GLEICHEN-RUSSWURM, FREIHERR HEINRICH LUDWIG VON1836 Greifenstein - 1901 WeimarTitel: "Bonnländer Teich". Datierung: 1899. Technik: Öl auf Leinwand. Maße: 86 x 128cm. Bezeichnung: Signiert und datiert unten rechts: "Gleichen-Russwurm 99". Rahmen: Rahmen. Rückseitig:Auf der Leinwand: "Eigentum Dr. C. Rothe 1901", sowie auf dem Keilrahmen Etikett Kunsthandlung Cassirer mit Nummer 1295 und verschiedene Nummern, u.a. "G.R. 10/2".Literatur: B. Echte und W. Feilchenfeldt (Hrsg.): "Das Beste aus aller Welt zeigen". Kunstsalon Bruno und Paul Cassirer, Die Ausstellungen 1898-1901, Bd. I, Wädenswil 2011, S. 370 u. 382.Provenienz: Privatbesitz, Deutschland;Auktion Phillips Deutschland, Düsseldorf 14.05.1993;Sammlung Rothe, später Mannes, Weimar 1901-1923;Kunsthandlung Bruno und Paul Cassirer, Berlin.Im Tiefstand der Sonne werfen fünf Pappeln lange blaue Schatten auf die rotbraune Erde, während in den Wipfeln der Laubbäume die letzten Sonnenstrahlen die Blätter in leuchtendes Goldgelb tauchen. Die Natur steht im Zenit ihres Wachstums und präsentiert sich in üppigem Grün. Der Künstler interessiert sich gleichermaßen für die Darstellung der Landschaft wie für deren Abbild auf dem Wasser, dem er beinah die Hälfte der Leinwandfläche widmet. In der Reflexion des sanft bewegten Weihers zerlegt er die Formen der umliegenden Vegetation und des wolkigen Himmels nahezu pointillistisch in ihre Einzelfarben. Die Naturverbundenheit und die Betonung des Augenblicks sowie die skizzenhafte Malweise im Freien, wie sie im 19. Jahrhundert mit dem französischen Impressionismus aufkamen, faszinierten den Künstler Heinrich Ludwig von Gleichen-Rußwurm. Der in Unterfranken geborene einzige Enkel von Friedrich Schiller und Patenkind von König Ludwig I. von Bayern absolvierte zunächst eine landwirtschaftliche Ausbildung, um als Gutsherr zu arbeiten. Nach dem frühen Tod seiner jungen Frau begann er eine Ausbildung in Landschaftsmalerei an der Großherzoglich-Sächsischen Kunstschule in Weimar, wo er unter anderem von Stanislaus von Kalckreuth und den Künstlern Max Schmidt und Theodor Hagen unterrichtet wurde.Ein entscheidender Wendepunkt in Gleichen-Rußwurms künstlerischer Entwicklung war seine Reise nach Frankreich im Jahr 1876. Hier lernte er die Schule von Barbizon kennen, die in ihrer Hinwendung zur realistischen Naturdarstellung als Vorreiter des Impressionismus gilt. Gleichen-Rußwurm malte bevorzugt Landschaften und Szenen des ländlichen Lebens, insbesondere in seiner Heimat, in Weimar und auf Reisen, etwa an die Nordsee. Er war bekannt dafür, dass er seine Motive direkt vor Ort in leuchtenden Farben malte und einen groben, pastosen Pinselstrich bevorzugte, der vor allem das Spätwerk prägt. Zu diesem gehört auch das vorliegende bedeutende Gemälde "Bonnländer Teich". Es zählt, wie das Gemälde "Die Große Bleiche" (1889), das wir 2018 zu einem internationalen Rekordpreis verkaufen konnten, zu einem seiner Hauptwerke und ist vermutlich das letzte große Bild, das der Künstler schuf. Eine um 1900 entstandene Farblithografie zeigt dieselbe Ansicht des Teichs (Ausst.-Kat. "Landschaft im Licht", 2010, S. 203, Abb. 53), der sich in direkter Nachbarschaft zu Schloss Greifenstein befindet, dem Stammsitz des Adelsgeschlechts am Rand des Dorfes Bonnland, in dem der Künstler aufwuchs. Im Jahr 1900 wurde das Gemälde bei Bruno und Paul Cassirer in Berlin präsentiert. In der Ausstellung hing es u.a. neben Werken von Claude Monet, Camille Pissarro, Alfred Sisley, Carl Strathmann, Max Liebermann, womit ihn der Kunstsalon klar in den Kontext der französischen Malerei stellte. "Am glücklichsten tritt Gleichen-Rußwurms Können in dem [...] 'Bonnländer Teich'" zu Tage, rühmt die zeitgenössische Presse das Werk und dessen eindrucksvolle Lichtstimmung. Gleichen-Rußwurm galt schon zu Lebzeiten als bedeutender Vertreter des Impressionismus in Deutschland, geriet aber nach seinem Tod weitgehend in Vergessenheit. Erst nach dem Zweiten Weltkrieg und später, insbesondere durch die Ausstellung "Der deutsche Impressionismus" 2010 in der Kunsthalle Bielefeld wurde sein Werk wiederentdeckt und seine Bedeutung jüngst durch die Retrospektive "Landschaft im Licht" 2021/22 in Würzburg und Weimar bestätigt. Er war einer der ersten deutschen Künstler, die sich dem Impressionismus zuwandten und trug maßgeblich dazu bei, die zukunftsweisende Kunstströmung in Deutschland zu etablieren. Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog Freiherr Heinrich Ludwig von Gleichen-Russwurm Deutschland Impressionismus Weimarer Malerschule 2.H. 19.Jh. Gemälde Rahmen Landschaft Malerei See
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Large framed textured giclee on board titled Morning on Seine, after the original painting by Claude Monet. The piece captures the ethereal light and reflection typical of Monet's Impressionist style, depicting a tranquil riverside landscape rendered in soft pastels and lush greens. The artwork is set in an elegant silver-tone wood frame that complements the serene composition. This high-quality reproduction is presented by Raschella Home Decor, Santa Fe Springs, California. Artist: After Claude Monet (French 1840-1926)Issued: 21st centuryDimensions: 44.75"L x 44"HCountry of Origin: FranceCondition: Age related wear.
Art Books and Catalogues 'So Far, So Good' Peter and Susan Barrett (Signed) and eighteen other works 'So Far, So Good' signed and inscribed, 'Hilary and Julian, with love and thanks for friendship, Peter and Susan'i; together with publications related to Renoir, British Landscape Painting, Monet, Modern British Women and more.
A contemporary Austrian Frey Wille enamel 'Hommage à Claude Monet - Iris' necklace square pendant and matching 'cabochon' earrings, the enamel panels surrounded with a silver finish, both with company marks stamped into the back, total weight 19.9g. (3)CONDITION: Excellent condition with no losses and very very feint surface scratching from wearing. PACKING & SHIPPINGLet us take the hassle of sorting out packing and shipping from you. Mark Hill Auctions is delighted to be able offer the buyer an in-house packing and shipping service for this lot. We use UPS for shipping and all packages are sent insured with a tracked service. We do not ship without insurance. We do not use any other service such as Royal Mail, FEDEX or DHL.Please see below for estimated packing and shipping prices: UK (Estimated): £14.00 USA (Estimated): £25.00 EU (Estimated): £20.00 R.O.W. (Estimated): £38.50In addition to these packing and shipping estimates, insurance will be charged as described below.INSURANCE We only ship with insurance. Insurance costs 1.5% of the total of the hammer price plus buyer’s premium and any applicable VAT, so you can work this cost out yourself when you have won a lot and received your invoice. As such, the price for insurance will be added to the above estimates if you request your item(s) to be shipped.HOW TO REQUEST SHIPPING To request packing and shipping, please wait for your invoice to arrive by email and click on the ‘Request Postage’ button on your invoice, or contact us by email at admin@markhillauctions.com requesting packing and shipping for your lot(s). The actual packing, shipping and insurance cost will then be added to your invoice and your invoice will be resent to you for payment.VAT All above quoted packing, shipping and insurance prices will have VAT added at 20%.IMPORTANT When you request your lot(s) to be packed and shipped, you understand and agree that you are committing to pay for packing and shipping because, in order for us to give you an accurate cost, we need to pack the lot(s) to ascertain the final weight and size. By doing that, we have already incurred cost by spending time and using materials to pack your lot(s). Therefore this charge must be paid, even if you later decide to collect your lot.Please note that this packing and shipping service is undertaken entirely at the buyer’s risk. Whilst we are careful and experienced and take the utmost care to pack items as well as we can, we cannot be held responsible for any damage to, or loss of, items packed and sent to you. By paying for our in-house packing and shipping service, the buyer agrees that any items are sent entirely at their own risk and that no compensation can be offered by us for any loss or damage. Lots must be paid for in full before they will be packed and released.MULTIPLE PURCHASES The estimates above are for this lot only. If you buy multiple lots from this auction, they can be combined where possible into one or more packages - size, shape and weight permitting. For these packages containing multiple lots, you will receive a discount of 17.5% of the total of the applicable quotes listed for those lots.IMPORT DUTIES When your item(s) arrive in your country, import duties & taxes and other service charges may be payable before goods are released to you. These duties, taxes and charges vary for each country and are entirely your responsibility and must be paid by you. Please note that we have no way of knowing what they will be. If you do not pay these charges, your item(s) will be returned to us.
A selection of jewellery and watches, the jewellery includes a 9ct yellow and white gold cubic zirconia brooch, total gross weight approx. 1.4g, two "925" stamped silver pendants, a "925" stamped silver blue john pendant necklace, four Swarovski crystal necklaces and a Monet bracelet,the watches include a ladies Rotary two tone LB02563/01 watch, a ladies Rotary gold plated mother of pearl dial watch and a ladies Citizen WR50 stainless steel watch
A quantity of costume jewellery, 2 ladies Rotary watches and collectables housed in a 1970's cream jewellery box, 2 watch boxes and a later brown Dulwich Designs case to include a Napier gold tone and white crystal necklace, Monet necklaces, gold tone chains, a rolled gold heavy chain necklace 42g, vintage bead necklaces, a gold tone compact, simulated pearl necklaces and vintage brooches, a Scottish hard stone brooch, an engraved silver hinged bangle, an 'Exquisite' gold tone grapevine brooch Location: TABLE/RABIf there is no condition report, please request
A quantity of costume jewellery, mainly bead necklaces and 1980's and Coro clip-on earrings to include ethnic shell and seed necklaces and a Monet simulated pearl necklace with gold tone clasp together with 2 watches and a heart shaped compact mirror. Location:If there is no condition report, please request
A quantity of mainly modern costume jewellery to include a string of black pearls having a 9ct gold clasp stamped 375, a Monet heavy gold tone chain necklace, contemporary brooches and earrings to include silver examples and a Calvin Klein gold tone cuff bangle. Location:If there is no condition report, please request
A quantity of 1960's and later costume jewellery to include clip-on earrings, a pair of Native American turquoise and coral earrings, an MMA Metropolitan Museum of Art gold tone dragon brooch, a Sphinx silver tone brooch, a JJ Jonette Jewellery brooch of a temple, an Attwood & Sawyer enamel hummingbird brooch, a Monet gold tone and white crystal bar brooch and other vintage brooches, an HM Prison hat badge, glass and hard-stone pendants, fashion rings, hat pins and necklaces. Location:If there is no condition report, please request
Swarovski- A modern silver tone and white crystal necklace in original box, together with a 1980's Monet gold tone and white cabochon bracelet, a pair of over-sized gold tone and white cabochon 3-heart earrings and a Fossil suite of pearlised shell necklace and matching bracelet in original branded tin. Location:If there is no condition report, please request
A quantity of costume jewellery to include a pair of 9ct Ciro pearl earrings, a string of Monet simulated grey and cream pearls, modern bead necklaces, an 18ct white gold plated shell pendant, a Scottish hard stone brooch and a tiger's eye brooch and a Celtic enamel brooch. Location:If there is no condition report, please request
A quantity of vintage costume jewellery, mainly bead necklaces and earrings to include a Monet simulated pearl necklace with gold tone clasp and another with a silver clasp, 2 Aurora Borealis necklaces, 1980's and other earrings, silver lockets, a silver gilt tennis bracelet with red and white crystals, a gold filled identity bracelet, a Swarovski wreath brooch with faux pearls, white crystals and black enamel style sections, a gold tone and enamel peacock brooch, a Masj bonnet brooch, a Scottish red agate brooch and a Cunard pin brooch. Location:If there is no condition report, please request
A selection of Costume Jewellery and other miscellaneous items;the costume jewellery includes; a Monet gold and silver tone chain with matching pair of earrings, a Monet black enamel gold tone necklace and an Exquisite paste stone gold tone brooch with matching pair of clip on earringsthe miscellaneous items include a dressing table hand mirror and silver plated tray
Silver belcher chain, costume jewellery includes Monet necklace and bracelet and 3 bracelet set, Lorus quartz watch, Franklin Mint filigree egg, Osprey pen set, compass, silver plate seba dishes, silver plate pheasants, duck, Labrador, peacock, horse and cart and donkey, posey holders, Marks models classic cars 'Off the beaten Track', 'The Farmers Friend', coal range rover, die-cast cars - wine gums, porsche 911, Lledo promotional evening news and Champion spark plug buses
A QUANTITY OF PICTURES AND PRINTS ETC, to include a George Clarke depiction of ships ate sunset, oil on board, approximate size 44cm x 90cm, a oil on board depiction of boats in a harbour at sunset signed Parkin, a watercolour of Poppies signed D. Edmonds, a George Fanshawe landscape of a poppies in a field, open edition prints of art by Van Gogh, Monet and Constable, vintage Tretchikoff print 'The Lost Orchid' - dust on the print surface underneath the glass, a print of HMS Victory by S. Francis Smitheman, assorted other prints and modern needlework pictures, Naval ship plaques for Pembroke, Bermuda and Corunna
Auguste Toulmouche (French, 1829 - 1890)Woman Dressing w/ DogOil on Board. Signed lower right.Sight Size: 24 x 20 in.Overall Framed Size: 29 x 25 in.Toulmouche was a successful genre painter who briefly mentored the young Claude Monet. He exhibited his work at The Salon from 1848 onwards, receiving numerous accolades, including a silver medal at the Salon of 1861 and a bronze medal at the 1878 Universal Exposition. The Salon, or rarely Paris Salon, beginning in 1725 was the official art exhibition of the Academie des Beaux-Arts in Paris, France. Between 1748-1890 it was the greatest annual or biannual art event in the Western world. From 1881 onward, it has been organized by the Societe des Artistes Francais.
A limited edition Halcyon Days enamels Box, to comprise a limited editions George Stubbs 'Self-Portrait on a Grey Hunter' (6/250), together with three other Halcyon Days of art subjects, comprising 'Still-Life with Blue Roses and Drapery'- Augustus John, another inspired by Monet and one other, all boxed, 'The Carousel' musical Box, two of horse scenes, a replica Bilston Box and one in the form of the Martin Behaim Globe, 9 in total (a lot)
Set of 9 original vintage art exhibition advertising posters. 1. Karsh A Birthday Celebration - An exhibition organised by the International Center of Photography, New York, and sponsored by Merill Lynch Europe Limited 25 February to 24 April 1988 at the Barbican Art Gallery, featuring a 1954 black and white photograph by an Armenian-Canadian photographer Yousuf Karsh (1908-2002) depicting an English actor and director Laurence Olivier in an elegant suit and tie holding a drink as he looks over his shoulder directly at the viewer. Good condition, folds, creasing, tears on edges, minor staining, pinholes. Country of issue: UK, designer: Yousuf Karsh, size (cm): 76x51, year of printing: 1988; 2. Turner: The Second Decade 1800-1810 exhibition at The Tate Gallery 10 January - 27 March 1989, featuring an artwork by Joseph Mallord William Turner (1775-1851) titled Kew Bridge c.1805, depicting a bridge over Thames river, with Brentford Eyot in the foreground and Strand-on-Green seen through the arches. Good condition, folds, minor creasing, pinholes, small paper losses on left corners and image. Country of issue: UK, designer: Unknown, size (cm): 76x51, year of printing: 1989; 3. Paint & Painting At The Tate Gallery London 9 June - 18 July 1982, an exhibition about colour and technique in painting and the artists' colourmen's trade. A Working Studio on the lawn with free, practical advice on watercolours, oils, acrylic, alkyds, brushes, grounds and media. - featuring a detail of Claude Monet Painting at the Edge of a Wood, c.1887 by John Singer Sargent. Produced by Richmond Towers Public Relations Ltd., London. Good condition, folds, creasing, pinholes, minor staining. Country of issue: UK, designer: Unknown, size (cm): 76x51, year of printing: 1982; 4. Victoria & Albert Museum British Art and Design 1900-1960 artwork exhibition presented with assistance from The Baring Foundation featuring a photograph of 'Mindlsave' a 1934 sculpture by Leon Underwood (1890-1975), a British artist, sculptor, printmaker, painter, an influential teacher and promoter of African art. Fair condition, folds, crease marks , tears on edges. Country of issue: UK, designer: , size (cm): 76x51, year of printing: 1983.; 5. What's new at the Victoria & Albert Museum? Spring 1987 featuring announcements of various art exhibitions - Art and Design in Europe and America 1800-1900, Towards a Bigger Picture: Contemporary British Photographs, Painters and The Derby China Works 1785-1848, Fashion Tracks Designer Clothes for the 1985 Pirelli Calendar, Hand Coloured British Prints - English Artists' Paper: Renaissance to Regency. Good condition, creasing, folds, pinholes. Country of issue: UK, designer: , size (cm): 76x51, year of printing: 1987.; 6. Romantic Lebanon The European View 1700-1900 An exhibition of oil paintings, watercolours, prints and photographs at Leighton House, London 10 February - 8 March 1986, featuring a stunning artwork depicting men gathered at the feet of an ancient building framed with mountains and trees. Good condition, folds, creasing. Country of issue: UK, designer: , size (cm): 76x51, year of printing: 1986.; 7. Four Rooms an Arts Council Exhibition at Liberty, London that took place February 10 - March 10 1984, devised by Howard Hodgkin, Marc Camille Chaimowicz, Richard Hamilton, Anthony Caro, featuring a collage of photographs by John Badminton depicting different rooms in the house. Good condition, folds, creasing. Country of issue: UK, designer: , size (cm): 76x51, year of printing: 1984.; 8. Studio Ceramics Today 25th Anniversary of the Craftsmen Potters Association of Great Britain 5 October until 27 November 1983 at the Victoria & Albert Museum, featuring a photograph of various pots, vases, bowls, jugs, plates on tables set over light background with colourful frame of symbols and signatures. Good condition, creasing, folds, pinholes. Country of issue: UK, designer: , size (cm): 76x51, year of printing: 1983.; 9. English pottery manufacturer and ceramic chemist Master Potter Bernard Moore (1850-1935) exhibition at Victoria & Albert Museum 15 December 1982 - 6 February 1983, featuring a photograph of a red flambe glaze vase. Good condition, creasing, folds, pinholes, tears on edges. Country of issue: UK, designer: , size (cm): 76x51, year of printing: 1983.
A quantity of mainly cultured pearl jewellery, to include a long string of grey pearls, green and cream pearls, blue tumbled stones interspersed with pearls, a carnelian glass bangle, amethyst nugget bracelet, Monet gold tone chain, amethyst briolette drop earrings, circular silver pendant with textured finish, 3cmD etc
A distinctive pair of commemorative souvenir spoons, each adorned with intricate relief work and Latin inscriptions. The first spoon features a sculpted handle with a shell-like finial and classical motifs, with the bowl inscribed with the phrases "Pro Deo Et Patria 1739" and "Monet Reipub," suggesting a connection to a republic’s monetary system. The second spoon, with a twisted handle and an elaborate key-shaped finial, bears the inscription "Post Tenebras Lux 21" and "Respublic Geneves," historically linked to Geneva and the Protestant Reformation. The combination of detailed engravings and decorative elements adds to their historical intrigue and collectible appeal. These spoons, rich in symbolic and historical significance, make an excellent addition to any collection of numismatic or commemorative artifacts. Largest spoon measures 4.75"L.Issued: c. 18th-20th centuryDimensions: See DescriptionCondition: Age related wear.
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4111 item(s)/page