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A COLLECTION OF WEMYSS POTTERY including a plum decorated trio, a cherry painted preserve pot and lid, a cherry painted pot, 12cm diameter, a cherry painted cup, initialled MJR, a large orange painted pot and cover, 15cm high, together with a Robert Heron & Sons Langtoun Ware cherry painted preserve pot and cover (8) Condition Report:plum decorated trio - some discolouration to the saucer and plate, overall crazing to all piecescherry painted preserve pot and lid - heavily crazed and discoloured, chip to underside of lid, paint flakes to rimscherry painted pot - large chip to inside rim, smaller one to the outside rim, crack running from this chip with a further vertical crack, heavily crazed and discolouredcherry painted cup - heavily crazed and discolouredlarge orange painted pot and cover - lid restored, heavily crazed and discoloured to both pieces, glaze chip to body Langtoun Ware preserve pot and cover
JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) A STREET IN ST TROPEZ Signed, oil on board 46cm x 38cm (18in x 15in) Sotheby's Gleneagles, Silver & Jewels, Wemyss Ware, Scottish & Sporting Paintings, Drawings & Watercolours, 27 & 28 August 1990, lot 1051 John Maclauchlan Milne painted several street scenes in the south of France. Although the present painting is undated, another related work is dated 1927 and this fits with the artist's visits to the area from 1924 to about 1931. Maclauchlane Milne had a solo exhibition with art dealers Reid & Lefèvre in Glasgow in March 1929. A press report in the Glasgow Bulletin singled out a work titled Street in St Tropez as an example of the artist's ‘liveliness of spirit’. The backboard of the present work has the mark of the artist suppliers Blanchet of 36 Rue Bonaparte, Paris. This style of mark was in use from 1907 to 1960 and it is evident on several of Maclauchlan Milnes pictures from the 1920s.We are grateful to Maurice Millar, author of The Missing Colourist: The Search for John Maclauchlan Milne RSA (privately published in 2022 and available via The Missing Colourist website) for his help with our research.
A Wemyss Ware pottery pig. Circa 1900, modelled in a seated position, glazed in white with hand painted clover leaf decoration, impressed marks to base 'WEMYSS WARE, R.H & S', and printed retailer mark T. Goode & Co, South Audley St, London, H27.5cm x 46cm from nose to tail Condition Report: Appears in a good condition for its age, no chips or cracks, the tail has been glued back on. there is a mark to the snout were the glaze hasn't taken. The glaze has crazed and light surface marks conducive with age.
WEMYSS WARE LIDDED PRESERVE JAR, LATE 19TH / EARLY 20TH CENTURY of cylindrical form, hand painted with apples, within a green dentil border, bearing Wemyss mark to base14.5cm highOverall good condition, with some signs of age. There is crazing to the base and lid, and a small crack to the lid edge. There is a small amount of glaze loss to the base edge, but no large losses throughout.
A MOORCROFT POTTERY RECTANGULAR 'MAGNOLIA' TRINKET DISH, pink magnolia on a cream ground, an impressed maker's mark on the base, length 20cm x width 9cm, together with a Wemyss Ware trinket plate, a hand-painted cherry fruit motif with a green edge, an impressed makers mark on the back appears slightly worn, diameter 12cm (heavy crazing and nibbles) (2) (Condition Report: see main description for specific damage, ok condition)
A Wemyss ware cylindrical pot decorated with strawberries, 12cm high; together with two stoneware pots (one with lid missing)There is a visible hairline crack close to the rim of the wymes, this measures 4cm. The wymes also rings incorrectly which indicates the crack. The other two stoneware pots are in good condition with no visible cracks.
A rare Copeland water can, the painting attributed to Edwin Sandland, the Wemyss ware decorater, c1916, of white 'Crown' earthenware, painted with lilies and dog roses on a blue ground, 23cm h, impressed crown, COPELAND and potting date 14 for 1914 Edwin Sandland (w.1916-28) hailed from the Potteries and is known to have painted dog roses in oil paint on bought in Copeland tea sets. His style of painting was notably freer and idiosyncratic than that of his immediate predecessor Karel Nekola Some professional restoration of fine appearance, crack in base
A collection of Wemyss Ware in the Cabbage Rose pattern to include a high-shouldered, 21cm tall, a shaped edge vase, a bulbous jug, a 17cm diameter side plate and a cake plate (5). The shaped vase is good though a deep line of crazing / forming hairline, the other vase is chipped, the other 3 are all damaged too.
Wemyss Ware, decorated with cockerels, to include a Black Cockerel 'Bonjour plate', 12.5cm diameter, a similar mug, a brown cockerel 'Bonjour' sugar bowl and a Pheasant 'Bonjour' sugar bowl (4). Two are In good condition with no obvious damage or restoration. Some surface wear. Cup is cracked, forming hairlines to pheasant bowl.
Wemyss Ware in the 'Buttercup' pattern to include a large teapot, a smaller teapot (missing lid) , 5 cups, 1 saucer, 4 sugar bowls, 3 creamers, 5 side plates, a slightly larger plate and 2 cake plates (Qty). Condition is mixed and damages are present. Paint chips, wear and grazes are apparent across most of the set as commensurate with age. The largest teapot is generally from free damage though is crazed all over and odd grazes are apparent. The smaller teapot is damaged and without original lid. 1 cup is damaged as is 1 sugar bowl. 1 creamer with forming hairline. 2 side plates are cracked as is the slightly larger plate. Otherwise, all appears to be good though a lot dont ring true though no obvious damages apparent.
A LARGE WEMYSS SHAMROCK PIG. A Wemyss pig of large size, painted with shamrocks to the body. Painted marks to the base, 'Wemyss Ware, 13, 28.5cms high, approx 44cms long. *CR Both ears has been broken and re-stuck at the bases, small firing cracks to one ear, general crazing and some discolouration in places, some wear to the base and feet.

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2778 item(s)/page