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Raoul Dufy (French, 1877-1953), a printed folio folding menu for Le Diner de la Bonne Cuisine, to be served on 21st May 1935 at 9pm, in aid of the Cercle Ronsard, featuring a traditional oxtail stew (´Queue de Boeuf à l´ancienne´), fresh pea and parsley cream soup (´Crème de pois frais au cerfeuil´), stuffed suckling pig with sage (´Porcelet farci à la Sauge´) accompanied by asparagus, a Rouen-style duckling (´Caneton rouennais facon du Chef´), salad, and a dessert of pineapple with blackberries (´Ananas voiles aux Morères´), also including a wine and drinks list featuring Pouilly-Fuissé 1933, Chateau la Mission Haut-Brion 1923, various champagnes, a Fine Hennessy and more. The following three pages of the menu are dedicated to text, in French, relating to three of the courses, each featuring a printed drawing by Dufy at the base, including a fisherman at sea, a number of piglets feeding from a sow, and five ducks, signed and inscribed by Dufy in blue crayon to the top right of the cover. Note: the Cercle Ronsard was a charitable organisation associated with providing benefits for the unemployed. Provenance: inherited by the vendor's mother, Yvette Kapferer, daughter of Marcel Kapferer, the important French/Jewish art collector (1872-1966)

Byron Howard, signed crayon of a Back View of a Female, signed bottom right, 72 x 53cm.

Striking drawing on ivory paper made with bold color markers, ink pen, and white gouache attributed to Neo-Pop Expressionist artist Jean-Michel Basquiat. This artwork depicts one of Basquiat's synthetized Portraits filled with pink, orange, red, and black marker for the grill-like mouth, spiky short hair, and facial open contours. Signature on lower right: Basquiat with the iconic crown. Stamped on verso: This will certify that it is the oblation of the Authentication Committee of the Estate of Jean-Michel Basquiat it is a genuine work by JEAN-MICHEL BASQUIAT. Signed in brown crayon: J-M-B with crown design. Housed in a black frame with a ecru mat. Frame size: 16"L x 20"H x 0.75"W. Artwork dimensions: 8"L x 12"H. Artwork can be unframed and rolled for shipment.Artist: Attributed to Jean-Michel Basquiat (American, 1960-1988)Issued: c. 1980Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

PATRICK HAYMAN (BRITISH 1915-1988) GOING AWAY, 1985 signed in pencil (lower right), titled and dated (to reverse), crayon and gouache on paper 24.5cm x 34cm (9 5/8in x 13 3/8in) Collection of Professor John Chambers.

HENRI GAUDIER-BRZESKA (FRENCH 1891-1915) PROFILE OF A GIRL signed in ink (lower left), crayon on paper 24cm x 17cm (9 ½in x 6 5/8in)  Mercury Gallery, London, where purchased by R.E. Wilmot, 7 March 1968;Christie's, London, The Art of Design, 4 June 2014, lot 100;The Collection of Gillian Raffles.

JOHN HOUSTON R.S.A., R.S.W., S.S.A. (BRITISH 1930-2008) WOMAN AND BLACK CATS, 1998-99 signed in pencil (lower left) and titled and dated to label (to reverse), crayon, ink, watercolour and gouache on paper 16.3cm x 13.2cm (6 ½in x 5 ¼in) The Collection of Gillian Raffles.

EDWARD BURRA (BRITISH 1905-1976) DOWNLAND LANDSCAPE signed (lower right), pen, ink, crayon and wash on paper 35cm x 49.2cm (13 ¾in x 19 3/8in) Waddington Galleries, London;with The Mayor Gallery, London, 1983-4;The Collection of Gillian Raffles.

SIR MUIRHEAD BONE H.R.S.A., H.R.W.S., H.A.R.I.B.A., H.R.E., L.L.B., D.LITT (BRITISH 1876-1953) THE CIRCUS, GREAT YARMOUTH, c.1913 signed (lower centre), pen, ink and crayon on paper 21.3cm x 25.5cm (8 3/8in x 10in) The Collection of Gillian Raffles.

SCOTTIE WILSON (BRITISH 1891-1972) BUTTERFLIES, BIRDS AND FISH signed SCOTTIE (lower right), pen, ink and crayon on card 37cm x 23.5cm (14 ½in x 9 ½in), unframed The Collection of Gillian Raffles.

THÉOPHILE ALEXANDRE STEINLEN (SWISS/FRENCH 1859-1923) LA MINEURE signed in ink (lower right), pen, ink and crayon 28cm x 24cm (11in x 9 ½in) The Collection of Gillian Raffles. Exhibited:Mercury Gallery, London, Summer Exhibition 1967, no. 261, illustrated in exhibition catalogue.

CLAUD LOVAT FRASER (BRITISH 1890-1921) FRENCH STREET AND OTHER DRAWINGS ink, watercolour and gouache on card23cm x 26cm (9in x 10 ¼in), unframed; THE SPANISH MARINER,titled in ink (below), ink and crayon on card6.8cm x 5.7cm (2 5/8in x 2 ¼in), unframed; HOUSES,pen, ink and watercolour on card8.7cm x 14cm (3 3/8in x 5 ½in), unframed (3) the first possibly with Decor Gallery, 1979 (no. 49);The Collection of Gillian Raffles.

PETER SEDGLEY (BRITISH, 1930-2025) HELIX CIRCLES ON DARK GREEN, 1965 signed and dated in crayon (lower right); gouache on card 37.5cm x 35.5cm (14 ¾in x 14 in) The Artist;Redfern Gallery, London, where acquired by E.G. Jones, July 1976;Christie's, London, 20th Century British Art, 16 December 2010, lot 71,Private Collection, London.

HENRI GAUDIER-BRZESKA (FRENCH 1891-1915) FISH, c. 1913 crayon on paper 17.5cm x 24.4cm (6 7/8in x 9 5/8in) The Collection of Gillian Raffles.

FLOWERS (BLACK AND WHITE) (FELDMAN/SCHELLMANN II.105)Screenprint, 1974, on wove paper, signed with initials recto, signed, numbered 187/250 and located NY in pencil and dedicated Happy Wedding / Love Andy in black crayon verso, co-published by Peter M. Brandt, Castelli Graphics and Multiples Inc., New York, and with their copyright ink stamp verso, with full margins, framed.Sheet 40 x 27 1/4 inches; 1016 x 692 mm.Frame 40 7/8 x 28 1/4 inches; 1038 x 718 mm.Pale lightstain and matstain, some unobtrusive foxing, handling creases and rippling and 3/4-inch diagonal (printer's?) crease at left sheet edge (mainly discernible in raking light), some light soiling (Andy Warhol or printer's thumbprint?) to the right of the vase at bottom, minor soiling verso, frame with glass.

Estate / Collection: From the Collection of a Beverly Hills ArtistLITHOGRAPHIC WATER MADE OF LINES, CRAYON AND BLUE WASH (TYLER GRAPHICS 255; M.C.A.T. 212)Color lithograph, 1978-80, on TGL handmade paper, signed, dated and numbered 14/48 in pencil, printed and published by Tyler Graphics, Bedford Village, New York, and with their blindstamp, with full margins, framed.Image 21 x 29 1/4 inches; 533 x 743 mm.Sheet 29 x 33 7/8 inches; 737 x 860 mm.Frame 31 3/8 x 36 1/8 inches; 797 x 918 mm.Provenance:André Emmerich Gallery, New YorkNancy Hoffman Gallery, New YorkAlmost imperceptible lightstain, hinged at sheet corners and center of top sheet edge to back mat (very pale associated offsetting showing through to recto and associated rippling at sheet edges most discernible in raking light), a few unobtrusive handling creases at bottom sheet edge, framed with acrylic.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.

LYSISTRATA (BLOCH 267-272; CRAMER BOOKS 24)Complete portfolio of six etchings (the first with aquatint), 1934, on Rives BFK paper, signed in pencil and numbered 368 in red crayon on the justification, fron the edition of 1500, with complete text, printed by Lacourière, Paris, published by The Limited Editions Club, New York, with full margins, bound (as issued) with original boards and slipcase.Sheets 11 3/8 x 8 7/8 inches; 289 x 225 mm.Including: SERMENT DES FEMMES; COUPLE ET ENFANT; CINESIAS ET MYRRHINE; DEUX VIEILLARDS ET VOILIER; ACCORD ENTRE LES GUERRIERS DE SPARTE ET D'ATHENES; LE FESTIN

TÊTE DE BOUFFONColor lithograph, 1964, on cream Rives BFK paper, signed in blue crayon and numbered 177/200 in pencil, with full margins, unframed.Image 25 5/8 x 19 3/4 inches; 651 x 502 mm.Sheet 29 1/4 x 21 1/2 inches; 743 x 546 mm.

John Davies (British b. 1946), 'Figure and Mesh', pastel, crayon and pencil on paper, circa 1983, 72 x 49cm, exhibited at Marlborough Fine Art (London) Ltd, framed and glazed.

Enaid Jones, red conté crayon drawing, portrait of Julia, 12.5 x 9.5cm, together with a small monochrome water study of mice, signed Vogel, 7 x 12cm, gilt framed and a small pencil drawing, study of a pony in harness

Ron Sims (1944-2014) collection of 41 pencil sketches, coloured crayon and ink works, 1970s onwards, all unframed, together with a copy of 'Visual Genetics, Human and Animal'

Ron Sims (1944-2014) collection of 43 pencil sketches, coloured crayon and ink works, 1970s onwards, all unframed, together with a copy of 'Visual Genetics, Human and Animal'

Great Britain 1891 £1 green, SG 212 light red crayon registered cancel. Cat £350

Paul Sterpin (1873-1952) 'Bords de Meuse, La Nuit' (Banks of the river Meuse by night)Crayon/pensil on paper.Signed lower right.(50 x 67,5 cm)Canvas dimensions:(W:48,5 x H:31,5 cm)

Nasser Ovissi - TauromaquiaOriginal engraving on wove paper, signed in pencil and numbered 50/50. Good condition, 53 x 39 cm.Gravure originale sur papier vélin, signée au crayon et numérotée 50/50. Bon état, 53 x 39 cm.

Jim Dine - The Colorful Venus, 1985Lithograph with embossing on wove paper, signed in pencil and numbered /400. Publishers: Waddington Graphics, London; Pace Editions Inc., New York, 1985. Printed by Staib & Maye, Stuttgart. Small damage to the left extreme edge, otherwise in very good condition, 89 x 63 cm.Lithographie avec gaufrage sur papier vélin, signée au crayon et numérotée /400. Éditeurs : Waddington Graphics, Londres ; Pace Editions Inc., New York, 1985. Imprimée par Staib & Maye, Stuttgart. Petit défaut sur le bord extrême gauche, sinon en très bon état, 89 x 63 cm.

Jim Dine - Dutch Hearts, 1970Color lithograph with collage on Hodgkinson paper, signed in pencil and numbered /85. Publisher: Petersburg Press, London, 1970. Good condition, 41 x 50 cm.Lithographie en couleurs avec collage sur papier Hodgkinson, signée au crayon et numérotée /85. Éditeur : Petersburg Press, Londres, 1970. Bon état, 41 x 50 cm.

Kenny Scharf - Flores Yellow, 2020Archival inkjet print with high gloss varnish and diamond dust on Innova Etching Cotton Rag paper, signed in pencil. This artwork is printer's proof 1 of 1 apart from the edition of 12 printed by Sawtooth Editions, Providence, RI and published by Lococo Fine Art Publisher, St. Louis. Very good condition, 95 x 76 cm.Impression jet d'encre d'archive avec vernis brillant et poussière de diamant sur papier Innova Etching Cotton Rag, signée au crayon. Cette œuvre est l'épreuve d'impression 1 sur 1 à part de l'édition de 12 imprimée par Sawtooth Editions, Providence, RI et publiée par Lococo Fine Art Publisher, St. Louis. Très bon état, 95 x 76 cm.

Shepard Fairey - God Save the Queen, 2012Silkscreen on cream Speckletone paper, signed in pencil and numbered 133/450. Very good condition, 61 x 45.5 cm.Sérigraphie sur papier Speckletone crème, signée au crayon et numérotée 133/450. Très bon état, 61 x 45,5 cm.

Shepard Fairey - Gallows Pole, 2012Silkscreen on cream Speckletone paper, signed in pencil and numbered 133/450. Very good condition, 61 x 45.5 cm.Sérigraphie sur papier Speckletone crème, signée au crayon et numérotée 133/450. Très bon état, 61 x 45,5 cm.

Antoni Clavé - Papier froissé, 1975Original lithograph on wove paper, signed in pencil and numbered 152/170. Ref.: Passeron 363. Good condition, 66 x 50 cm.Lithographie originale sur papier vélin, signée au crayon et numérotée 152/170. Réf. : Passeron 363. Bon état, 66 x 50 cm.

Marcel Mouly - La fenêtre ouverteOriginal lithograph on wove paper, signed in pencil & justified "Artist's Proof". Yellowed paper, frame traces, 56,5 x 38 cm.Lithographie originale sur papier vélin, signée au crayon et justifiée "Epreuve d'artiste". Papier jauni, traces de cadre, 56,5 x 38 cm.

Shepard Fairey - John Lennon & Yoko Ono, 2010Original silkscreen on paper, signed in pencil and numbered /450. Good condition , 61 x 45.5 cm.Sérigraphie originale sur papier, signée au crayon et numérotée /450. Bon état, 61 x 45,5 cm.

Bernard Buffet - La Tour Solidor (The Soldier Tower), 1971Original drypoint on paper, signed in pencil and numbered 78/120. Ref.: Rheims 73. Good condition, 80 x 121 cm.Pointe sèche originale sur papier, signée au crayon et numérotée 78/120. Réf. : Rheims 73. Bon état, 80 x 121 cm.

Shepard Fairey - AK-47 Lotus, 2024Offset print on cream Speckletone paper, signed in pencil, not numbered. Very good condition, 91 x 61 cm.Impression offset sur papier Speckletone crème, signée au crayon, non numérotée. Très bon état, 91 x 61 cm.

Bernard Buffet - Le clocher de Sauzon, 1962Original drypoint on paper, signed in pencil and numbered 17/75, dedicated to Roger Passeron. Ref.: Reinz n°268. Very good condition, 56.5 x 76.5 cmPointe sèche originale sur papier, signée au crayon et numérotée 17/75, dédicacée à Roger Passeron. Réf. : Reinz n°268. Très bon état, 56,5 x 76,5 cm

Roberto Matta - 4 AM from L'Arc Obscure des Heures, 1975Etching and aquatint on wove paper, signed in pencil & numbered /125. Publisher: Multiplicata S.A., Chiasso, 1975. Ref.: Ferrari 105. Good condition, 63.5 x 91.4 cm.Eau-forte et aquatinte sur papier vélin, signée au crayon et numérotée /125. Éditeur : Multiplicata S.A., Chiasso, 1975. Réf. : Ferrari 105. Bon état, 63,5 x 91,4 cm.

Karel Appel - Tantrika II, 1985Original lithograph on Arches paper, signed in pencil and numbered HC VII/X. Limited edition of 75 + 15AP + X HC. Publisher: F.B., Paris, 1985. Good condition, 76 x 56 cm. Frame dimensions: 80 x 60 x 3.5 cm.Lithographie originale sur vélin d'Arches, signée au crayon et numérotée HC VII/X. Edition limitée à 75 + 15AP + X HC. Editeur : F.B., Paris, 1985. Bon état, 76 x 56 cm. Dimensions du cadre : 80 x 60 x 3,5 cm.

Antoni Clavé - Le main du roi (Le bonjour du roi), 1959Original lithograph on Rives paper, signed in pencil and justified "Epreuve d'artiste" (Artist's Proof). Publisher: L'Œuvre Gravée, Zurich, 1959. Ref.: Passeon 70. Good condition, 56.5 x 76 cm. Frame dimensions: 75 x 95 x 1.5 cm.Lithographie originale sur vélin de Rives, signée au crayon et justifiée "Epreuve d'artiste". Editeur : L'Œuvre Gravée, Zurich, 1959. Réf. : Passeon 70. Bon état, 56,5 x 76 cm. Dimensions du cadre : 75 x 95 x 1,5 cm.

Shepard Fairey - Tom Dula (White), 2012Silkscreen on cream Speckletone paper, signed in pencil and numbered 133/450. Very good condition, 61 x 45.5 cm.Sérigraphie sur papier Speckletone crème, signée au crayon et numérotée 133/450. Très bon état, 61 x 45,5 cm.

Mel Ramos - Hav-A-Havana #10, 2015Color lithograph on paper, signed in pencil and numbered 108/199. Published by Edition Hilger. Printed by Carini, S. Giovanni Vladarno, Italy. Good condition, 75 x 115 cm.Lithographie en couleurs sur papier, signée au crayon et numérotée 108/199. Edité par les éditions Hilger. Imprimé par Carini, S. Giovanni Vladarno, Italie. Bon état, 75 x 115 cm.

Shepard Fairey - Americana Lyrics, 2012Silkscreen on cream Speckletone paper, signed in pencil and numbered 133/450. Very good condition, 61 x 45.5 cm.Sérigraphie sur papier Speckletone crème, signée au crayon et numérotée 133/450. Très bon état, 61 x 45,5 cm.

Shepard Fairey - Jesus' Chariot, 2012Silkscreen on cream Speckletone paper, signed in pencil and numbered 133/450. Very good condition, 61 x 45.5 cm.Sérigraphie sur papier Speckletone crème, signée au crayon et numérotée 133/450. Très bon état, 61 x 45,5 cm.

Heinz Mack - Lichtgitter, 1981Original silkscreen on paper, signed in pencil and numbered 171/195. Published by Prent-Edition, Netherlands, 1981.Tiny fold & tear on the left upper corner, otherwise in very good condition, 85 x 70 cmSérigraphie originale sur papier, signée au crayon et numérotée 171/195.Editeur : Prent-Edition, Pays-Bas, 1981.Petite pliure & déchirure dans l’angle supérieur gauche, sinon très bon état, 85 x 70 cm

Arman - Tubes bleues, 2000Original silkscreen with embossing on wove paper, signed in pencil & numbered. Publisher: Jacques Boulan, Vigneux sur Seine, 2000. Limited edition of 125 + 20AP. Good condition, 100 x 71 cm (paper), 113 x 84 cm (passe-partout). Sérigraphie originale avec gaufrage sur papier vélin, signée au crayon et numérotée. Editeur : Jacques Boulan, Vigneux sur Seine, 2000. Edition limitée à 125 exemplaires + 20EA. Bon état, 100 x 71 cm (papier), 113 x 84 cm (passe-partout).

Alexander Calder - Sala Gaspar, 1973Original lithograph on Arches paper, signed in pencil and justified "A.P." (Artist's Proof). Publisher: Galeria Joan Gaspar, Barcelona, 1973. Ref.: Obra gráfica, fig. 1 (Barcelona; Sala Gaspar, 1975). Good condition, 65 x 50.5 cm.Lithographie originale sur vélin d'Arches, signée au crayon et justifiée "A.P." (épreuve d'artiste). Éditeur : Galeria Joan Gaspar, Barcelone, 1973. Réf. : Obra gráfica, fig. 1 (Barcelone ; Sala Gaspar, 1975). Bon état, 65 x 50,5 cm.

Ping-Ming Hsiung - Nude with a mirror, 1960Lithograph on BFK Rives paper, signed in pencil and numbered 34/200. Good condition, 49.5 x 38.5 cm.Lithographie sur papier BFK Rives, signée au crayon et numérotée 34/200. Bon état, 49,5 x 38,5 cm.

Shepard Fairey - Oh Susannah, 2012Silkscreen on cream Speckletone paper, signed in pencil and numbered 133/450. Very good condition, 61 x 45.5 cm.Sérigraphie sur papier Speckletone crème, signée au crayon et numérotée 133/450. Très bon état, 61 x 45,5 cm.

Antoni Clavé - Trois points, 1976Aquatint in colors with carborundum on wove paper, signed in pencil and numbered 152/170. Ref.: Passeron 364. Good condition, 65.5 x 50 cm.Aquatinte en couleurs au carborundum sur papier vélin, signée au crayon et numérotée 152/170. Réf. : Passeron 364. Bon état, 65,5 x 50 cm.

Sam Francis - Untitled SF 350, 1992Lithograph in colors on BFK Rives paper, signed in pencil and justified "A.P." (Artist's Proof). Published by Daniel Papierski, Paris, 1992. Good condition, 76 x 56 cm.Lithographie en couleurs sur papier BFK Rives, signée au crayon et justifiée "A.P." (Epreuve d'Artiste). Edition Daniel Papierski, Paris, 1992. Bon état, 76 x 56 cm.

Victor Vasarely - Untitled, 1984Silkscreen on paper, signed in pencil and numbered XL/XXXI. Good condition, 70 x 57 cm.Sérigraphie sur papier, signée au crayon et numérotée XL/XXXI. Bon état, 70 x 57 cm.

Victor Vasarely - Untitled, 1984Silkscreen on paper, signed in pencil and numbered XL/XXXI. Good condition, 70 x 57 cm.Sérigraphie sur papier, signée au crayon et numérotée XL/XXXI. Bon état, 70 x 57 cm.

Erró - L’ultima visita di Mao a Venezia, 2002Original lithograph on wove paper, signed in pencil and numbered 8/120. Very good condition, 59 x 34.5 cm.Lithographie originale sur papier vélin, signée au crayon et numérotée 8/120. Très bon état, 59 x 34,5 cm.

Antoni Clavé - Roi à la coupe, 1956Original lithograph on Rives paper, signed in pencil and numbered 19/95. Publisher: Galerie Creuzevault, Paris, 1956. Ref.: Passeron 25 ; Llorens 65. Good condition, 76 x 56 cm. Frame dimensions: 95 x 75 x 1.5 cm.Lithographie originale sur vélin de Rives, signée au crayon et numérotée 19/95. Éditeur : Galerie Creuzevault, Paris, 1956. Réf. : Passeron 25 ; Llorens 65. Bon état, 76 x 56 cm. Dimensions du cadre : 95 x 75 x 1,5 cm.

Shepard Fairey - Radical Peace, 2024Offset print on cream Speckletone paper, signed in pencil, not numbered. Very good condition, 91 x 61 cm.Impression offset sur papier Speckletone crème, signée au crayon, non numérotée. Très bon état, 91 x 61 cm.

JR - Giants, Brandenburg Gate, September 27, 2018, 18h55Lithographie 14 couleurs sur papier BFK Rives blanc 300 grammesSignée par JR en bas à droite (tampon et mine de crayon) et numérotée en bas à gaucheEdition limitée à 180 ex, 2020Très bon état50 x 75 cm14 colors lithograph printed on white paper BFK Rives - 300 grammesSigned by JR on the right side corner (stamp and lead) & numbered on the left side cornerLimited edition of 180 ex, 2020Very good condition50 x 75 cm

Paolo Scirpa - Sun, 1968Original lithograph on paper, signed in pencil and numbered 32/100. Good condition, 59 x 39 cm.Lithographie originale sur papier, signée au crayon et numérotée 32/100. Bon état, 59 x 39 cm.

Shepard Fairey - This Land Is Your Land, 2012Silkscreen on cream Speckletone paper, signed in pencil and numbered 133/450. Very good condition, 61 x 45.5 cm.Sérigraphie sur papier Speckletone crème, signée au crayon et numérotée 133/450. Très bon état, 61 x 45,5 cm.

Shepard Fairey - DJ Shadow, 2005Screenprint on cream Speckletone paper, signed in pencil and justified "A.P.". Good condition , 61 x 46 cm.Sérigraphie sur papier Speckletone crème, signée au crayon et justifiée "A.P." Bon état, 61 x 46 cm.

Victor Vasarely - Untitled, 1984Silkscreen on paper, signed in pencil and numbered XL/XXXI. Good condition, 70 x 57 cm.Sérigraphie sur papier, signée au crayon et numérotée XL/XXXI. Bon état, 70 x 57 cm.

Shepard Fairey - Shadowplay, 2024Offset print on cream Speckletone paper, signed in pencil, not numbered. Very good condition, 91 x 61 cm.Impression offset sur papier Speckletone crème, signée au crayon, non numérotée. Très bon état, 91 x 61 cm.