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Lot 200
Pflueger Scoop, USA wooden lure with glass eyes, 3.75" body with wounded minnow style side/rear hooks, front/rear 3 blade props, good, a Paw Paw 3.5" jointed wooden minnow, painted eyes, metal lip and double hooks, a Pflueger Mustang made in Hong Kong, 4.5" jointed wooden lure with metal lip, rainbow colour, some chips to paint. Southbend Oreno model 940-48, 4" early wooden lure with metal diving nose vane, c1929, a Surestrike mouse 3" wooden bait with glass eyes, some cracks to finish, and a Pflueger jointed Pike lure, 3.5" in green scale finish, glass eyes and metal lip, comes in Creek Chub worn box. (6)
Lot 203
PAMPHLETS: 1- Seasonable advice to all smugglers of French cambricks and French lawns with a brief state, from the Honourable Commissions of His Majesty's Customs of smuggling in the year 1745.. L, printed for W Owen, 1751, 1st. Edn. PP: Title page, 36. Recent cloth backed marbled boards; 2- A Dreadful example for wicked husbands: Or The virtuous wife in distress. Being a true relation of Mr John Fox, who lived in the town of Lynn, in Norfolk.. Printed and sold in London, no date, [1799?]. 8pp, with three illustrations. C19 1/4 leather; 3- Great Britain's union, and the security of the Hanover succession, consider'd. In a letter from Windsor of the 30th of December 1704 to a member of Parliament in London. By a person of quality.London: printed, and sold by B. Bragg, 1705, 1st. Edn? 22pp (including 1/2 title). Recent 1/4 leather over marbled boards. Vg; 4- [Ferguson, Robert]: A Brief Justification of the Prince of Orange's Descent Into England, and of the Kingdoms Late Recourse to Arms with a Modest Disquisition of What May Become the Wisdom and Justice of the Ensuing Convention in Their Disposal of the Crown. London: Printed for J. S. and sold by Richard Baldwin, 1689. 40pp. Recent 1/2 leather over marbled boards, Tear to a number of pages, including a loss of few letter to the last 7 leaves; Worm holes to margins; 5- WOODWARD, Henry: A Letter from Henry Woodward, Comedian, the meanest of all characters; to Dr. John Hill, Inspector-General of Great-Britain, the greatest of all characters. L, printed for M Cooper, 1753, 3rd. Edn. 22pp Plus a facsimile page of the letter, tipped-in. Recent 1/4 leather over marbled boards; 6- [Wilkes, John]: A letter to His Grace the Duke of Grafton, First Commissioner of His Majesty's Treasury. L, printed for J. Almon, 1767. [Price one Shilling]. PP: 35, (ii), (I) blank. C19 1/2 leather over marbled boards. The blank parts in the text, filled-in by contemporary hand; 7- A letter from Sir Henry Vane to Sir Arthur Hasilrig. Dated 23 February 1659. London: printed for John Frost, 1659 [i.e. 1660]. PP: Title page, 5. Recent 1/4 leather over marbled boards; 8- Sir Henry Vane's last sigh for the Committee of Safety breathed forth in discourses and conferences with the Right Honorable Vice-Admiral Lawson, on ... 1659, aboard the Great James. London printed in the year of our Lord, 1659, 1st. edn. 14pp. Recent 1/4 leather over marbled boards. (8)
Lot 1418
A 'TROTTING HORSE' WEATHER VANE LATE 19TH CENTURY Lacking paint and restored 37cm high, 68cm wide, 3cm deep Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW With wear, marks, knocks and scratches as per age, handling, and use Surface patina overall, please see images With sticker to reverse for hanging, see additional images 2.5cm diameter hole for mounting ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot. Condition Report Disclaimer
Lot 223
A collection of early 20th century George V postcards and photographs. Local interest and surrounding area, to include Fairyland Clifton Downs, Weston Super Mare the water Chute, Taunton - Fore Street, Badminton House near Bristol, Vane Hill - Torquay, village club - Blagdon, The Pinaccles - Cheddar and many other examples. Used and unused, Housed within three albums, with a collection of photographs.
Lot 1015
Scott, Sir Walter: Paul's Letters To His Kinsfolk, fourth edition, Edinburgh, 1817, gilt tooled leather spine over marbled boards, 8vo, together with Gough-Calthorpe, Somerset Arthur: Letters From Head-Quarters; Or The Realities Of The War In Crimea., London, 1858, Vane, General Charles William: Story Of The Peninsular War, London: 1848, Larpent, Sir George: The Private Journal Of Judge-Advocate Larpent, London: 1854, Napier, William Francis Patrick: History Of The War In The Peninsula And In The South Of France, London: 1834 and Minutes Of Proceedings Of The Royal Artillery Institution, vols I, III & IV. (8)
Lot 1528
UNITED KINGDOM Queen Elizabeth II (1952-2022) silver proof five pound £5 coins from the Countdown to the XXX Olympics (London 2012) to include 2009 Countdown to the Olympics, 2009 Stonehenge, 2010 Newtons Sculptures, 2009 Big Ben, 2009 Globe Theatre, 2009 Flying Scotsman, 2009 Angel of the North, 2010 Countdown to the Olympics, 2010 Spirit of London, 2010 Sir Winston Churchill, 2010 Floral Emblems, 2010 Music in Sculptures, 2010 Humour, 2010 Claudah Equiano, 2010 River Thames, 2010 Weather Vane, 2010 Barn Owl, 2010 Giants Causeway, 2010 The Oak, 2010 Rhossili Bay, 2011 Countdown to the Olympics, 2012 Its Here The Olympics, 2012 London Olympics and 2012 London Paralympics, each coin capsulated. (24)
Lot 219
Sal Jones I Smiled Back Anyway, 2025 Oil on primed paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Drawing inspiration from sources such as film, media, and popular culture, Sal's oil paintings, weighted with psychological tension, defy the usual portrait genre and gender stereotypes. The subjects are mostly women, often fictional or notorious, with a social or cultural relevance. The painted surface draws attention to the process of painting and to the artist's choices in transforming the photographic source image. Sal has a BA Hons in Fine Art and a PGCE in Art & Design, she lives and works in Hackney, London. She has over 20 years of experience working in the education sector teaching and undertaking art residencies; she is a freelance Artist, Museum educator and exam board Assessment Associate and has exhibited widely in London and the UK, in selected and solo shows. Sal has been shortlisted for Wells Art Contemporary (WAC 2023), Wales Contemporary Art Prize (2022); long-listed for the BEEP Biennial (2024), the Women's United Art Prize (2021), and the Jackson's Open Art Prize (2016), winning the interim oil painting prize. Sal has also had work selected for the Royal Cambrian Academy open and the Wales Contemporary open. She was an invited artist for the ING Discerning Eye exhibition (2020) as well as being selected for the Discerning Eye, annual open exhibition at the Mall galleries in 2014. She has had work selected for the Society of Women artists annual open exhibition (2023, 2020 and 2015) and has shown with the Bath Society of Artists, Royal Birmingham Society of Artists, Visual Arts Scotland, and Feren's gallery Hull in their annual open exhibitions. She was one of 21 visual women artists invited to produce new work for 'Dear Christine', an arts council-funded touring exhibition in tribute to Christine Keeler (the exhibition toured during 2019 - 2020 to Newcastle, Swansea, and London). Education 1989 - 1990 Postgraduate Certificate of Education in Art & Design, Middlesex Polytechnic 1983 - 1986 BA(hons) degree in Fine Art, Sunderland Polytechnic Solo Exhibitions 2021 No Time Like The Present, Hampstead Garden Gallery, London 2018 Something that Feels Like the Truth, Unit G gallery, London 2017 Appearances, Solo show, Nude Tin Can gallery, Herts 2014 Moving Scenes, solo show, Gallery at Hackney Picturehouse, London Group Exhibitions 2024 Linden Hall Winter Open, Linden Hall, Deal BEEP Painting Biennial, Elysium Swansea Now & Then, Visual Arts Scotland, Dalkeith Palace, Edinburgh 2023 Scandal '63 Revisited, De Montfort University Gallery, Leicester Wells Art Contemporary, Wells Cathedral Somerset Society of Women Artists 162nd Annual Exhibition, Mall Galleries, London The Look of a Woman, The Stash Gallery, London 2022 Fenella Fielding: Actress, Gallery 286, London Wales Contemporary, Waterfront Gallery, Pembrokeshire and Gallery@Oxo London British Painting III, Bermondsey Project Space, London Royal Cambrian Academy Open Exhibition, Conwy, Wales 2021 Bath Society of Artists 116th Open Exhibition, Victoria Art Gallery, Bath The Marks We Make, The Curator's Salon 2020 ING Discerning Eye, Annual Open Exhibition, Invited Artist Society of Women Artists, 159th Annual Open Exhibition Healthcare Heroes, Google Arts and Culture Dear Christine, Touring Exhibition, Arthouse 1, London 2019 Dear Christine, Touring Exhibition, Vane Gallery, Newcastle & Elysium, Swansea Bath Society of Artists, Open Exhibition, Victoria Art Gallery, Bath Awards 2024 Longlisted BEEP Painting Biennial 2023 Shortlisted Wells Contemporary Art 2022 Shortlisted Wales Contemporary Prize 2021 Longlisted Women United Art Prize 2016 Longlisted for the Jackson's Open Art Prize, Winner Interim Oil Painting Prize Public Collections De Montfort University, Leicester The Fenella Fielding Foundation, London Space Park, Leicester Statement about AOAP Submitted Artwork I am particularly drawn to a gesture captured rather than conventional poses, those unguarded moments; something we can relate to as viewers. These two works depict fictional subjects, in moments of quiet introspection, suggesting darker undercurrents. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 218
Sal Jones Keep Me Alive, 2025 Oil on primed paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Drawing inspiration from sources such as film, media, and popular culture, Sal's oil paintings, weighted with psychological tension, defy the usual portrait genre and gender stereotypes. The subjects are mostly women, often fictional or notorious, with a social or cultural relevance. The painted surface draws attention to the process of painting and to the artist's choices in transforming the photographic source image. Sal has a BA Hons in Fine Art and a PGCE in Art & Design, she lives and works in Hackney, London. She has over 20 years of experience working in the education sector teaching and undertaking art residencies; she is a freelance Artist, Museum educator and exam board Assessment Associate and has exhibited widely in London and the UK, in selected and solo shows. Sal has been shortlisted for Wells Art Contemporary (WAC 2023), Wales Contemporary Art Prize (2022); long-listed for the BEEP Biennial (2024), the Women's United Art Prize (2021), and the Jackson's Open Art Prize (2016), winning the interim oil painting prize. Sal has also had work selected for the Royal Cambrian Academy open and the Wales Contemporary open. She was an invited artist for the ING Discerning Eye exhibition (2020) as well as being selected for the Discerning Eye, annual open exhibition at the Mall galleries in 2014. She has had work selected for the Society of Women artists annual open exhibition (2023, 2020 and 2015) and has shown with the Bath Society of Artists, Royal Birmingham Society of Artists, Visual Arts Scotland, and Feren's gallery Hull in their annual open exhibitions. She was one of 21 visual women artists invited to produce new work for 'Dear Christine', an arts council-funded touring exhibition in tribute to Christine Keeler (the exhibition toured during 2019 - 2020 to Newcastle, Swansea, and London). Education 1989 - 1990 Postgraduate Certificate of Education in Art & Design, Middlesex Polytechnic 1983 - 1986 BA(hons) degree in Fine Art, Sunderland Polytechnic Solo Exhibitions 2021 No Time Like The Present, Hampstead Garden Gallery, London 2018 Something that Feels Like the Truth, Unit G gallery, London 2017 Appearances, Solo show, Nude Tin Can gallery, Herts 2014 Moving Scenes, solo show, Gallery at Hackney Picturehouse, London Group Exhibitions 2024 Linden Hall Winter Open, Linden Hall, Deal BEEP Painting Biennial, Elysium Swansea Now & Then, Visual Arts Scotland, Dalkeith Palace, Edinburgh 2023 Scandal '63 Revisited, De Montfort University Gallery, Leicester Wells Art Contemporary, Wells Cathedral Somerset Society of Women Artists 162nd Annual Exhibition, Mall Galleries, London The Look of a Woman, The Stash Gallery, London 2022 Fenella Fielding: Actress, Gallery 286, London Wales Contemporary, Waterfront Gallery, Pembrokeshire and Gallery@Oxo London British Painting III, Bermondsey Project Space, London Royal Cambrian Academy Open Exhibition, Conwy, Wales 2021 Bath Society of Artists 116th Open Exhibition, Victoria Art Gallery, Bath The Marks We Make, The Curator's Salon 2020 ING Discerning Eye, Annual Open Exhibition, Invited Artist Society of Women Artists, 159th Annual Open Exhibition Healthcare Heroes, Google Arts and Culture Dear Christine, Touring Exhibition, Arthouse 1, London 2019 Dear Christine, Touring Exhibition, Vane Gallery, Newcastle & Elysium, Swansea Bath Society of Artists, Open Exhibition, Victoria Art Gallery, Bath Awards 2024 Longlisted BEEP Painting Biennial 2023 Shortlisted Wells Contemporary Art 2022 Shortlisted Wales Contemporary Prize 2021 Longlisted Women United Art Prize 2016 Longlisted for the Jackson's Open Art Prize, Winner Interim Oil Painting Prize Public Collections De Montfort University, Leicester The Fenella Fielding Foundation, London Space Park, Leicester Statement about AOAP Submitted Artwork I am particularly drawn to a gesture captured rather than conventional poses, those unguarded moments; something we can relate to as viewers. These two works depict fictional subjects, in moments of quiet introspection, suggesting darker undercurrents. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 164
REVERE ANNE: (1903-1990) American actress, Academy Award winner for Best Supporting Actress in 1945 for her role as Mrs. Araminty Brown in National Velvet. Signed 8 x 10 photograph, the original vintage Paramount Pictures publicity portrait dating from 1950 and depicting the actress in a head and shoulders pose. Signed in black ink with her name alone to a lighter area of the background. Together with four signed 8 x 10 photographs by each of the other Best Supporting Actress Oscar nominees of 1945 comprising Eve Arden (for her performance as Ida Corwin in Mildred Pierce), Ann Blyth (for her performance as Veda Pierce-Forrester, also in Mildred Pierce), Angela Lansbury (for her performance as Sibyl Vane in The Picture of Dorian Gray), and Joan Lorring (for her performance as Bessie Watty in The Corn Is Green). All are boldly signed in black inks, Blyth in fountain pen ink, largely to lighter areas of the images, and none are inscribed. Generally VG, 5
Lot 370
ACADEMY AWARD NOMINEES: Small selection of vintage signed 8 x 10 photographs and very slightly smaller (3) by various actresses, each of them Best Actress Oscar nominees of the 1930s, comprising Nancy Carroll (for her performance as Hallie Hobart in The Devil´s Holiday, 1929/30; photograph by Eugene Robert Richee and bearing his credit stamp to the verso), Ann Harding (for her performance as Linda Seton in Holiday, 1930/31), Diana Wynyard (for her performance as Jane Marryot in Cavalcade, 1932/33), Grace Moore (for her performance as Mary Barrett in One Night of Love, 1934), and Merle Oberon (for her performance as Kitty Vane in The Dark Angel, 1935). The majority are boldly signed in fountain pen inks, most to clear areas of the images, and only one is inscribed. Some light creasing and minor age wear, G to about VG, 5
Lot 497
A large mixed lot, to include a miniature bronze replica of the Giraldillo weather vane of the Giralda Seville Cathedral, a cased ruby glass double-ended scent/pill bottle (maker's mark "GB"), a WW1 death plaque for Thomas Burns, cased Barr & Stroud and Jul. Keiner binoculars etc. Condition Report:Available upon request
Lot 29
Congreve (William) The Works, 3 vol., engraved plates, contemporary speckled calf, spines gilt, J. & R.Tonson, 1753 § Massinger (Philip) The Plays, edited by W.Gifford, 4 vol., engraved portrait, handsome later mottled calf, gilt, by Zaehnsdorf, spines gilt with roan labels, g.e., 1805 § Beaumont (Francis) & John Fletcher. The Works, edited by Henry Weber, 14 vol., engraved portraits, marginal damp-staining, contemporary half calf, Edinburgh, 1812 § Dryden (John) The Works, edited by Walter Scott, 18 vol., engraved portrait, contemporary sprinkled calf, rebacked in tan morocco, gilt, 1808 § Thomson (James) The Seasons, engraved portrait, additional vignette title and 4 plates, foxed, contemporary calf, gilt, by Barker of Hexham with his ticket, rebacked with gilt spine, 1802 § English Translations, from Ancient and Modern Poems, 3 vol., book-label of Earl Vane, contemporary faintly diced russia, spines gilt, 1810, most a little rubbed; and c.45 others, literature, mostly bindings, 8vo et infra (c.80)
Lot 319
9th-early 11th century A.D. Finial fragment for a ship's weather vane formed in the round as a stylised hybrid creature with braided mane to the arched neck, pricked ears, convex lentoid eyes and gaping mouth with stub tongue; lanceolate body, carinated in section with low-relief scrolls to the shoulders, slot below and thin plaque with lozengiform stepped tail; mounted on a custom-made stand. Cf. Graham-Campbell, J., Viking Art, London, 2013, items 138-140; for a discussion of Viking-period weather vanes and their re-use as badges of nobility in Normandy, see Engström, J. & Nykänen, P., New Interpretations of Viking Age Weathervanes, in Fornvännen, vol.91, 1996. 104 grams total, 88 mm (92 mm including stand) (3 1/2 in. (3 5/8 in.). Acquired on the London art market, 1990s. Private collection, London.
Lot 274
• Recently serviced • SL55 Vane alloy wheels and exhaust The fifth generation of the legendary SL series of two-door convertible sportscars made by Mercedes-Benz was known as the R230. It featured a fully retractable hardtop that was marketed as the Vario Roof; a first for the SL Class although it had been available on the smaller SLK model since 1997. Originally registered on 23rd May 2002, this SL500 cost £69,630 with options. Presented in metallic blue with Black Ash wood trim and black leather interior trim, this example was specified with optional TV tuner, mobile phone (Nokia 6210), Bose sound system, Linguatronic and fire extinguisher with the total price of optional equipment being £2,480. The car was most recently serviced in June 2024, which is detailed in the servicing and maintenance records. Included within the history file is the service book and various invoices along with the MoT test certificate which is valid until August 2025. Described as in wonderful condition throughout, the styling of the car is akin to the SL55 with original and rare SL55 AMG ‘Vane’ alloys and SL55 exhaust providing that incredible sound coupled to the five-litre engine, which is certainly no slouch, a wonderfully sporty yet practical roadster. The SL500 is a classy summer modern classic which is also ideal when the autumn arrives and Vario roof transforms this into a sleek coupé for all seasons. Consigned by Fraser Smith Interested parties should note that the engine management light is illuminated and the roof will not currently open. RECENTLY SERVICED • SL55 VANE ALLOY WHEELS AND EXHAUST
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2310 item(s)/page