We found 13134 price guide item(s) matching your search

Collection of Murano, facon-de-Venise and other similar glass including a Venini-style decanter and a stopper of double gourd-shaped form, decorated in spiralling bands of blue and red, 27.7cm high (stopper probably matched), two Murano perfume bottles, each with aventurine and white latticinio bands with aventurine stoppers, a Toffolo Studio wine glass with pale blue and white spirals above a double knopped aventurine stem, a globular perfume bottle and stopper in green, ochre and blue bands attributed to Toffolo, a trefoil-shaped dish with spiralling radiating latticinio blue and pink ribbons, a vaseline tall tapering vase with flared neck, another with snake spiralled mid-section and filled rim and a small Murano-style bud vase, of spirally moulded form, on aventurine crimped foot (9) 

Group of Dutch and similar silver items, togther with a continental white metal wine taster (5)

Extensive service of crystal glass tumblers, red and white wine glasses, 67 pieces

Contemporary glass including vases, bowls etc - comprising four vases, the largest 30cm high; a large pedestal fruit bowl, 30.5cm diameter; a cut glass trifle bowl; a lemonade jug; a cut glass sugar caster with silver plated mount; and a boxed set of four M&S 'Grace' white wine glasses. (9)

A small group of cultured and freshwater pearl and amber jewellery - comprising a graduated cultured pearl necklace with silver and marcasite clasp, 43cm long; a silver, freshwater black and white pearl and flower-carved quartz necklace; a rice pearl necklace with gilt metal and paste clasp; a freshwater pearl and turquoise elasticated bracelet; a wine red baroque freshwater pearl opera length necklace; and two amber necklaces.

Four Elizabeth II silver wine labels - comprising a set of three of oval cartouche form, A Chick & Sons Ltd, London 1976 and 1978, comprising 'Gin', 'Sherry' and 'Whisky'; the other 'Port' label of rectangular form by the same maker, London 1978; together with a Victorian silver apostle tea spoon, London 1897 (total silver weight 65.5g); a white metal mustard spoon; a cased set of EPNS coffee spoons; and a cased set of bone-handled tea knives.

Two pairs of Chinese blue and white wine cups, Guangxu (1875-1908), each of waisted form, painted with a landscape or a literatus fishing, with a four-character 'Ruo Shen Zhen Cang' mark to base,6cm diameter (4)Provenance: From the collection of Desmond Kirkpatrick (1932-2024).清光绪 青花酒杯 两对Condition ReportNo obvious faults.

An extensive collection of Longchamps crystal glasses to include flutes, red / white wine, balloons etc

Five Victorian silver dessert spoons, London 1847, maker Chawner & Co, together with a bent silver serving spoon and a single white metal engraved teaspoon and a further white metal Georgian style wine funnel, spoons 12.2oz

A suite of Villeroy & Boch cut wine glasses, comprising six stemmed red wine glasses and fourteen white wine glasses.

A part suite of Waterford Tyrone pattern glassware, comprising two red wine glasses, four white wine glasses, five sweet wine glasses, and six liqueur glasses.

Six bottles of Conde Noble white wine, and two bottles of Il Principe Vendemmia pinot grigio 2004. (8)

An Italian 'Arte Italica' metal mounted white ceramic bowl with circular foot, 37.5cm diameter, sold along with a smaller matching lidded dish and a silver plated wine coaster, crazing to larger bowl.

Oil on canvas still life painting signed by the artist Nargas, depicting a classical arrangement of fruit and objects in a richly detailed setting. The scene includes white and red grapes, peaches, a plum, a pear, and cherries displayed on a table, along with a brass jug and a wine glass, framed by leafy foliage and a red curtain in the background. The artwork is executed in vibrant colors with fine brushwork and dramatic lighting reminiscent of traditional European still life compositions. Elegantly presented in a deeply molded gilt frame with black accents and ornate corner decorations. The painting comes with a Certificate of Authenticity from Prestige Arts, confirming it is a hand-painted original oil on canvas. Signed on lower right. Artist: Nargas (20th-21st century)Issued: 20th centuryDimensions: 27"L x 23.50"HCondition: Age related wear.

Four pieces of Chinese blue and white porcelain, 19th century and later, a lidded oblong form pot with white metal mounted rims, 20.5 by 14 by 7cm high, a wine pot, 16cm high, and two bowls, one possibly 18th century, 31 by 13.5cm high, all a/f. (4)

Silver wine coaster and a group of Eastern white metal salt and peppers.

A suite of Tudor glassware comprising twelve red wine, twelve white wine and pair of decanters.

An unusually heavy George III silver bottle label along with 4 others, mark of Thomas Phipps, Edward Robinson & James Phipps, London 1812, decorated with two putti and trailing vines, pierced lettering for PORT, 36g, together with another of similar style, mark of Matthew Linwood, Birmingham 1818, engraved CLARET, a rectangular example, mark of Thomas Wallis II, London 1805, engraved BRANDY, a rectangular example, mark of Elizabeth Morley, London 1809, engraved MADEIRA, and an unmarked example, tests as silver, escutcheon shaped, engraved WHITE WINE (5)

A collection of 7 George III and later silver bottle labels by notable silversmiths, first, a matching pair, mark of George Unite, Birmingham 1897, in the form of vine leaves with pierced lettering for PORT and MADEIRA; second, mark of Joseph Willmore, Birmingham 1839, of rectangular form with a border of repoussé fruiting vines around a cartouche engraved LISBON; third, mark of Joseph Willmore, Birmingham 1806, rectangular with cut corners and reeded border, engraved GIN (originally HOLLANDS); fourth, mark of George Unite, Birmingham 1887, rectangular with cut corners and reeded border, engraved NOYEAU; fifth, mark of Sampson Mordan & Company, London 1921, circular, marked CLARET and sixth, mark of Hester Bateman, part mark only, of curvilinear ovoid form with bright cut engraved decoration, engraved WHITE WINE (7)

A bottle of 1981 German Pieroth Ferdinand royal commemorative white wine, 31.5 cm

A rare George III silver wine label, by Boulton and Fothergill, Birmingham 1774, possibly designed by Robert Adam, scroll form with drapery decoration, feather-edge border, incised and blackened 'White Wine', length 5.8cm, approx. weight 0.3oz.Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

A pair of George III silver wine labels, by Susanna Barker, London circa 1790, banner form, bright-cut borders, raised pierced oval pediment with foliate decoration and engraved with a crest, pierced 'Hock and 'Claret', plus another George III silver wine label by the same maker, similar form, incised 'White Whine' engraved with a crest, approx. total weight 1oz. (3)Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

ß  2019 Antoine Jobard, Meursault Premier Cru, Genevrieres OCC 6x75cl IN BONDDreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.  

ß 2012 Bernard Defaix, Chablis Premier Cru, Cote de Lechet OCC 12x75cl IN BONDDreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.  

ß  2022 Herve Azo, Chablis OCC 12x75cl IN BONDDreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.  

ß  2021 Antoine Jobard, Meursault Premier Cru, Genevrieres OCC 2x75clDreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.  

ß  2020 Antoine Jobard, Meursault Premier Cru, Genevrieres OCC 6x75clDreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.  

2020 Jean-Marc Brocard, Chablis Premier Cru, Vau de Vey OCC 6x75clDreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.  

ß  2022 Herve Azo, Chablis OCC 12x75cl IN BONDDreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.  

2015 Antoine Jobard, Meursault Premier Cru, Charmes 3x75clDreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.  

ß 2015 Domaine des Comtes Lafon, Meursault Premier Cru, Charmes 2x75cl IN BONDDreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.

ß  2017 Antoine Jobard, Meursault Premier Cru, Genevrieres OCC 6x75cl IN BONDDreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.  

ß 2018 Antoine Jobard, Meursault Premier Cru, Genevrieres OCC 6x75cl IN BONDDreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.  

2015 Guy Roulot, Meursault Premier Cru, Le Tesson OCC 1x75clDreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.  

ß  2022 Herve Azo, Chablis OCC 12x75cl IN BONDDreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.  

2006 Domaine Follin-Arbelet, Corton-Charlemagne Grand Cru 12x75cl Purchased from Justerini & Brooks and afterwards stored in a fine private cellar.Dreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.    

A SCIMITAR PRESENTED TO CAPTAIN JAMES KEARNEY WHITE R.N. ABOARD H.M.S. NORTHUMBERLAND BY NAPOLEON BONAPARTE, ST. HELENA, 1815the 31in. curved steel flat blade with faint etching, brass quillon guards with cast and engraved foliate decoration, shaped polished stone grip with tassel hole to end, contained in brass mounted leather scabbard with medallion facings by suspension loops, the top locket engraved From Napoleon Buonaparte / To Captn. James Kearney White / St. Helena, October 1815. / H.M.S. Northumberland -- 36in. (91.5cm.) overallJames Kearney White (1782-1828) and thence by descent. James Kearney White (1782-1828) enjoyed a lively career in the Napoleonic Wars during which he was awarded a £50 Lloyds sword for an heroic action capturing the Dutch brig-corvette Atalante and, as a 'lucky' prize captain, had made his crew wealthy - and happy enough - to present him with the magnificent silver-mounted sword represented by lot 177 whilst he was in command of the gun brig Peruvian. This was just before the Battle of Waterloo and it was whilst Peruvian happened to be lying becalmed at Ostend when Major the Hon. Henry Percy (1785-1825), the only one of Wellington’s aides to have survived the carnage at Waterloo unscathed, arrived with the news of the great victory, White took drastic action: With no wind in the offing, he immediately ordered Peruvian’s gig lowered and, after selecting four of his strongest crew, the six men, including both White and Percy who did their share at the oars, rowed the sixty-four across the Channel to Broadstairs where the two officers hired a fast post-chaise-and-four and raced to London bearing the momentous news of Napoleon’s defeat. Napoleon famously handed himself over to Captain Maitland aboard the Bellerophon where he remained for two weeks from the 26th July whilst the British Government decided his fate. Whilst there, Admiral Lord Keith (C-in-C North Sea) had such an unpleasant interview with Napoleon that an eyewitness recorded it was judged proper to deprive the refugees of their arms. A good many swords, and several brace of pistols..were brought down to the gun-room, where they remained for some hours*. Napoleon was transferred to Northumberland and, when she sailed for St. Helena, Peruvian was one of her escorts and was despatched to Guernsey to pick up a supply of wine for Napoleon’s consumption in exile - a very personal service rewarded by the presentation of this sword. It seems that White and Napoleon got to know and respect each other as latterly White was able to report on the Emperor's health when he was returning on a routine trip a few years later. White's active years seem to have worn him out and his health declined sharply enough in 1828 to have his will drawn up. Dictated in the third person, he left clear instructions for all his swords, including this one: ...I give to Arthur White now under my command The Mameluke Sabre said to belong to Napoleon Bonaparte... and it's presumed his nephew, Arthur, had the top locket engraved as he must have heard the story of his uncle's encounter with Napoleon many times.* George Home: Memoirs of an Aristocrat, and Reminiscences of the Emperor Napoleon, by a Midshipman of the Bellerophon. London, Whittaker & Co., and Bell & Bradfute, Edinburgh, 1838.Blade has small patches of corrosion but remains sharp, close examination shows the top third was once finely etched but this is now almost invisible.; the scabbard is scuffed and the top section now loose, but overall in fair condition.

Five bottles of vintage wine:1983 Ch Bertin, Montagne-St-Emilion1994 Ch Cailloux, Saint-Julien1998 Ch Mayne-Rene, Pomerol, x21982 Dalberger Pfarrgarten, Kabinett (white)Qty: 5

A collection of Caithness glasswares, to include a large Midnight (black and white) decanter; twelve wine glasses;a Flamenco Series "Dawn" vase; a bud vase; a Christening goblet; candle holders; tealight; sugar sifter; and other items; some boxed. Two boxes.Qty: 24

A small mixed twist wine glass, c.1760, the cup bowl raised on a mixed twist stem comprising thin opaque white strands spiralling around an air cable, over a conical foot, 13.8cm.Provenance: the collection of Derek Horton

Red and green colour twist wine glass, circa 1765, the bell bowl on a stem containing a multi-ply corkscrew and alternating red, green and white spiral threads, over a conical foot, 15.9cm highIn good condition with no damage.

Continental red colour twist wine glass, circa 1780, the bell bowl etched with grapevines, on a double-knopped stem containing four red and white bands outside a fine gauze core, over a plain foot, 15.6cm highIn good condition with no damage.

Six bottles of mixed alcohol to include four bottles of Mainzer Domherr white wine 9% ABV 75cl, and two bottles of Cockburn's Special Reserve Port no ABV 70cl (6)

Six bottles of alcohol to include CALIDAD medium sweet Oloroso sherry 17.5% abv. 75cl, SAINSBURY'S vermouth 14.7% abv. 1litre, SAINSBURY'S Madeira 17.5% abv. 37.5cl, HARDY'S Chardonnay 2010 white wine 12.5% abv. 75cl, APHRODITE white wine 12.5% abv. 75cl and FIRST CAPE Chardonnay 2014 13% abv. 75cl. (6)

A QUANTITY OF CUT CRYSTAL, a part suite of Kinver Crystal comprising six red wine glasses, six white wine glasses, six whisky tumblers, six hock glasses, a Waterford Crystal decanter, a Stuart Crystal 'Cascade' pattern rose bowl, five Waterford highball tumblers, two Edinburgh Crystal decanters, etc. (qty) (Condition Report: no obvious damage)

A LARGE BLUE AND WHITE DRAGON DECORATED WINE JAR Ovoid jar covered in pale blue glaze decorated in a continuous flying dragon, four lugs to shoulders and engraved two character inscription, narrow bent spout and wide mouth, glazed to base and unglazed foot showing a porcelain biscuit, circa 16th century 33cm high, 25cm diameter Condition Information: There is a hairline to the rim For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Ownership Statement: This item is offered for sale without disclosing the identity of the owner.

A quantity of smoky and clear glass to include: red and white wine glasses and water jug, sundae dishes, etc.

Two pairs of Delft lue and white vases, two Canton tea pots, two Worcester floral tazze, wine coasters, a Della Robbia style plaque, an Alan Caiger Smith vase, etc

Royal Worcester cabinet plate, another similar and five Royal Crown Derby white glazed bon-bon dishes and a Pair of antique glass wine carafes with painted enamel decoration, approx. 33.5cm high

Two Similar Reproduction White Metal Wine Coolers

An outstanding 'Trench Raid' M.C. group of eight awarded to 2nd Lieutenant J. F. Thoburn, 13th Battalion, Rifle Brigade, later Lieutenant-Colonel, Royal Army Service CorpsThoburn was photographed alongside his comrades before going into action and also wrote at length regarding the action which won his decorationMilitary Cross, G.V.R.; British War and Victory Medals (2. Lieut. J. F. Thoburn.); 1939-45 Star; Africa Star, clasp, 1st Army; Defence and War Medals 1939-45; Efficiency Decoration, Territorial, G.VI.R., reverse officially dated '1947', good very fine (8)M.C. London Gazette 11 January 1919:'When the enemy, in a determined counter-attack, gained a footing in our trenches this Officer led his men over the top and attacked those who had got through the wire, killing several, dispersing the remainder, and capturing a machine-gun and trench mortar. The confidence inspired in his men by his example restored a critical situation.'Jack Fancourt Thoburn enlisted into the Honourable Artillery Company on 17 April 1916 and served in France with the 3rd Company, 2nd Battalion (as No. 7455) from 18 November 1916. Sharing in the action at Bucquoy in February 1917, he was wounded in action. Thoburn was subsequently commissioned 2nd Lieutenant into the Rifle Brigade, serving with the 13th Battalion in France from March 1918. He earned his outstanding M.C. for his actions on 12-13 September, when a Trench Raid captured the enemy positions around Havrincourt Wood. Poison shells were sent down and a heavy counter came the following evening. Thoburn was photographed with his comrades before going into action and also wrote of his experiences:'I am off in an hour's time to the line, Captain Jenkins and Wallis are going with me for which I am awfully glad. We three are great chums. You know that since I have been a soldier I have passed through some awfully rough times and most trying experiences, especially in the earlier stages of the war, and I am by now pretty used to being knocked about : but going again into the thick of the fighting gives one a strange sensation - an indescribable feeling - going up to face death, but one must not think of that, the same Mighty Power that kept me all through those awful Somme battles, can still keep me. I'm just going to do my duty to the very best of my ability - my safety lies in Higher Hands. God knows what I have done in the last few days. I must tell you a little of what I have been doing, in myself I am quite fit, but very tired. My hands are cut up with innumerable cuts, my feet are shooting with pain from not taking my boots off for so long, but we are all in the same boat and are feeling quite happy. It is a lovely sunny day and quite warm, all our company officers are squatting outside our little dugout writing home.Now as some time has elapsed since these episodes, I think I can give you a few details of my adventures without in any way falling foul of my duties as a censor. One comes to my mind - We were leading the Company up, preparatory to "going over the top". Wood (the Coy Commander) and myself were trying to find our way in a wood, it was pitch dark. Wood went first and he suddenly disappeared, the next moment I followed him, falling about twenty feet through bushes, thorns and brambles. At the bottom I stumbled to my feet, breathless with the fall and choked with the gas from the shells that the Boches were firing around us. I heard Wood's voice for a moment and then I lost him - I got caught among the barbed wire - round and round I ploughed until I heard to my immense relief Davis' voice. We lay there together, our men just behind us waiting for the moment. Just like a cyclone it came, with one terrific roar our barrage breaks - then clear and distinct above the rumble of the guns came the sharp crack of the Machine guns - then over we went, and did some quick work. The prisoners came trooping up in groups. I came upon a party of young boys, they were terror stricken - up went their hands the moment they saw me and actually cried like babies. Two of our officers were killed, it was awfully hard luck, they were both such jolly good chaps, one of them was married. In consequence of their death, Hunter and I went to their company to help them and which meant we were very unfortunate, because we had to do the work of both companies. When "C" Coy was in, we were, and when "D" Coy was in, we were also, getting no respite from fighting.I enclose two ribbons - the black and white is the Iron Cross, the other ribbon is foreign, probably Turkish. I cut them from the tunic of a Boche Machine gunner - with his gun he held me up for some time doing a good deal of damage. He it was who killed our two officers, anyhow he was dead when I got up to him and these ribbons were his decorations; he was an intelligent looking fellow and looked quite peaceful in death.In one of the captured trenches we had a meal off German bread and sausage, the bread was damp, heavy and nearly black - the sausage reminded me of the German Mail and their uncooked dainties. Some tried the Boche wine, but the general verdict was that it was like methylated spirits. We found some good cigars and it was really amusing to see all our men swaggering about with cigars in their mouths. But there was more serious work ahead. The afternoon of the attack I had come off duty in the advance line and was lying down at Coy Headquarters - when there was a cry, "the Boches are coming", I sprang up and rushing along by a way that I know, gained the front line. There I found Hunter with some men retiring down the trench and some twenty yards away the Germans were coming down toward us. Our men were a bit windy, but Hunter and I made them make a stand and fetch bombs. Hunter is a fine bomber, so he threw the bombs, while I carried on with a borrowed rifle and my revolver. We retired very slowly - the Boches were chucking their bombs. These bombs of theirs make an awful row, but don't do much damage unless you get too close to one. Unfortunately they had also got some of ours, which are of a different calibre. I was bringing up the rear as we retired, and was having quite a pretty little duel with the Hun Serg. Major who was leading their attack - he evidently wanted me as a prisoner, for every time we faced each other round a traverse he signed and shouted to me to put my hands up. Of course my only answer was revolver ammunition, it was not likely that I was going to put my hands up to a Boche. Well at last we got to a fair stock of bombs, so we made a halt and bombed steadily. Hunter stands 6 ft 4 in and throws bombs magnificently. This went on for about twenty minutes, and then we found that we were not being answered, so we decided to advance. First of the party came myself with my revolver - then came Hunter with bombs and one or two men. We went round two traverses then we came upon two Huns. The first was the Serg. Major - dead, the next was a young lad, he had been hit in the hand and had a nasty gash in his head. As this poor lad saw me he tried to collect himself but he was far too gone, I can see his bloodshot eyes now as he tried to raise his head - on the other side of the trench was a Boche officer, dead, As we advanced we found quite a number of dead, we had done better than anticipated - we made a rush and took six machine guns, one Minnen-werfer and coil of telephone wire. So we had managed to stop rather a large counter attack. The "D" Company Commander sent in a very good report to Battalion Headquarters about our work, which was encouraging. The Corporal and two men who backed us up have been recommended for the Distinguished Conduct Medal and the Military Medal. I have written but bald facts, of course there is much more but I must not tell just yet.The German Planes a…

SELECTION OF BRANDY, PORT AND WINEcomprising two bottles of Remy Martin VSOP, 70cl/40%; one bottle of Lamb and Watt Ltd Cherry Brandy circa 1950's, 70cl/44 o proof; one bottle of Cockburn's special reserve port, 70cl; and one bottle of Armari Blanc de Greece white wine, 70cl/12% (5)

LARGE QUANTITY OF SILVERPLATE AND WHITE METAL ITEMSincluding four piece tea set, three trays, various spoon sets in cases, pickle fork, serving utensils, four EPNS wine glasses and eight small stemmed glasses, posy vase and various flat ware, etc.

* JACK VETTRIANO OBE (SCOTTISH 1951 -2025) MODELS IN THE STUDIO limited edition silkscreen print on paper, signed and numbered 73/295mounted and framed (slipped in the mount)image size 45cm x 53cm, overall size 79cm x 86cm Note: Jack Vettriano was born in Fife, Scotland in 1951. After leaving school at 15, he followed his father down the mine, working as an apprentice engineer. He later moved on to white-collar jobs in management services. Vettriano took up painting as a hobby in the 1970s when a girlfriend bought him a set of watercolours for his birthday and from then on, he spent much of his spare time teaching himself to paint. He learned his craft by copying Old Masters, Impressionists, Surrealists and a plethora of Scottish artists. Prior to moving from Kirkcaldy to Edinburgh, he decided to mark a break with his past work which hitherto had been sold under his family name Hoggan. From this time on, he adopted his mother’s maiden name. The turning point came in 1988 when he submitted two paintings to the Royal Scottish Academy’s Annual Exhibition; both were sold on the first day and Vettriano was approached by several galleries. He held his first solo exhibition at the Edinburgh Gallery in 1992 entitled ‘Tales of Love and Other Stories’ and later that year, he exhibited at the Mall Galleries in London. He was represented by Portland Gallery from 1994-2007 and during this time, he had many sell-out solo exhibitions in Edinburgh, London, Hong Kong and New York and counts Jack Nicholson, Sir Alex Fergusson and Sir Tim Rice amongst his collectors. In 1996, Pavilion books commissioned W. Gordon Smith to compile an anthology, ‘Fallen Angels’, in which over 40 Vettriano images were accompanied by a selection of Scottish writing. Poets, playwrights, novelists and actors were asked for a personal response to an individual painting or poem. In the same year, Sir Terrance Conran commissioned Vettriano to create a series of paintings for Conran’s Bluebird Club in London. The seven paintings inspired by the life of Sir Malcom Campbell hung there for ten years. In 1998, Vettriano moved to London where he continued to have sell-out shows including, ‘Between Darkness and Dawn’, ‘Lovers and Other Strangers’ and ‘Affairs of the Heart’. The year 2004 was exceptional in Vettriano’s career; his best-known painting, ‘The Singing Butler’ was sold at Sotheby’s for close to £750,000; he was awarded an OBE for Services to the Visual Arts and was the subject of a Southbank show documentary, entitled ‘Jack Vettriano: The People’s Painter’; Pavilion published a book ‘Lovers and Other Strangers’ being an anthology of his work to date with text by Anthony Quinn. In 2008, Vettriano was commissioned to paint portraits of Sir Jackie Stewart and Zara Phillips, the latter was part of a charity fundraising project for Sport Relief, the experience of which was captured in a documentary broadcast on BBC One in March 2008. Vettriano launched Heartbreak publishing and his own gallery also called Heartbreak in 2009. In the same year, he was commissioned by the Yacht Club of Monaco to create a series of paintings to mark the centenary of their world-famous yacht Tuiga. The subsequent exhibition ‘A Hommage a Tuiga’ premiered in Monaco as part of Classic Yacht Week. In 2010, an exhibition of over 40 new paintings, ‘Days of Wine and Roses’ was opened at the Kirkcaldy Museum and Art Gallery in Fife. The exhibition then moved to London, opening at Heartbreak in September 2010. In September 2013, a major exhibition, ‘Jack Vettriano: A Retrospective’ opened at Glasgow’s Kelvingrove Art Gallery and Museum. It featured over 100 works and ran until February 23 2014. It attracted 123,300 visitors and broke the attendance records held by a Van Gogh exhibition in 1948. Vettriano sold his gallery in London in 2015 and later that year established his own publishing company: Jack Vettriano Publishing. Limited. In 2017, He was one of three artists commissioned to paint portraits of Scottish comedian Billy Connolly. These were then put on display in Glasgow People’s Palace, while images were transferred to murals in the centre of Glasgow. It was the subject of a BBC documentary first broadcast on June 14, 2017.

* JACK VETTRIANO OBE (SCOTTISH 1951 - 2025), NIGHT GEOMETRY limited edition silkscreen print on paper, signed and numbered 82/495mounted, framed and under glassimage size 50cm x 40cm, overall size 88cm x 75cm Note: Jack Vettriano was born in Fife, Scotland in 1951. After leaving school at 15, he followed his father down the mine, working as an apprentice engineer. He later moved on to white-collar jobs in management services. Vettriano took up painting as a hobby in the 1970s when a girlfriend bought him a set of watercolours for his birthday and from then on, he spent much of his spare time teaching himself to paint. He learned his craft by copying Old Masters, Impressionists, Surrealists and a plethora of Scottish artists. Prior to moving from Kirkcaldy to Edinburgh, he decided to mark a break with his past work which hitherto had been sold under his family name Hoggan. From this time on, he adopted his mother’s maiden name. The turning point came in 1988 when he submitted two paintings to the Royal Scottish Academy’s Annual Exhibition; both were sold on the first day and Vettriano was approached by several galleries. He held his first solo exhibition at the Edinburgh Gallery in 1992 entitled ‘Tales of Love and Other Stories’ and later that year, he exhibited at the Mall Galleries in London. He was represented by Portland Gallery from 1994-2007 and during this time, he had many sell-out solo exhibitions in Edinburgh, London, Hong Kong and New York and counts Jack Nicholson, Sir Alex Fergusson and Sir Tim Rice amongst his collectors. In 1996, Pavilion books commissioned W. Gordon Smith to compile an anthology, ‘Fallen Angels’, in which over 40 Vettriano images were accompanied by a selection of Scottish writing. Poets, playwrights, novelists and actors were asked for a personal response to an individual painting or poem. In the same year, Sir Terrance Conran commissioned Vettriano to create a series of paintings for Conran’s Bluebird Club in London. The seven paintings inspired by the life of Sir Malcom Campbell hung there for ten years. In 1998, Vettriano moved to London where he continued to have sell-out shows including, ‘Between Darkness and Dawn’, ‘Lovers and Other Strangers’ and ‘Affairs of the Heart’. The year 2004 was exceptional in Vettriano’s career; his best-known painting, ‘The Singing Butler’ was sold at Sotheby’s for close to £750,000; he was awarded an OBE for Services to the Visual Arts and was the subject of a Southbank show documentary, entitled ‘Jack Vettriano: The People’s Painter’; Pavilion published a book ‘Lovers and Other Strangers’ being an anthology of his work to date with text by Anthony Quinn. In 2008, Vettriano was commissioned to paint portraits of Sir Jackie Stewart and Zara Phillips, the latter was part of a charity fundraising project for Sport Relief, the experience of which was captured in a documentary broadcast on BBC One in March 2008. Vettriano launched Heartbreak publishing and his own gallery also called Heartbreak in 2009. In the same year, he was commissioned by the Yacht Club of Monaco to create a series of paintings to mark the centenary of their world-famous yacht Tuiga. The subsequent exhibition ‘A Hommage a Tuiga’ premiered in Monaco as part of Classic Yacht Week. In 2010, an exhibition of over 40 new paintings, ‘Days of Wine and Roses’ was opened at the Kirkcaldy Museum and Art Gallery in Fife. The exhibition then moved to London, opening at Heartbreak in September 2010. In September 2013, a major exhibition, ‘Jack Vettriano: A Retrospective’ opened at Glasgow’s Kelvingrove Art Gallery and Museum. It featured over 100 works and ran until February 23 2014. It attracted 123,300 visitors and broke the attendance records held by a Van Gogh exhibition in 1948. Vettriano sold his gallery in London in 2015 and later that year established his own publishing company: Jack Vettriano Publishing. Limited. In 2017, He was one of three artists commissioned to paint portraits of Scottish comedian Billy Connolly. These were then put on display in Glasgow People’s Palace, while images were transferred to murals in the centre of Glasgow. It was the subject of a BBC documentary first broadcast on June 14, 2017.

23 bottles of assorted white wine, comprising: 5 x Domaine Des Baumard Savennieres 2000, 4 x Louis Latour Macon Lugny 2018, 3 x Montagny Vieilles Vignes, 1 x Saint Veran Domaine Des Crais 2011, 7 x Montagny 1er Cru Les Millieres 2016, 1 x Montagny 1er Cru Les Millieres 2020, 1 x Montagny 1er Cru Les Millieres 2014 and 1 x Domaine Valette Pouilly Fuisse 1998.Qty: 23Private Berkshire collection, deceased estate

A collection of assorted white wine, comprising: two bottles of 2003 Domaine Michelot Meursault-Perrieres, four bottles of 1999 Domaine Michelot Meursault-Perrieres, three bottles of Boyer-Martenot Meursault (2002, 2004 and 2008), three bottles of Les Narvaux Michelot Meursault, a 2011 Meursault Genevrieres and a magnum bottle of Domaine Des Crais Saint-Veran, 2008.Qty: 14Private Berkshire collection, deceased estate

A Chinese Kangxi blue and white porcelain miniature wine pot and cover of panelled inverted baluster form, each face painted with shrubs within a framework fitted a conforming domed cover, 14 cm wide, together with a smaller Kangxi melon form miniature teapot and cover. (2)Formerly in the Van Vlissingen CollectionThe Van Vlissingen family was associated with the trade of Chinese porcelain in the 17th century, particularly through the Dutch East India Company (VOC). They were involved in various aspects of the porcelain trade, including financing, ownership of ships, and amassing a sizable collection of which these items are part. Formerly in the Van Vlissingen CollectionThe Van Vlissingen family was associated with the trade of Chinese porcelain in the 17th century, particularly through the Dutch East India Company (VOC). They were involved in various aspects of the porcelain trade, including financing, ownership of ships, and amassing a sizable collection of which these items are part. The Van Vlissingen family was associated with the trade of Chinese porcelain in the 17th century, particularly through the Dutch East India Company (VOC). They were involved in various aspects of the porcelain trade, including financing, ownership of ships, and amassing a sizable collection of which these items are part. Hairline crack to the base of the handle on the smaller of the two pots, some old damage to the inner lip of the cover of this pot.A slight chip on the mouth of the larger of the two pots, below the cover and a shallow one (possibly at the back of the mouth of the pot, below the cover, old firing blemish, shrinkage crack on the inside of the cover of the larger pot.

A pair of 19th century white metal wine coasters with pierced decoration A/FLocation:If there is no condition report, please request.

A Collection of Various Continental White Metal Souvenir Spoons and a Wine Saver