We found 996 price guide item(s) matching your search

This set of three crystal utensil rests by Lalique features a frosted leaf motif encircling each rounded end, contrasting elegantly with the polished clear crystal body. The cylindrical form and frosted accents lend a refined sculptural presence to any table setting. Etch signed Lalique France and one bearing original paper labels, each rest measures approximately 3.75"L.Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

An early 20th century silver topped and glass sugar caster together with a white metal napkin ring, 56g, and an 800 silver handled utensil setLocation:If there is no condition report shown, please request

Salt glaze stone ware utensil pots x 6

TWO BOXES OF VINTAGE WOODEN AND ADVERTISING TOYS ETC to include a Bavarian wooden bar utensil set comprising a bottle opener and corkscrew in a block, a group of German and East Asian hand-carved and hand-turned miniature folk art figures, a box of vintage marbles of assorted style and size (many well-worn, some with chips or losses), a group of NSPCC Bisto kids, two Homepride Fred sifters, a tub of wind-up figures (2 boxes) (s.d)

A CATHERINE HOLM ENAMEL DISH AND A LE CREUSET CASSEROLE DISH, the Catherine Holm of Norway green enamel oven dish in Lotus pattern, approximate size including handles 33.5cm x 23cm x 6cm, together with a red Le Creuset covered casserole dish, size 27 (2) (Condition Report: both pieces appear in fair used condition, with utensil marks and some tiny nibbles to the enamel, Le Creuset dish has a small area of enamel loss on the top of the cover and slight staining inside)

AN ANTIQUE PORCELAIN BOTANICAL DESSERT SERVICE  the cobalt blue banded border with gilded floral decoration and relief moulded shells, centrally painted with botanical studies on a shaded grey ground, comprising oval dish on stand, two oval dishes, two square dishes, three single handled side dishes and eight plates (16) Condition Report:"The service has been used and there are utensil marks to the pieces. Extensive rubbing to the gilt, and paint around the centre decoration, other wear etc as expectedPainted mark 865Tazza has been restoredOne plate has a hairline crack and a chip to the underside, another plate has a hairline.No chips, cracks or restoration to the other pieces"

A NAUTILUS TEA SET painted with blackberries and foliage, comprising eight cups, saucers and plates, two cake plates and a slop bowl Condition Report:cups - one cracked, all others have small chips to the rimssaucers okplates have utensil marks and scratchescake plates have surface scratchesslop bowl has a firing crack

AN ANTIQUE PORCELAIN BOTANICAL PAINTED DESSERT SERVICE possibly Machin or Ridgways comprising plates, dishes and tazzas, the blue banded rim with mainly peach coloured swags and flowers painted roundels, within gilded borders and decoration, with central detailed botanical study of an assortment of flowers comprising oval dish on stand, two single handled side dishes, two double handled dishes, eight plates and three further plates with cream swags (16) Condition Report:"The service has been used and there are utensil marks to the pieces. Some rubbing to the gilt, paint losses etc as expectedPeach - painted number 611 in red or blackcream - painted number 692 in blackNo chips cracks or restoration to any of the piecesNone of the pieces ping as such as the porcelain is quite thick, however they are not cracked, and there is some discolouration to the underside, there is also fine crazing. See macro image. Video for sound of ping"

Stoneware 'Bread' bin and cover, together with a stoneware utensil jar and a salt glazed stoneware barrel. (3) (B.P. 21% + VAT)

A vintage steel strap work kitchen hanging pot/utensil crown approx 30 cm high x 91 cm x 36 cm

A collection of Spode Italian kitchenwares including utensil jars, bread board etc. (13). Bread plate 29cm diameter.

This three piece serving utensil set includes a serrated cake knife, a pie server, and a decorative serving fork, each featuring a beautifully ornate sterling silver handle and stainless steel working end. The handles display intricate repousse style designs with floral and scroll motifs. The blade of the pie server is marked Stainless Sterling Handle, while the fork bears the stamp Ambassador Cutlery. This elegant set offers a refined touch for formal dining or special occasions and combines the durability of stainless steel with the classic charm of sterling craftsmanship. Fork marked Ambassador Cutlery. Marked Stainless Steel. Marked Sterling Silver. Largest item measures: 8.75"L x 1.5"W x 0.25"H.Dimensions: See DescriptionCondition: Age related wear.

This elegant cake or pastry server features a sterling silver handle marked Sterling and a scalloped silver-plated or stainless blade marked Made in Italy. The blade is engraved with ornate scrolling foliage and a fan motif, while the handle showcases a classic, sculpted Rococo form with rich curves and beaded accents. A beautifully crafted utensil ideal for formal entertaining or gifting. Measures approximately 10"L. Total weight is approximately 137 grams with both handle and blade.Dimensions: See DescriptionCountry of Origin: ItalyCondition: Age related wear.

Extensive 90-piece silverplate flatware set presented in its original two-tier wooden chest, marked Stegor Division – The Gorham Company, Providence, Rhode Island. Most pieces are stamped 1881 Rogers Oneida Ltd, with a few marked Deepsilver. The set includes a fully sterling silver dessert server and a meat fork with a sterling silver handle. Included are 8 dinner knives, 8 butter knives, 8 dinner forks, 8 salad forks, 14 seafood forks, 8 soup spoons, 8 iced tea spoons, 16 teaspoons, 3 assorted serving spoons, 1 ladle, 1 fish knife, 1 dessert server, 1 meat fork, 2 serving forks, 1 serving spoon, and 2 small silver-tone leaf-shaped serving dishes. A complete and refined mid-century collection ideal for entertaining or silverplate collectors. Largest fork measures 7.75"L. Largest spoon measures 7.5"L. Largest knife measures 9.5"L. Largest serving utensil measures 10.25"L. Serving dishes measures 4.5"L. Chest measures 18.5"L x 6.25"H. Only one item is fully sterling: the dessert server, which weighs approximately 100g.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

Marmor Schreibtisch Utensil „Römische Badewanne“, 8x17x9cm, rest.

Kurioses Kombinations Utensil: Korkenzieher-Petschaft mit Monogramm "GLAG", figürlich reliefierte Silber Hülle mit Eisen Spirale, 18./19.Jh., L. 8,4cm

A pair of Chinese Famille Verte saucer dishes, Kangxi, with petal-shaped gilt rims, the centre of each painted in the Imari style with chrysanthemum and fencing in underglaze blue, iron-red, green and yellow, base with underglaze blue precious utensil mark within double circle, 27cm diameter (2)please note this lot is to be sold without reserve. 清康熙 青花五彩花卉圖盤一對* 請注意本品不設底價 Provenance: The Davies-Cooke Collection from Gwysaney Hall, North Wales For further details about the collection, visit: www.dreweatts.com/news-videos/gwysaney-hall-a-welsh-family-s-portrait-of-british-history-14767/ Condition Report: no cracks or repair and with only relatively minor rim chips and some wear to gilding mainly on rim line Condition Report Disclaimer

Le Creuset red ceramic 1.3 ltr teapot, butter dish, utensil pot and dish

Large vintage stoneware flagon marked Doulton Lambeth Ltd together with three stoneware utensil jars. (4) (B.P. 21% + VAT)

A tole ware style painted metal cutlery / utensil stand - in the 19th century style, with three compartments painted in mottled dark red and gilt on gilt ball feet, centred by a loop-top handle, 28.5cm high; together with a Japanese lacquer glove box, Meiji period, painted with a bird in flight above a flower, 24.5cm long, the base a/f with old wired repair. (2)

A wrought iron utensil or game hanger. With cockerel mounts, length 58cm, together with a wrought iron hanging candle lamp holder and shade, and two Byzantine cast metal hanging candle holders (4).

A quantity of vintage kitchenalia, including four glass jars with red lids, 20cm, two pottery moulds, two utensil jars, and a small glass jar with stopper (9)

A folk art carved utensil shelf together with a rustic utensil shelf and wooden book stand 46cmW

A barbecue utensil set in fitted metal case

15 new in box Besp Oak utensil holder with 4 utensils

Sterling silver sugar cube tongs featuring a curved wishbone-shaped design. The piece is marked Sterling on the inner arm, indicating its composition. The end of one handle is engraved with a monogram I.H. The tongs have a smooth, polished surface with rounded gripping ends. A functional and decorative silver utensil. Weight: 16g.Dimensions: 3.25"LCondition: Age related wear.

K. Bright Limited boxed thirty three piece stainless steel cutlery set, silver-plated serving utensil and Mappin & Webb knife. (1 Tray)

Lot includes a vintage travel cutlery set in a zippered black case with spoons, cocktail forks, toothpicks, bottle opener, and utensil slots, accompanied by a traditional Japanese tanto-style knife. The knife features a carved sheath with a blue cord and comes housed in a wooden box with Japanese script and red seal stamps. A distinctive pairing of utility and cultural craftsmanship. Largest item measures 5.5"H.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

Rare fine flagon, stoneware utensil jars, hot water bottles etc

Collection of stoneware flagons and other items, to include: one marked F W Hunt Stapleton Road Bristol, utensil jars, Price Bristol flagon etc. (9) (B.P. 21% + VAT)

A leather kitchen utensil holder with utensils.

Oak English writing box with writing utensil holder, compartments for letters, inkwell, drawers and fold-out writing tray, 22 cm high, 34 cm wide, 20 cm deep, unfolded total 37 cm high, 52 cm deep

Oak English writing box with writing utensil holder, compartments for letters, drawers, day and month indicator, pen tray, inkwell and fold-out writing tray, 28 cm high, 42 cm wide, 23 cm deep, unfolded total 47 cm high, 67 cm deep

A small group of Le Creuset and other kitchen ware - comprising a Le Creuset rectangular baking dish, 33.5 x 21.5cm; a Waterford Colorcast cast iron skillet; two Le Creuset stoneware utensil pots in black and white glaze, 15cm high; a Le Creuset stoneware covered mini-casserole dish, black glazed, 9.5cm diameter; a Bodum Chambord stove-top espresso maker; and a German SKK cast aluminium non-stick casserole dish with glass lid, 36.25 x 22.2cm. (7)

A WROUGHT IRON KITCHEN UTENSIL RACK20TH CENTURYof rectangular form with twisting and ball finials and a series of hooks to each side29cm high, 105cm wide, 50cm deep

A WROUGHT IRON UTENSIL HOOKPROBABLY SPANISH, 18TH CENTURYwith scrolling decoration and five hooks38cm high, 50.5cm wideProvenanceThe Howard Collection of Oak and Works of Art.

A Reed & Barton serving utensil set, featuring three elegantly crafted pieces with sterling silver handles and stainless steel working ends; and three sterling marked pieces. The set includes a pie server, a pastry cutter, a scalloped shell spoon, a sauce ladle, a butter knife, and a jelly spoon, all housed in a protective fabric storage pouch marked "Serving." The sterling handles are marked with the Reed & Barton hallmark, a brand known for its high-quality silver craftsmanship. Largest item measures 10"L.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

A refined 5-piece serving set featuring a mix of silverplated, EPNS (Electroplated Nickel Silver), and silver-toned utensils. This elegant collection includes an ornate serving fork with floral detailing, a two-pronged meat fork with an intricate cutout design, a finely crafted pair of tongs, a shell-shaped spoon, and a pair of vintage pastry tongs with beautifully scrolled handles. The set is housed in a vintage green fabric storage pouch. With its combination of exquisite craftsmanship and timeless charm, this set makes a wonderful addition to any dining or entertaining collection. Largest utensil measures 8"L.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

Vintage wooden cooking utensil, perhaps for churning or mashing/crushing, approx 48cm

A BBQ utensil set

A GROUP OF VINTAGE RAYWARE KITCHEN ITEMS BY OLIVIO, comprising a large serving bowl, fruit bowl, large oval plate, pizza plate, rounded rectangular bread plate, eight side plates, two utensil pots, large covered jar, three medium covered jars, two oil/vinaigrette handled bottles in a cady, salt and pepper shakers, pestle and mortar, eight mugs, sectioned dip bowl, six placemats (two damaged/dirty), brightly coloured vegetable design on a rich yellow background, (qty), (Condition Report: all appear in ok condition and no obvious damage unless stated in main description, light use, original price tickets and labels on the base of most)

Bettelschale (Kashkul) Typische Form des Coco de Mer Mit monumentaler Koraninschrift in Thuluth Persisch/Osmanisch19. JahrhundertLänge 26 cm, Tiefe 15 cm, Höhe 13 cmSymbolträchtigstes Utensil des wandernden Derwischs zur Aufbewahrung von Almosen nach Gedichtvorträgen, religiösen Lobreden oder RatschlägenMetaphorische Assoziationen: Reinigung der Seele eines Sufis

Tjok Dessauvage (1948): Untitled, polychrome glazed and engraved terracotta, dated (19)95H 15 cm - Dia.: 19 cm Tjok Dessauvage (Izegem, 1948) was impressed by the excavations that were taking place in the Koestraat during his college years in Kortrijk. He looked with fascination at the ceramic shards as witnesses of the past and thus became acquainted for the first time with the concept of overdracht (transfer), which would later play an important role in his oeuvre. His first calling was that of a realistic painter. During his training at the Sint-Lucas Higher Institute in Ghent, however, he opted definitively for ceramic art, under the influence of pioneer Joost Marechal. Over the years, Tjok Dessauvage increasingly uses the bowl shape as a means of communication. In search of a structure with a maximum usable reading surface, closed pots soon become his trademark. He usually starts from the combination of basic geometric shapes: the hemisphere, the inverted cone and the cylinder. The surface of these semi-spherical objects is described with signs and scratches, with colour or inlay. In this way, he creates a reading surface, as it were, that allows him to communicate with the viewer. At the same time, by choosing closed pot structures, he makes his position clear in relation to ceramics as an art form. By closing off his pots and working on their upper surface, any association with the function of a pot as a recipient or eating utensil is lost, and Tjok Dessauvage unhesitatingly equates them with paintings or sculptures. Moreover, the special finish and careful treatment of the skin of the pot structures makes them unique works of art. Tjok Dessauvage is not only known in Belgium and its neighbouring countries, but has also acquired fame beyond the European borders, including Japan. He has won various selections and prizes, from Belgium and Switzerland to Egypt, Japan and New Zealand (link).

Tjok Dessauvage (1948): Untitled, polychrome glazed and engraved terracotta, dated (19)95H 14 cm - Dia.: 15,5 cm Tjok Dessauvage (Izegem, 1948) was impressed by the excavations that were taking place in the Koestraat during his college years in Kortrijk. He looked with fascination at the ceramic shards as witnesses of the past and thus became acquainted for the first time with the concept of overdracht (transfer), which would later play an important role in his oeuvre. His first calling was that of a realistic painter. During his training at the Sint-Lucas Higher Institute in Ghent, however, he opted definitively for ceramic art, under the influence of pioneer Joost Marechal. Over the years, Tjok Dessauvage increasingly uses the bowl shape as a means of communication. In search of a structure with a maximum usable reading surface, closed pots soon become his trademark. He usually starts from the combination of basic geometric shapes: the hemisphere, the inverted cone and the cylinder. The surface of these semi-spherical objects is described with signs and scratches, with colour or inlay. In this way, he creates a reading surface, as it were, that allows him to communicate with the viewer. At the same time, by choosing closed pot structures, he makes his position clear in relation to ceramics as an art form. By closing off his pots and working on their upper surface, any association with the function of a pot as a recipient or eating utensil is lost, and Tjok Dessauvage unhesitatingly equates them with paintings or sculptures. Moreover, the special finish and careful treatment of the skin of the pot structures makes them unique works of art. Tjok Dessauvage is not only known in Belgium and its neighbouring countries, but has also acquired fame beyond the European borders, including Japan. He has won various selections and prizes, from Belgium and Switzerland to Egypt, Japan and New Zealand (link).

Tjok Dessauvage (1948): Untitled, polychrome glazed and engraved terracottaH 11,5 cm - Dia.: 14,5 cm Tjok Dessauvage (Izegem, 1948) was impressed by the excavations that were taking place in the Koestraat during his college years in Kortrijk. He looked with fascination at the ceramic shards as witnesses of the past and thus became acquainted for the first time with the concept of overdracht (transfer), which would later play an important role in his oeuvre. His first calling was that of a realistic painter. During his training at the Sint-Lucas Higher Institute in Ghent, however, he opted definitively for ceramic art, under the influence of pioneer Joost Marechal. Over the years, Tjok Dessauvage increasingly uses the bowl shape as a means of communication. In search of a structure with a maximum usable reading surface, closed pots soon become his trademark. He usually starts from the combination of basic geometric shapes: the hemisphere, the inverted cone and the cylinder. The surface of these semi-spherical objects is described with signs and scratches, with colour or inlay. In this way, he creates a reading surface, as it were, that allows him to communicate with the viewer. At the same time, by choosing closed pot structures, he makes his position clear in relation to ceramics as an art form. By closing off his pots and working on their upper surface, any association with the function of a pot as a recipient or eating utensil is lost, and Tjok Dessauvage unhesitatingly equates them with paintings or sculptures. Moreover, the special finish and careful treatment of the skin of the pot structures makes them unique works of art. Tjok Dessauvage is not only known in Belgium and its neighbouring countries, but has also acquired fame beyond the European borders, including Japan. He has won various selections and prizes, from Belgium and Switzerland to Egypt, Japan and New Zealand (link).

A 51-piece plated flatware set housed in a black storage case. The set includes 12 dinner knives, 12 dinner spoons, 12 dinner forks, 12 dessert spoons, 2 large serving spoons, and 1 serving fork. Each utensil features an ornate handle design and remains sealed in its original plastic packaging.Issued: 21st centuryDimensions: 19"L x 12.75"HCondition: Age related wear.

† JIM MALONE (born 1946); a faceted stoneware utensil pot covered in nuka glaze with iron decoration, impressed JM and L (for Lessonhall) marks, height 12cm, and a small globular jar covered in kaki glaze with wax resist decoration (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Two painted tin kitchen utensil racks. 20th century, one as a hen and three chicks, with four hooks, width 40cm, the other as a sheep (2).

Two boxes of Royal Worcester Evesham pattern dinnerware to include tea, coffee cups, serving dishes and utensil holder

* Silver Rattle. A Victorian silver baby's rattle, whistle and teether, hallmarks worn, baluster and tapering circular form, engraved foliate decoration, tapering coral teether, with 8 hanging bells and a ring attachment, length 10.5 cm, together with a 19th century infants feeding utensil, silver teat on angled tube with integrated cap, 21 cm longQTY: (2)

After 1945Comprising:Twelve Dinner forksTwelve Three-tine salad forks, length 6 3/8 inchesTwelve Oval bowl soup/dessert spoons, length 6 5/8 inchesTwelve TeaspoonsTwelve Dinner knivesTwelve Butter spreader knives with silver bladesLadle, length 7 1/2 inches Two Serving spoons, length 8 1/4 inches Total approximately 90 ounces, weighable.Fitted wood case.(75)Each utensil appears to be in generally good condition; no damages were observed, for example, to the bowls of the spoons, tines of the forks, tip ends of knives, etc.; typical light scratches from normal use; the stainless blades on the dinner knives are all marked GEORG JENSEN DENMARK; no monograms Each utensil appears to be in generally good condition; no damages were observed, for example, to the bowls of the spoons, tines of the forks, tip ends of knives, etc.; typical light scratches from normal use; the stainless blades on the dinner knives are all marked GEORG JENSEN DENMARK; no monogramsAny condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Eight pieces of Alessi mid century / modernist stainless steel designer metalware comprising two jugs, toast rack, utensil pot, two bowls, covered sugar bowl or similar and a biscuit barrel, tallest 30cm

FIVE BOXES AND LOOSE CERAMICS AND DECORATIVE ITEMS to include a box of Royal Doulton 'Juno' dinner wares to include bowls, a teapot, various meat plates, serving dishes, tea plates etc, five pieces of Wedgwood Jasperware, a box of assorted kitchen wares to include three chef themed utensil holders, a box of framed pictures, four loose pictures, a box of assorted ornament to include various glasses, trinket boxes, various plates, two rabbit ornaments, a 'Winnie the Pooh' inspired money box, a honey pot, and a brass kettle on a stand (5 boxes and loose) (s.d)

**Pair of Japanese Ukiyo-e Woodblock Print Reproductions**A dual-panel framed display featuring two Japanese ukiyo-e woodblock print reproductions, likely from the mid-20th century. The prints are set against a grey-green mounting board and encased within a dark lacquered wooden frame with distressed features.**Upper Print: Two Beauties – Nanbaya Okita and Takashimaya Ohisa** - A refined depiction of two bijin-ga (images of beautiful women) dressed in traditional Japanese kimonos. - The women’s hairstyles are adorned with decorative hairpins, showcasing intricate detailing characteristic of ukiyo-e artistry. - Delicate patterns and muted tones of black, red, pale green, and cream dominate the composition. - Visible kanji inscriptions and a signature suggest artist or publisher attribution.**Lower Print: Domestic Scene with Matsumoto Koshiro IV** - This vibrant artwork portrays a relaxed offstage moment of Matsumoto Koshiro IV (1737–1802), a renowned Kabuki actor, seated in a domestic setting. - Accompanied by two women, one standing with a fan and the other holding a tea utensil, the print reflects themes of tea appreciation and leisure. - Rich colours in green, yellow, and red, along with fine architectural details like sliding doors and tatami mats, evoke a traditional Edo period household. - The crest of Matsumoto Koshiro appears on his kimono, indicative of his legacy. - Kanji script in the margin suggests potential attribution to an Edo period artist, possibly Torii Kiyonaga or a similar master.**Condition and Frame Details:** The dual-panel frame measures approximately 12-14 inches high, with glass-fronted artwork panels of approximately 6 x 4 inches each. Both prints are in excellent condition, suitable for display or collection. The finely detailed reproductions reflect the elegance and storytelling of late Edo or Meiji period ukiyo-e art.

Collection of Antique Tableware, Cutlery, and Decorative ImplementsThis collection, dating between the late 19th and mid-20th century, comprises assorted antique tableware, cutlery, and decorative tools crafted from metals including silver, brass, and potentially silver plate. Notable items include:1. **Spoons (2)**: Silver or silver-plated with floral/botanical motifs engraved on the handles, likely Victorian-era tableware components.2. **Forks (2)**: A three-pronged fork and a smaller double-pronged fork, both with decorative handles.3. **Decorative Blades and Handles**: Includes a brass piece featuring a dragon motif and a miniature sword-style blade.4. **Letter Openers (several)**: Highlights include a gold-toned blade with animal motifs (horse and parrot), and handles showcasing intricate designs.5. **Feather Pens (2)**: Red and blue decorative dip pens with brass or gold-toned handles, styled to evoke traditional quill aesthetics.6. **Carved Wooden Piece**: Featuring a wheat or grain design, potentially a ceremonial item or letter opener.7. **Animal Motif Pieces**: Includes a letter opener with a small dog-shaped handle and a parrot-adorned utensil.8. **Decorative Pierced Utensil**: Likely a serving utensil with lattice-style cutouts and ornate handle detailing, bearing possible hallmarks indicative of silver content and origin.The pieces feature various ornamental themes, such as animal figures, floral patterns, and scrollwork, reflecting Victorian, Edwardian, and mid-20th-century influences. This diverse group serves both functional and aesthetic purposes, encompassing cutlery, writing tools, and decorative objects.

**Antique Silver-Plated Carving and Serving Utensil Sets in Presentation Cases (c. 1880–1920)** A collection of two ornately presented antique utensil sets, likely from the late 19th to early 20th century, comprising: 1. **Dessert Serving Set** - Contents include a pie or cake knife and a two-pronged serving fork with cream-coloured handles (possibly celluloid). Blades are meticulously engraved with intricate floral and scrolling foliate patterns. - Housed in a fitted black presentation box with white satin lining, showcasing craftsmanship consistent with Victorian to Edwardian design trends. 2. **Carving and Serving Set from Algiers - Celluloid Salad Servers** - Comprising six utensils: a carving knife, carving fork with guard, serving spoon and fork, a specialised dessert server, and a corkscrew. Handles exhibit ornate silver-plated floral designs and one with a cream like tone. - The fitted green velvet-lined case bears a stamped silk lining with the inscription: "AUX 500,000 BIJOUX / J. Perret / 21, RUE BAB-AZOUN / ALGER." This identifies the retailer as a prominent jeweller in French-colonial Algiers, indicating high-quality craftsmanship. Notable features include engraved blades, intricate scrollwork, and original presentation cases indicative of their formal dining context. The items reflect colonial-era luxury and fine European craftsmanship, appealing to collectors of culinary antiques.

Collection of Silver-Plated Cutlery and Serving UtensilsAn extensive collection of silver-plated or EPNS (Electroplated Nickel Silver) cutlery and utensils, likely dating from the late 19th to mid-20th century. The collection includes knives, forks, spoons of varying sizes, a slotted serving utensil, a ladle, sugar tongs, and other specialised items such as a candle snuffer and a perforated fish slice. Notable design features include floral and scroll patterns on the handles, characteristic of Victorian and Edwardian styles, with some plainer patterns suggesting later 20th-century production. The knife blades, marked "Sheffield Silver Plated" and "Stainless," confirm their Sheffield origin, a city renowned for cutlery manufacturing. Condition shows tarnish, wear, and patina, reflecting age and use. Highlights include an ornate slotted spoon and a small cylindrical cup with a gilt interior. Most items likely served decorative and functional purposes in formal dining contexts. Examination for markings may assist in maker identification.

FOUR BOXES AND LOOSE CERAMICS AND KITCHENWARE, to include a T.G Green & Co. Ltd. Gresley yellow kitchen container, Hornsea 'Paysanne' pattern side plates, Palissy 'Kismet' pattern tea plates, two peach coloured 'Fiesta' jugs made in U.S.A. a Hornsea 'Acanthus' pattern utensil container, a Guernsey Pottery sugar sifter and flour shaker, etc. (s.d/a.f) (4 boxes + loose)

Cadbury's Bourneville - a vintage early to mid century circa 1950s wooden handled cocoa egg whisk. The kitchen utensil with red painted wooden handle reading Cocoa Whisk, presented in original cardboard tube sent from Cadbury, Bournville. Addressed to George Webb, Worcester. The tube lacking base. Along with the original (damaged, torn & creased) letter sent with the whisk by Cadbury Brothers Ltd.Whisk measures approx. 24cm long.

CURTS, T Großes jagdliches SchreibzeugBronze patiniert, schwarze Marmor-Plinthe. Bezeichnet. H 18, gesamt 20 x 36,5 x 21 cm. 9,6 kg. Als See gearbeitete Stiftschale; in der Front "Saint Hubert Priez pour nous" betitelt. Überaus detailliert und realistisch gearbeitete Szene am erhöhten Ufer mit dem Hirsch, Jäger und Hund. Seitlich davor als Baumstumpf geformte Dose mit Scharnierdeckel; innen originales Tintenglas mit Messingdeckel. Oberer Kreuzbalken fehlt, Abplatzer am Glas, minimale Alters-/Gebrauchsspuren. Aufrufzeit 27. | Feb. 2025 | voraussichtlich 14:38 Uhr (CET) CURTS, T Large hunting writing utensilBronze patinated, black marble plinth. Marked. H 18, overall 20 x 36.5 x 21 cm. 9.6 kg. Pen bowl carved as a lake; titled "Saint Hubert Priez pour nous" on the front. Highly detailed and realistic scene on the raised bank with the stag, hunter and dog. Laterally in front of it a box shaped as a tree stump with hinged lid; inside original ink jar with brass lid. Upper crossbar missing, chipping to the glass, minimal signs of age/use. Call time 27 | Feb. 2025 | probably 14:38 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.