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STERL, ROBERT HERMANN1867 Grossdobritz - 1932 NaundorfTitel: Sylvesterball des sächsischen Hofes. Datierung: 1907. Technik: Öl auf Karton. Maße: 31,5 x 46,5cm. Bezeichnung: Datiert unten links: "1.I.07". Rahmen: Rahmen. Rückseitig:Auf dem Karton Nachlass- und Sammleretikett sowie Etikett der Kunstausstellung Kühl, Dresden.Literatur:K. Popova: Robert Sterl. Werkverzeichnis der Gemälde und Ölskizzen, Dresden 2011, Nr. 690 mit Abb;H. Zimmermann: Robert Sterl, Werkverzeichnis der Gemälde und Ölstudien, Rostock 1976, Nr. 586Ausstellungen:"Robert Sterl. Ein deutscher Impressionist". Kurpfälzisches Museum Heidelberg 20110/11;"Der deutsche Impressionismus". Kunsthalle Bielefeld 2009/10;"Robert Sterl (1867-1932) - ein Dresdener Maler zwischen Impressionismus und Realismus". Dresdener Bank, Köln 2002.Provenienz:Privatbesitz, Deutschland;Rheinischer Privatbesitz, Inv.Nr. 56, seit 1996;Privatbesitz, Dresden seit ca. 1945/50;Kunstausstellung Kühl, Dresden. Voraussichtliche Versandkosten für dieses Los: Deutschland: 63,00 Euro inkl. 10,06 Euro MwSt EU: 95,00 Euro inkl. 15,17 Euro MwSt Weltweit: 165,00 Euro inkl. 26,34 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog Robert Hermann Sterl Deutschland Berliner Sezession Willingshäuser Schule Dresdner Sezession 1.H. 20.Jh. Gemälde Rahmen Höfisches Leben Studie Gesellschaft

Impressionist school, Continental scene with women fruit pickers and a child, oil on canvas, indistinctly signed lower left, 37 x 44.5cm, framed

Impressionist school, extensive cityscape view - barges on the river by the embankment, oil on board, 29 x 39.5cm, gilt framed

Impressionist school, view of old Paris with figures, horse and carriage at dusk, oil on panel, 28.5 x 38.5cm, framed

Original oil on canvas by American artist Kaethe Hoeltzell depicting a lush, impressionist-style garden with vibrant flowering bushes, climbing roses, and an arched wooden trellis. The composition is richly detailed with dense greenery and radiant blooms in pink, yellow, and white, reflecting Hoeltzell's signature style influenced by the romantic traditions of European landscape painting. The brushwork is textured and expressive, capturing light and shadow with natural fluidity. This painting once hung in the Vatican and is accompanied by a certificate issued in September 1987 by Archbishop Edward A. McCarthy on behalf of Pope John Paul II. The certificate, addressed directly to Kaethe Hoeltzell, honors her personal contribution during the Pope's historic visit to Miami, Florida. Presented in an ornate, carved wooden frame with a linen liner, this piece is a significant example of Hoeltzell's work and carries strong provenance linking it to a notable historical and religious context. Certificate of Authenticity included.Artist: Kaethe Hoeltzell (American 1925-2013)Issued: c. 1980sDimensions: 36.5"L x 30.5"HCountry of Origin: United StatesCondition: Age related wear.

Captivating oil painting by Annette Krauss Rose (20th century), a renowned artist from Palm Beach who studied under Tonalist and Impressionist Frank Vincent DuMond in New York City. This portrait features a young child in a serene pose, masterfully rendered with soft tonalities and delicate brushwork. Measuring 22"L x 24"H, the painting is framed in a vintage wooden frame, enhancing its charm. The artwork's rear showcases the original canvas with a sturdy wire hanging mechanism. A stunning addition for collectors of early 20th-century portraiture or works by Tonalist and Impressionist-trained artists.Artist: Annette Krauss Rose American 20th CenturyDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.

Two French impressionist style paintings depicting figures on a beach.

Post Impressionist, 20th century, Study of a cottage surrounded by trees and flora, oil on canvas, unsigned, 50x39cm, framed

An interesting watercolour, a coastal island, signed William Lees, together with a 20th-century impressionist style oil painting. 

Large framed textured giclee on board titled Morning on Seine, after the original painting by Claude Monet. The piece captures the ethereal light and reflection typical of Monet's Impressionist style, depicting a tranquil riverside landscape rendered in soft pastels and lush greens. The artwork is set in an elegant silver-tone wood frame that complements the serene composition. This high-quality reproduction is presented by Raschella Home Decor, Santa Fe Springs, California. Artist: After Claude Monet (French 1840-1926)Issued: 21st centuryDimensions: 44.75"L x 44"HCountry of Origin: FranceCondition: Age related wear.

Textured giclee on board titled Winter Glow by artist Liv Carson, presented in a wide brushed-gold and black wood frame. This peaceful impressionist-style image depicts a winter landscape with bare trees mirrored in still water, rendered in soft tones of blue, gold, and sepia. The artwork captures the quiet beauty of nature in transition, evoking calm and stillness. This high-quality giclee offers a textured and painterly appearance while maintaining color accuracy and visual depth. Liv Carson is an American artist recognized for her atmospheric, nature-inspired compositions. Her work often explores the reflective qualities of water and seasonal transitions. Carson's pieces are known for their calming palettes and timeless appeal, making them popular among decorators and collectors alike. The piece bears the artist's signature in lower right corner. Produced by The Uttermost Company in 2013 as part of their home decor art series.Artist: Liv Carson (American 20th-21st century)Issued: 2013Dimensions: 45.50"L x 55"HCountry of Origin: USACondition: Age related wear.

This richly textured oil on board depicts a tranquil European village by a river and fields. The composition captures a cluster of red-tiled rooftops and cream-toned stucco buildings nestled among trees and verdant hills, all mirrored in a gently flowing river. The impasto brushwork and attention to light and shadow lend the work a dynamic impressionist style, evoking the atmosphere of a serene countryside retreat. Housed in an ornate, carved wood frame with a gold-toned finish, the piece exudes traditional charm and reflects the artist's command of texture and natural color. The reverse bears a label from Jeanmarie Gallery, Inc., a New York-based gallery active in the mid-20th century with multiple locations in New York and New Jersey, known for exhibiting European and American fine art. Signed Pena (?) at the lower right.Issued: c. 1950Dimensions: 22.75"L x 18.75"HCondition: Age related wear.

Burnet - Impressionist Parisian street scene with figures, buildings, and Eifel Tower, oil on board, signed lower right, 63 x 93cms, in silvered frame.Location: RWMIf there is no condition report shown, please request

Vibrant color serigraph entitled Sorento by celebrated British artist Kerry Hallam. This coastal composition captures a scenic view of the Italian coastline, featuring a sweeping harbor with boats, sunlit buildings with warm terracotta rooftops, and a foreground terrace shaded by brightly colored umbrellas. Hallam's signature impressionist style is evident in his bold palette and expressive brushstrokes, lending the work a sense of movement and atmosphere. Signed in pencil in the lower margin and designated as an edition CL/CC (150/200). Framed in a gold-tone frame with a matted presentation.Artist: Kerry Hallam (British, 1937-2020)Issued: 1986Dimensions: 42"L x 43.50"HCountry of Origin: EnglandCondition: Age related wear.

This limited edition print on canvas, titled Cafe in Cassis, by Sam Park, captures a vibrant Mediterranean harbor scene with a lively waterfront cafe and colorful boats moored along the quay. The composition shows his distinctive modern Impressionist style, featuring richly textured brushstrokes and a masterful play of light and reflection on the water. The pastel-colored buildings, lush outdoor seating, and serene sky evoke the charm of the French Riviera, particularly the coastal town of Cassis, France. Framed and the artist signature is in the lower left and numbered 41 of 500.Artist: Sam Park (Korean, b. 1949)Dimensions: 30"W x 23.75"HCondition: Age related wear.

Vibrant serigraph on paper by by renowned Post-Impressionist Israeli artist Itzchak Tarkay, depicting an outdoor cafe scene with elegantly dressed women seated in conversation. Tarkay's signature use of bold color blocks, fluid outlines, and impressionistic details creates a captivating composition that blends modernism with a refined Art Deco aesthetic. The setting is brought to life through vivid umbrellas, rich textiles, and an interplay of light and shadow. Signed in the lower right and hand-numbered 10 from a limited edition of 350, with a publisher's blind stamp in the lower margin. Framed under glass in a gold-tone frame with a double mat.Artist: Itzchak Tarkay (Israeli, 1935-2012)Issued: c. 2005Dimensions: 47"L x 40"HCountry of Origin: IsraelCondition: Age related wear.

British School, a late 19th century impressionist oil on canvas, 'The Looking Glass', to show a woman in red with a lace collar admiring herself in a mirror, unsigned, framed, canvas size 61cm x 51cm, overall size 64cm x 54cm.

Impressionist style oil on canvas laid onto board, regatta scene with figures on a river bank, signed Beavais, 45 x 60cm

Two impressionist style oils, view across a town with distant cathedral, signed G. Wilson and a landscape study with view to the sea, inscribed verso ' Montford ', the largest 23 x 29cm

Patrick Rousseau (French school, b. 1961) - Party - a 20th century Impressionist style oil on canvas painting depicting a party scene. Framed & glazed. Measures approx. 50cm x 50cm.

A monogrammed Impressionist style oil on board titled 'Un March, France' by Helda M. Pearson, in a gilt frame with notes to the reverse. H.46 W.51.5cm

Impressionist School, graphite drawing on paper - A Street through Trees, 27.5cm x 38cm, unframed

19th century plein air impressionist double sided oil on panel, a view of a beach cove with rocky surroundings, verso a river with boat beside rushes and bridge in the distance, inscribed verso. Unframed. 19 x 26.9cm

Richard GREEN (XX-XXI) Three impressionist views Oil on canvas, each signed and dated verso, largest 42.5cm x 86cm and two slightly smaller. (3) In-house postage to UK postcodes would cost £42.50

Impressionist school, Flemish scene with children - two girls on a sandy beach, oil, 40.5 x 51cm, gilt framed and glazed

Impressionist school, view of Paris with figures and the Moulin Rouge, oil on board, 28.5 x 39cm, gilt framed

Impressionismus - - Adolf Glatte. (1866 Häslicht (heute Kostrza, Polen) - 1920 München). Landschaft mit Fluss und Bäumen. Um 1890. Öl auf Karton. 28,5 x 34 cm. Signiert. Punktuell auf Unterlage montiert und in goldfarbenem Stuckrahmen gerahmt. Adolf Glatte war ein deutscher Landschafts- und Porträtmaler des Impressionismus. Geboren in Häslicht, Schlesien (heute Kostrza, Polen), studierte er unter anderem in Paris, bevor er sich in München niederließ. Während seiner Zeit in Paris kam Glatte mit dem französischen Impressionismus in Berührung, was sein künstlerisches Schaffen nachhaltig prägte. Seine Werke werden dem Spätimpressionismus bzw. dem Post-Impressionismus zugeschrieben. Er malte vor allem Landschaften aus der Umgebung von München, wobei er die Eindrücke der Natur in stimmungsvollen Bildern festhielt. Glatte war Mitglied der Münchner "Neuen Secession" und der "Juryfreien" und stellte seine Werke regelmäßig aus. Sein Schaffen wurde von Zeitgenossen als "tüchtige Landschaftskunst" gelobt. Heute sind Glattes Werke in öffentlichen Institutionen und Museen zu finden, beispielsweise in der Evangelischen Kirche in Saarburg. - Einige winzige, kaum sichtbare Schmutzfleckchen, partiell sehr leicht gegilbt. Die Kanten kaum sichtbar leicht bestoßen. Ansonsten sehr gut mit nuancierter Farbe in pastosem Auftrag. Mounted in spots on a support and framed in a gold-coloured stucco frame. - Adolf Glatte was a German Impressionist landscape and portrait painter. Born in Häslicht, Silesia (today Kostrza, Poland), he studied in Paris, among other places, before settling in Munich. During his time in Paris, Glatte came into contact with French Impressionism, which had a lasting influence on his artistic work. His works are attributed to Late Impressionism and Post-Impressionism. He mainly painted landscapes from the area around Munich, capturing the impressions of nature in atmospheric pictures. Glatte was a member of the Munich "Neue Secession" and the "Juryfreien" and exhibited his works regularly. His work was praised by contemporaries as "skilful landscape art". Today, Glatte's works can be found in public institutions and museums, for example in the Evangelical Church in Saarburg. - A few tiny, barely visible smudges, very slightly yellowed in places. The edges barely visibly slightly bumped. Otherwise very good with nuanced colour in pastose application.

Jahrhundertwende - - Ernst Oppler. (1867 Hannover - 1929 Berlin). Sammlung von 4 Arbeiten. Karneval/Harlekin. Um 1918. Je (Kaltnadel) Radierung auf Velin bzw. auf Bütten. Blattmaße von 31,5 x 22 cm bis 34,5 x 24.95 cm. Je signiert und nummeriert. Je in Punkten auf Unterlage montiert, zwei Arbeiten unter Passepartout. - Je von fremder Hand in Bleistift bezeichnet. Papierbedingt sehr zart angebräunt sowie etwas fleckig (eine Arbeit etwas stärker betroffen), teils mit schwach blassbraunen Fleckchen, die Montierung teils etwas durchschlagend bzw. mit Rückständen vorheriger Montierung. Insgesamt gut. Ausgezeichnete bis hervorragende, nuancierte Drucke mit ausgesprochener Gratwirkung, je mit Rand. Bruns D-24.950 u.a. - Je eines von 100 Exemplaren. - Der deutsche Impressionist Ernst Oppler studierte Malerei an der Münchener Kunstakademie, u.a. bei Ludwig von Löfftz. Nach Aufenthalten in London und Holland war er ab 1905 in Berlin tätig und trat der dortigen Secession um Max Liebermann bei. Collection of 4 works. Carnival/Harlequin. Each (dry point) etching on wove paper or laid paper. Each signed and numbered. Each spot-mounted to backing, two works under mat. - Each inscribed in pencil by another hand. Very delicately browned due to paper as well as somewhat stained (one work somewhat more affected), in part with faint pale brown stains, the mounting in part somewhat showing through or with residue from previous mounting. Good overall. Superb to excellent, nuanced impressions with pronounced burr effect, each with margins. - Each one of 100 copies.

English Impressionist School (19th/20th Century): Autumn Trees on the Harbourside, oil on panel unsigned 23.5cm x 34.5cm

Post-impressionist Continental coastal view, oil on canvas, unsigned, 46cm x 55cm, unframedUntouched condition, no canvas damage or repairs, slightly dirty

Michael d'Aguilar (born 1900), impressionist river scene, oil on canvas, 1977, 60cm x 90cm, framedVery good condition

EDWARD BARTON (AMERICAN 1926-2012)impressionist city scene, signed, oil on canvas, 51cm x 61cm including Mahogany and gilt frame; alongside a forest scene by Rodger Brown, signed, oil on canvas, 61cm x 51cm including ornate gilt frame; a harbour scene, signed, oil on canvas, 49cm x 59cm including gilt frame; and a still life of flowers, signed "Harrera", oil on canvas, 69cm x 58.5cm including gilt frame

ATTRIBUTED TO PAUL LUCIEN MAZE (FRENCH 1887-1979)untitled, oil on board, signed and framed, image size 30.5 x 41cm, 43 x 53cm including frame; together with a copy of Paul Maze: the Lost Impressionist by Anne Singer 1983

SELECTION OF PRINTS AND OTHER PICTURESincluding an impressionist cityscape, glazed and in contemporary silver frame, 66cm x 81cm; an Ansel Adams "Moon and Half Dome" Yosemite print, glazed and in black frame 94cm x 67cm; a printing plate depicting a stylised farm map, 34cm x 51cm; and a folk art embroidered depiction of a person transporting water, possibly Tibetan, 70cm x 47cm (4)

Patricia Arnett - three framed impressionist oils on board to include 'The Four Horsemen'

Patricia Arnett - eight unframed impressionist paintings, to include children and religious subjects. (8)

An impressionist oil on canvas together with an Eastern textile picture (2)

Patricia Arnett - four framed impressionist oils on board to include 'The Bird Fantasy' (4)

Milleux* (mid-20th century impressionist school) Figures on a wooded track. oil on canvas. signed lower right and dated '49.  59 x 49 cm

This limited edition mixed media Serigraph in color on wove paper by renowned artistic duo Alexander Galtchansky (1959-2008) and Tanya Wissotzky (1959-2006) showcases their signature romantic and whimsical style, blending calligraphy, collage, and impressionist painting techniques. The artwork features an elegantly dressed woman in a vibrant red coat and blue stockings, surrounded by intricate handwritten text and decorative elements, evoking a vintage Parisian aesthetic. Numbered 37/385 and hand-signed by the artists, this piece is professionally framed in an ornate gold-tone frame with double matting, enhancing its classic yet contemporary appeal. A stunning addition for collectors of Galtchansky & Wissotzky's unique mixed media works and modern impressionist art. Artwork can be unframed and rolled for shipment.Artist: Alexander Galtchansky (1959-2008) and Tanya Wissotzky (1959-2006)Issued: 2001Dimensions: 23.75"L x 29.5"HCountry of Origin: Crimea/IsraelCondition: Age related wear.

20th Century Impressionist School Impressionist coastal sceneunsignedoil on canvas53.5 x 100.5cmThere are no visible tears or rips to the canvas, with the canvas structure being stable. There is some minor paint loss to the top section. The colour pigment has yellowed with general marking to the surface layer. A professional clean would be recommended to bring out the composition. There are some small sings of abrasian marks where the paint surface has been in contact with the frame.

Mid 20th Century Impressionist School Young girl wearing a straw hat and blue dress figure indistinctly signed lower leftoil on canvas34 x 24cmFrame size: 49cm x 39cm

§ William Thomas Wood (1877-1958) An impressionist landscape study with treessigned lower leftwatercolour28 x 38cm

20th Century Impressionist School River scene with a fort in the foregroundunsigned - ascribed to 'J.R. Pa......' on the frame reverseoil on board 29 x 39cm

20th Century School : Impressionist landscape, oil on board, indistinctly signed, 43 cm x 58 cm.

An oil on canvas impressionist style of coastal scene, together with two others

Vincenzo Funiciello (Italian, 1905 - 1955)Impressionist painting of Venice Italy.Oil on Canvas. Signed lower right.Sight Size: 28 x 35 in.Overall Framed Size: 31 x 39 in.

Oil painting depicting a Parisian cafe scene. The composition portrays a couple seated at a table, engaged in conversation, with a background of additional patrons and a standing figure. The work is executed in an impressionist style, emphasizing movement and atmosphere. The artist's signature appears in the lower right corner. The painting is housed in a decorative frame with a linen liner. Frame size: 12.5"W x 14.75"H x 1.75"D. Sight size: 7.75"W x 9.75"H.Issued: 1910Dimensions: See DescriptionCondition: Age related wear.

Artist unknown, two impressionist oil on boards, church and woodland scenes, indistinctly signed to woodland scene lower right, within moulded gilt frames, 60cm x 45cm & 63.5cm x 49.5cm overall.

Impressionist school, beach scene with family group paddling, oil, 30 x 42cm, framed and glazed

20th century Impressionist view of a Mediterranean coastal scene with fishing boats, oil, 36.5 x 49cm, gilt framed

Impressionist school, still life study of jug, vases and fruit, oil on canvas, indistinctly signed lower right, variously inscribed verso including 1914, 28 x 50cm, framed

Impressionist school, view of Paris Arc de Triomphe with figures in the foreground, oil on board, indistinctly signed lower left, 29 x 39cm, framed

Franz Herbelot (French, 20th century), Impressionist view of Marche aux Fleurs - Place de La Madeleine, watercolour, signed lower left, 25.5 x 20.5cm, framed and glazed

[MANUSCRIPT JOURNAL - GRAND TOUR]ALDEN WEIR, CAROLINE. Liber Amicorum. [A photo-illustrated journal from a European grand tour]. Italy, France, Scotland, England, and elsewhere: April-June, 1904. In a hand-painted vellum binding with yapp edges and leather ties, the boards painted dark green with gilt decorations around the edges, the upper board with the title "Liber Amicorum" in medieval-style calligraphy and a griffon design, the lower board with The Lion of St. Mark emblem. 11 1/2 x 8 1/2 inches (29.5 x 21.5 cm); With watercolor illuminated title-page, 144 pp. of hand-written journal, with approximately 150 photographs of varying sizes, as well as color postcards, an original watercolor, and various souvenir items such as theater programs, tickets, stationery from hotels and railways, steamship passenger-lists and deck plans, etc. Rubbing and wear to the vellum binding mostly at extremities, with chipped spine ends, losses to much of the gilt-painted decorations, and one of the four leather ties largely missing, but the painted boards are still bright, the contents are mostly clean and bright, with some spotting to endpapers, very rare spots to the manuscript itself, some of the mounted photographs have come loose and occasionally have a creased corner, signed and dated by the author on the front free endpaper. Caroline Alden Weir (1884-1974), the daughter of noted American impressionist painter Julius Alden Weir, began her European grand tour journal on April 16th, 1904, the day she was leaving Venice. She traveled with her Uncle Henry, Aunt Cora, and a man she often found irritating named Heller. Over the next few months, she visited Genoa, San Remo, Monaco, Nice, Marseilles, Paris, Orleans, the Chateaux of the Loire, Rouen, Dieppe, London, Salisbury, Edinburgh, York, Birmingham, and more. At each destination, she would tirelessly sightsee, before describing her visits to museums, churches, chateaux, country estates, parks, gardens, mausoleums, theatres, and the countryside itself. Caroline was fastidious in finding photographic prints of the places she visited, cutting small diagonal slits into the journal's pages in order to mount her photos and ephemera into their correct places in her journal.Caroline's lively descriptions of what she encountered are brimming with personality, humor, and endless curiosity. She is clearly an intelligent and cultured young woman, beginning her journal with a quote from Lewis Carroll - "The time has come, the walrus said, to talk of many things" - and delighting in recounting detailed historical facts and dates that she had gleaned from her guides and guidebooks. She also discusses her day-to-day life, describing encounters with locals and other tourists, as well as her experiences while traveling, staying in various hotels ("Our last dinner at Claridges was as good as ever. It is such a perfect hotel I am afraid it spoils one for any other,") and eating different foods, such as a Bouillabaise in Marseille, which she liked, and her first olive in Ceriana, which was "not a pleasing sensation - rather bitter and oily." She also went shopping in Paris and London, and pays attention to fashion in the cities she visited - for example, she notes that "Feather boas are much in evidence" in London. Caroline and her party began their journey home on June 4th, setting sail from Gravesend on the S.S. Minneapolis. She continues writing in her journal while at sea, describing the people she meets onboard, the activities (including ship's golf and shuffleboard), and how she is reading a book about bookbinding, whose influence immediately becomes evident in her journal's hand-painting vellum binding. Caroline would go on to be an accomplished bookbinder, printmaker, etcher, and painter, settling in Old Lyme, Connecticut.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Pierre Auguste Renoir signature piece a hand-written note in black pen ink in French on a beige card letter approx. 4. 5x5. 5 inch unfolded signed at the close by the French artist. A fantastic piece is in superb condition. Pierre-Auguste Renoir ( 25 February 1841 - 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." He was the father of actor Pierre Renoir (1885-1952), filmmaker Jean Renoir (1894-1979) and ceramic artist Claude Renoir (1901-1969). He was the grandfather of the filmmaker Claude Renoir (1913-1993), son of Pierre. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

A 14"H Majolica-style vase featuring intricate applied floral motifs and a richly textured body. This handled vase showcases bold colors and organic sculptural details, reminiscent of Impressionist-era ceramic artistry. The hand-molded flowers and leaves create a striking naturalistic design, making this a standout decorative piece for collectors of fine ceramics and Majolica-style pottery.Dimensions: See DescriptionCondition: Age related wear.

This captivating original artwork by Palm Beach artist Annette Krauss Rose, a student of Tonalist and Impressionist Frank Vincent DuMont in New York City, depicts a whimsical carnival scene, brought to life with bold brushstrokes and vibrant hues. The painting features two figures adorned in festive attire, with a striking focus on the elaborate costume and expressive face of the central figure. The artist masterfully uses color and texture to evoke a lively and theatrical atmosphere. Krauss Rose's distinctive style shines through in her ability to balance intricate details with an expressive, almost dreamlike quality. Annette Krauss Rose is celebrated for her unique approach to capturing human emotion and imagination, often focusing on themes of celebration and whimsy. This painting exemplifies her talent for blending realism with a touch of surrealism, making it an enchanting addition to any art collection. Artwork dimensions with frame: 26"L x 31"H.Artist: Annette Krauss Rose (American 20th Century)Dimensions: See DescriptionCountry of Origin: USACondition: Age related wear.

Impressionist oil on canvas painting by British artist John Bampfield, depicting a nostalgic European street scene in autumn. Executed with rich impasto brushwork, the composition captures a rainy evening with figures navigating a cobblestone street lined with historic buildings and a warmly lit storefront. A woman and child, dressed in period attire, are seen braving the wind as golden leaves swirl around them, while distant figures and a horse-drawn carriage recede into the misty background. Bampfield's signature use of vibrant color contrasts and atmospheric light effects enhances the painting's dynamic and romantic quality. Signed on lower left. Presented in an ornate gilt frame.Artist: John Bampfield (British b.1947)Issued: c. 1980Dimensions: 33.75"L x 23.25"HCountry of Origin: EnglandCondition: Age related wear.

This compelling oil on canvas painting, created by Palm Beach artist Annette Krauss Rose, features a captivating portrait of a young woman. Rendered in soft, muted tones with a blend of realism and artistic expression, the composition draws the viewer into the subject's pensive gaze. Krauss Rose's mastery of light and shadow is evident in the atmospheric background, lending depth and intrigue to the piece. The sitter's thoughtful expression and poised posture reflect the artist's skill in capturing human emotion. Annette Krauss Rose, a student of Tonalist and Impressionist Frank Vincent DuMont in New York City, is celebrated for her evocative portraiture and nuanced brushwork, which distinguish her works as timeless. This painting is housed in a textured white wood frame, enhancing its elegance and ensuring it will complement a variety of settings. Artwork dimensions with frame: 27"L x 32"H.Artist: Annette Krauss Rose (American 20th Century)Dimensions: See DescriptionCountry of Origin: USACondition: Age related wear.