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Y A FRENCH ROSEWOOD, ORMOLU MOUNTED AND MARBLE VITRINE OR CABINET IN THE MANNER OF FRANCOIS LINKE, LATE 19TH CENTURY 126cm high, 125.5cm wide, 42.5cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. Some old losses and repairs. The marble top with some additional marks, stains and nibbles to extremities and edges. A key is present and operates the lock. The shelves with a later red baize lining. the reverse of the shelves veneered in rosewood. the shelf supports/pegs are associated and vary from each other in size and shape. Some mounts slightly loose and some indentations and thinning/tears to brass inlays. Condition Report Disclaimer
Walnut vitrine cabinet on chest in the 18th century Dutch manner, with shell carved and shaped moulded pediment, over two astragal-glazed doors, flanked either side by glazed panels, opening to two fixed shelves, the lower section of bombe outline with two cockbeaded long drawers having ornate drop loop handles with shaped backplates, shell and foliate scroll carved apron, on four large carved cabriole legs with ball and claw feet (with key), 202cm high x 178cm wide x 54cm deep
Louis XV revival kingwood Vernis-Martin serpentine fronted vitrine cabinet, arched top with gilt brass foliate mounts, glazed door with two shelves above three painted panels, depicting pastoral scenes, supported on out-swept cabriole legs with gilt brass mounts and sabots.Dimensions: Height: 192cm Length/Width: 122cm Depth/Diameter: 39cm
Duane Lacapa (Hopi-Apache, 20th/21st century). Carved wooden figure with painted details titled "Kwahu Eagle Kachina" depicting a winged human form dressed in elaborate indigenous regalia, perched atop a wooden platform carved in the form of a stone or rock surface, 1991. With rectangular glass case and mirror vitrine. Incised and inscribed signature in pencil along the left edge of the underside; incised "Kwahu Eagle Kachina 3"91"" along the right edge of the underside.Katsina (or kachina) dolls are sacred figures crafted in Hopi culture as well as other Native American cultures of the Southwest, representing spiritual beings from their mythology. They are typically made from cottonwood and adorned with painted, symbolic details. They play a vital role in Hopi religious ceremonies and serve as educational tools for passing down tribal traditions and values.(Doll) height: 14 1/4 in x width: 14 1/4 in x depth: 5 in. (Box) height: 17 in x width: 18 1/2 in x depth: 10 1/2 in. Condition: The wooden figure appears in good condition with no breaks, chips, or losses. Some glue visible along the knees where applied elements are attached, likely original. The colors are bright. There is some wear to the vitrine including accretions where the katchina doll was attached to the mirrored base. Some small chips to the mirror. Light wear to the box element.
An Exceptionally Long Candle in a Special Cabinet, marked 'Roma 1867'. 19th C.An exceptionally long candle, decorated with flowers and provided with a cap.Candle holder or display cabinet, wood and glass, mounted with bronze. Marked 'Roma 1867'.Height of the candle, 160 cm.(45 x 238 x 40 cm)Eine außergewöhnlich lange Kerze in einem speziellen Kabinett, gekennzeichnet mit "Roma 1867". 19. Jahrhundert.Eine außergewöhnlich lange Kerze, die mit Blumen verziert und mit einer Kappe versehen ist.Kerzenhalter oder Vitrine, Holz und Glas, montiert mit Bronze. Gezeichnet 'Roma 1867'.Höhe der Kerze, 160 cm.(45 x 238 x 40 cm)
An Antique Wooden Sculpture, Madonna and Child, Southern Europe, in a Display Cabinet decorated with an Eye of Providence and Cordoba leather, 18th century.Polychrome patinated wooden sculpture.Crowned Madonna and Child.In a hanging display cabinet decorated with an All-Seeing Eye and embellished with polychrome painted Cordoba leather.Southern Europe, Baroque, 18th century.Height of the sculpture: 23,5 cm(55.5 x 59 x 12 cm)Antike Holzskulptur, Madonna mit Kind, Südeuropa, in einer Vitrine, verziert mit einem Auge der Vorsehung und Leder aus Cordoba, 18. Jahrhundert.Polychrom patinierte Holzskulptur.Gekrönte Madonna mit Kind.In einer mit einem allsehenden Auge verzierten Hängevitrine mit polychrom bemaltem Córdoba-Leder verziert.Südeuropa, Barock, 18. Jahrhundert.Höhe der Skulptur: 23,5 cm(55,5 x 59 x 12 cm)
An antique Dutch display cabinet with floral marquetry, The Netherlands. 19th century.High and elegant display cabinet finished with a floral marquetry.The Netherlands, 19th century.(135 x 240 x 30 cm)Antiker holländischer Vitrinenschrank mit floralen Einlegearbeiten, Niederlande. 19. Jahrhundert.Hohe und elegante Vitrine mit floraler Intarsienarbeit.Niederlande, 19. Jahrhundert.(135 x 240 x 30 cm)
A Louis XV style kingwood vitrine, late 19th century, with a marble top and gilt bronze mounted, with a light blue satin interior with two glass shelves, the front cabinet with a bevelled edge, with three painted Vernis Martin panels, in the manner of Gossens, 66.5cm wide 40cm deep143.5cm highCondition ReportWith key, good overall. Colour good.
A 19th century Victorian ebonised walnut inlaid marquetry display cabinet vitrine. The cabinet having a mirrored gallery back with turned spindles and finials atop. Below two glazed arched doors housing a shelved interior with brass embellishments and inlaid detailing to the exterior. All raised on a plinth base.Measures approx. 143cm x 125cm x 35cm.
A VICTORIAN WALNUT AND GILT METAL MOUNTED DISPLAY TABLE OR VITRINE IN LOUIS XV STYLE, MID-19TH CENTURY The glazed shaped rectangular top with angles inset with Sèvres-style oval plaques above a frieze drawer 75.5cm high, 111cm wide, 61cm deep Provenance: The Davies-Cooke Collection from Gwysaney Hall, North Wales For further details about the collection, visit: www.dreweatts.com/news-videos/gwysaney-hall-a-welsh-family-s-portrait-of-british-history-14767/ Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW. With wear, marks, knocks and scratches commensurate with age and use Some old chips, splits, and losses Some lifting and warping to the veneer Handles and locks appear to be original Key present and functions in lock Drawer runs smoothly Solid and stable ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot. Condition Report Disclaimer
Barocke Eichen Vitrine mit großer Sammlung antikem Norddeutschem Trachtenschmuck aus Nord- und Ostfriesland, Dithmarschen, den Vierlanden und dem Alten Land: dicke Bernsteinketten und -armband, diverse Hartje, Schnallen, Fibeln, Schließen, Silberfiligranketten und -knöpfe sowie Biedermeier Stricknadelhalter und Taschenuhren (Anzahl ca. 70 Stück), 18./19.Jh. 94x72,5x14cm (Vitrine)
Dale Chihuly (American, b. 1941). Pair of glass forms titled "Radiant Persian Pair," a studio edition. One of the pair is damaged. The two scalloped glass forms of radiating stripes of yellow with black rims. With a plexiglass vitrine.Provenance: Fairchild Tropical Garden, Florida, ca. 2006; From the Collection of Ellen and Frederick Wells.Lot Essay:Dale Chihuly first encountered glass art as an interior design student at the University of Washington. Immediately fascinated, he went on to study glass at the University of Wisconsin, which was the first university in the United States to teach glassblowing. From there, he went on to the Rhode Island School of Design, where he continued to learn about glass and eventually ended up teaching. His education continued with a Fulbright Fellowship to go to the famous glassblowing studios of Venice. After his time in Italy, he returned to his home state of Washington to found his own glass school, the Pilchuck Glass School, with Ann and John Hauberg, influential supporters of the arts in Seattle. At this school, his art style and process truly flourished. In particular, Chihuly first fostered the collaborative method of glassblowing he had witnessed in Italy at Pilchuck, something that would become a hallmark of his artistic process.(Each, approximately) height: 6 in x width: 9 in x depth: 8 1/2 in. (Vitrine) height: 13 3/4 in x width: 12 1/2 in x depth: 12 1/2 in.Condition: One of the pieces has no breaks, losses, or signs of restoration. One piece has been broken and repaired; extensive cracks throughout. Light wear to the vitrine.
Dale Chihuly (American, b. 1941). Handblown glass sculpture from the "Macchia Form" series, 1982. The interior of an ultramarine blue and the exterior of blue and yellow stripes; with an orange rim. Etched signature and date along the underside. With an acrylic vitrine/display case.Provenance: Flanders Contemporary Art, Minneapolis, 1997; From the Collection of Ellen and Frederick Wells.Lot Essay:Dale Chihuly first encountered glass art as an interior design student at the University of Washington. Immediately fascinated, he went on to study glass at the University of Wisconsin, which was the first university in the United States to teach glassblowing. From there, he went on to the Rhode Island School of Design, where he continued to learn about glass and eventually ended up teaching. His education continued with a Fulbright Fellowship to go to the famous glassblowing studios of Venice. After his time in Italy, he returned to his home state of Washington to found his own glass school, the Pilchuck Glass School, with Ann and John Hauberg, influential supporters of the arts in Seattle. At this school, his art style and process truly flourished. In particular, Chihuly first fostered the collaborative method of glassblowing he had witnessed in Italy at Pilchuck, something that would become a hallmark of his artistic process.(Glass) Height: 6 3/4 in x width: 13 1/2 in x depth: 9 in. (Vitrine) Height: 11 in x width: 16 in x depth: 10 in.Condition: There are no breaks, losses, or signs of restoration to the glass. Some signs of wear including light scratches to the vitrine.
A French Louis XV-Style Rosewood and Gilt Metal Mounted Vitrine, 20th century, the strung top with canted corners above a guilloche pattern gilt metal border and drawer, the glazed door enclosing a red velvet-lined interior with two plate glass shelves, all between canted corners, the fall front drawer enclosing six drawers raised on cabriole legs with gilt metal mounts88cm by 37cm by 153cm
A Victorian gilt metal mounted walnut and marquetry credenza, slightly oversailing top with moulded ebonised edge above a panel door inlaid with a fluted bracket, scrolling stems and swags and enclosing a shelf, flanked by glazed vitrine doors, each enclosing two further shelves, plinth base, turned feet, 106cm high, 151cm wide, 38cm deep, c.1880
Early 20th century French style vitrine, with shaped breccia marble top above a single glazed door enclosing three shelves, the serpentine front and canted corners with kingwood and rosewood veneers, mounted with gilt metal ormolu mounts and sabots, raised on slender cabriole legsDimensions: Height: 91cm Length/Width: 64cm Depth/Diameter: 39cm

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5856 item(s)/page