hinged lid, a rose bowl, two bud vases of varying form, a boxed photo frame, a tapering vase, lidded urn with an acorn finial, two narrow necked vases, and two other vases (one with a crack around the neck) (13 + box) (Condition Report: itemised condition above, all items could benefit from a thorough clean)

Matching pair of silver candlesticks with fluted urn shaped sconces. Features a tapering stem with a fluted and reeded base. Fully hallmarked Sheffield mark, Atkin Brothers. Total weight of both candlesticks is approximately 1417g.Dimensions: Tallest candlestick measures 9.5"HCondition: Age related wear. One of the candlesticks is slightly bent.

A pretty Noritake coffee set having a vibrant yellow poppy design (15), a large Royal Doulton Toby jug 'The Falconer' and eight smaller similar jugs, a Jasper Ware urn vase and three smaller pin dishes and a Royal Doulton Terrier study etc

A cast stone garden urn, together with a bird bath, 76cm high (2)

A gilt metal mounted marble table lamp base, in the form of a classical urn, 45cm high

A cast stone garden urn, together with a head of a horse, 50cm high (2)

A Chinese earthenware urn or storage jar, of bulbous shape, with ring handles and raised dragon decoration, 41cm high

Duchess of Sutherland Cripples Guild silver on copper bowl decorated with Bird and Urn Decoration. 24cm in Diameter

Pair of Concrete Garden Urn Planters with pedestal base

A pine tool chest, metal ammunition crate and a galvanised urn

A vintage Esso Blue paraffin urn

FRANCE. RESTORED KINGDOM. Louis XVIII, 1814, 1815-1824. Bronze Medal, 1820. Mourning the death of Charles Ferdinand, Duke of Berry.Dated 14 February 1820. Dies by Depaulis. Obv: CH. FERDINAND DUC DE BERRY, bust of the Duke of Berry left, wearing military uniform; DEPAULIS F. below. Rev: LA FRANCE LE PLEURE., half-shrouded funerary urn on plinth; XIV FEVRIER MDCCCXX in two lines in exergue.Good Extremely Fine.From the R. T. Collection of Napoleonic Medals from the First French Republic and Empire; Acquired from Phidias (Paris), vente numismatique.Rarity: Extremely Rare.Diameter: 13 mm.Weight: 2 g.Composition: Bronze.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.